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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE5E8F it is the complementary color #31A170. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE5E8F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE5E8F shade: #D35E8A, #E4709D, #F582B0, #FF94C3 and #FFA6D6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE5E8F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE5E8F shade: #CE5E8F, #BD4C7C, #AC3A69, #9B2856 and #8A1643

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE5E8F shade: #CD5F8F, #CD5F71 and #CD5F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE5E8F shade: #CD5F8F, #CD5FAD, #CD5FCB, #B25FCD and #945FCD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE5E8F shade matches the following richer shades: #CD5F8F, #DE4E8D and #EF3D8B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE5E8F shade: #CD5F8F, #BC6F91, #AC8093, #9B9195 and #8AA297

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE5E8F shade: #CD5FCC, #CD5FAE, #CD5F90, #CD5F73 and #CD685F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE5E8F shade: #A73365, #C43F79, #CD5F8F, #D77EA5 and #E19EBB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE5E8F shade: #CE5E8F, #CDB25F and #5FBDCD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE5E8F shade: #CE5E8F, #90CD5F and #5F90CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE5E8F shade: #CE5E8F, #CDB25F, #5FCD9B and #5F7ACD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE5E8F shade: #CE5E8F, #C8CD5F, #5FCD9B and #645FCD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 31 / 19

HEX #CE5E8F

RGB 206 94 143

HSL 333.75, 0.53%, 0.59%

LAB 55.19, 49.54, -5.4

 

Complementary color

CMYK 70 / 0 / 30 / 37

HEX #31A170

RGB 49 161 112

HSL 153.75, 0.53%, 0.41%

LAB 59.26, -43.05, 16.63

 

CMYK 0 / 55 / 35 / 17

HEX #D35E8A

RGB 211 94 138

HSL 337.44, 0.57%, 0.6%

LAB 55.78, 50.55, -1.51

 

CMYK 0 / 51 / 31 / 11

HEX #E4709D

RGB 228 112 157

HSL 336.72, 0.68%, 0.67%

LAB 62.1, 49.8, -2.97

 

CMYK 0 / 47 / 28 / 4

HEX #F582B0

RGB 245 130 176

HSL 336, 0.85%, 0.74%

LAB 68.4, 48.99, -4.22

 

CMYK 0 / 42 / 24 / 0

HEX #FF94C3

RGB 255 148 195

HSL 333.64, 1%, 0.79%

LAB 73.79, 45.85, -6.69

 

CMYK 0 / 35 / 16 / 0

HEX #FFA6D6

RGB 255 166 214

HSL 327.64, 1%, 0.83%

LAB 78.1, 39.4, -10.69

 

CMYK 0 / 54 / 31 / 19

HEX #CE5E8F

RGB 206 94 143

HSL 333.75, 0.53%, 0.59%

LAB 55.19, 49.54, -5.4

 

CMYK 0 / 60 / 34 / 26

HEX #BD4C7C

RGB 189 76 124

HSL 334.51, 0.46%, 0.52%

LAB 48.81, 50.16, -3.81

 

CMYK 0 / 66 / 39 / 33

HEX #AC3A69

RGB 172 58 105

HSL 335.26, 0.5%, 0.45%

LAB 42.49, 50.54, -1.83

 

CMYK 0 / 74 / 45 / 39

HEX #9B2856

RGB 155 40 86

HSL 336, 0.59%, 0.38%

LAB 36.29, 50.45, 0.73

 

CMYK 0 / 84 / 51 / 46

HEX #8A1643

RGB 138 22 67

HSL 336.72, 0.73%, 0.31%

LAB 30.36, 49.48, 4.15

 

CMYK 0 / 54 / 30 / 20

HEX #CD5F8F

RGB 205 95 143

HSL 333.82, 0.52%, 0.59%

LAB 55.22, 48.73, -5.36

 

