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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE6232 it is the complementary color #319DCD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE6232. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE6232 shade: #D3622D, #E47440, #F58653, #FF9866 and #FFAA79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE6232. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE6232 shade: #CE6232, #BD501F, #AC3E0C, #9B2C00 and #8A1A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE6232 shade: #CD6232, #CD3832 and #CD3232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE6232 shade: #CD6232, #CD8C32, #CDB532, #BBCD32 and #91CD32

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE6232 shade matches the following richer shades: #CD6232, #E25A1D and #F75208

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE6232 shade: #CD6232, #B96A46, #A4715B, #8F7970 and #7B8184

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE6232 shade: #CD3256, #CD3732, #CD6032, #CD8A32 and #CDB332

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE6232 shade: #8B4222, #AC522A, #CD6232, #D57B53 and #DD9574

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE6232 shade: #CE6232, #80CD32 and #3241CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE6232 shade: #CE6232, #32CD60 and #6032CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE6232 shade: #CE6232, #80CD32, #329FCD and #8032CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE6232 shade: #CE6232, #51CD32, #329FCD and #AE32CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 76 / 19

HEX #CE6232

RGB 206 98 50

HSL 18.46, 0.61%, 0.5%

LAB 54.12, 39.69, 46.17

 

Complementary color

CMYK 76 / 23 / 0 / 20

HEX #319DCD

RGB 49 157 205

HSL 198.46, 0.61%, 0.5%

LAB 60.94, -14.09, -33.22

 

CMYK 0 / 54 / 79 / 17

HEX #D3622D

RGB 211 98 45

HSL 19.16, 0.65%, 0.5%

LAB 54.84, 41.43, 49.54

 

CMYK 0 / 49 / 72 / 11

HEX #E47440

RGB 228 116 64

HSL 19.02, 0.75%, 0.57%

LAB 61.09, 39.77, 47.6

 

CMYK 0 / 45 / 66 / 4

HEX #F58653

RGB 245 134 83

HSL 18.89, 0.89%, 0.64%

LAB 67.34, 38.22, 45.65

 

CMYK 0 / 40 / 60 / 0

HEX #FF9866

RGB 255 152 102

HSL 19.61, 1%, 0.7%

LAB 72.68, 34.09, 42.52

 

CMYK 0 / 33 / 53 / 0

HEX #FFAA79

RGB 255 170 121

HSL 21.94, 1%, 0.74%

LAB 76.91, 26.19, 37.9

 

CMYK 0 / 52 / 76 / 19

HEX #CE6232

RGB 206 98 50

HSL 18.46, 0.61%, 0.5%

LAB 54.12, 39.69, 46.17

 

CMYK 0 / 58 / 84 / 26

HEX #BD501F

RGB 189 80 31

HSL 18.61, 0.72%, 0.43%

LAB 47.82, 41.38, 48.06

 

CMYK 0 / 64 / 93 / 33

HEX #AC3E0C

RGB 172 62 12

HSL 18.75, 0.87%, 0.36%

LAB 41.6, 43.06, 49.13

 

CMYK 0 / 72 / 100 / 39

HEX #9B2C00

RGB 155 44 0

HSL 17.03, 1%, 0.3%

LAB 35.54, 44.52, 47.93

 

CMYK 0 / 81 / 100 / 46

HEX #8A1A00

RGB 138 26 0

HSL 11.3, 1%, 0.27%

LAB 29.77, 45.28, 42.55

 

CMYK 0 / 52 / 76 / 20

HEX #CD6232

RGB 205 98 50

HSL 18.58, 0.61%, 0.5%

LAB 53.97, 39.3, 45.97

 

CMYK 0 / 73 / 76 / 20

HEX #CD3832

RGB 205 56 50

HSL 2.32, 0.61%, 0.5%

LAB 47.02, 57.7, 38.6

 

CMYK 0 / 76 / 76 / 20

HEX #CD3232

RGB 205 50 50

HSL 0, 0.61%, 0.5%

LAB 46.3, 59.72, 37.81

 

CMYK 0 / 52 / 76 / 20

HEX #CD6232

RGB 205 98 50

HSL 18.58, 0.61%, 0.5%

LAB 53.97, 39.3, 45.97

 

CMYK 0 / 32 / 76 / 20

HEX #CD8C32

RGB 205 140 50

HSL 34.84, 0.61%, 0.5%

LAB 63.31, 16.96, 55.37

 

CMYK 0 / 12 / 76 / 20

HEX #CDB532

RGB 205 181 50

HSL 50.71, 0.61%, 0.5%

LAB 73.71, -5.02, 65.3

 

CMYK 9 / 0 / 76 / 20

HEX #BBCD32

RGB 187 205 50

HSL 66.97, 0.61%, 0.5%

LAB 78.73, -24.77, 69.43

 

CMYK 29 / 0 / 76 / 20

HEX #91CD32

RGB 145 205 50

HSL 83.23, 0.61%, 0.5%

LAB 76.02, -41.39, 65.91

 

CMYK 0 / 52 / 76 / 20

HEX #CD6232

RGB 205 98 50

HSL 18.58, 0.61%, 0.5%

LAB 53.97, 39.3, 45.97

 

CMYK 0 / 60 / 87 / 11

HEX #E25A1D

RGB 226 90 29

HSL 18.58, 0.77%, 0.5%

LAB 55.65, 50.35, 57.87

 

CMYK 0 / 67 / 97 / 3

HEX #F75208

RGB 247 82 8

HSL 18.58, 0.94%, 0.5%

LAB 57.87, 60.66, 66.75

 

CMYK 0 / 52 / 76 / 20

HEX #CD6232

RGB 205 98 50

HSL 18.58, 0.61%, 0.5%

LAB 53.97, 39.3, 45.97

 

