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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE6629 it is the complementary color #3199D6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE6629. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE6629 shade: #D36624, #E47837, #F58A4A, #FF9C5D and #FFAE70

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE6629. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE6629 shade: #CE6629, #BD5416, #AC4203, #9B3000 and #8A1E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE6629 shade: #CC6528, #CC3928 and #CC2828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE6629 shade: #CC6528, #CC9128, #CCBD28, #AFCC28 and #83CC28

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE6629 shade matches the following richer shades: #CC6528, #E06015 and #F45B01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE6629 shade: #CC6528, #B96A3C, #A56F50, #917564 and #7D7A78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE6629 shade: #CC2844, #CC3928, #CC6528, #CC9028 and #CCBC28

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE6629 shade: #88431B, #AA5422, #CC6528, #DA7B44 and #E19466

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE6629 shade: #CE6629, #6FCC28 and #282ECC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE6629 shade: #CE6629, #28CC65 and #6528CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE6629 shade: #CE6629, #6FCC28, #2890CC and #8528CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE6629 shade: #CE6629, #3ECC28, #2890CC and #B728CC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 80 / 19

HEX #CE6629

RGB 206 102 41

HSL 22.18, 0.67%, 0.48%

LAB 54.85, 37.32, 51.1

 

Complementary color

CMYK 77 / 29 / 0 / 16

HEX #3199D6

RGB 49 153 214

HSL 202.18, 0.67%, 0.52%

LAB 60.15, -8.75, -39.47

 

CMYK 0 / 52 / 83 / 17

HEX #D36624

RGB 211 102 36

HSL 22.63, 0.71%, 0.48%

LAB 55.56, 39.14, 54.14

 

CMYK 0 / 47 / 76 / 11

HEX #E47837

RGB 228 120 55

HSL 22.54, 0.76%, 0.55%

LAB 61.83, 37.35, 52.69

 

CMYK 0 / 44 / 70 / 4

HEX #F58A4A

RGB 245 138 74

HSL 22.46, 0.9%, 0.63%

LAB 68.08, 35.69, 50.98

 

CMYK 0 / 39 / 64 / 0

HEX #FF9C5D

RGB 255 156 93

HSL 23.33, 1%, 0.68%

LAB 73.43, 31.43, 48.01

 

CMYK 0 / 32 / 56 / 0

HEX #FFAE70

RGB 255 174 112

HSL 26.01, 1%, 0.72%

LAB 77.7, 23.37, 43.52

 

CMYK 0 / 50 / 80 / 19

HEX #CE6629

RGB 206 102 41

HSL 22.18, 0.67%, 0.48%

LAB 54.85, 37.32, 51.1

 

CMYK 0 / 56 / 88 / 26

HEX #BD5416

RGB 189 84 22

HSL 22.28, 0.79%, 0.41%

LAB 48.53, 39.19, 52.22

 

CMYK 0 / 62 / 98 / 33

HEX #AC4203

RGB 172 66 3

HSL 22.37, 0.97%, 0.34%

LAB 42.27, 41.09, 52.18

 

CMYK 0 / 69 / 100 / 39

HEX #9B3000

RGB 155 48 0

HSL 18.58, 1%, 0.3%

LAB 36.14, 42.87, 48.23

 

CMYK 0 / 78 / 100 / 46

HEX #8A1E00

RGB 138 30 0

HSL 13.04, 1%, 0.27%

LAB 30.23, 43.97, 42.9

 

CMYK 0 / 50 / 80 / 20

HEX #CC6528

RGB 204 101 40

HSL 22.32, 0.67%, 0.48%

LAB 54.34, 37, 50.95

 

CMYK 0 / 72 / 80 / 20

HEX #CC3928

RGB 204 57 40

HSL 6.22, 0.67%, 0.48%

LAB 46.87, 56.69, 43.78

 

CMYK 0 / 80 / 80 / 20

HEX #CC2828

RGB 204 40 40

HSL 0, 0.67%, 0.48%

LAB 44.95, 62.03, 41.89

 

CMYK 0 / 50 / 80 / 20

HEX #CC6528

RGB 204 101 40

HSL 22.32, 0.67%, 0.48%

LAB 54.34, 37, 50.95

 

CMYK 0 / 29 / 80 / 20

HEX #CC9128

RGB 204 145 40

HSL 38.41, 0.67%, 0.48%

LAB 64.36, 13.42, 60.15

 

CMYK 0 / 7 / 80 / 20

HEX #CCBD28

RGB 204 189 40

HSL 54.51, 0.67%, 0.48%

LAB 75.69, -9.95, 70.17

 

CMYK 14 / 0 / 80 / 20

HEX #AFCC28

RGB 175 204 40

HSL 70.61, 0.67%, 0.48%

LAB 77.55, -29.62, 70.93

 

CMYK 36 / 0 / 80 / 20

HEX #83CC28

RGB 131 204 40

HSL 86.71, 0.67%, 0.48%

LAB 74.93, -46.52, 67.6

 

CMYK 0 / 50 / 80 / 20

HEX #CC6528

RGB 204 101 40

HSL 22.32, 0.67%, 0.48%

LAB 54.34, 37, 50.95

 

CMYK 0 / 57 / 91 / 12

HEX #E06015

RGB 224 96 21

HSL 22.17, 0.83%, 0.48%

LAB 56.35, 46.71, 60.88

 

CMYK 0 / 63 / 100 / 4

HEX #F45B01

RGB 244 91 1

HSL 22.22, 0.99%, 0.48%

LAB 58.71, 55.93, 68.26

 

CMYK 0 / 50 / 80 / 20

HEX #CC6528

RGB 204 101 40

HSL 22.32, 0.67%, 0.48%

LAB 54.34, 37, 50.95

 

