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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE6D3E it is the complementary color #3192C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE6D3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE6D3E shade: #D36D39, #E47F4C, #F5915F, #FFA372 and #FFB585

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE6D3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE6D3E shade: #CE6D3E, #BD5B2B, #AC4918, #9B3705 and #8A2500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE6D3E shade: #CF6E3F, #CF473F and #CF3F3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE6D3E shade: #CF6E3F, #CF943F, #CFBB3F, #BBCF3F and #94CF3F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE6D3E shade matches the following richer shades: #CF6E3F, #E2672B and #F56018

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE6D3E shade: #CF6E3F, #BB7452, #A87B66, #948279 and #81898C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE6D3E shade: #CF3F5E, #CF463F, #CF6C3F, #CF933F and #CFB93F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE6D3E shade: #964A25, #B75A2D, #CF6E3F, #D78760 and #DFA081

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE6D3E shade: #CE6D3E, #84CF3F and #3F4BCF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE6D3E shade: #CE6D3E, #3FCF6C and #6C3FCF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE6D3E shade: #CE6D3E, #84CF3F, #3FA1CF and #893FCF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE6D3E shade: #CE6D3E, #59CF3F, #3FA1CF and #B43FCF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 70 / 19

HEX #CE6D3E

RGB 206 109 62

HSL 19.58, 0.6%, 0.53%

LAB 56.49, 34.61, 42.67

 

Complementary color

CMYK 75 / 24 / 0 / 24

HEX #3192C1

RGB 49 146 193

HSL 199.58, 0.6%, 0.47%

LAB 57.13, -12.15, -32.38

 

CMYK 0 / 48 / 73 / 17

HEX #D36D39

RGB 211 109 57

HSL 20.26, 0.64%, 0.53%

LAB 57.15, 36.35, 46.13

 

CMYK 0 / 44 / 67 / 11

HEX #E47F4C

RGB 228 127 76

HSL 20.13, 0.74%, 0.6%

LAB 63.5, 34.76, 44.22

 

CMYK 0 / 41 / 61 / 4

HEX #F5915F

RGB 245 145 95

HSL 20, 0.88%, 0.67%

LAB 69.82, 33.32, 42.39

 

CMYK 0 / 36 / 55 / 0

HEX #FFA372

RGB 255 163 114

HSL 20.85, 1%, 0.72%

LAB 75.25, 29.27, 39.45

 

CMYK 0 / 29 / 48 / 0

HEX #FFB585

RGB 255 181 133

HSL 23.61, 1%, 0.76%

LAB 79.61, 21.49, 35.1

 

CMYK 0 / 47 / 70 / 19

HEX #CE6D3E

RGB 206 109 62

HSL 19.58, 0.6%, 0.53%

LAB 56.49, 34.61, 42.67

 

CMYK 0 / 52 / 77 / 26

HEX #BD5B2B

RGB 189 91 43

HSL 19.73, 0.63%, 0.45%

LAB 50.07, 36.28, 44.63

 

CMYK 0 / 58 / 86 / 33

HEX #AC4918

RGB 172 73 24

HSL 19.86, 0.76%, 0.38%

LAB 43.66, 38.06, 46.33

 

CMYK 0 / 65 / 97 / 39

HEX #9B3705

RGB 155 55 5

HSL 20, 0.94%, 0.31%

LAB 37.32, 39.84, 47.03

 

CMYK 0 / 73 / 100 / 46

HEX #8A2500

RGB 138 37 0

HSL 16.09, 1%, 0.27%

LAB 31.18, 41.37, 43.58

 

CMYK 0 / 47 / 70 / 19

HEX #CF6E3F

RGB 207 110 63

HSL 19.58, 0.6%, 0.53%

LAB 56.86, 34.54, 42.6

 

CMYK 0 / 66 / 70 / 19

HEX #CF473F

RGB 207 71 63

HSL 3.33, 0.6%, 0.53%

LAB 49.65, 53.16, 34.32

 

