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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE677A it is the complementary color #319885. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE677A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE677A shade: #D36775, #E47988, #F58B9B, #FF9DAE and #FFAFC1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE677A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE677A shade: #CE677A, #BD5567, #AC4354, #9B3141 and #8A1F2E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE677A shade: #CE697C and #CE6969

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE677A shade: #CE697C, #CE6997, #CE69B2, #CE69CE and #B469CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE677A shade matches the following richer shades: #CE697C, #DE5971, #EE4967 and #FF395D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE677A shade: #CE697C, #BE7986, #AE8990, #9E999A and #8EA9A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE677A shade: #CE69B3, #CE6998, #CE697D, #CE7069 and #CE8B69

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE677A shade: #AD384E, #C44A60, #CE697C, #D88897 and #E2A7B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE677A shade: #CE677A, #CECE69 and #69A6CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE677A shade: #CE677A, #7DCE69 and #697DCE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE677A shade: #CE677A, #CECE69, #69CEBA and #6969CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE677A shade: #CE677A, #B0CE69, #69CEBA and #8769CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 41 / 19

HEX #CE677A

RGB 206 103 122

HSL 348.93, 0.51%, 0.61%

LAB 56.31, 42.6, 8.57

 

Complementary color

CMYK 68 / 0 / 13 / 40

HEX #319885

RGB 49 152 133

HSL 168.93, 0.51%, 0.39%

LAB 56.88, -33.95, 1.43

 

CMYK 0 / 51 / 45 / 17

HEX #D36775

RGB 211 103 117

HSL 352.22, 0.55%, 0.62%

LAB 56.91, 43.85, 12.44

 

CMYK 0 / 47 / 40 / 11

HEX #E47988

RGB 228 121 136

HSL 351.59, 0.66%, 0.68%

LAB 63.3, 42.85, 10.8

 

CMYK 0 / 43 / 37 / 4

HEX #F58B9B

RGB 245 139 155

HSL 350.94, 0.84%, 0.75%

LAB 69.64, 41.89, 9.37

 

CMYK 0 / 38 / 32 / 0

HEX #FF9DAE

RGB 255 157 174

HSL 349.59, 1%, 0.81%

LAB 75.1, 38.49, 6.79

 

CMYK 0 / 31 / 24 / 0

HEX #FFAFC1

RGB 255 175 193

HSL 346.5, 1%, 0.84%

LAB 79.48, 31.64, 2.75

 

CMYK 0 / 50 / 41 / 19

HEX #CE677A

RGB 206 103 122

HSL 348.93, 0.51%, 0.61%

LAB 56.31, 42.6, 8.57

 

CMYK 0 / 55 / 46 / 26

HEX #BD5567

RGB 189 85 103

HSL 349.62, 0.44%, 0.54%

LAB 49.85, 43.55, 10.34

 

CMYK 0 / 61 / 51 / 33

HEX #AC4354

RGB 172 67 84

HSL 350.29, 0.44%, 0.47%

LAB 43.4, 44.42, 12.5

 

CMYK 0 / 68 / 58 / 39

HEX #9B3141

RGB 155 49 65

HSL 350.94, 0.52%, 0.4%

LAB 37.02, 45.06, 15.2

 

CMYK 0 / 78 / 67 / 46

HEX #8A1F2E

RGB 138 31 46

HSL 351.59, 0.63%, 0.33%

LAB 30.83, 45.18, 18.7

 

CMYK 0 / 49 / 40 / 19

HEX #CE697C

RGB 206 105 124

HSL 348.71, 0.51%, 0.61%

LAB 56.76, 41.8, 8.03

 

CMYK 0 / 49 / 49 / 19

HEX #CE6969

RGB 206 105 105

HSL 0, 0.51%, 0.61%

LAB 56.33, 39.84, 18.51

 

CMYK 0 / 49 / 40 / 19

HEX #CE697C

RGB 206 105 124

HSL 348.71, 0.51%, 0.61%

LAB 56.76, 41.8, 8.03

 

CMYK 0 / 49 / 27 / 19

HEX #CE6997

RGB 206 105 151

HSL 332.67, 0.51%, 0.61%

LAB 57.52, 45.17, -6.61

 

CMYK 0 / 49 / 14 / 19

HEX #CE69B2

RGB 206 105 178

HSL 316.63, 0.51%, 0.61%

LAB 58.45, 49.17, -20.82

 

CMYK 0 / 49 / 0 / 19

HEX #CE69CE

RGB 206 105 206

HSL 300, 0.51%, 0.61%

LAB 59.6, 53.9, -35.02

 

CMYK 13 / 49 / 0 / 19

HEX #B469CE

RGB 180 105 206

HSL 284.55, 0.51%, 0.61%

LAB 56.35, 46.58, -40.34

 

CMYK 0 / 49 / 40 / 19

HEX #CE697C

RGB 206 105 124

HSL 348.71, 0.51%, 0.61%

LAB 56.76, 41.8, 8.03

 

CMYK 0 / 60 / 49 / 13

HEX #DE5971

RGB 222 89 113

HSL 349.17, 0.67%, 0.61%

LAB 55.95, 53.87, 13.69

 

CMYK 0 / 69 / 57 / 7

HEX #EE4967

RGB 238 73 103

HSL 349.09, 0.83%, 0.61%

LAB 56.01, 64.59, 20.09

 

CMYK 0 / 78 / 64 / 0

HEX #FF395D

RGB 255 57 93

HSL 349.09, 1%, 0.61%

LAB 57.05, 73.89, 27.92

 

CMYK 0 / 49 / 40 / 19

HEX #CE697C

RGB 206 105 124

HSL 348.71, 0.51%, 0.61%

LAB 56.76, 41.8, 8.03

 

