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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE5E8A it is the complementary color #31A175. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE5E8A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE5E8A shade: #D35E85, #E47098, #F582AB, #FF94BE and #FFA6D1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE5E8A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE5E8A shade: #CE5E8A, #BD4C77, #AC3A64, #9B2851 and #8A163E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE5E8A shade: #CD5F8A, #CD5F6C and #CD5F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE5E8A shade: #CD5F8A, #CD5FA8, #CD5FC6, #B75FCD and #995FCD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE5E8A shade matches the following richer shades: #CD5F8A, #DE4E86 and #EF3D83

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE5E8A shade: #CD5F8A, #BC6F8E, #AC8091, #9B9195 and #8AA299

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE5E8A shade: #CD5FC6, #CD5FA8, #CD5F8B, #CD5F6D and #CD6D5F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE5E8A shade: #A73360, #C43F73, #CD5F8A, #D77EA1 and #E19EB8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE5E8A shade: #CE5E8A, #CDB75F and #5FB7CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE5E8A shade: #CE5E8A, #8BCD5F and #5F8BCD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE5E8A shade: #CE5E8A, #CDB75F, #5FCDA1 and #5F75CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE5E8A shade: #CE5E8A, #C2CD5F, #5FCDA1 and #6A5FCD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 33 / 19

HEX #CE5E8A

RGB 206 94 138

HSL 336.43, 0.53%, 0.59%

LAB 55.03, 48.91, -2.68

 

Complementary color

CMYK 70 / 0 / 27 / 37

HEX #31A175

RGB 49 161 117

HSL 156.43, 0.53%, 0.41%

LAB 59.37, -41.92, 14

 

CMYK 0 / 55 / 37 / 17

HEX #D35E85

RGB 211 94 133

HSL 340, 0.57%, 0.6%

LAB 55.63, 49.97, 1.22

 

CMYK 0 / 51 / 33 / 11

HEX #E47098

RGB 228 112 152

HSL 339.31, 0.68%, 0.67%

LAB 61.95, 49.18, -0.31

 

CMYK 0 / 47 / 30 / 4

HEX #F582AB

RGB 245 130 171

HSL 338.61, 0.85%, 0.74%

LAB 68.25, 48.35, -1.62

 

CMYK 0 / 42 / 25 / 0

HEX #FF94BE

RGB 255 148 190

HSL 336.45, 1%, 0.79%

LAB 73.65, 45.17, -4.14

 

CMYK 0 / 35 / 18 / 0

HEX #FFA6D1

RGB 255 166 209

HSL 331.01, 1%, 0.83%

LAB 77.96, 38.64, -8.19

 

CMYK 0 / 54 / 33 / 19

HEX #CE5E8A

RGB 206 94 138

HSL 336.43, 0.53%, 0.59%

LAB 55.03, 48.91, -2.68

 

CMYK 0 / 60 / 37 / 26

HEX #BD4C77

RGB 189 76 119

HSL 337.17, 0.46%, 0.52%

LAB 48.66, 49.57, -1.02

 

CMYK 0 / 66 / 42 / 33

HEX #AC3A64

RGB 172 58 100

HSL 337.89, 0.5%, 0.45%

LAB 42.33, 50, 1.06

 

CMYK 0 / 74 / 48 / 39

HEX #9B2851

RGB 155 40 81

HSL 338.61, 0.59%, 0.38%

LAB 36.14, 49.96, 3.73

 

CMYK 0 / 84 / 55 / 46

HEX #8A163E

RGB 138 22 62

HSL 339.31, 0.73%, 0.31%

LAB 30.22, 49.07, 7.29

 

CMYK 0 / 54 / 33 / 20

HEX #CD5F8A

RGB 205 95 138

HSL 336.55, 0.52%, 0.59%

LAB 55.07, 48.1, -2.65

 