CMYK 0 / 70 / 70 / 19

HEX #CF3F3F

RGB 207 63 63

HSL 0, 0.6%, 0.53%

LAB 48.49, 56.34, 32.93

 

CMYK 0 / 47 / 70 / 19

HEX #CF6E3F

RGB 207 110 63

HSL 19.58, 0.6%, 0.53%

LAB 56.86, 34.54, 42.6

 

CMYK 0 / 29 / 70 / 19

HEX #CF943F

RGB 207 148 63

HSL 35.42, 0.6%, 0.53%

LAB 65.6, 14.1, 52.11

 

CMYK 0 / 10 / 70 / 19

HEX #CFBB3F

RGB 207 187 63

HSL 51.67, 0.6%, 0.53%

LAB 75.55, -6.67, 62.36

 

CMYK 10 / 0 / 70 / 19

HEX #BBCF3F

RGB 187 207 63

HSL 68.33, 0.6%, 0.53%

LAB 79.36, -25.1, 65.62

 

CMYK 29 / 0 / 70 / 19

HEX #94CF3F

RGB 148 207 63

HSL 84.58, 0.6%, 0.53%

LAB 76.85, -40.39, 62.28

 

CMYK 0 / 47 / 70 / 19

HEX #CF6E3F

RGB 207 110 63

HSL 19.58, 0.6%, 0.53%

LAB 56.86, 34.54, 42.6

 

CMYK 0 / 54 / 81 / 11

HEX #E2672B

RGB 226 103 43

HSL 19.67, 0.76%, 0.53%

LAB 58.08, 44.63, 54.33

 

CMYK 0 / 61 / 90 / 4

HEX #F56018

RGB 245 96 24

HSL 19.55, 0.92%, 0.53%

LAB 59.75, 54.35, 63.98

 

CMYK 0 / 47 / 70 / 19

HEX #CF6E3F

RGB 207 110 63

HSL 19.58, 0.6%, 0.53%

LAB 56.86, 34.54, 42.6

 

CMYK 0 / 38 / 56 / 27

HEX #BB7452

RGB 187 116 82

HSL 19.43, 0.44%, 0.53%

LAB 55.75, 24.46, 30.39

 

CMYK 0 / 27 / 39 / 34

HEX #A87B66

RGB 168 123 102

HSL 19.09, 0.28%, 0.53%

LAB 55.53, 14.7, 18.35

 

CMYK 0 / 12 / 18 / 42

HEX #948279

RGB 148 130 121

HSL 20, 0.11%, 0.53%

LAB 55.73, 5.3, 7.37

 

CMYK 8 / 2 / 0 / 45

HEX #81898C

RGB 129 137 140

HSL 196.36, 0.05%, 0.53%

LAB 56.54, -2.3, -2.62

 

CMYK 0 / 70 / 55 / 19

HEX #CF3F5E

RGB 207 63 94

HSL 347.08, 0.6%, 0.53%

LAB 49.04, 58.29, 15.11

 

CMYK 0 / 66 / 70 / 19

HEX #CF463F

RGB 207 70 63

HSL 2.92, 0.6%, 0.53%

LAB 49.5, 53.57, 34.14

 

CMYK 0 / 48 / 70 / 19

HEX #CF6C3F

RGB 207 108 63

HSL 18.75, 0.6%, 0.53%

LAB 56.44, 35.58, 42.12

 

CMYK 0 / 29 / 70 / 19

HEX #CF933F

RGB 207 147 63

HSL 35, 0.6%, 0.53%

LAB 65.35, 14.64, 51.85

 

CMYK 0 / 11 / 70 / 19

HEX #CFB93F

RGB 207 185 63

HSL 50.83, 0.6%, 0.53%

LAB 75.03, -5.63, 61.83

 

