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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE587F it is the complementary color #31A780. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE587F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE587F shade: #D3587A, #E46A8D, #F57CA0, #FF8EB3 and #FFA0C6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE587F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE587F shade: #CE587F, #BD466C, #AC3459, #9B2246 and #8A1033

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE587F shade: #CF5980, #CF5960 and #CF5959

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE587F shade: #CF5980, #CF59A0, #CF59BF, #BE59CF and #9F59CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE587F shade matches the following richer shades: #CF5980, #E0487A and #F13674

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE587F shade: #CF5980, #BD6A86, #AC7C8C, #9B8D92 and #899E97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE587F shade: #CF59BF, #CF59A0, #CF5980, #CF5961 and #CF7159

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE587F shade: #A53057, #C53968, #CF5980, #D87998 and #E199B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE587F shade: #CE587F, #CFBF59 and #59AFCF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE587F shade: #CE587F, #80CF59 and #5980CF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE587F shade: #CE587F, #CFBF59, #59CFA8 and #5969CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE587F shade: #CE587F, #BBCF59, #59CFA8 and #6D59CF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 38 / 19

HEX #CE587F

RGB 206 88 127

HSL 340.17, 0.55%, 0.58%

LAB 53.64, 50.46, 1.77

 

Complementary color

CMYK 71 / 0 / 23 / 35

HEX #31A780

RGB 49 167 128

HSL 160.17, 0.55%, 0.42%

LAB 61.52, -41.89, 10.9

 

CMYK 0 / 58 / 42 / 17

HEX #D3587A

RGB 211 88 122

HSL 343.41, 0.58%, 0.59%

LAB 54.27, 51.57, 5.76

 

CMYK 0 / 54 / 38 / 11

HEX #E46A8D

RGB 228 106 141

HSL 342.79, 0.69%, 0.65%

LAB 60.54, 50.8, 3.98

 

CMYK 0 / 49 / 35 / 4

HEX #F57CA0

RGB 245 124 160

HSL 342.15, 0.86%, 0.72%

LAB 66.8, 49.96, 2.47

 

CMYK 0 / 44 / 30 / 0

HEX #FF8EB3

RGB 255 142 179

HSL 340.35, 1%, 0.78%

LAB 72.14, 46.75, -0.26

 

CMYK 0 / 37 / 22 / 0

HEX #FFA0C6

RGB 255 160 198

HSL 336, 1%, 0.81%

LAB 76.36, 40.14, -4.54

 

CMYK 0 / 57 / 38 / 19

HEX #CE587F

RGB 206 88 127

HSL 340.17, 0.55%, 0.58%

LAB 53.64, 50.46, 1.77

 

CMYK 0 / 63 / 43 / 26

HEX #BD466C

RGB 189 70 108

HSL 340.84, 0.47%, 0.51%

LAB 47.34, 51.06, 3.75

 

CMYK 0 / 70 / 48 / 33

HEX #AC3459

RGB 172 52 89

HSL 341.5, 0.54%, 0.44%

LAB 41.13, 51.35, 6.21

 

CMYK 0 / 78 / 55 / 39

HEX #9B2246

RGB 155 34 70

HSL 342.15, 0.64%, 0.37%

LAB 35.11, 51.05, 9.38

 

CMYK 0 / 88 / 63 / 46

HEX #8A1033

RGB 138 16 51

HSL 342.79, 0.79%, 0.3%

LAB 29.44, 49.71, 13.58

 

CMYK 0 / 57 / 38 / 19

HEX #CF5980

RGB 207 89 128

HSL 340.17, 0.55%, 0.58%

LAB 53.99, 50.44, 1.72

 

CMYK 0 / 57 / 54 / 19

HEX #CF5960

RGB 207 89 96

HSL 356.44, 0.55%, 0.58%

LAB 53.23, 47.31, 19.6

 

CMYK 0 / 57 / 57 / 19

HEX #CF5959

RGB 207 89 89

HSL 0, 0.55%, 0.58%

LAB 53.09, 46.76, 23.53

 

CMYK 0 / 57 / 38 / 19

HEX #CF5980

RGB 207 89 128

HSL 340.17, 0.55%, 0.58%

LAB 53.99, 50.44, 1.72

 

CMYK 0 / 57 / 23 / 19

HEX #CF59A0

RGB 207 89 160

HSL 323.9, 0.55%, 0.58%

LAB 55.02, 54.47, -15.6

 

CMYK 0 / 57 / 8 / 19

HEX #CF59BF

RGB 207 89 191

HSL 308.14, 0.55%, 0.58%

LAB 56.26, 59.15, -31.66

 

CMYK 8 / 57 / 0 / 19

HEX #BE59CF

RGB 190 89 207

HSL 291.36, 0.55%, 0.58%

LAB 54.65, 57.45, -43.5

 

CMYK 23 / 57 / 0 / 19

HEX #9F59CF

RGB 159 89 207

HSL 275.59, 0.55%, 0.58%

LAB 50.71, 49.57, -50.01

 

CMYK 0 / 57 / 38 / 19

HEX #CF5980

RGB 207 89 128

HSL 340.17, 0.55%, 0.58%

LAB 53.99, 50.44, 1.72

 

CMYK 0 / 68 / 46 / 12

HEX #E0487A

RGB 224 72 122

HSL 340.26, 0.71%, 0.58%

LAB 53.91, 62.34, 5.51

 

CMYK 0 / 78 / 52 / 5

HEX #F13674

RGB 241 54 116

HSL 340.11, 0.87%, 0.58%

LAB 54.66, 72.45, 10.58

 

CMYK 0 / 57 / 38 / 19

HEX #CF5980

RGB 207 89 128

HSL 340.17, 0.55%, 0.58%

LAB 53.99, 50.44, 1.72

 