CMYK 0 / 54 / 47 / 20

HEX #CD5F6C

RGB 205 95 108

HSL 352.91, 0.52%, 0.59%

LAB 54.29, 44.79, 13.92

 

CMYK 0 / 54 / 54 / 20

HEX #CD5F5F

RGB 205 95 95

HSL 0, 0.52%, 0.59%

LAB 54.02, 43.61, 21.19

 

CMYK 0 / 54 / 33 / 20

HEX #CD5F8A

RGB 205 95 138

HSL 336.55, 0.52%, 0.59%

LAB 55.07, 48.1, -2.65

 

CMYK 0 / 54 / 18 / 20

HEX #CD5FA8

RGB 205 95 168

HSL 320.18, 0.52%, 0.59%

LAB 56.08, 52.21, -18.68

 

CMYK 0 / 54 / 3 / 20

HEX #CD5FC6

RGB 205 95 198

HSL 303.82, 0.52%, 0.59%

LAB 57.31, 57.02, -34.05

 

CMYK 11 / 54 / 0 / 20

HEX #B75FCD

RGB 183 95 205

HSL 288, 0.52%, 0.59%

LAB 54.72, 52.32, -42.32

 

CMYK 25 / 54 / 0 / 20

HEX #995FCD

RGB 153 95 205

HSL 271.64, 0.52%, 0.59%

LAB 51.11, 44.4, -48.27

 

CMYK 0 / 54 / 33 / 20

HEX #CD5F8A

RGB 205 95 138

HSL 336.55, 0.52%, 0.59%

LAB 55.07, 48.1, -2.65

 

CMYK 0 / 65 / 40 / 13

HEX #DE4E86

RGB 222 78 134

HSL 336.67, 0.69%, 0.59%

LAB 54.76, 60.57, -0.43

 

CMYK 0 / 74 / 45 / 6

HEX #EF3D83

RGB 239 61 131

HSL 336.4, 0.85%, 0.59%

LAB 55.41, 71.11, 2.65

 

CMYK 0 / 54 / 33 / 20

HEX #CD5F8A

RGB 205 95 138

HSL 336.55, 0.52%, 0.59%

LAB 55.07, 48.1, -2.65

 

CMYK 0 / 41 / 24 / 26

HEX #BC6F8E

RGB 188 111 142

HSL 335.84, 0.36%, 0.59%

LAB 56.1, 34.52, -3.74

 

CMYK 0 / 26 / 16 / 33

HEX #AC8091

RGB 172 128 145

HSL 336.82, 0.21%, 0.59%

LAB 58.28, 19.68, -2.49

 

CMYK 0 / 6 / 4 / 39

HEX #9B9195

RGB 155 145 149

HSL 336, 0.05%, 0.59%

LAB 61.12, 4.44, -0.79

 

CMYK 15 / 0 / 6 / 36

HEX #8AA299

RGB 138 162 153

HSL 157.5, 0.11%, 0.59%

LAB 64.6, -10.22, 1.86

 

CMYK 0 / 54 / 3 / 20

HEX #CD5FC6

RGB 205 95 198

HSL 303.82, 0.52%, 0.59%

LAB 57.31, 57.02, -34.05

 

CMYK 0 / 54 / 18 / 20

HEX #CD5FA8

RGB 205 95 168

HSL 320.18, 0.52%, 0.59%

LAB 56.08, 52.21, -18.68

 

CMYK 0 / 54 / 32 / 20

HEX #CD5F8B

RGB 205 95 139

HSL 336, 0.52%, 0.59%

LAB 55.1, 48.22, -3.19

 

CMYK 0 / 54 / 47 / 20

HEX #CD5F6D

RGB 205 95 109

HSL 352.36, 0.52%, 0.59%

LAB 54.31, 44.88, 13.37

 

CMYK 0 / 47 / 54 / 20

HEX #CD6D5F

RGB 205 109 95

HSL 7.64, 0.52%, 0.59%

LAB 56.82, 36.5, 24.91

 

