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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE64B5 it is the complementary color #319B4A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE64B5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE64B5 shade: #D364B0, #E476C3, #F588D6, #FF9AE9 and #FFACFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE64B5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE64B5 shade: #CE64B5, #BD52A2, #AC408F, #9B2E7C and #8A1C69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE64B5 shade: #CE64B5, #CE6498, #CE647C and #CE6464

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE64B5 shade: #CE64B5, #CA64CE, #AE64CE, #9164CE and #7564CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE64B5 shade matches the following richer shades: #CE64B5, #DF53BE and #EF43C6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE64B5 shade: #CE64B5, #BE74AC, #AD85A4, #9D959B and #8CA692

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE64B5 shade: #AE64CE, #CB64CE, #CE64B5, #CE6499 and #CE647D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE64B5 shade: #AA368E, #C445A6, #CE64B5, #D883C4 and #E2A3D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE64B5 shade: #CE64B5, #CE9264 and #64CEBC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE64B5 shade: #CE64B5, #B5CE64 and #64B5CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE64B5 shade: #CE64B5, #CE9264, #64CE7D and #64A0CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE64B5 shade: #CE64B5, #CEB264, #64CE7D and #6480CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 12 / 19

HEX #CE64B5

RGB 206 100 181

HSL 314.15, 0.52%, 0.6%

LAB 57.63, 52.11, -23.81

 

Complementary color

CMYK 68 / 0 / 52 / 39

HEX #319B4A

RGB 49 155 74

HSL 134.15, 0.52%, 0.4%

LAB 56.67, -47.79, 33.66

 

CMYK 0 / 53 / 17 / 17

HEX #D364B0

RGB 211 100 176

HSL 318.92, 0.56%, 0.61%

LAB 58.13, 52.84, -20.1

 

CMYK 0 / 48 / 14 / 11

HEX #E476C3

RGB 228 118 195

HSL 318, 0.67%, 0.68%

LAB 64.48, 52.18, -21.04

 

CMYK 0 / 44 / 13 / 4

HEX #F588D6

RGB 245 136 214

HSL 317.06, 0.84%, 0.75%

LAB 70.79, 51.48, -21.84

 

CMYK 0 / 40 / 9 / 0

HEX #FF9AE9

RGB 255 154 233

HSL 313.07, 1%, 0.8%

LAB 76.23, 48.58, -23.86

 

CMYK 0 / 33 / 1 / 0

HEX #FFACFC

RGB 255 172 252

HSL 302.17, 1%, 0.84%

LAB 80.62, 42.59, -27.41

 

CMYK 0 / 51 / 12 / 19

HEX #CE64B5

RGB 206 100 181

HSL 314.15, 0.52%, 0.6%

LAB 57.63, 52.11, -23.81

 

CMYK 0 / 57 / 14 / 26

HEX #BD52A2

RGB 189 82 162

HSL 315.14, 0.45%, 0.53%

LAB 51.22, 52.65, -22.82

 

CMYK 0 / 63 / 17 / 33

HEX #AC408F

RGB 172 64 143

HSL 316.11, 0.46%, 0.46%

LAB 44.83, 52.97, -21.57

 

CMYK 0 / 70 / 20 / 39

HEX #9B2E7C

RGB 155 46 124

HSL 317.06, 0.54%, 0.39%

LAB 38.51, 52.87, -19.92

 

CMYK 0 / 80 / 24 / 46

HEX #8A1C69

RGB 138 28 105

HSL 318, 0.66%, 0.33%

LAB 32.38, 52.01, -17.67

 

CMYK 0 / 51 / 12 / 19

HEX #CE64B5

RGB 206 100 181

HSL 314.15, 0.52%, 0.6%

LAB 57.63, 52.11, -23.81

 

CMYK 0 / 51 / 26 / 19

HEX #CE6498

RGB 206 100 152

HSL 330.57, 0.52%, 0.6%

LAB 56.59, 47.8, -8.58

 

