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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE56E2 it is the complementary color #31A91D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE56E2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE56E2 shade: #D356DD, #E468F0, #F57AFF, #FF8CFF and #FF9EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE56E2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE56E2 shade: #CE56E2, #BD44CF, #AC32BC, #9B20A9 and #8A0E96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE56E2 shade: #CE55E2, #E255D0, #E255AA, #E25584 and #E2555E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE56E2 shade: #CE55E2, #A855E2, #8255E2, #5C55E2 and #5555E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE56E2 shade matches the following richer shades: #CE55E2 and #D945F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE56E2 shade: #CE55E2, #C265D2, #B775C2, #AC85B2 and #A095A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE56E2 shade: #8255E2, #A755E2, #CD55E2, #E255D2 and #E255AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE56E2 shade: #AC21C3, #C432DC, #CE55E2, #D878E8 and #E29BEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE56E2 shade: #CE56E2, #E25C55 and #55E294

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE56E2 shade: #CE56E2, #E2CD55 and #55E2CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE56E2 shade: #CE56E2, #E25C55, #6AE255 and #55DBE2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE56E2 shade: #CE56E2, #E28655, #6AE255 and #55B1E2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 62 / 0 / 11

HEX #CE56E2

RGB 206 86 226

HSL 291.43, 0.71%, 0.61%

LAB 57.34, 66.27, -49.86

 

Complementary color

CMYK 71 / 0 / 83 / 34

HEX #31A91D

RGB 49 169 29

HSL 111.43, 0.71%, 0.39%

LAB 60.89, -57.2, 56.64

 

CMYK 5 / 61 / 0 / 13

HEX #D356DD

RGB 211 86 221

HSL 295.56, 0.67%, 0.6%

LAB 57.78, 66.56, -46.31

 

CMYK 5 / 57 / 0 / 6

HEX #E468F0

RGB 228 104 240

HSL 294.71, 0.82%, 0.67%

LAB 63.91, 66.28, -47.08

 

CMYK 4 / 52 / 0 / 0

HEX #F57AFF

RGB 245 122 255

HSL 295.49, 1%, 0.74%

LAB 69.86, 65.09, -45.81

 

CMYK 0 / 45 / 0 / 0

HEX #FF8CFF

RGB 255 140 255

HSL 300, 1%, 0.77%

LAB 74.34, 59.25, -38.72

 

CMYK 0 / 38 / 0 / 0

HEX #FF9EFF

RGB 255 158 255

HSL 300, 1%, 0.81%

LAB 77.84, 50.31, -33.3

 

CMYK 9 / 62 / 0 / 11

HEX #CE56E2

RGB 206 86 226

HSL 291.43, 0.71%, 0.61%

LAB 57.34, 66.27, -49.86

 

CMYK 9 / 67 / 0 / 19

HEX #BD44CF

RGB 189 68 207

HSL 292.23, 0.59%, 0.54%

LAB 51.22, 66.3, -48.96

 

CMYK 9 / 73 / 0 / 26

HEX #AC32BC

RGB 172 50 188

HSL 293.04, 0.58%, 0.47%

LAB 45.2, 65.84, -47.73

 

CMYK 8 / 81 / 0 / 34

HEX #9B20A9

RGB 155 32 169

HSL 293.87, 0.68%, 0.39%

LAB 39.35, 64.61, -46.01

 

CMYK 8 / 91 / 0 / 41

HEX #8A0E96

RGB 138 14 150

HSL 294.71, 0.83%, 0.32%

LAB 33.81, 62.18, -43.57

 

CMYK 9 / 62 / 0 / 11

HEX #CE55E2

RGB 206 85 226

HSL 291.49, 0.71%, 0.61%

LAB 57.18, 66.69, -50.11

 

CMYK 0 / 62 / 8 / 11

HEX #E255D0

RGB 226 85 208

HSL 307.66, 0.71%, 0.61%

LAB 59.18, 68.52, -36.6

 