CMYK 0 / 43 / 62 / 27

HEX #B96A46

RGB 185 106 70

HSL 18.78, 0.45%, 0.5%

LAB 53.02, 28.18, 33.6

 

CMYK 0 / 31 / 45 / 36

HEX #A4715B

RGB 164 113 91

HSL 18.08, 0.29%, 0.5%

LAB 52.35, 17.43, 20.31

 

CMYK 0 / 15 / 22 / 44

HEX #8F7970

RGB 143 121 112

HSL 17.42, 0.12%, 0.5%

LAB 52.6, 7, 8.09

 

CMYK 7 / 2 / 0 / 48

HEX #7B8184

RGB 123 129 132

HSL 200, 0.04%, 0.5%

LAB 53.58, -1.59, -2.4

 

CMYK 0 / 76 / 58 / 20

HEX #CD3256

RGB 205 50 86

HSL 346.06, 0.61%, 0.5%

LAB 46.89, 61.62, 16.99

 

CMYK 0 / 73 / 76 / 20

HEX #CD3732

RGB 205 55 50

HSL 1.94, 0.61%, 0.5%

LAB 46.9, 58.05, 38.46

 

CMYK 0 / 53 / 76 / 20

HEX #CD6032

RGB 205 96 50

HSL 17.81, 0.61%, 0.5%

LAB 53.57, 40.3, 45.56

 

CMYK 0 / 33 / 76 / 20

HEX #CD8A32

RGB 205 138 50

HSL 34.06, 0.61%, 0.5%

LAB 62.83, 18.04, 54.89

 

CMYK 0 / 13 / 76 / 20

HEX #CDB332

RGB 205 179 50

HSL 49.94, 0.61%, 0.5%

LAB 73.19, -3.97, 64.81

 

CMYK 0 / 53 / 76 / 45

HEX #8B4222

RGB 139 66 34

HSL 18.29, 0.61%, 0.34%

LAB 36.93, 28.7, 33.17

 

CMYK 0 / 52 / 76 / 33

HEX #AC522A

RGB 172 82 42

HSL 18.46, 0.61%, 0.42%

LAB 45.6, 34.1, 39.7

 

CMYK 0 / 52 / 76 / 20

HEX #CD6232

RGB 205 98 50

HSL 18.58, 0.61%, 0.5%

LAB 53.97, 39.3, 45.97

 

CMYK 0 / 42 / 61 / 16

HEX #D57B53

RGB 213 123 83

HSL 18.46, 0.61%, 0.58%

LAB 60.73, 31.33, 36.75

 

CMYK 0 / 33 / 48 / 13

HEX #DD9574

RGB 221 149 116

HSL 18.86, 0.61%, 0.66%

LAB 68.11, 23.4, 28.42

 

CMYK 0 / 52 / 76 / 19

HEX #CE6232

RGB 206 98 50

HSL 18.46, 0.61%, 0.5%

LAB 54.12, 39.69, 46.17

 

CMYK 38 / 0 / 76 / 20

HEX #80CD32

RGB 128 205 50

HSL 89.81, 0.61%, 0.5%

LAB 75.13, -47.48, 64.75

 

CMYK 76 / 68 / 0 / 20

HEX #3241CD

RGB 50 65 205

HSL 234.19, 0.61%, 0.5%

LAB 35.73, 42.51, -73.61

 

CMYK 0 / 52 / 76 / 19

HEX #CE6232

RGB 206 98 50

HSL 18.46, 0.61%, 0.5%

LAB 54.12, 39.69, 46.17

 

CMYK 76 / 0 / 53 / 20

HEX #32CD60

RGB 50 205 96

HSL 137.81, 0.61%, 0.5%

LAB 73.01, -62.22, 42.79

 

CMYK 53 / 76 / 0 / 20

HEX #6032CD

RGB 96 50 205

HSL 257.81, 0.61%, 0.5%

LAB 36.32, 56.1, -72.51

 

CMYK 0 / 52 / 76 / 19

HEX #CE6232

RGB 206 98 50

HSL 18.46, 0.61%, 0.5%

LAB 54.12, 39.69, 46.17

 

CMYK 38 / 0 / 76 / 20

HEX #80CD32

RGB 128 205 50

HSL 89.81, 0.61%, 0.5%

LAB 75.13, -47.48, 64.75

 

CMYK 76 / 22 / 0 / 20

HEX #329FCD

RGB 50 159 205

HSL 197.81, 0.61%, 0.5%

LAB 61.55, -15.06, -32.26

 

CMYK 38 / 76 / 0 / 20

HEX #8032CD

RGB 128 50 205

HSL 270.19, 0.61%, 0.5%

LAB 40.05, 61, -66.26

 

CMYK 0 / 52 / 76 / 19

HEX #CE6232

RGB 206 98 50

HSL 18.46, 0.61%, 0.5%

LAB 54.12, 39.69, 46.17

 

CMYK 60 / 0 / 76 / 20

HEX #51CD32

RGB 81 205 50

HSL 108, 0.61%, 0.5%

LAB 73.31, -61.23, 62.37

 

CMYK 76 / 22 / 0 / 20

HEX #329FCD

RGB 50 159 205

HSL 197.81, 0.61%, 0.5%

LAB 61.55, -15.06, -32.26

 

CMYK 15 / 76 / 0 / 20

HEX #AE32CD

RGB 174 50 205

HSL 288, 0.61%, 0.5%

LAB 46.56, 69.31, -55.39

 

Description

Color code: HEX #CE6232 | qconv.com Color code: HEX #CE6232 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 98 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 98 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 76 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 76% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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