CMYK 0 / 36 / 29 / 25

HEX #BE7986

RGB 190 121 134

HSL 348.7, 0.35%, 0.61%

LAB 58.36, 28.67, 4.24

 

CMYK 0 / 21 / 17 / 32

HEX #AE8990

RGB 174 137 144

HSL 348.65, 0.19%, 0.61%

LAB 60.7, 15.19, 1.65

 

CMYK 0 / 3 / 3 / 38

HEX #9E999A

RGB 158 153 154

HSL 348, 0.03%, 0.61%

LAB 63.66, 2.01, 0.12

 

CMYK 16 / 0 / 3 / 34

HEX #8EA9A4

RGB 142 169 164

HSL 168.89, 0.14%, 0.61%

LAB 67.13, -10.33, -0.55

 

CMYK 0 / 49 / 13 / 19

HEX #CE69B3

RGB 206 105 179

HSL 316.04, 0.51%, 0.61%

LAB 58.49, 49.33, -21.34

 

CMYK 0 / 49 / 26 / 19

HEX #CE6998

RGB 206 105 152

HSL 332.08, 0.51%, 0.61%

LAB 57.55, 45.31, -7.15

 

CMYK 0 / 49 / 39 / 19

HEX #CE697D

RGB 206 105 125

HSL 348.12, 0.51%, 0.61%

LAB 56.79, 41.92, 7.49

 

CMYK 0 / 46 / 49 / 19

HEX #CE7069

RGB 206 112 105

HSL 4.16, 0.51%, 0.61%

LAB 57.78, 36.21, 20.47

 

CMYK 0 / 33 / 49 / 19

HEX #CE8B69

RGB 206 139 105

HSL 20.2, 0.51%, 0.61%

LAB 63.84, 21.71, 28.51

 

CMYK 0 / 68 / 55 / 32

HEX #AD384E

RGB 173 56 78

HSL 348.72, 0.51%, 0.45%

LAB 41.63, 49.1, 13.82

 

CMYK 0 / 62 / 51 / 23

HEX #C44A60

RGB 196 74 96

HSL 349.18, 0.51%, 0.53%

LAB 48.86, 50.44, 13.34

 

CMYK 0 / 49 / 40 / 19

HEX #CE697C

RGB 206 105 124

HSL 348.71, 0.51%, 0.61%

LAB 56.76, 41.8, 8.03

 

CMYK 0 / 37 / 30 / 15

HEX #D88897

RGB 216 136 151

HSL 348.75, 0.51%, 0.69%

LAB 65.31, 32.49, 4.94

 

CMYK 0 / 26 / 21 / 11

HEX #E2A7B2

RGB 226 167 178

HSL 348.81, 0.5%, 0.77%

LAB 74.2, 23.3, 2.9

 

CMYK 0 / 50 / 41 / 19

HEX #CE677A

RGB 206 103 122

HSL 348.93, 0.51%, 0.61%

LAB 56.31, 42.6, 8.57

 

CMYK 0 / 0 / 49 / 19

HEX #CECE69

RGB 206 206 105

HSL 60, 0.51%, 0.61%

LAB 80.9, -13.83, 49.75

 

CMYK 49 / 19 / 0 / 19

HEX #69A6CE

RGB 105 166 206

HSL 203.76, 0.51%, 0.61%

LAB 65.54, -8.77, -26.5

 

CMYK 0 / 50 / 41 / 19

HEX #CE677A

RGB 206 103 122

HSL 348.93, 0.51%, 0.61%

LAB 56.31, 42.6, 8.57

 

CMYK 39 / 0 / 49 / 19

HEX #7DCE69

RGB 125 206 105

HSL 108.12, 0.51%, 0.61%

LAB 75.78, -43.88, 42.35

 

CMYK 49 / 39 / 0 / 19

HEX #697DCE

RGB 105 125 206

HSL 228.12, 0.51%, 0.61%

LAB 54.16, 14.92, -44.25

 

CMYK 0 / 50 / 41 / 19

HEX #CE677A

RGB 206 103 122

HSL 348.93, 0.51%, 0.61%

LAB 56.31, 42.6, 8.57

 

CMYK 0 / 0 / 49 / 19

HEX #CECE69

RGB 206 206 105

HSL 60, 0.51%, 0.61%

LAB 80.9, -13.83, 49.75

 

CMYK 49 / 0 / 10 / 19

HEX #69CEBA

RGB 105 206 186

HSL 168.12, 0.51%, 0.61%

LAB 76.49, -34.38, 0.86

 

CMYK 49 / 49 / 0 / 19

HEX #6969CE

RGB 105 105 206

HSL 240, 0.51%, 0.61%

LAB 48.96, 27.07, -52.53

 

CMYK 0 / 50 / 41 / 19

HEX #CE677A

RGB 206 103 122

HSL 348.93, 0.51%, 0.61%

LAB 56.31, 42.6, 8.57

 

CMYK 15 / 0 / 49 / 19

HEX #B0CE69

RGB 176 206 105

HSL 77.82, 0.51%, 0.61%

LAB 78.69, -25.73, 46.58

 

CMYK 49 / 0 / 10 / 19

HEX #69CEBA

RGB 105 206 186

HSL 168.12, 0.51%, 0.61%

LAB 76.49, -34.38, 0.86

 

CMYK 34 / 49 / 0 / 19

HEX #8769CE

RGB 135 105 206

HSL 257.82, 0.51%, 0.61%

LAB 51.51, 34.36, -48.32

 

Description

Color code: HEX #CE677A | qconv.com Color code: HEX #CE677A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 103 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 103 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 41 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 41% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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