CMYK 0 / 62 / 25 / 11

HEX #E255AA

RGB 226 85 170

HSL 323.83, 0.71%, 0.61%

LAB 57.62, 63.09, -17.2

 

CMYK 0 / 62 / 42 / 11

HEX #E25584

RGB 226 85 132

HSL 340, 0.71%, 0.61%

LAB 56.42, 58.69, 3.24

 

CMYK 0 / 62 / 58 / 11

HEX #E2555E

RGB 226 85 94

HSL 356.17, 0.71%, 0.61%

LAB 55.56, 55.44, 24.42

 

CMYK 9 / 62 / 0 / 11

HEX #CE55E2

RGB 206 85 226

HSL 291.49, 0.71%, 0.61%

LAB 57.18, 66.69, -50.11

 

CMYK 26 / 62 / 0 / 11

HEX #A855E2

RGB 168 85 226

HSL 275.32, 0.71%, 0.61%

LAB 52.19, 57.94, -58.37

 

CMYK 42 / 62 / 0 / 11

HEX #8255E2

RGB 130 85 226

HSL 259.15, 0.71%, 0.61%

LAB 47.92, 49.8, -65.47

 

CMYK 59 / 62 / 0 / 11

HEX #5C55E2

RGB 92 85 226

HSL 242.98, 0.71%, 0.61%

LAB 44.61, 42.89, -71.01

 

CMYK 62 / 62 / 0 / 11

HEX #5555E2

RGB 85 85 226

HSL 240, 0.71%, 0.61%

LAB 44.12, 41.81, -71.83

 

CMYK 9 / 62 / 0 / 11

HEX #CE55E2

RGB 206 85 226

HSL 291.49, 0.71%, 0.61%

LAB 57.18, 66.69, -50.11

 

CMYK 10 / 71 / 0 / 5

HEX #D945F2

RGB 217 69 242

HSL 291.33, 0.87%, 0.61%

LAB 57.48, 78.01, -58.5

 

CMYK 9 / 62 / 0 / 11

HEX #CE55E2

RGB 206 85 226

HSL 291.49, 0.71%, 0.61%

LAB 57.18, 66.69, -50.11

 

CMYK 8 / 52 / 0 / 18

HEX #C265D2

RGB 194 101 210

HSL 291.19, 0.55%, 0.61%

LAB 57.49, 53.29, -40.69

 

CMYK 6 / 40 / 0 / 24

HEX #B775C2

RGB 183 117 194

HSL 291.43, 0.39%, 0.61%

LAB 58.68, 38.61, -29.85

 

CMYK 3 / 25 / 0 / 30

HEX #AC85B2

RGB 172 133 178

HSL 292, 0.23%, 0.61%

LAB 60.57, 22.92, -17.96

 

CMYK 1 / 8 / 0 / 36

HEX #A095A2

RGB 160 149 162

HSL 290.77, 0.07%, 0.61%

LAB 62.99, 6.5, -5.36

 

CMYK 42 / 62 / 0 / 11

HEX #8255E2

RGB 130 85 226

HSL 259.15, 0.71%, 0.61%

LAB 47.92, 49.8, -65.47

 

CMYK 26 / 62 / 0 / 11

HEX #A755E2

RGB 167 85 226

HSL 274.89, 0.71%, 0.61%

LAB 52.07, 57.72, -58.58

 

CMYK 9 / 62 / 0 / 11

HEX #CD55E2

RGB 205 85 226

HSL 291.06, 0.71%, 0.61%

LAB 57.04, 66.46, -50.34

 

CMYK 0 / 62 / 7 / 11

HEX #E255D2

RGB 226 85 210

HSL 306.81, 0.71%, 0.61%

LAB 59.27, 68.83, -37.59

 

CMYK 0 / 62 / 24 / 11

HEX #E255AC

RGB 226 85 172

HSL 322.98, 0.71%, 0.61%

LAB 57.7, 63.35, -18.25

 

