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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE6276 it is the complementary color #319D89. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE6276. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE6276 shade: #D36271, #E47484, #F58697, #FF98AA and #FFAABD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE6276. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE6276 shade: #CE6276, #BD5063, #AC3E50, #9B2C3D and #8A1A2A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE6276 shade: #CE6478 and #CE6464

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE6276 shade: #CE6478, #CE6494, #CE64B1, #CE64CD and #B264CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE6276 shade matches the following richer shades: #CE6478, #DF536D and #EF4363

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE6276 shade: #CE6478, #BE7482, #AD858C, #9D9597 and #8CA6A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE6276 shade: #CE64B2, #CE6495, #CE6479, #CE6B64 and #CE8764

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE6276 shade: #AA364B, #C4455C, #CE6478, #D88393 and #E2A3AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE6276 shade: #CE6276, #CECE64 and #64A4CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE6276 shade: #CE6276, #79CE64 and #6479CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE6276 shade: #CE6276, #CECE64, #64CEB9 and #6464CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE6276 shade: #CE6276, #AECE64, #64CEB9 and #8464CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 43 / 19

HEX #CE6276

RGB 206 98 118

HSL 348.89, 0.52%, 0.6%

LAB 55.24, 44.67, 9.39

 

Complementary color

CMYK 69 / 0 / 13 / 38

HEX #319D89

RGB 49 157 137

HSL 168.89, 0.52%, 0.4%

LAB 58.58, -35.18, 1.62

 

CMYK 0 / 54 / 46 / 17

HEX #D36271

RGB 211 98 113

HSL 352.04, 0.56%, 0.61%

LAB 55.86, 45.92, 13.31

 

CMYK 0 / 49 / 42 / 11

HEX #E47484

RGB 228 116 132

HSL 351.43, 0.67%, 0.67%

LAB 62.21, 44.94, 11.55

 

CMYK 0 / 45 / 38 / 4

HEX #F58697

RGB 245 134 151

HSL 350.81, 0.85%, 0.74%

LAB 68.53, 43.97, 10.03

 

CMYK 0 / 40 / 33 / 0

HEX #FF98AA

RGB 255 152 170

HSL 349.51, 1%, 0.8%

LAB 73.95, 40.56, 7.35

 

CMYK 0 / 33 / 26 / 0

HEX #FFAABD

RGB 255 170 189

HSL 346.59, 1%, 0.83%

LAB 78.28, 33.7, 3.18

 

CMYK 0 / 52 / 43 / 19

HEX #CE6276

RGB 206 98 118

HSL 348.89, 0.52%, 0.6%

LAB 55.24, 44.67, 9.39

 

CMYK 0 / 58 / 48 / 26

HEX #BD5063

RGB 189 80 99

HSL 349.54, 0.45%, 0.53%

LAB 48.83, 45.58, 11.32

 

CMYK 0 / 64 / 53 / 33

HEX #AC3E50

RGB 172 62 80

HSL 350.18, 0.47%, 0.46%

LAB 42.45, 46.35, 13.67

 

CMYK 0 / 72 / 61 / 39

HEX #9B2C3D

RGB 155 44 61

HSL 350.81, 0.56%, 0.39%

LAB 36.19, 46.8, 16.64

 

CMYK 0 / 81 / 70 / 46

HEX #8A1A2A

RGB 138 26 42

HSL 351.43, 0.68%, 0.32%

LAB 30.18, 46.58, 20.49

 

CMYK 0 / 51 / 42 / 19

HEX #CE6478

RGB 206 100 120

HSL 348.68, 0.52%, 0.6%

LAB 55.68, 43.89, 8.84

 

CMYK 0 / 51 / 51 / 19

HEX #CE6464

RGB 206 100 100

HSL 0, 0.52%, 0.6%

LAB 55.23, 41.92, 19.93

 

CMYK 0 / 51 / 42 / 19

HEX #CE6478

RGB 206 100 120

HSL 348.68, 0.52%, 0.6%

LAB 55.68, 43.89, 8.84

 

CMYK 0 / 51 / 28 / 19

HEX #CE6494

RGB 206 100 148

HSL 332.83, 0.52%, 0.6%

LAB 56.46, 47.26, -6.44

 

CMYK 0 / 51 / 14 / 19

HEX #CE64B1

RGB 206 100 177

HSL 316.42, 0.52%, 0.6%

LAB 57.47, 51.47, -21.74

 

CMYK 0 / 51 / 0 / 19

HEX #CE64CD

RGB 206 100 205

HSL 300.57, 0.52%, 0.6%

LAB 58.64, 56.15, -35.94

 

CMYK 14 / 51 / 0 / 19

HEX #B264CE

RGB 178 100 206

HSL 284.15, 0.52%, 0.6%

LAB 55.11, 48.63, -42.31

 

CMYK 0 / 51 / 42 / 19

HEX #CE6478

RGB 206 100 120

HSL 348.68, 0.52%, 0.6%

LAB 55.68, 43.89, 8.84

 

CMYK 0 / 63 / 51 / 13

HEX #DF536D

RGB 223 83 109

HSL 348.86, 0.69%, 0.6%

LAB 55.05, 56.46, 14.83

 

CMYK 0 / 72 / 59 / 6

HEX #EF4363

RGB 239 67 99

HSL 348.84, 0.84%, 0.6%

LAB 55.35, 66.72, 21.6

 

CMYK 0 / 51 / 42 / 19

HEX #CE6478

RGB 206 100 120

HSL 348.68, 0.52%, 0.6%

LAB 55.68, 43.89, 8.84

 

