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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE52BC it is the complementary color #31AD43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE52BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE52BC shade: #D352B7, #E464CA, #F576DD, #FF88F0 and #FF9AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE52BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE52BC shade: #CE52BC, #BD40A9, #AC2E96, #9B1C83 and #8A0A70

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE52BC shade: #CE50BB, #CE509A, #CE5078, #CE5056 and #CE5050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE52BC shade: #CE50BB, #BE50CE, #9C50CE, #7A50CE and #5850CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE52BC shade matches the following richer shades: #CE50BB, #E03EC8 and #F22CD5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE52BC shade: #CE50BB, #BB62AF, #A974A2, #978695 and #859988

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE52BC shade: #9B50CE, #BD50CE, #CE50BD, #CE509B and #CE507A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE52BC shade: #9E2D8E, #BF36AB, #CE50BB, #D770C8 and #E090D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE52BC shade: #CE52BC, #CE7A50 and #50CEAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE52BC shade: #CE52BC, #BDCE50 and #50BDCE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE52BC shade: #CE52BC, #CE7A50, #50CE61 and #50A4CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE52BC shade: #CE52BC, #CEA050, #50CE61 and #507ECE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 9 / 19

HEX #CE52BC

RGB 206 82 188

HSL 308.71, 0.56%, 0.56%

LAB 54.85, 61.48, -32.14

 

Complementary color

CMYK 72 / 0 / 61 / 32

HEX #31AD43

RGB 49 173 67

HSL 128.71, 0.56%, 0.44%

LAB 62.46, -55.25, 43.93

 

CMYK 0 / 61 / 13 / 17

HEX #D352B7

RGB 211 82 183

HSL 313.02, 0.59%, 0.57%

LAB 55.38, 62.04, -28.37

 

CMYK 0 / 56 / 11 / 11

HEX #E464CA

RGB 228 100 202

HSL 312.19, 0.7%, 0.64%

LAB 61.54, 61.74, -29.5

 

CMYK 0 / 52 / 10 / 4

HEX #F576DD

RGB 245 118 221

HSL 311.34, 0.86%, 0.71%

LAB 67.72, 61.25, -30.42

 

CMYK 0 / 47 / 6 / 0

HEX #FF88F0

RGB 255 136 240

HSL 307.56, 1%, 0.77%

LAB 73, 58.65, -32.63

 

CMYK 0 / 40 / 0 / 0

HEX #FF9AFF

RGB 255 154 255

HSL 300, 1%, 0.8%

LAB 77.04, 52.33, -34.54

 

CMYK 0 / 60 / 9 / 19

HEX #CE52BC

RGB 206 82 188

HSL 308.71, 0.56%, 0.56%

LAB 54.85, 61.48, -32.14

 

CMYK 0 / 66 / 11 / 26

HEX #BD40A9

RGB 189 64 169

HSL 309.6, 0.49%, 0.5%

LAB 48.7, 61.49, -30.86

 

CMYK 0 / 73 / 13 / 33

HEX #AC2E96

RGB 172 46 150

HSL 310.48, 0.58%, 0.43%

LAB 42.65, 60.99, -29.18

 

CMYK 0 / 82 / 15 / 39

HEX #9B1C83

RGB 155 28 131

HSL 311.34, 0.69%, 0.36%

LAB 36.81, 59.64, -26.91

 

CMYK 0 / 93 / 19 / 46

HEX #8A0A70

RGB 138 10 112

HSL 312.19, 0.86%, 0.29%

LAB 31.32, 56.98, -23.79

 

CMYK 0 / 61 / 9 / 19

HEX #CE50BB

RGB 206 80 187

HSL 309.05, 0.56%, 0.56%

LAB 54.5, 62.17, -32.11

 

CMYK 0 / 61 / 25 / 19

HEX #CE509A

RGB 206 80 154

HSL 324.76, 0.56%, 0.56%

LAB 53.16, 57.37, -14.92

 