CMYK 0 / 43 / 68 / 27

HEX #B96A3C

RGB 185 106 60

HSL 22.08, 0.51%, 0.48%

LAB 52.89, 27.53, 38.85

 

CMYK 0 / 33 / 52 / 35

HEX #A56F50

RGB 165 111 80

HSL 21.88, 0.35%, 0.48%

LAB 51.78, 17.84, 25.89

 

CMYK 0 / 19 / 31 / 43

HEX #917564

RGB 145 117 100

HSL 22.67, 0.18%, 0.48%

LAB 51.45, 8.32, 13.51

 

CMYK 0 / 2 / 4 / 51

HEX #7D7A78

RGB 125 122 120

HSL 24, 0.02%, 0.48%

LAB 51.42, 0.75, 1.49

 

CMYK 0 / 80 / 67 / 20

HEX #CC2844

RGB 204 40 68

HSL 349.76, 0.67%, 0.48%

LAB 45.32, 63.16, 25.94

 

CMYK 0 / 72 / 80 / 20

HEX #CC3928

RGB 204 57 40

HSL 6.22, 0.67%, 0.48%

LAB 46.87, 56.69, 43.78

 

CMYK 0 / 50 / 80 / 20

HEX #CC6528

RGB 204 101 40

HSL 22.32, 0.67%, 0.48%

LAB 54.34, 37, 50.95

 

CMYK 0 / 29 / 80 / 20

HEX #CC9028

RGB 204 144 40

HSL 38.05, 0.67%, 0.48%

LAB 64.11, 13.96, 59.93

 

CMYK 0 / 8 / 80 / 20

HEX #CCBC28

RGB 204 188 40

HSL 54.15, 0.67%, 0.48%

LAB 75.42, -9.44, 69.94

 

CMYK 0 / 51 / 80 / 47

HEX #88431B

RGB 136 67 27

HSL 22.02, 0.67%, 0.32%

LAB 36.61, 26.55, 36.35

 

CMYK 0 / 51 / 80 / 33

HEX #AA5422

RGB 170 84 34

HSL 22.06, 0.67%, 0.4%

LAB 45.64, 31.9, 43.58

 

CMYK 0 / 50 / 80 / 20

HEX #CC6528

RGB 204 101 40

HSL 22.32, 0.67%, 0.48%

LAB 54.34, 37, 50.95

 

CMYK 0 / 44 / 69 / 15

HEX #DA7B44

RGB 218 123 68

HSL 22, 0.67%, 0.56%

LAB 61.21, 32.41, 45.33

 

CMYK 0 / 34 / 55 / 12

HEX #E19466

RGB 225 148 102

HSL 22.44, 0.67%, 0.64%

LAB 68.13, 24.28, 36.08

 

CMYK 0 / 50 / 80 / 19

HEX #CE6629

RGB 206 102 41

HSL 22.18, 0.67%, 0.48%

LAB 54.85, 37.32, 51.1

 

CMYK 46 / 0 / 80 / 20

HEX #6FCC28

RGB 111 204 40

HSL 94.02, 0.67%, 0.48%

LAB 74.01, -53.19, 66.42

 

CMYK 80 / 77 / 0 / 20

HEX #282ECC

RGB 40 46 204

HSL 237.8, 0.67%, 0.48%

LAB 31.27, 52.23, -80.41

 

CMYK 0 / 50 / 80 / 19

HEX #CE6629

RGB 206 102 41

HSL 22.18, 0.67%, 0.48%

LAB 54.85, 37.32, 51.1

 

CMYK 80 / 0 / 50 / 20

HEX #28CC65

RGB 40 204 101

HSL 142.32, 0.67%, 0.48%

LAB 72.61, -62.37, 39.84

 

CMYK 50 / 80 / 0 / 20

HEX #6528CC

RGB 101 40 204

HSL 262.32, 0.67%, 0.48%

LAB 35.29, 60.77, -73.6

 

CMYK 0 / 50 / 80 / 19

HEX #CE6629

RGB 206 102 41

HSL 22.18, 0.67%, 0.48%

LAB 54.85, 37.32, 51.1

 

CMYK 46 / 0 / 80 / 20

HEX #6FCC28

RGB 111 204 40

HSL 94.02, 0.67%, 0.48%

LAB 74.01, -53.19, 66.42

 

CMYK 80 / 29 / 0 / 20

HEX #2890CC

RGB 40 144 204

HSL 201.95, 0.67%, 0.48%

LAB 56.84, -8.14, -39.07

 

CMYK 35 / 80 / 0 / 20

HEX #8528CC

RGB 133 40 204

HSL 274.02, 0.67%, 0.48%

LAB 39.35, 65.27, -66.79

 

CMYK 0 / 50 / 80 / 19

HEX #CE6629

RGB 206 102 41

HSL 22.18, 0.67%, 0.48%

LAB 54.85, 37.32, 51.1

 

CMYK 70 / 0 / 80 / 20

HEX #3ECC28

RGB 62 204 40

HSL 111.95, 0.67%, 0.48%

LAB 72.47, -65.47, 64.43

 

CMYK 80 / 29 / 0 / 20

HEX #2890CC

RGB 40 144 204

HSL 201.95, 0.67%, 0.48%

LAB 56.84, -8.14, -39.07

 

CMYK 10 / 80 / 0 / 20

HEX #B728CC

RGB 183 40 204

HSL 292.32, 0.67%, 0.48%

LAB 46.9, 73.73, -54.2

 

Description

Color code: HEX #CE6629 | qconv.com Color code: HEX #CE6629 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 102 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 102 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 80 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 80% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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