CMYK 0 / 39 / 32 / 25

HEX #BE7482

RGB 190 116 130

HSL 348.65, 0.36%, 0.6%

LAB 57.12, 30.86, 4.77

 

CMYK 0 / 23 / 19 / 32

HEX #AD858C

RGB 173 133 140

HSL 349.5, 0.2%, 0.6%

LAB 59.48, 16.41, 2.16

 

CMYK 0 / 5 / 4 / 38

HEX #9D9597

RGB 157 149 151

HSL 345, 0.04%, 0.6%

LAB 62.42, 3.31, -0.01

 

CMYK 16 / 0 / 3 / 35

HEX #8CA6A1

RGB 140 166 161

HSL 168.46, 0.13%, 0.6%

LAB 66.08, -10.03, -0.44

 

CMYK 0 / 51 / 14 / 19

HEX #CE64B2

RGB 206 100 178

HSL 315.85, 0.52%, 0.6%

LAB 57.51, 51.63, -22.26

 

CMYK 0 / 51 / 28 / 19

HEX #CE6495

RGB 206 100 149

HSL 332.26, 0.52%, 0.6%

LAB 56.49, 47.4, -6.98

 

CMYK 0 / 51 / 41 / 19

HEX #CE6479

RGB 206 100 121

HSL 348.11, 0.52%, 0.6%

LAB 55.7, 43.99, 8.28

 

CMYK 0 / 48 / 51 / 19

HEX #CE6B64

RGB 206 107 100

HSL 3.96, 0.52%, 0.6%

LAB 56.64, 38.35, 21.82

 

CMYK 0 / 34 / 51 / 19

HEX #CE8764

RGB 206 135 100

HSL 19.81, 0.52%, 0.6%

LAB 62.82, 23.42, 29.93

 

CMYK 0 / 68 / 56 / 33

HEX #AA364B

RGB 170 54 75

HSL 349.14, 0.52%, 0.44%

LAB 40.72, 48.71, 14.37

 

CMYK 0 / 65 / 53 / 23

HEX #C4455C

RGB 196 69 92

HSL 349.13, 0.52%, 0.52%

LAB 47.96, 52.27, 14.53

 

CMYK 0 / 51 / 42 / 19

HEX #CE6478

RGB 206 100 120

HSL 348.68, 0.52%, 0.6%

LAB 55.68, 43.89, 8.84

 

CMYK 0 / 39 / 32 / 15

HEX #D88393

RGB 216 131 147

HSL 348.71, 0.52%, 0.68%

LAB 64.11, 34.63, 5.48

 

CMYK 0 / 28 / 23 / 11

HEX #E2A3AE

RGB 226 163 174

HSL 349.52, 0.52%, 0.76%

LAB 73.17, 24.86, 3.59

 

CMYK 0 / 52 / 43 / 19

HEX #CE6276

RGB 206 98 118

HSL 348.89, 0.52%, 0.6%

LAB 55.24, 44.67, 9.39

 

CMYK 0 / 0 / 51 / 19

HEX #CECE64

RGB 206 206 100

HSL 60, 0.52%, 0.6%

LAB 80.84, -14.26, 52.04

 

CMYK 51 / 20 / 0 / 19

HEX #64A4CE

RGB 100 164 206

HSL 203.77, 0.52%, 0.6%

LAB 64.74, -8.82, -27.75

 

CMYK 0 / 52 / 43 / 19

HEX #CE6276

RGB 206 98 118

HSL 348.89, 0.52%, 0.6%

LAB 55.24, 44.67, 9.39

 

CMYK 41 / 0 / 51 / 19

HEX #79CE64

RGB 121 206 100

HSL 108.11, 0.52%, 0.6%

LAB 75.53, -45.77, 44.43

 

CMYK 51 / 41 / 0 / 19

HEX #6479CE

RGB 100 121 206

HSL 228.11, 0.52%, 0.6%

LAB 52.77, 16.19, -46.47

 

CMYK 0 / 52 / 43 / 19

HEX #CE6276

RGB 206 98 118

HSL 348.89, 0.52%, 0.6%

LAB 55.24, 44.67, 9.39

 

CMYK 0 / 0 / 51 / 19

HEX #CECE64

RGB 206 206 100

HSL 60, 0.52%, 0.6%

LAB 80.84, -14.26, 52.04

 

CMYK 51 / 0 / 10 / 19

HEX #64CEB9

RGB 100 206 185

HSL 168.11, 0.52%, 0.6%

LAB 76.29, -35.74, 1.08

 

CMYK 51 / 51 / 0 / 19

HEX #6464CE

RGB 100 100 206

HSL 240, 0.52%, 0.6%

LAB 47.34, 29.03, -55.15

 

CMYK 0 / 52 / 43 / 19

HEX #CE6276

RGB 206 98 118

HSL 348.89, 0.52%, 0.6%

LAB 55.24, 44.67, 9.39

 

CMYK 16 / 0 / 51 / 19

HEX #AECE64

RGB 174 206 100

HSL 78.11, 0.52%, 0.6%

LAB 78.5, -27, 48.7

 

CMYK 51 / 0 / 10 / 19

HEX #64CEB9

RGB 100 206 185

HSL 168.11, 0.52%, 0.6%

LAB 76.29, -35.74, 1.08

 

CMYK 36 / 51 / 0 / 19

HEX #8464CE

RGB 132 100 206

HSL 258.11, 0.52%, 0.6%

LAB 50.07, 36.49, -50.63

 

Description

Color code: HEX #CE6276 | qconv.com Color code: HEX #CE6276 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 98 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 98 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 43 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 43% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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