CMYK 0 / 54 / 45 / 20

HEX #CD5F71

RGB 205 95 113

HSL 350.18, 0.52%, 0.59%

LAB 54.4, 45.28, 11.14

 

CMYK 0 / 54 / 54 / 20

HEX #CD5F5F

RGB 205 95 95

HSL 0, 0.52%, 0.59%

LAB 54.02, 43.61, 21.19

 

CMYK 0 / 54 / 30 / 20

HEX #CD5F8F

RGB 205 95 143

HSL 333.82, 0.52%, 0.59%

LAB 55.22, 48.73, -5.36

 

CMYK 0 / 54 / 16 / 20

HEX #CD5FAD

RGB 205 95 173

HSL 317.45, 0.52%, 0.59%

LAB 56.27, 52.96, -21.29

 

CMYK 0 / 54 / 1 / 20

HEX #CD5FCB

RGB 205 95 203

HSL 301.09, 0.52%, 0.59%

LAB 57.54, 57.88, -36.55

 

CMYK 13 / 54 / 0 / 20

HEX #B25FCD

RGB 178 95 205

HSL 285.27, 0.52%, 0.59%

LAB 54.09, 50.99, -43.36

 

CMYK 28 / 54 / 0 / 20

HEX #945FCD

RGB 148 95 205

HSL 268.91, 0.52%, 0.59%

LAB 50.56, 43.12, -49.18

 

CMYK 0 / 54 / 30 / 20

HEX #CD5F8F

RGB 205 95 143

HSL 333.82, 0.52%, 0.59%

LAB 55.22, 48.73, -5.36

 

CMYK 0 / 65 / 36 / 13

HEX #DE4E8D

RGB 222 78 141

HSL 333.75, 0.69%, 0.59%

LAB 54.97, 61.32, -4.26

 

CMYK 0 / 74 / 42 / 6

HEX #EF3D8B

RGB 239 61 139

HSL 333.71, 0.85%, 0.59%

LAB 55.64, 71.83, -1.77

 

CMYK 0 / 54 / 30 / 20

HEX #CD5F8F

RGB 205 95 143

HSL 333.82, 0.52%, 0.59%

LAB 55.22, 48.73, -5.36

 

CMYK 0 / 41 / 23 / 26

HEX #BC6F91

RGB 188 111 145

HSL 333.51, 0.36%, 0.59%

LAB 56.19, 34.97, -5.35

 

CMYK 0 / 26 / 15 / 33

HEX #AC8093

RGB 172 128 147

HSL 334.09, 0.21%, 0.59%

LAB 58.34, 20.02, -3.55

 

CMYK 0 / 6 / 4 / 39

HEX #9B9195

RGB 155 145 149

HSL 336, 0.05%, 0.59%

LAB 61.12, 4.44, -0.79

 

CMYK 15 / 0 / 7 / 36

HEX #8AA297

RGB 138 162 151

HSL 152.5, 0.11%, 0.59%

LAB 64.55, -10.62, 2.9

 

CMYK 0 / 54 / 0 / 20

HEX #CD5FCC

RGB 205 95 204

HSL 300.55, 0.52%, 0.59%

LAB 57.58, 58.06, -37.05

 

CMYK 0 / 54 / 15 / 20

HEX #CD5FAE

RGB 205 95 174

HSL 316.91, 0.52%, 0.59%

LAB 56.31, 53.12, -21.81

 

CMYK 0 / 54 / 30 / 20

HEX #CD5F90

RGB 205 95 144

HSL 333.27, 0.52%, 0.59%

LAB 55.25, 48.86, -5.9

 

CMYK 0 / 54 / 44 / 20

HEX #CD5F73

RGB 205 95 115

HSL 349.09, 0.52%, 0.59%

LAB 54.45, 45.48, 10.02

 

CMYK 0 / 49 / 54 / 20

HEX #CD685F

RGB 205 104 95

HSL 4.91, 0.52%, 0.59%

LAB 55.79, 39.08, 23.55

 

