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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE6B7E it is the complementary color #319481. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE6B7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE6B7E shade: #D36B79, #E47D8C, #F58F9F, #FFA1B2 and #FFB3C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE6B7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE6B7E shade: #CE6B7E, #BD596B, #AC4758, #9B3545 and #8A2332

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE6B7E shade: #CD6A7D and #CD6A6A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE6B7E shade: #CD6A7D, #CD6A98, #CD6AB3, #CD6ACD and #B26ACD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE6B7E shade matches the following richer shades: #CD6A7D, #DD5A73, #ED4A69 and #FE3A5F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE6B7E shade: #CD6A7D, #BD7A87, #AD8A91, #9D9A9B and #8DAAA5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE6B7E shade: #CD6AB3, #CD6A98, #CD6A7E, #CD706A and #CD8B6A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE6B7E shade: #AB394F, #C34B62, #CD6A7D, #D88998 and #E2A8B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE6B7E shade: #CE6B7E, #CDCD6A and #6AA5CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE6B7E shade: #CE6B7E, #7ECD6A and #6A7ECD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE6B7E shade: #CE6B7E, #CDCD6A, #6ACDB9 and #6A6ACD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE6B7E shade: #CE6B7E, #AFCD6A, #6ACDB9 and #886ACD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 39 / 19

HEX #CE6B7E

RGB 206 107 126

HSL 348.48, 0.5%, 0.61%

LAB 57.22, 41.01, 7.51

 

Complementary color

CMYK 67 / 0 / 13 / 42

HEX #319481

RGB 49 148 129

HSL 168.48, 0.5%, 0.39%

LAB 55.5, -33.16, 1.7

 

CMYK 0 / 49 / 43 / 17

HEX #D36B79

RGB 211 107 121

HSL 351.92, 0.54%, 0.62%

LAB 57.79, 42.25, 11.34

 

CMYK 0 / 45 / 39 / 11

HEX #E47D8C

RGB 228 125 140

HSL 351.26, 0.66%, 0.69%

LAB 64.21, 41.26, 9.8

 

CMYK 0 / 42 / 35 / 4

HEX #F58F9F

RGB 245 143 159

HSL 350.59, 0.84%, 0.76%

LAB 70.57, 40.31, 8.45

 

CMYK 0 / 37 / 30 / 0

HEX #FFA1B2

RGB 255 161 178

HSL 349.15, 1%, 0.82%

LAB 76.05, 36.92, 5.97

 

CMYK 0 / 30 / 23 / 0

HEX #FFB3C5

RGB 255 179 197

HSL 345.79, 1%, 0.85%

LAB 80.48, 30.1, 2.03

 

CMYK 0 / 48 / 39 / 19

HEX #CE6B7E

RGB 206 107 126

HSL 348.48, 0.5%, 0.61%

LAB 57.22, 41.01, 7.51

 

CMYK 0 / 53 / 43 / 26

HEX #BD596B

RGB 189 89 107

HSL 349.2, 0.43%, 0.55%

LAB 50.72, 41.97, 9.16

 

CMYK 0 / 59 / 49 / 33

HEX #AC4758

RGB 172 71 88

HSL 349.9, 0.42%, 0.48%

LAB 44.21, 42.89, 11.16

 

CMYK 0 / 66 / 55 / 39

HEX #9B3545

RGB 155 53 69

HSL 350.59, 0.49%, 0.41%

LAB 37.74, 43.65, 13.65

 

CMYK 0 / 75 / 64 / 46

HEX #8A2332

RGB 138 35 50

HSL 351.26, 0.6%, 0.34%

LAB 31.43, 43.99, 16.86

 

CMYK 0 / 48 / 39 / 20

HEX #CD6A7D

RGB 205 106 125

HSL 348.48, 0.5%, 0.61%

LAB 56.85, 41.05, 7.55

 

