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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE6438 it is the complementary color #319BC7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE6438. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE6438 shade: #D36433, #E47646, #F58859, #FF9A6C and #FFAC7F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE6438. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE6438 shade: #CE6438, #BD5225, #AC4012, #9B2E00 and #8A1C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE6438 shade: #CD6337, #CD3B37 and #CD3737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE6438 shade: #CD6337, #CD8B37, #CDB437, #BECD37 and #95CD37

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE6438 shade matches the following richer shades: #CD6337, #E15B23 and #F5520F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE6438 shade: #CD6337, #B96B4B, #A57460, #907C74 and #7C8488

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE6438 shade: #CD375D, #CD3A37, #CD6237, #CD8A37 and #CDB237

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE6438 shade: #8E4324, #AF522C, #CD6337, #D57D58 and #DE9779

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE6438 shade: #CE6438, #85CD37 and #3749CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE6438 shade: #CE6438, #37CD62 and #6237CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE6438 shade: #CE6438, #85CD37, #37A3CD and #8037CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE6438 shade: #CE6438, #58CD37, #37A3CD and #AD37CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 73 / 19

HEX #CE6438

RGB 206 100 56

HSL 17.6, 0.6%, 0.51%

LAB 54.58, 38.94, 43.64

 

Complementary color

CMYK 75 / 22 / 0 / 22

HEX #319BC7

RGB 49 155 199

HSL 197.6, 0.6%, 0.49%

LAB 60.09, -15.05, -31.18

 

CMYK 0 / 53 / 76 / 17

HEX #D36433

RGB 211 100 51

HSL 18.38, 0.65%, 0.51%

LAB 55.28, 40.66, 47.12

 

CMYK 0 / 48 / 69 / 11

HEX #E47646

RGB 228 118 70

HSL 18.23, 0.75%, 0.58%

LAB 61.56, 39.06, 45.09

 

CMYK 0 / 44 / 64 / 4

HEX #F58859

RGB 245 136 89

HSL 18.08, 0.89%, 0.65%

LAB 67.83, 37.56, 43.13

 

CMYK 0 / 40 / 58 / 0

HEX #FF9A6C

RGB 255 154 108

HSL 18.78, 1%, 0.71%

LAB 73.19, 33.48, 40.02

 

CMYK 0 / 33 / 50 / 0

HEX #FFAC7F

RGB 255 172 127

HSL 21.09, 1%, 0.75%

LAB 77.46, 25.66, 35.45

 

CMYK 0 / 51 / 73 / 19

HEX #CE6438

RGB 206 100 56

HSL 17.6, 0.6%, 0.51%

LAB 54.58, 38.94, 43.64

 

CMYK 0 / 57 / 80 / 26

HEX #BD5225

RGB 189 82 37

HSL 17.76, 0.67%, 0.44%

LAB 48.24, 40.59, 45.72

 

CMYK 0 / 63 / 90 / 33

HEX #AC4012

RGB 172 64 18

HSL 17.92, 0.81%, 0.37%

LAB 41.97, 42.25, 47.34

 

CMYK 0 / 70 / 100 / 39

HEX #9B2E00

RGB 155 46 0

HSL 17.81, 1%, 0.3%

LAB 35.83, 43.71, 48.08

 

CMYK 0 / 80 / 100 / 46

HEX #8A1C00

RGB 138 28 0

HSL 12.17, 1%, 0.27%

LAB 29.99, 44.64, 42.72

 

CMYK 0 / 52 / 73 / 20

HEX #CD6337

RGB 205 99 55

HSL 17.6, 0.6%, 0.51%

LAB 54.22, 39.01, 43.72

 

CMYK 0 / 71 / 73 / 20

HEX #CD3B37

RGB 205 59 55

HSL 1.6, 0.6%, 0.51%

LAB 47.47, 56.83, 36.27

 

CMYK 0 / 73 / 73 / 20

HEX #CD3737

RGB 205 55 55

HSL 0, 0.6%, 0.51%

LAB 46.96, 58.25, 35.68

 

CMYK 0 / 52 / 73 / 20

HEX #CD6337

RGB 205 99 55

HSL 17.6, 0.6%, 0.51%

LAB 54.22, 39.01, 43.72

 

CMYK 0 / 32 / 73 / 20

HEX #CD8B37

RGB 205 139 55

HSL 33.6, 0.6%, 0.51%

LAB 63.11, 17.72, 53.03

 

CMYK 0 / 12 / 73 / 20

HEX #CDB437

RGB 205 180 55

HSL 50, 0.6%, 0.51%

LAB 73.48, -4.28, 63.29

 

CMYK 7 / 0 / 73 / 20

HEX #BECD37

RGB 190 205 55

HSL 66, 0.6%, 0.51%

LAB 78.98, -23.3, 68.12

 

CMYK 27 / 0 / 73 / 20

HEX #95CD37

RGB 149 205 55

HSL 82.4, 0.6%, 0.51%

LAB 76.27, -39.62, 64.58

 

CMYK 0 / 52 / 73 / 20

HEX #CD6337

RGB 205 99 55

HSL 17.6, 0.6%, 0.51%

LAB 54.22, 39.01, 43.72

 

CMYK 0 / 60 / 84 / 12

HEX #E15B23

RGB 225 91 35

HSL 17.68, 0.76%, 0.51%

LAB 55.7, 49.67, 55.52

 

CMYK 0 / 67 / 94 / 4

HEX #F5520F

RGB 245 82 15

HSL 17.48, 0.92%, 0.51%

LAB 57.54, 60.06, 64.93

 

CMYK 0 / 52 / 73 / 20

HEX #CD6337

RGB 205 99 55

HSL 17.6, 0.6%, 0.51%

LAB 54.22, 39.01, 43.72

 