CMYK 0 / 69 / 40 / 35

HEX #A73365

RGB 167 51 101

HSL 334.14, 0.53%, 0.43%

LAB 40.45, 51.43, -2.43

 

CMYK 0 / 68 / 38 / 23

HEX #C43F79

RGB 196 63 121

HSL 333.83, 0.53%, 0.51%

LAB 47.84, 57.48, -3.3

 

CMYK 0 / 54 / 30 / 20

HEX #CD5F8F

RGB 205 95 143

HSL 333.82, 0.52%, 0.59%

LAB 55.22, 48.73, -5.36

 

CMYK 0 / 41 / 23 / 16

HEX #D77EA5

RGB 215 126 165

HSL 333.71, 0.53%, 0.67%

LAB 63.41, 39.37, -5.8

 

CMYK 0 / 30 / 17 / 12

HEX #E19EBB

RGB 225 158 187

HSL 334.03, 0.53%, 0.75%

LAB 72.26, 29.15, -4.92

 

CMYK 0 / 54 / 31 / 19

HEX #CE5E8F

RGB 206 94 143

HSL 333.75, 0.53%, 0.59%

LAB 55.19, 49.54, -5.4

 

CMYK 0 / 13 / 54 / 20

HEX #CDB25F

RGB 205 178 95

HSL 45.27, 0.52%, 0.59%

LAB 73.32, -0.66, 45.54

 

CMYK 54 / 8 / 0 / 20

HEX #5FBDCD

RGB 95 189 205

HSL 188.73, 0.52%, 0.59%

LAB 71.71, -23.37, -16.58

 

CMYK 0 / 54 / 31 / 19

HEX #CE5E8F

RGB 206 94 143

HSL 333.75, 0.53%, 0.59%

LAB 55.19, 49.54, -5.4

 

CMYK 30 / 0 / 54 / 20

HEX #90CD5F

RGB 144 205 95

HSL 93.27, 0.52%, 0.59%

LAB 76.33, -38.22, 48.03

 

CMYK 54 / 30 / 0 / 20

HEX #5F90CD

RGB 95 144 205

HSL 213.27, 0.52%, 0.59%

LAB 58.78, 1.06, -36.46

 

CMYK 0 / 54 / 31 / 19

HEX #CE5E8F

RGB 206 94 143

HSL 333.75, 0.53%, 0.59%

LAB 55.19, 49.54, -5.4

 

CMYK 0 / 13 / 54 / 20

HEX #CDB25F

RGB 205 178 95

HSL 45.27, 0.52%, 0.59%

LAB 73.32, -0.66, 45.54

 

CMYK 54 / 0 / 24 / 20

HEX #5FCD9B

RGB 95 205 155

HSL 152.73, 0.52%, 0.59%

LAB 75.12, -43.22, 15.48

 

CMYK 54 / 40 / 0 / 20

HEX #5F7ACD

RGB 95 122 205

HSL 225.27, 0.52%, 0.59%

LAB 52.69, 14.15, -46.06

 

CMYK 0 / 54 / 31 / 19

HEX #CE5E8F

RGB 206 94 143

HSL 333.75, 0.53%, 0.59%

LAB 55.19, 49.54, -5.4

 

CMYK 2 / 0 / 54 / 20

HEX #C8CD5F

RGB 200 205 95

HSL 62.73, 0.52%, 0.59%

LAB 80.05, -16.62, 53.31

 

CMYK 54 / 0 / 24 / 20

HEX #5FCD9B

RGB 95 205 155

HSL 152.73, 0.52%, 0.59%

LAB 75.12, -43.22, 15.48

 

CMYK 51 / 54 / 0 / 20

HEX #645FCD

RGB 100 95 205

HSL 242.73, 0.52%, 0.59%

LAB 46.04, 31.77, -56.66

 

Description

Color code: HEX #CE5E8F | qconv.com Color code: HEX #CE5E8F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 94 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 94 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 31 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 31% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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