CMYK 0 / 48 / 48 / 20

HEX #CD6A6A

RGB 205 106 106

HSL 0, 0.5%, 0.61%

LAB 56.41, 39.05, 18.02

 

CMYK 0 / 48 / 39 / 20

HEX #CD6A7D

RGB 205 106 125

HSL 348.48, 0.5%, 0.61%

LAB 56.85, 41.05, 7.55

 

CMYK 0 / 48 / 26 / 20

HEX #CD6A98

RGB 205 106 152

HSL 332.12, 0.5%, 0.61%

LAB 57.61, 44.47, -7.07

 

CMYK 0 / 48 / 13 / 20

HEX #CD6AB3

RGB 205 106 179

HSL 315.76, 0.5%, 0.61%

LAB 58.55, 48.52, -21.26

 

CMYK 0 / 48 / 0 / 20

HEX #CD6ACD

RGB 205 106 205

HSL 300, 0.5%, 0.61%

LAB 59.61, 52.95, -34.44

 

CMYK 13 / 48 / 0 / 20

HEX #B26ACD

RGB 178 106 205

HSL 283.64, 0.5%, 0.61%

LAB 56.27, 45.28, -39.92

 

CMYK 0 / 48 / 39 / 20

HEX #CD6A7D

RGB 205 106 125

HSL 348.48, 0.5%, 0.61%

LAB 56.85, 41.05, 7.55

 

CMYK 0 / 59 / 48 / 13

HEX #DD5A73

RGB 221 90 115

HSL 348.55, 0.66%, 0.61%

LAB 56.01, 53.27, 12.57

 

CMYK 0 / 69 / 56 / 7

HEX #ED4A69

RGB 237 74 105

HSL 348.59, 0.82%, 0.61%

LAB 56.01, 64.07, 18.88

 

CMYK 0 / 77 / 63 / 0

HEX #FE3A5F

RGB 254 58 95

HSL 348.67, 0.99%, 0.61%

LAB 57, 73.45, 26.64

 

CMYK 0 / 48 / 39 / 20

HEX #CD6A7D

RGB 205 106 125

HSL 348.48, 0.5%, 0.61%

LAB 56.85, 41.05, 7.55

 

CMYK 0 / 35 / 29 / 26

HEX #BD7A87

RGB 189 122 135

HSL 348.36, 0.34%, 0.61%

LAB 58.5, 27.88, 3.84

 

CMYK 0 / 20 / 16 / 32

HEX #AD8A91

RGB 173 138 145

HSL 348, 0.18%, 0.61%

LAB 60.87, 14.41, 1.33

 

CMYK 0 / 2 / 1 / 38

HEX #9D9A9B

RGB 157 154 155

HSL 340, 0.02%, 0.61%

LAB 63.87, 1.28, -0.14

 

CMYK 17 / 0 / 3 / 33

HEX #8DAAA5

RGB 141 170 165

HSL 169.66, 0.15%, 0.61%

LAB 67.37, -10.99, -0.76

 

CMYK 0 / 48 / 13 / 20

HEX #CD6AB3

RGB 205 106 179

HSL 315.76, 0.5%, 0.61%

LAB 58.55, 48.52, -21.26

 

CMYK 0 / 48 / 26 / 20

HEX #CD6A98

RGB 205 106 152

HSL 332.12, 0.5%, 0.61%

LAB 57.61, 44.47, -7.07

 

CMYK 0 / 48 / 39 / 20

HEX #CD6A7E

RGB 205 106 126

HSL 347.88, 0.5%, 0.61%

LAB 56.87, 41.16, 7.01

 

CMYK 0 / 45 / 48 / 20

HEX #CD706A

RGB 205 112 106

HSL 3.64, 0.5%, 0.61%

LAB 57.66, 35.93, 19.72

 

CMYK 0 / 32 / 48 / 20

HEX #CD8B6A

RGB 205 139 106

HSL 20, 0.5%, 0.61%

LAB 63.74, 21.4, 27.81

 

