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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE6658 it is the complementary color #3199A7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE6658. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE6658 shade: #D36653, #E47866, #F58A79, #FF9C8C and #FFAE9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE6658. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE6658 shade: #CE6658, #BD5445, #AC4232, #9B301F and #8A1E0C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE6658 shade: #CF6759 and #CF5959

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE6658 shade: #CF6759, #CF8759, #CFA759, #CFC659 and #B8CF59

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE6658 shade matches the following richer shades: #CF6759, #E05A48 and #F14D36

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE6658 shade: #CF6759, #BD746A, #AC817C, #9B8F8D and #899C9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE6658 shade: #CF598A, #CF596B, #CF6759, #CF8659 and #CFA659

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE6658 shade: #A53E30, #C54A39, #CF6759, #D88479 and #E1A299

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE6658 shade: #CE6658, #A9CF59 and #597ACF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE6658 shade: #CE6658, #59CF67 and #6759CF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE6658 shade: #CE6658, #A9CF59, #59C1CF and #7E59CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE6658 shade: #CE6658, #86CF59, #59C1CF and #A259CF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 57 / 19

HEX #CE6658

RGB 206 102 88

HSL 7.12, 0.55%, 0.58%

LAB 55.41, 39.91, 27.1

 

Complementary color

CMYK 71 / 8 / 0 / 35

HEX #3199A7

RGB 49 153 167

HSL 187.12, 0.55%, 0.42%

LAB 58.25, -24.48, -15.92

 

CMYK 0 / 52 / 61 / 17

HEX #D36653

RGB 211 102 83

HSL 8.91, 0.59%, 0.58%

LAB 56.06, 41.43, 30.92

 

CMYK 0 / 47 / 55 / 11

HEX #E47866

RGB 228 120 102

HSL 8.57, 0.7%, 0.65%

LAB 62.41, 40.15, 28.86

 

CMYK 0 / 44 / 51 / 4

HEX #F58A79

RGB 245 138 121

HSL 8.23, 0.86%, 0.72%

LAB 68.73, 38.94, 27.03

 

CMYK 0 / 39 / 45 / 0

HEX #FF9C8C

RGB 255 156 140

HSL 8.35, 1%, 0.77%

LAB 74.15, 35.2, 24.11

 

CMYK 0 / 32 / 38 / 0

HEX #FFAE9F

RGB 255 174 159

HSL 9.38, 1%, 0.81%

LAB 78.48, 27.85, 19.74

 

CMYK 0 / 50 / 57 / 19

HEX #CE6658

RGB 206 102 88

HSL 7.12, 0.55%, 0.58%

LAB 55.41, 39.91, 27.1

 

CMYK 0 / 56 / 63 / 26

HEX #BD5445

RGB 189 84 69

HSL 7.5, 0.48%, 0.51%

LAB 48.99, 41.2, 29.37

 

CMYK 0 / 62 / 71 / 33

HEX #AC4232

RGB 172 66 50

HSL 7.87, 0.55%, 0.44%

LAB 42.61, 42.46, 32.02

 

CMYK 0 / 69 / 80 / 39

HEX #9B301F

RGB 155 48 31

HSL 8.23, 0.67%, 0.36%

LAB 36.33, 43.56, 35.04

 

CMYK 0 / 78 / 91 / 46

HEX #8A1E0C

RGB 138 30 12

HSL 8.57, 0.84%, 0.29%

LAB 30.3, 44.18, 38.02

 

CMYK 0 / 50 / 57 / 19

HEX #CF6759

RGB 207 103 89

HSL 7.12, 0.55%, 0.58%

LAB 55.77, 39.86, 27.02

 

CMYK 0 / 57 / 57 / 19

HEX #CF5959

RGB 207 89 89

HSL 0, 0.55%, 0.58%

LAB 53.09, 46.76, 23.53

 

CMYK 0 / 50 / 57 / 19

HEX #CF6759

RGB 207 103 89

HSL 7.12, 0.55%, 0.58%

LAB 55.77, 39.86, 27.02

 

CMYK 0 / 35 / 57 / 19

HEX #CF8759

RGB 207 135 89

HSL 23.39, 0.55%, 0.58%

LAB 62.77, 22.89, 35.87

 

CMYK 0 / 19 / 57 / 19

HEX #CFA759

RGB 207 167 89

HSL 39.66, 0.55%, 0.58%

LAB 70.61, 5.55, 45.34

 

CMYK 0 / 4 / 57 / 19

HEX #CFC659

RGB 207 198 89

HSL 55.42, 0.55%, 0.58%

LAB 78.68, -10.68, 54.64

 

CMYK 11 / 0 / 57 / 19

HEX #B8CF59

RGB 184 207 89

HSL 71.69, 0.55%, 0.58%

LAB 79.35, -24.54, 54.92

 

CMYK 0 / 50 / 57 / 19

HEX #CF6759

RGB 207 103 89

HSL 7.12, 0.55%, 0.58%

LAB 55.77, 39.86, 27.02

 

CMYK 0 / 60 / 68 / 12

HEX #E05A48

RGB 224 90 72

HSL 7.11, 0.71%, 0.58%

LAB 55.71, 51.2, 37.12

 

CMYK 0 / 68 / 78 / 5

HEX #F14D36

RGB 241 77 54

HSL 7.38, 0.87%, 0.58%

LAB 56.36, 61.52, 48.28

 

CMYK 0 / 50 / 57 / 19

HEX #CF6759

RGB 207 103 89

HSL 7.12, 0.55%, 0.58%

LAB 55.77, 39.86, 27.02

 