CMYK 0 / 69 / 43 / 35

HEX #A73360

RGB 167 51 96

HSL 336.72, 0.53%, 0.43%

LAB 40.29, 50.9, 0.48

 

CMYK 0 / 68 / 41 / 23

HEX #C43F73

RGB 196 63 115

HSL 336.54, 0.53%, 0.51%

LAB 47.66, 56.85, 0.09

 

CMYK 0 / 54 / 33 / 20

HEX #CD5F8A

RGB 205 95 138

HSL 336.55, 0.52%, 0.59%

LAB 55.07, 48.1, -2.65

 

CMYK 0 / 41 / 25 / 16

HEX #D77EA1

RGB 215 126 161

HSL 336.4, 0.53%, 0.67%

LAB 63.29, 38.8, -3.69

 

CMYK 0 / 30 / 18 / 12

HEX #E19EB8

RGB 225 158 184

HSL 336.72, 0.53%, 0.75%

LAB 72.18, 28.68, -3.38

 

CMYK 0 / 54 / 33 / 19

HEX #CE5E8A

RGB 206 94 138

HSL 336.43, 0.53%, 0.59%

LAB 55.03, 48.91, -2.68

 

CMYK 0 / 11 / 54 / 20

HEX #CDB75F

RGB 205 183 95

HSL 48, 0.52%, 0.59%

LAB 74.62, -3.29, 47.09

 

CMYK 54 / 11 / 0 / 20

HEX #5FB7CD

RGB 95 183 205

HSL 192, 0.52%, 0.59%

LAB 69.97, -20.31, -19.22

 

CMYK 0 / 54 / 33 / 19

HEX #CE5E8A

RGB 206 94 138

HSL 336.43, 0.53%, 0.59%

LAB 55.03, 48.91, -2.68

 

CMYK 32 / 0 / 54 / 20

HEX #8BCD5F

RGB 139 205 95

HSL 96, 0.52%, 0.59%

LAB 76.06, -39.97, 47.64

 

CMYK 54 / 32 / 0 / 20

HEX #5F8BCD

RGB 95 139 205

HSL 216, 0.52%, 0.59%

LAB 57.37, 3.98, -38.66

 

CMYK 0 / 54 / 33 / 19

HEX #CE5E8A

RGB 206 94 138

HSL 336.43, 0.53%, 0.59%

LAB 55.03, 48.91, -2.68

 

CMYK 0 / 11 / 54 / 20

HEX #CDB75F

RGB 205 183 95

HSL 48, 0.52%, 0.59%

LAB 74.62, -3.29, 47.09

 

CMYK 54 / 0 / 21 / 20

HEX #5FCDA1

RGB 95 205 161

HSL 156, 0.52%, 0.59%

LAB 75.24, -41.93, 12.46

 

CMYK 54 / 43 / 0 / 20

HEX #5F75CD

RGB 95 117 205

HSL 228, 0.52%, 0.59%

LAB 51.34, 17.2, -48.2

 

CMYK 0 / 54 / 33 / 19

HEX #CE5E8A

RGB 206 94 138

HSL 336.43, 0.53%, 0.59%

LAB 55.03, 48.91, -2.68

 

CMYK 5 / 0 / 54 / 20

HEX #C2CD5F

RGB 194 205 95

HSL 66, 0.52%, 0.59%

LAB 79.59, -19.05, 52.67

 

CMYK 54 / 0 / 21 / 20

HEX #5FCDA1

RGB 95 205 161

HSL 156, 0.52%, 0.59%

LAB 75.24, -41.93, 12.46

 

CMYK 48 / 54 / 0 / 20

HEX #6A5FCD

RGB 106 95 205

HSL 246, 0.52%, 0.59%

LAB 46.52, 33.05, -55.87

 

Description

Color code: HEX #CE5E8A | qconv.com Color code: HEX #CE5E8A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 94 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 94 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 33 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 33% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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