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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE613F it is the complementary color #319EC0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE613F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE613F shade: #D3613A, #E4734D, #F58560, #FF9773 and #FFA986

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE613F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE613F shade: #CE613F, #BD4F2C, #AC3D19, #9B2B06 and #8A1900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE613F shade: #CE6240 and #CE4040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE613F shade: #CE6240, #CE8840, #CEAE40, #C7CE40 and #A1CE40

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE613F shade matches the following richer shades: #CE6240, #E1582D and #F54E1A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE613F shade: #CE6240, #BA6C54, #A77667, #94817B and #808B8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE613F shade: #CE406B, #CE4045, #CE6140, #CE8740 and #CEAD40

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE613F shade: #954126, #B64F2F, #CE6240, #D67D61 and #DF9882

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE613F shade: #CE613F, #91CE40 and #4058CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE613F shade: #CE613F, #40CE61 and #6140CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE613F shade: #CE613F, #91CE40, #40ADCE and #7E40CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE613F shade: #CE613F, #66CE40, #40ADCE and #A840CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 69 / 19

HEX #CE613F

RGB 206 97 63

HSL 14.27, 0.59%, 0.53%

LAB 54.06, 40.8, 39.39

 

Complementary color

CMYK 74 / 18 / 0 / 25

HEX #319EC0

RGB 49 158 192

HSL 194.27, 0.59%, 0.47%

LAB 60.7, -19.01, -26.29

 

CMYK 0 / 54 / 73 / 17

HEX #D3613A

RGB 211 97 58

HSL 15.29, 0.63%, 0.53%

LAB 54.77, 42.46, 43.04

 

CMYK 0 / 50 / 66 / 11

HEX #E4734D

RGB 228 115 77

HSL 15.1, 0.74%, 0.6%

LAB 61.04, 40.96, 40.83

 

CMYK 0 / 46 / 61 / 4

HEX #F58560

RGB 245 133 96

HSL 14.9, 0.88%, 0.67%

LAB 67.3, 39.54, 38.8

 

CMYK 0 / 41 / 55 / 0

HEX #FF9773

RGB 255 151 115

HSL 15.43, 1%, 0.73%

LAB 72.65, 35.56, 35.64

 

CMYK 0 / 34 / 47 / 0

HEX #FFA986

RGB 255 169 134

HSL 17.36, 1%, 0.76%

LAB 76.89, 27.87, 31.01

 

CMYK 0 / 53 / 69 / 19

HEX #CE613F

RGB 206 97 63

HSL 14.27, 0.59%, 0.53%

LAB 54.06, 40.8, 39.39

 

CMYK 0 / 58 / 77 / 26

HEX #BD4F2C

RGB 189 79 44

HSL 14.48, 0.62%, 0.46%

LAB 47.74, 42.31, 41.75

 

CMYK 0 / 65 / 85 / 33

HEX #AC3D19

RGB 172 61 25

HSL 14.69, 0.75%, 0.39%

LAB 41.5, 43.78, 44.04

 

CMYK 0 / 72 / 96 / 39

HEX #9B2B06

RGB 155 43 6

HSL 14.9, 0.93%, 0.32%

LAB 35.42, 45.01, 45.5

 

CMYK 0 / 82 / 100 / 46

HEX #8A1900

RGB 138 25 0

HSL 10.87, 1%, 0.27%

LAB 29.66, 45.58, 42.46

 

CMYK 0 / 52 / 69 / 19

HEX #CE6240

RGB 206 98 64

HSL 14.37, 0.59%, 0.53%

LAB 54.27, 40.36, 39.09

 

CMYK 0 / 69 / 69 / 19

HEX #CE4040

RGB 206 64 64

HSL 0, 0.59%, 0.53%

LAB 48.46, 55.69, 32.27

 

CMYK 0 / 52 / 69 / 19

HEX #CE6240

RGB 206 98 64

HSL 14.37, 0.59%, 0.53%

LAB 54.27, 40.36, 39.09

 

CMYK 0 / 34 / 69 / 19

HEX #CE8840

RGB 206 136 64

HSL 30.42, 0.59%, 0.53%

LAB 62.59, 20.25, 48.39

 

CMYK 0 / 16 / 69 / 19

HEX #CEAE40

RGB 206 174 64

HSL 46.48, 0.59%, 0.53%

LAB 72.07, -0.25, 58.39

 

CMYK 3 / 0 / 69 / 19

HEX #C7CE40

RGB 199 206 64

HSL 62.96, 0.59%, 0.53%

LAB 79.99, -19.61, 66.18

 

CMYK 22 / 0 / 69 / 19

HEX #A1CE40

RGB 161 206 64

HSL 79.01, 0.59%, 0.53%

LAB 77.33, -34.95, 62.65

 

CMYK 0 / 52 / 69 / 19

HEX #CE6240

RGB 206 98 64

HSL 14.37, 0.59%, 0.53%

LAB 54.27, 40.36, 39.09

 

CMYK 0 / 61 / 80 / 12

HEX #E1582D

RGB 225 88 45

HSL 14.33, 0.75%, 0.53%

LAB 55.25, 51.3, 50.71

 

CMYK 0 / 68 / 89 / 4

HEX #F54E1A

RGB 245 78 26

HSL 14.25, 0.92%, 0.53%

LAB 57.01, 61.75, 61.38

 

CMYK 0 / 52 / 69 / 19

HEX #CE6240

RGB 206 98 64

HSL 14.37, 0.59%, 0.53%

LAB 54.27, 40.36, 39.09

 