CMYK 0 / 61 / 42 / 19

HEX #CE5078

RGB 206 80 120

HSL 340.95, 0.56%, 0.56%

LAB 52.08, 53.34, 3.69

 

CMYK 0 / 61 / 58 / 19

HEX #CE5056

RGB 206 80 86

HSL 357.14, 0.56%, 0.56%

LAB 51.3, 50.34, 22.91

 

CMYK 0 / 61 / 61 / 19

HEX #CE5050

RGB 206 80 80

HSL 0, 0.56%, 0.56%

LAB 51.2, 49.92, 26.31

 

CMYK 0 / 61 / 9 / 19

HEX #CE50BB

RGB 206 80 187

HSL 309.05, 0.56%, 0.56%

LAB 54.5, 62.17, -32.11

 

CMYK 8 / 61 / 0 / 19

HEX #BE50CE

RGB 190 80 206

HSL 292.38, 0.56%, 0.56%

LAB 53.1, 61.36, -45.38

 

CMYK 24 / 61 / 0 / 19

HEX #9C50CE

RGB 156 80 206

HSL 276.19, 0.56%, 0.56%

LAB 48.59, 53.18, -52.85

 

CMYK 41 / 61 / 0 / 19

HEX #7A50CE

RGB 122 80 206

HSL 260, 0.56%, 0.56%

LAB 44.7, 45.5, -59.3

 

CMYK 57 / 61 / 0 / 19

HEX #5850CE

RGB 88 80 206

HSL 243.81, 0.56%, 0.56%

LAB 41.64, 38.87, -64.42

 

CMYK 0 / 61 / 9 / 19

HEX #CE50BB

RGB 206 80 187

HSL 309.05, 0.56%, 0.56%

LAB 54.5, 62.17, -32.11

 

CMYK 0 / 72 / 11 / 12

HEX #E03EC8

RGB 224 62 200

HSL 308.89, 0.72%, 0.56%

LAB 55.55, 75.12, -37.75

 

CMYK 0 / 82 / 12 / 5

HEX #F22CD5

RGB 242 44 213

HSL 308.79, 0.88%, 0.56%

LAB 57.54, 85.36, -41.83

 

CMYK 0 / 61 / 9 / 19

HEX #CE50BB

RGB 206 80 187

HSL 309.05, 0.56%, 0.56%

LAB 54.5, 62.17, -32.11

 

CMYK 0 / 48 / 6 / 27

HEX #BB62AF

RGB 187 98 175

HSL 308.09, 0.4%, 0.56%

LAB 54.44, 46.35, -25.46

 

CMYK 0 / 31 / 4 / 34

HEX #A974A2

RGB 169 116 162

HSL 307.92, 0.24%, 0.56%

LAB 55.62, 28.41, -16.32

 

CMYK 0 / 11 / 1 / 41

HEX #978695

RGB 151 134 149

HSL 307.06, 0.08%, 0.56%

LAB 57.85, 9.21, -5.66

 

CMYK 13 / 0 / 11 / 40

HEX #859988

RGB 133 153 136

HSL 129, 0.09%, 0.56%

LAB 61.26, -10.51, 6.56

 

CMYK 25 / 61 / 0 / 19

HEX #9B50CE

RGB 155 80 206

HSL 275.71, 0.56%, 0.56%

LAB 48.46, 52.95, -53.06

 

CMYK 8 / 61 / 0 / 19

HEX #BD50CE

RGB 189 80 206

HSL 291.9, 0.56%, 0.56%

LAB 52.96, 61.11, -45.61

 

CMYK 0 / 61 / 8 / 19

HEX #CE50BD

RGB 206 80 189

HSL 308.1, 0.56%, 0.56%

LAB 54.59, 62.48, -33.13

 

CMYK 0 / 61 / 25 / 19

HEX #CE509B

RGB 206 80 155

HSL 324.29, 0.56%, 0.56%

LAB 53.2, 57.51, -15.45

 