CMYK 0 / 51 / 75 / 41

HEX #964A25

RGB 150 74 37

HSL 19.65, 0.6%, 0.37%

LAB 40.43, 29.09, 35.82

 

CMYK 0 / 51 / 75 / 28

HEX #B75A2D

RGB 183 90 45

HSL 19.57, 0.61%, 0.45%

LAB 48.97, 34.48, 42.22

 

CMYK 0 / 47 / 70 / 19

HEX #CF6E3F

RGB 207 110 63

HSL 19.58, 0.6%, 0.53%

LAB 56.86, 34.54, 42.6

 

CMYK 0 / 37 / 55 / 16

HEX #D78760

RGB 215 135 96

HSL 19.66, 0.6%, 0.61%

LAB 63.85, 26.72, 33.66

 

CMYK 0 / 28 / 42 / 13

HEX #DFA081

RGB 223 160 129

HSL 19.79, 0.59%, 0.69%

LAB 71.16, 19.62, 25.43

 

CMYK 0 / 47 / 70 / 19

HEX #CE6D3E

RGB 206 109 62

HSL 19.58, 0.6%, 0.53%

LAB 56.49, 34.61, 42.67

 

CMYK 36 / 0 / 70 / 19

HEX #84CF3F

RGB 132 207 63

HSL 91.25, 0.6%, 0.53%

LAB 76, -46.11, 61.14

 

CMYK 70 / 64 / 0 / 19

HEX #3F4BCF

RGB 63 75 207

HSL 235, 0.6%, 0.53%

LAB 38.89, 38.5, -69.55

 

CMYK 0 / 47 / 70 / 19

HEX #CE6D3E

RGB 206 109 62

HSL 19.58, 0.6%, 0.53%

LAB 56.49, 34.61, 42.67

 

CMYK 70 / 0 / 48 / 19

HEX #3FCF6C

RGB 63 207 108

HSL 138.75, 0.6%, 0.53%

LAB 74.04, -59.13, 38.26

 

CMYK 48 / 70 / 0 / 19

HEX #6C3FCF

RGB 108 63 207

HSL 258.75, 0.6%, 0.53%

LAB 40, 52.14, -67.6

 

CMYK 0 / 47 / 70 / 19

HEX #CE6D3E

RGB 206 109 62

HSL 19.58, 0.6%, 0.53%

LAB 56.49, 34.61, 42.67

 

CMYK 36 / 0 / 70 / 19

HEX #84CF3F

RGB 132 207 63

HSL 91.25, 0.6%, 0.53%

LAB 76, -46.11, 61.14

 

CMYK 70 / 22 / 0 / 19

HEX #3FA1CF

RGB 63 161 207

HSL 199.17, 0.6%, 0.53%

LAB 62.55, -13.77, -31.8

 

CMYK 34 / 70 / 0 / 19

HEX #893FCF

RGB 137 63 207

HSL 270.83, 0.6%, 0.53%

LAB 43.33, 57.46, -62.03

 

CMYK 0 / 47 / 70 / 19

HEX #CE6D3E

RGB 206 109 62

HSL 19.58, 0.6%, 0.53%

LAB 56.49, 34.61, 42.67

 

CMYK 57 / 0 / 70 / 19

HEX #59CF3F

RGB 89 207 63

HSL 109.17, 0.6%, 0.53%

LAB 74.26, -59.03, 58.79

 

CMYK 70 / 22 / 0 / 19

HEX #3FA1CF

RGB 63 161 207

HSL 199.17, 0.6%, 0.53%

LAB 62.55, -13.77, -31.8

 

CMYK 13 / 70 / 0 / 19

HEX #B43FCF

RGB 180 63 207

HSL 288.75, 0.6%, 0.53%

LAB 49.21, 66.27, -52.25

 

Description

Color code: HEX #CE6D3E | qconv.com Color code: HEX #CE6D3E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 109 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 109 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 70 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 70% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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