CMYK 12 / 83 / 0 / 24

HEX #AC21C3

RGB 172 33 195

HSL 291.48, 0.71%, 0.45%

LAB 43.94, 71.96, -53.83

 

CMYK 11 / 77 / 0 / 14

HEX #C432DC

RGB 196 50 220

HSL 291.53, 0.71%, 0.53%

LAB 50.9, 76.13, -56.83

 

CMYK 9 / 62 / 0 / 11

HEX #CE55E2

RGB 206 85 226

HSL 291.49, 0.71%, 0.61%

LAB 57.18, 66.69, -50.11

 

CMYK 7 / 48 / 0 / 9

HEX #D878E8

RGB 216 120 232

HSL 291.43, 0.71%, 0.69%

LAB 64.85, 54.06, -41.27

 

CMYK 5 / 35 / 0 / 7

HEX #E29BEE

RGB 226 155 238

HSL 291.33, 0.71%, 0.77%

LAB 73.41, 39.99, -31.19

 

CMYK 9 / 62 / 0 / 11

HEX #CE56E2

RGB 206 86 226

HSL 291.43, 0.71%, 0.61%

LAB 57.34, 66.27, -49.86

 

CMYK 0 / 59 / 62 / 11

HEX #E25C55

RGB 226 92 85

HSL 2.98, 0.71%, 0.61%

LAB 56.56, 51.75, 30.91

 

CMYK 62 / 0 / 35 / 11

HEX #55E294

RGB 85 226 148

HSL 146.81, 0.71%, 0.61%

LAB 81, -55.36, 27.18

 

CMYK 9 / 62 / 0 / 11

HEX #CE56E2

RGB 206 86 226

HSL 291.43, 0.71%, 0.61%

LAB 57.34, 66.27, -49.86

 

CMYK 0 / 9 / 62 / 11

HEX #E2CD55

RGB 226 205 85

HSL 51.06, 0.71%, 0.61%

LAB 82.1, -6.62, 60.65

 

CMYK 62 / 0 / 9 / 11

HEX #55E2CD

RGB 85 226 205

HSL 171.06, 0.71%, 0.61%

LAB 82.23, -42.7, -0.97

 

CMYK 9 / 62 / 0 / 11

HEX #CE56E2

RGB 206 86 226

HSL 291.43, 0.71%, 0.61%

LAB 57.34, 66.27, -49.86

 

CMYK 0 / 59 / 62 / 11

HEX #E25C55

RGB 226 92 85

HSL 2.98, 0.71%, 0.61%

LAB 56.56, 51.75, 30.91

 

CMYK 53 / 0 / 62 / 11

HEX #6AE255

RGB 106 226 85

HSL 111.06, 0.71%, 0.61%

LAB 80.8, -59.62, 57.18

 

CMYK 62 / 3 / 0 / 11

HEX #55DBE2

RGB 85 219 226

HSL 182.98, 0.71%, 0.61%

LAB 80.79, -33.93, -14.28

 

CMYK 9 / 62 / 0 / 11

HEX #CE56E2

RGB 206 86 226

HSL 291.43, 0.71%, 0.61%

LAB 57.34, 66.27, -49.86

 

CMYK 0 / 41 / 62 / 11

HEX #E28655

RGB 226 134 85

HSL 20.85, 0.71%, 0.61%

LAB 64.86, 30.86, 41.08

 

CMYK 53 / 0 / 62 / 11

HEX #6AE255

RGB 106 226 85

HSL 111.06, 0.71%, 0.61%

LAB 80.8, -59.62, 57.18

 

CMYK 62 / 22 / 0 / 11

HEX #55B1E2

RGB 85 177 226

HSL 200.85, 0.71%, 0.61%

LAB 68.65, -12.77, -32.77

 

Description

Color code: HEX #CE56E2 | qconv.com Color code: HEX #CE56E2 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 86 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 86 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 62 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 62% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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