CMYK 0 / 61 / 41 / 19

HEX #CE507A

RGB 206 80 122

HSL 340, 0.56%, 0.56%

LAB 52.13, 53.55, 2.57

 

CMYK 0 / 72 / 10 / 38

HEX #9E2D8E

RGB 158 45 142

HSL 308.5, 0.56%, 0.4%

LAB 39.75, 56.72, -29.04

 

CMYK 0 / 72 / 10 / 25

HEX #BF36AB

RGB 191 54 171

HSL 308.76, 0.56%, 0.48%

LAB 47.82, 65.92, -33.38

 

CMYK 0 / 61 / 9 / 19

HEX #CE50BB

RGB 206 80 187

HSL 309.05, 0.56%, 0.56%

LAB 54.5, 62.17, -32.11

 

CMYK 0 / 48 / 7 / 16

HEX #D770C8

RGB 215 112 200

HSL 308.74, 0.56%, 0.64%

LAB 61.83, 52.02, -28.07

 

CMYK 0 / 36 / 5 / 12

HEX #E090D4

RGB 224 144 212

HSL 309, 0.56%, 0.72%

LAB 69.86, 40.42, -22.37

 

CMYK 0 / 60 / 9 / 19

HEX #CE52BC

RGB 206 82 188

HSL 308.71, 0.56%, 0.56%

LAB 54.85, 61.48, -32.14

 

CMYK 0 / 41 / 61 / 19

HEX #CE7A50

RGB 206 122 80

HSL 20, 0.56%, 0.56%

LAB 59.54, 28.83, 36.72

 

CMYK 61 / 0 / 17 / 19

HEX #50CEAC

RGB 80 206 172

HSL 163.81, 0.56%, 0.56%

LAB 75.34, -42.92, 6.63

 

CMYK 0 / 60 / 9 / 19

HEX #CE52BC

RGB 206 82 188

HSL 308.71, 0.56%, 0.56%

LAB 54.85, 61.48, -32.14

 

CMYK 8 / 0 / 61 / 19

HEX #BDCE50

RGB 189 206 80

HSL 68.1, 0.56%, 0.56%

LAB 79.35, -22.73, 58.94

 

CMYK 61 / 8 / 0 / 19

HEX #50BDCE

RGB 80 189 206

HSL 188.1, 0.56%, 0.56%

LAB 71.25, -25.93, -17.87

 

CMYK 0 / 60 / 9 / 19

HEX #CE52BC

RGB 206 82 188

HSL 308.71, 0.56%, 0.56%

LAB 54.85, 61.48, -32.14

 

CMYK 0 / 41 / 61 / 19

HEX #CE7A50

RGB 206 122 80

HSL 20, 0.56%, 0.56%

LAB 59.54, 28.83, 36.72

 

CMYK 61 / 0 / 53 / 19

HEX #50CE61

RGB 80 206 97

HSL 128.1, 0.56%, 0.56%

LAB 74, -57.1, 43.67

 

CMYK 61 / 20 / 0 / 19

HEX #50A4CE

RGB 80 164 206

HSL 200, 0.56%, 0.56%

LAB 63.93, -12.92, -29.07

 

CMYK 0 / 60 / 9 / 19

HEX #CE52BC

RGB 206 82 188

HSL 308.71, 0.56%, 0.56%

LAB 54.85, 61.48, -32.14

 

CMYK 0 / 22 / 61 / 19

HEX #CEA050

RGB 206 160 80

HSL 38.1, 0.56%, 0.56%

LAB 68.64, 8.22, 47.43

 

CMYK 61 / 0 / 53 / 19

HEX #50CE61

RGB 80 206 97

HSL 128.1, 0.56%, 0.56%

LAB 74, -57.1, 43.67

 

CMYK 61 / 39 / 0 / 19

HEX #507ECE

RGB 80 126 206

HSL 218.1, 0.56%, 0.56%

LAB 53.04, 8.99, -46.12

 

Description

Color code: HEX #CE52BC | qconv.com Color code: HEX #CE52BC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 82 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 82 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 9 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 9% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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