CMYK 0 / 67 / 54 / 33

HEX #AB394F

RGB 171 57 79

HSL 348.42, 0.5%, 0.45%

LAB 41.45, 48.11, 12.89

 

CMYK 0 / 62 / 50 / 24

HEX #C34B62

RGB 195 75 98

HSL 348.5, 0.5%, 0.53%

LAB 48.9, 49.84, 12.17

 

CMYK 0 / 48 / 39 / 20

HEX #CD6A7D

RGB 205 106 125

HSL 348.48, 0.5%, 0.61%

LAB 56.85, 41.05, 7.55

 

CMYK 0 / 37 / 30 / 15

HEX #D88998

RGB 216 137 152

HSL 348.61, 0.5%, 0.69%

LAB 65.56, 32.09, 4.73

 

CMYK 0 / 26 / 21 / 11

HEX #E2A8B3

RGB 226 168 179

HSL 348.62, 0.5%, 0.77%

LAB 74.46, 22.91, 2.72

 

CMYK 0 / 48 / 39 / 19

HEX #CE6B7E

RGB 206 107 126

HSL 348.48, 0.5%, 0.61%

LAB 57.22, 41.01, 7.51

 

CMYK 0 / 0 / 48 / 20

HEX #CDCD6A

RGB 205 205 106

HSL 60, 0.5%, 0.61%

LAB 80.56, -13.64, 48.85

 

CMYK 48 / 20 / 0 / 20

HEX #6AA5CD

RGB 106 165 205

HSL 204.24, 0.5%, 0.61%

LAB 65.26, -8.27, -26.36

 

CMYK 0 / 48 / 39 / 19

HEX #CE6B7E

RGB 206 107 126

HSL 348.48, 0.5%, 0.61%

LAB 57.22, 41.01, 7.51

 

CMYK 39 / 0 / 48 / 20

HEX #7ECD6A

RGB 126 205 106

HSL 107.88, 0.5%, 0.61%

LAB 75.54, -43.01, 41.58

 

CMYK 48 / 39 / 0 / 20

HEX #6A7ECD

RGB 106 126 205

HSL 227.88, 0.5%, 0.61%

LAB 54.44, 14.25, -43.24

 

CMYK 0 / 48 / 39 / 19

HEX #CE6B7E

RGB 206 107 126

HSL 348.48, 0.5%, 0.61%

LAB 57.22, 41.01, 7.51

 

CMYK 0 / 0 / 48 / 20

HEX #CDCD6A

RGB 205 205 106

HSL 60, 0.5%, 0.61%

LAB 80.56, -13.64, 48.85

 

CMYK 48 / 0 / 10 / 20

HEX #6ACDB9

RGB 106 205 185

HSL 167.88, 0.5%, 0.61%

LAB 76.21, -33.92, 1

 

CMYK 48 / 48 / 0 / 20

HEX #6A6ACD

RGB 106 106 205

HSL 240, 0.5%, 0.61%

LAB 49.23, 26.38, -51.53

 

CMYK 0 / 48 / 39 / 19

HEX #CE6B7E

RGB 206 107 126

HSL 348.48, 0.5%, 0.61%

LAB 57.22, 41.01, 7.51

 

CMYK 15 / 0 / 48 / 20

HEX #AFCD6A

RGB 175 205 106

HSL 78.18, 0.5%, 0.61%

LAB 78.36, -25.53, 45.67

 

CMYK 48 / 0 / 10 / 20

HEX #6ACDB9

RGB 106 205 185

HSL 167.88, 0.5%, 0.61%

LAB 76.21, -33.92, 1

 

CMYK 34 / 48 / 0 / 20

HEX #886ACD

RGB 136 106 205

HSL 258.18, 0.5%, 0.61%

LAB 51.78, 33.77, -47.31

 

Description

Color code: HEX #CE6B7E | qconv.com Color code: HEX #CE6B7E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 107 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 107 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 39 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 39% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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