CMYK 0 / 51 / 40 / 19

HEX #CE647C

RGB 206 100 124

HSL 346.42, 0.52%, 0.6%

LAB 55.78, 44.32, 6.63

 

CMYK 0 / 51 / 51 / 19

HEX #CE6464

RGB 206 100 100

HSL 0, 0.52%, 0.6%

LAB 55.23, 41.92, 19.93

 

CMYK 0 / 51 / 12 / 19

HEX #CE64B5

RGB 206 100 181

HSL 314.15, 0.52%, 0.6%

LAB 57.63, 52.11, -23.81

 

CMYK 2 / 51 / 0 / 19

HEX #CA64CE

RGB 202 100 206

HSL 297.74, 0.52%, 0.6%

LAB 58.16, 55.22, -37.31

 

CMYK 16 / 51 / 0 / 19

HEX #AE64CE

RGB 174 100 206

HSL 281.89, 0.52%, 0.6%

LAB 54.63, 47.54, -43.11

 

CMYK 30 / 51 / 0 / 19

HEX #9164CE

RGB 145 100 206

HSL 265.47, 0.52%, 0.6%

LAB 51.37, 39.81, -48.48

 

CMYK 43 / 51 / 0 / 19

HEX #7564CE

RGB 117 100 206

HSL 249.62, 0.52%, 0.6%

LAB 48.7, 32.85, -52.89

 

CMYK 0 / 51 / 12 / 19

HEX #CE64B5

RGB 206 100 181

HSL 314.15, 0.52%, 0.6%

LAB 57.63, 52.11, -23.81

 

CMYK 0 / 63 / 15 / 13

HEX #DF53BE

RGB 223 83 190

HSL 314.14, 0.69%, 0.6%

LAB 57.65, 65.85, -28.75

 

CMYK 0 / 72 / 17 / 6

HEX #EF43C6

RGB 239 67 198

HSL 314.3, 0.84%, 0.6%

LAB 58.45, 76.69, -31.88

 

CMYK 0 / 51 / 12 / 19

HEX #CE64B5

RGB 206 100 181

HSL 314.15, 0.52%, 0.6%

LAB 57.63, 52.11, -23.81

 

CMYK 0 / 39 / 9 / 25

HEX #BE74AC

RGB 190 116 172

HSL 314.59, 0.36%, 0.6%

LAB 58.43, 37.31, -17.59

 

CMYK 0 / 23 / 5 / 32

HEX #AD85A4

RGB 173 133 164

HSL 313.5, 0.2%, 0.6%

LAB 60.19, 20.57, -10.53

 

CMYK 0 / 5 / 1 / 38

HEX #9D959B

RGB 157 149 155

HSL 315, 0.04%, 0.6%

LAB 62.53, 4.07, -2.11

 

CMYK 16 / 0 / 12 / 35

HEX #8CA692

RGB 140 166 146

HSL 133.85, 0.13%, 0.6%

LAB 65.69, -13.04, 7.36

 

CMYK 16 / 51 / 0 / 19

HEX #AE64CE

RGB 174 100 206

HSL 281.89, 0.52%, 0.6%

LAB 54.63, 47.54, -43.11

 

CMYK 1 / 51 / 0 / 19

HEX #CB64CE

RGB 203 100 206

HSL 298.3, 0.52%, 0.6%

LAB 58.29, 55.5, -37.09

 

CMYK 0 / 51 / 12 / 19

HEX #CE64B5

RGB 206 100 181

HSL 314.15, 0.52%, 0.6%

LAB 57.63, 52.11, -23.81

 

CMYK 0 / 51 / 26 / 19

HEX #CE6499

RGB 206 100 153

HSL 330, 0.52%, 0.6%

LAB 56.62, 47.94, -9.12

 

CMYK 0 / 51 / 39 / 19

HEX #CE647D

RGB 206 100 125

HSL 345.85, 0.52%, 0.6%

LAB 55.8, 44.44, 6.08

 