CMYK 0 / 42 / 55 / 27

HEX #BA6C54

RGB 186 108 84

HSL 14.12, 0.43%, 0.53%

LAB 53.82, 28.6, 26.77

 

CMYK 0 / 29 / 38 / 35

HEX #A77667

RGB 167 118 103

HSL 14.06, 0.27%, 0.53%

LAB 54.19, 17.24, 15.92

 

CMYK 0 / 13 / 17 / 42

HEX #94817B

RGB 148 129 123

HSL 14.4, 0.1%, 0.53%

LAB 55.51, 6.21, 5.91

 

CMYK 10 / 2 / 0 / 44

HEX #808B8E

RGB 128 139 142

HSL 192.86, 0.06%, 0.53%

LAB 57.08, -3.36, -2.98

 

CMYK 0 / 69 / 48 / 19

HEX #CE406B

RGB 206 64 107

HSL 341.83, 0.59%, 0.53%

LAB 49.31, 58.68, 7.56

 

CMYK 0 / 69 / 67 / 19

HEX #CE4045

RGB 206 64 69

HSL 357.89, 0.59%, 0.53%

LAB 48.53, 55.95, 29.43

 

CMYK 0 / 53 / 69 / 19

HEX #CE6140

RGB 206 97 64

HSL 13.94, 0.59%, 0.53%

LAB 54.07, 40.86, 38.87

 

CMYK 0 / 34 / 69 / 19

HEX #CE8740

RGB 206 135 64

HSL 30, 0.59%, 0.53%

LAB 62.36, 20.79, 48.13

 

CMYK 0 / 16 / 69 / 19

HEX #CEAD40

RGB 206 173 64

HSL 46.06, 0.59%, 0.53%

LAB 71.81, 0.28, 58.12

 

CMYK 0 / 56 / 74 / 42

HEX #954126

RGB 149 65 38

HSL 14.59, 0.59%, 0.37%

LAB 38.39, 33.54, 33.03

 

CMYK 0 / 57 / 74 / 29

HEX #B64F2F

RGB 182 79 47

HSL 14.22, 0.59%, 0.45%

LAB 46.63, 39.79, 38.65

 

CMYK 0 / 52 / 69 / 19

HEX #CE6240

RGB 206 98 64

HSL 14.37, 0.59%, 0.53%

LAB 54.27, 40.36, 39.09

 

CMYK 0 / 42 / 55 / 16

HEX #D67D61

RGB 214 125 97

HSL 14.36, 0.59%, 0.61%

LAB 61.5, 31.74, 30.09

 

CMYK 0 / 32 / 42 / 13

HEX #DF9882

RGB 223 152 130

HSL 14.19, 0.59%, 0.69%

LAB 69.3, 24.02, 22.37

 

CMYK 0 / 53 / 69 / 19

HEX #CE613F

RGB 206 97 63

HSL 14.27, 0.59%, 0.53%

LAB 54.06, 40.8, 39.39

 

CMYK 30 / 0 / 69 / 19

HEX #91CE40

RGB 145 206 64

HSL 85.77, 0.59%, 0.53%

LAB 76.39, -40.99, 61.39

 

CMYK 69 / 57 / 0 / 19

HEX #4058CE

RGB 64 88 206

HSL 229.86, 0.59%, 0.53%

LAB 42.04, 30.12, -63.83

 

CMYK 0 / 53 / 69 / 19

HEX #CE613F

RGB 206 97 63

HSL 14.27, 0.59%, 0.53%

LAB 54.06, 40.8, 39.39

 

CMYK 69 / 0 / 53 / 19

HEX #40CE61

RGB 64 206 97

HSL 133.94, 0.59%, 0.53%

LAB 73.61, -60.24, 43.09

 

CMYK 53 / 69 / 0 / 19

HEX #6140CE

RGB 97 64 206

HSL 253.94, 0.59%, 0.53%

LAB 39.01, 49.51, -68.67

 

CMYK 0 / 53 / 69 / 19

HEX #CE613F

RGB 206 97 63

HSL 14.27, 0.59%, 0.53%

LAB 54.06, 40.8, 39.39

 

CMYK 30 / 0 / 69 / 19

HEX #91CE40

RGB 145 206 64

HSL 85.77, 0.59%, 0.53%

LAB 76.39, -40.99, 61.39

 

CMYK 69 / 16 / 0 / 19

HEX #40ADCE

RGB 64 173 206

HSL 193.94, 0.59%, 0.53%

LAB 66.08, -20.34, -25.79

 

CMYK 39 / 69 / 0 / 19

HEX #7E40CE

RGB 126 64 206

HSL 266.2, 0.59%, 0.53%

LAB 42.09, 54.63, -63.52

 

CMYK 0 / 53 / 69 / 19

HEX #CE613F

RGB 206 97 63

HSL 14.27, 0.59%, 0.53%

LAB 54.06, 40.8, 39.39

 

CMYK 50 / 0 / 69 / 19

HEX #66CE40

RGB 102 206 64

HSL 103.94, 0.59%, 0.53%

LAB 74.41, -55.11, 58.7

 

CMYK 69 / 16 / 0 / 19

HEX #40ADCE

RGB 64 173 206

HSL 193.94, 0.59%, 0.53%

LAB 66.08, -20.34, -25.79

 

CMYK 18 / 69 / 0 / 19

HEX #A840CE

RGB 168 64 206

HSL 283.94, 0.59%, 0.53%

LAB 47.56, 63.13, -54.42

 

Description

Color code: HEX #CE613F | qconv.com Color code: HEX #CE613F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 97 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 97 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 69 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 69% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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