CMYK 0 / 44 / 29 / 26

HEX #BD6A86

RGB 189 106 134

HSL 339.76, 0.39%, 0.58%

LAB 54.92, 36.43, -0.78

 

CMYK 0 / 28 / 19 / 33

HEX #AC7C8C

RGB 172 124 140

HSL 340, 0.22%, 0.58%

LAB 57.15, 21.12, -1.25

 

CMYK 0 / 9 / 6 / 39

HEX #9B8D92

RGB 155 141 146

HSL 338.57, 0.07%, 0.58%

LAB 59.97, 6.13, -0.77

 

CMYK 13 / 0 / 4 / 38

HEX #899E97

RGB 137 158 151

HSL 160, 0.1%, 0.58%

LAB 63.35, -8.81, 1.16

 

CMYK 0 / 57 / 8 / 19

HEX #CF59BF

RGB 207 89 191

HSL 308.14, 0.55%, 0.58%

LAB 56.26, 59.15, -31.66

 

CMYK 0 / 57 / 23 / 19

HEX #CF59A0

RGB 207 89 160

HSL 323.9, 0.55%, 0.58%

LAB 55.02, 54.47, -15.6

 

CMYK 0 / 57 / 38 / 19

HEX #CF5980

RGB 207 89 128

HSL 340.17, 0.55%, 0.58%

LAB 53.99, 50.44, 1.72

 

CMYK 0 / 57 / 53 / 19

HEX #CF5961

RGB 207 89 97

HSL 355.93, 0.55%, 0.58%

LAB 53.25, 47.4, 19.03

 

CMYK 0 / 45 / 57 / 19

HEX #CF7159

RGB 207 113 89

HSL 12.2, 0.55%, 0.58%

LAB 57.84, 34.69, 29.68

 

CMYK 0 / 71 / 47 / 35

HEX #A53057

RGB 165 48 87

HSL 340, 0.55%, 0.42%

LAB 39.24, 50.57, 4.6

 

CMYK 0 / 71 / 47 / 23

HEX #C53968

RGB 197 57 104

HSL 339.86, 0.55%, 0.5%

LAB 46.71, 58.35, 5.46

 

CMYK 0 / 57 / 38 / 19

HEX #CF5980

RGB 207 89 128

HSL 340.17, 0.55%, 0.58%

LAB 53.99, 50.44, 1.72

 

CMYK 0 / 44 / 30 / 15

HEX #D87998

RGB 216 121 152

HSL 340.42, 0.55%, 0.66%

LAB 62.12, 40.53, -0.26

 

CMYK 0 / 32 / 21 / 12

HEX #E199B1

RGB 225 153 177

HSL 340, 0.55%, 0.74%

LAB 70.85, 30.31, -1.46

 

CMYK 0 / 57 / 38 / 19

HEX #CE587F

RGB 206 88 127

HSL 340.17, 0.55%, 0.58%

LAB 53.64, 50.46, 1.77

 

CMYK 0 / 8 / 57 / 19

HEX #CFBF59

RGB 207 191 89

HSL 51.86, 0.55%, 0.58%

LAB 76.83, -7.09, 52.55

 

CMYK 57 / 15 / 0 / 19

HEX #59AFCF

RGB 89 175 207

HSL 196.27, 0.55%, 0.58%

LAB 67.49, -16.78, -24.11

 

CMYK 0 / 57 / 38 / 19

HEX #CE587F

RGB 206 88 127

HSL 340.17, 0.55%, 0.58%

LAB 53.64, 50.46, 1.77

 

CMYK 38 / 0 / 57 / 19

HEX #80CF59

RGB 128 207 89

HSL 100.17, 0.55%, 0.58%

LAB 76.03, -45.2, 50.24

 

CMYK 57 / 38 / 0 / 19

HEX #5980CF

RGB 89 128 207

HSL 220.17, 0.55%, 0.58%

LAB 54.1, 9.89, -44.98

 

CMYK 0 / 57 / 38 / 19

HEX #CE587F

RGB 206 88 127

HSL 340.17, 0.55%, 0.58%

LAB 53.64, 50.46, 1.77

 

CMYK 0 / 8 / 57 / 19

HEX #CFBF59

RGB 207 191 89

HSL 51.86, 0.55%, 0.58%

LAB 76.83, -7.09, 52.55

 

CMYK 57 / 0 / 19 / 19

HEX #59CFA8

RGB 89 207 168

HSL 160.17, 0.55%, 0.58%

LAB 75.81, -42.54, 9.48

 

CMYK 57 / 49 / 0 / 19

HEX #5969CF

RGB 89 105 207

HSL 231.86, 0.55%, 0.58%

LAB 47.92, 24.01, -54.83

 

CMYK 0 / 57 / 38 / 19

HEX #CE587F

RGB 206 88 127

HSL 340.17, 0.55%, 0.58%

LAB 53.64, 50.46, 1.77

 

CMYK 10 / 0 / 57 / 19

HEX #BBCF59

RGB 187 207 89

HSL 70.17, 0.55%, 0.58%

LAB 79.56, -23.34, 55.22

 

CMYK 57 / 0 / 19 / 19

HEX #59CFA8

RGB 89 207 168

HSL 160.17, 0.55%, 0.58%

LAB 75.81, -42.54, 9.48

 

CMYK 47 / 57 / 0 / 19

HEX #6D59CF

RGB 109 89 207

HSL 250.17, 0.55%, 0.58%

LAB 45.5, 37.87, -58.66

 

Description

Color code: HEX #CE587F | qconv.com Color code: HEX #CE587F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 88 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 88 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 38 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 38% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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