CMYK 0 / 39 / 44 / 26

HEX #BD746A

RGB 189 116 106

HSL 7.23, 0.39%, 0.58%

LAB 56.44, 27.57, 17.7

 

CMYK 0 / 25 / 28 / 33

HEX #AC817C

RGB 172 129 124

HSL 6.25, 0.22%, 0.58%

LAB 57.97, 15.84, 9.16

 

CMYK 0 / 8 / 9 / 39

HEX #9B8F8D

RGB 155 143 141

HSL 8.57, 0.07%, 0.58%

LAB 60.37, 4.09, 2.66

 

CMYK 13 / 1 / 0 / 38

HEX #899C9E

RGB 137 156 158

HSL 185.71, 0.1%, 0.58%

LAB 62.98, -6.26, -3.32

 

CMYK 0 / 57 / 33 / 19

HEX #CF598A

RGB 207 89 138

HSL 335.08, 0.55%, 0.58%

LAB 54.29, 51.6, -3.77

 

CMYK 0 / 57 / 48 / 19

HEX #CF596B

RGB 207 89 107

HSL 350.85, 0.55%, 0.58%

LAB 53.46, 48.28, 13.41

 

CMYK 0 / 50 / 57 / 19

HEX #CF6759

RGB 207 103 89

HSL 7.12, 0.55%, 0.58%

LAB 55.77, 39.86, 27.02

 

CMYK 0 / 35 / 57 / 19

HEX #CF8659

RGB 207 134 89

HSL 22.88, 0.55%, 0.58%

LAB 62.54, 23.44, 35.58

 

CMYK 0 / 20 / 57 / 19

HEX #CFA659

RGB 207 166 89

HSL 39.15, 0.55%, 0.58%

LAB 70.36, 6.09, 45.04

 

CMYK 0 / 62 / 71 / 35

HEX #A53E30

RGB 165 62 48

HSL 7.18, 0.55%, 0.42%

LAB 40.67, 41.67, 30.61

 

CMYK 0 / 62 / 71 / 23

HEX #C54A39

RGB 197 74 57

HSL 7.29, 0.55%, 0.5%

LAB 48.34, 48.13, 35.75

 

CMYK 0 / 50 / 57 / 19

HEX #CF6759

RGB 207 103 89

HSL 7.12, 0.55%, 0.58%

LAB 55.77, 39.86, 27.02

 

CMYK 0 / 39 / 44 / 15

HEX #D88479

RGB 216 132 121

HSL 6.95, 0.55%, 0.66%

LAB 63.74, 31.06, 19.68

 

CMYK 0 / 28 / 32 / 12

HEX #E1A299

RGB 225 162 153

HSL 7.5, 0.55%, 0.74%

LAB 72.33, 22.15, 13.94

 

CMYK 0 / 50 / 57 / 19

HEX #CE6658

RGB 206 102 88

HSL 7.12, 0.55%, 0.58%

LAB 55.41, 39.91, 27.1

 

CMYK 18 / 0 / 57 / 19

HEX #A9CF59

RGB 169 207 89

HSL 79.32, 0.55%, 0.58%

LAB 78.33, -30.43, 53.5

 

CMYK 57 / 41 / 0 / 19

HEX #597ACF

RGB 89 122 207

HSL 223.22, 0.55%, 0.58%

LAB 52.45, 13.53, -47.59

 

CMYK 0 / 50 / 57 / 19

HEX #CE6658

RGB 206 102 88

HSL 7.12, 0.55%, 0.58%

LAB 55.41, 39.91, 27.1

 

CMYK 57 / 0 / 50 / 19

HEX #59CF67

RGB 89 207 103

HSL 127.12, 0.55%, 0.58%

LAB 74.65, -54.6, 41.63

 

CMYK 50 / 57 / 0 / 19

HEX #6759CF

RGB 103 89 207

HSL 247.12, 0.55%, 0.58%

LAB 44.99, 36.62, -59.51

 

CMYK 0 / 50 / 57 / 19

HEX #CE6658

RGB 206 102 88

HSL 7.12, 0.55%, 0.58%

LAB 55.41, 39.91, 27.1

 

CMYK 18 / 0 / 57 / 19

HEX #A9CF59

RGB 169 207 89

HSL 79.32, 0.55%, 0.58%

LAB 78.33, -30.43, 53.5

 

CMYK 57 / 7 / 0 / 19

HEX #59C1CF

RGB 89 193 207

HSL 187.12, 0.55%, 0.58%

LAB 72.74, -25.99, -16.14

 

CMYK 39 / 57 / 0 / 19

HEX #7E59CF

RGB 126 89 207

HSL 258.81, 0.55%, 0.58%

LAB 47.09, 41.62, -56.02

 

CMYK 0 / 50 / 57 / 19

HEX #CE6658

RGB 206 102 88

HSL 7.12, 0.55%, 0.58%

LAB 55.41, 39.91, 27.1

 

CMYK 35 / 0 / 57 / 19

HEX #86CF59

RGB 134 207 89

HSL 97.12, 0.55%, 0.58%

LAB 76.32, -43.19, 50.66

 

CMYK 57 / 7 / 0 / 19

HEX #59C1CF

RGB 89 193 207

HSL 187.12, 0.55%, 0.58%

LAB 72.74, -25.99, -16.14

 

CMYK 22 / 57 / 0 / 19

HEX #A259CF

RGB 162 89 207

HSL 277.12, 0.55%, 0.58%

LAB 51.07, 50.32, -49.41

 

Description

Color code: HEX #CE6658 | qconv.com Color code: HEX #CE6658 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 102 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 102 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 57 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 57% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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