CMYK 0 / 68 / 16 / 33

HEX #AA368E

RGB 170 54 142

HSL 314.48, 0.52%, 0.44%

LAB 42.97, 56.4, -23.86

 

CMYK 0 / 65 / 15 / 23

HEX #C445A6

RGB 196 69 166

HSL 314.17, 0.52%, 0.52%

LAB 50.39, 60.87, -26.37

 

CMYK 0 / 51 / 12 / 19

HEX #CE64B5

RGB 206 100 181

HSL 314.15, 0.52%, 0.6%

LAB 57.63, 52.11, -23.81

 

CMYK 0 / 39 / 9 / 15

HEX #D883C4

RGB 216 131 196

HSL 314.12, 0.52%, 0.68%

LAB 65.61, 41.95, -20.02

 

CMYK 0 / 28 / 7 / 11

HEX #E2A3D3

RGB 226 163 211

HSL 314.29, 0.52%, 0.76%

LAB 74.23, 30.78, -15.17

 

CMYK 0 / 51 / 12 / 19

HEX #CE64B5

RGB 206 100 181

HSL 314.15, 0.52%, 0.6%

LAB 57.63, 52.11, -23.81

 

CMYK 0 / 29 / 51 / 19

HEX #CE9264

RGB 206 146 100

HSL 26.04, 0.52%, 0.6%

LAB 65.44, 17.43, 33.28

 

CMYK 51 / 0 / 9 / 19

HEX #64CEBC

RGB 100 206 188

HSL 169.81, 0.52%, 0.6%

LAB 76.36, -35.01, -0.42

 

CMYK 0 / 51 / 12 / 19

HEX #CE64B5

RGB 206 100 181

HSL 314.15, 0.52%, 0.6%

LAB 57.63, 52.11, -23.81

 

CMYK 12 / 0 / 51 / 19

HEX #B5CE64

RGB 181 206 100

HSL 74.15, 0.52%, 0.6%

LAB 78.98, -24.27, 49.38

 

CMYK 51 / 12 / 0 / 19

HEX #64B5CE

RGB 100 181 206

HSL 194.15, 0.52%, 0.6%

LAB 69.62, -17.92, -20.28

 

CMYK 0 / 51 / 12 / 19

HEX #CE64B5

RGB 206 100 181

HSL 314.15, 0.52%, 0.6%

LAB 57.63, 52.11, -23.81

 

CMYK 0 / 29 / 51 / 19

HEX #CE9264

RGB 206 146 100

HSL 26.04, 0.52%, 0.6%

LAB 65.44, 17.43, 33.28

 

CMYK 51 / 0 / 39 / 19

HEX #64CE7D

RGB 100 206 125

HSL 134.15, 0.52%, 0.6%

LAB 75.03, -48.11, 31.16

 

CMYK 51 / 22 / 0 / 19

HEX #64A0CE

RGB 100 160 206

HSL 206.04, 0.52%, 0.6%

LAB 63.6, -6.61, -29.51

 

CMYK 0 / 51 / 12 / 19

HEX #CE64B5

RGB 206 100 181

HSL 314.15, 0.52%, 0.6%

LAB 57.63, 52.11, -23.81

 

CMYK 0 / 14 / 51 / 19

HEX #CEB264

RGB 206 178 100

HSL 44.15, 0.52%, 0.6%

LAB 73.47, 0.19, 43.26

 

CMYK 51 / 0 / 39 / 19

HEX #64CE7D

RGB 100 206 125

HSL 134.15, 0.52%, 0.6%

LAB 75.03, -48.11, 31.16

 

CMYK 51 / 38 / 0 / 19

HEX #6480CE

RGB 100 128 206

HSL 224.15, 0.52%, 0.6%

LAB 54.66, 11.96, -43.48

 

Description

Color code: HEX #CE64B5 | qconv.com Color code: HEX #CE64B5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 100 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 100 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 12 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 12% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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