CMYK 0 / 42 / 59 / 27

HEX #B96B4B

RGB 185 107 75

HSL 17.45, 0.44%, 0.51%

LAB 53.32, 28.01, 31.19

 

CMYK 0 / 30 / 42 / 35

HEX #A57460

RGB 165 116 96

HSL 17.39, 0.28%, 0.51%

LAB 53.31, 16.71, 18.74

 

CMYK 0 / 14 / 19 / 44

HEX #907C74

RGB 144 124 116

HSL 17.14, 0.11%, 0.51%

LAB 53.61, 6.32, 7.2

 

CMYK 9 / 3 / 0 / 47

HEX #7C8488

RGB 124 132 136

HSL 200, 0.05%, 0.51%

LAB 54.62, -2.1, -3.17

 

CMYK 0 / 73 / 55 / 20

HEX #CD375D

RGB 205 55 93

HSL 344.8, 0.6%, 0.51%

LAB 47.63, 60.48, 13.71

 

CMYK 0 / 72 / 73 / 20

HEX #CD3A37

RGB 205 58 55

HSL 1.2, 0.6%, 0.51%

LAB 47.34, 57.19, 36.12

 

CMYK 0 / 52 / 73 / 20

HEX #CD6237

RGB 205 98 55

HSL 17.2, 0.6%, 0.51%

LAB 54.02, 39.52, 43.5

 

CMYK 0 / 33 / 73 / 20

HEX #CD8A37

RGB 205 138 55

HSL 33.2, 0.6%, 0.51%

LAB 62.87, 18.27, 52.78

 

CMYK 0 / 13 / 73 / 20

HEX #CDB237

RGB 205 178 55

HSL 49.2, 0.6%, 0.51%

LAB 72.95, -3.23, 62.79

 

CMYK 0 / 53 / 75 / 44

HEX #8E4324

RGB 142 67 36

HSL 17.55, 0.6%, 0.35%

LAB 37.65, 29.51, 32.99

 

CMYK 0 / 53 / 75 / 31

HEX #AF522C

RGB 175 82 44

HSL 17.4, 0.6%, 0.43%

LAB 46.08, 35.39, 39.32

 

CMYK 0 / 52 / 73 / 20

HEX #CD6337

RGB 205 99 55

HSL 17.6, 0.6%, 0.51%

LAB 54.22, 39.01, 43.72

 

CMYK 0 / 41 / 59 / 16

HEX #D57D58

RGB 213 125 88

HSL 17.76, 0.6%, 0.59%

LAB 61.24, 30.63, 34.67

 

CMYK 0 / 32 / 45 / 13

HEX #DE9779

RGB 222 151 121

HSL 17.82, 0.6%, 0.67%

LAB 68.78, 23.22, 26.6

 

CMYK 0 / 51 / 73 / 19

HEX #CE6438

RGB 206 100 56

HSL 17.6, 0.6%, 0.51%

LAB 54.58, 38.94, 43.64

 

CMYK 35 / 0 / 73 / 20

HEX #85CD37

RGB 133 205 55

HSL 88.8, 0.6%, 0.51%

LAB 75.4, -45.45, 63.44

 

CMYK 73 / 64 / 0 / 20

HEX #3749CD

RGB 55 73 205

HSL 232.8, 0.6%, 0.51%

LAB 37.82, 38.1, -70.17

 

CMYK 0 / 51 / 73 / 19

HEX #CE6438

RGB 206 100 56

HSL 17.6, 0.6%, 0.51%

LAB 54.58, 38.94, 43.64

 

CMYK 73 / 0 / 52 / 20

HEX #37CD62

RGB 55 205 98

HSL 137.2, 0.6%, 0.51%

LAB 73.13, -61.21, 41.98

 

CMYK 52 / 73 / 0 / 20

HEX #6237CD

RGB 98 55 205

HSL 257.2, 0.6%, 0.51%

LAB 37.37, 54, -70.78

 

CMYK 0 / 51 / 73 / 19

HEX #CE6438

RGB 206 100 56

HSL 17.6, 0.6%, 0.51%

LAB 54.58, 38.94, 43.64

 

CMYK 35 / 0 / 73 / 20

HEX #85CD37

RGB 133 205 55

HSL 88.8, 0.6%, 0.51%

LAB 75.4, -45.45, 63.44

 

CMYK 73 / 20 / 0 / 20

HEX #37A3CD

RGB 55 163 205

HSL 196.8, 0.6%, 0.51%

LAB 62.86, -16.61, -30.23

 

CMYK 38 / 73 / 0 / 20

HEX #8037CD

RGB 128 55 205

HSL 269.2, 0.6%, 0.51%

LAB 40.78, 58.89, -65.06

 

CMYK 0 / 51 / 73 / 19

HEX #CE6438

RGB 206 100 56

HSL 17.6, 0.6%, 0.51%

LAB 54.58, 38.94, 43.64

 

CMYK 57 / 0 / 73 / 20

HEX #58CD37

RGB 88 205 55

HSL 106.8, 0.6%, 0.51%

LAB 73.55, -59.18, 60.98

 

CMYK 73 / 20 / 0 / 20

HEX #37A3CD

RGB 55 163 205

HSL 196.8, 0.6%, 0.51%

LAB 62.86, -16.61, -30.23

 

CMYK 16 / 73 / 0 / 20

HEX #AD37CD

RGB 173 55 205

HSL 287.2, 0.6%, 0.51%

LAB 47.01, 67.41, -54.69

 

Description

Color code: HEX #CE6438 | qconv.com Color code: HEX #CE6438 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 100 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 100 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 73 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 73% 19% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

16% - Rent To Own Homes, O...
Link: http://www.rentuntilyouown.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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