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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE517E it is the complementary color #31AE81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE517E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE517E shade: #D35179, #E4638C, #F5759F, #FF87B2 and #FF99C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE517E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE517E shade: #CE517E, #BD3F6B, #AC2D58, #9B1B45 and #8A0932

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE517E shade: #CE507D, #CE505B and #CE5050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE517E shade: #CE507D, #CE509F, #CE50C1, #B850CE and #9750CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE517E shade matches the following richer shades: #CE507D, #E03E78 and #F22C73

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE517E shade: #CE507D, #BB6282, #A97487, #97868C and #859992

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE517E shade: #CE50C1, #CE50A0, #CE507E, #CE505D and #CE6550

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE517E shade: #9E2D56, #BF3667, #CE507D, #D77095 and #E090AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE517E shade: #CE517E, #CEB950 and #50B0CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE517E shade: #CE517E, #7ECE50 and #507ECE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE517E shade: #CE517E, #CEB950, #50CEA0 and #5065CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE517E shade: #CE517E, #BDCE50, #50CEA0 and #6150CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 39 / 19

HEX #CE517E

RGB 206 81 126

HSL 338.4, 0.56%, 0.56%

LAB 52.41, 53.54, 0.59

 

Complementary color

CMYK 72 / 0 / 26 / 32

HEX #31AE81

RGB 49 174 129

HSL 158.4, 0.56%, 0.44%

LAB 63.76, -44.61, 13.49

 

CMYK 0 / 62 / 43 / 17

HEX #D35179

RGB 211 81 121

HSL 341.54, 0.6%, 0.57%

LAB 53.07, 54.6, 4.63

 

CMYK 0 / 57 / 39 / 11

HEX #E4638C

RGB 228 99 140

HSL 340.93, 0.7%, 0.64%

LAB 59.26, 53.97, 2.71

 

CMYK 0 / 52 / 35 / 4

HEX #F5759F

RGB 245 117 159

HSL 340.31, 0.86%, 0.71%

LAB 65.47, 53.22, 1.1

 

CMYK 0 / 47 / 30 / 0

HEX #FF87B2

RGB 255 135 178

HSL 338.5, 1%, 0.76%

LAB 70.73, 50.1, -1.75

 

CMYK 0 / 40 / 23 / 0

HEX #FF99C5

RGB 255 153 197

HSL 334.12, 1%, 0.8%

LAB 74.87, 43.59, -6.19

 

CMYK 0 / 61 / 39 / 19

HEX #CE517E

RGB 206 81 126

HSL 338.4, 0.56%, 0.56%

LAB 52.41, 53.54, 0.59

 

CMYK 0 / 67 / 43 / 26

HEX #BD3F6B

RGB 189 63 107

HSL 339.05, 0.5%, 0.49%

LAB 46.22, 53.92, 2.74

 

CMYK 0 / 74 / 49 / 33

HEX #AC2D58

RGB 172 45 88

HSL 339.69, 0.59%, 0.43%

LAB 40.17, 53.87, 5.46

 

CMYK 0 / 83 / 55 / 39

HEX #9B1B45

RGB 155 27 69

HSL 340.31, 0.7%, 0.36%

LAB 34.36, 53.04, 8.98

 

CMYK 0 / 93 / 64 / 46

HEX #8A0932

RGB 138 9 50

HSL 340.93, 0.88%, 0.29%

LAB 28.98, 50.93, 13.62

 

CMYK 0 / 61 / 39 / 19

HEX #CE507D

RGB 206 80 125

HSL 338.57, 0.56%, 0.56%

LAB 52.22, 53.87, 0.9

 

CMYK 0 / 61 / 56 / 19

HEX #CE505B

RGB 206 80 91

HSL 354.76, 0.56%, 0.56%

LAB 51.4, 50.72, 20.07

 

CMYK 0 / 61 / 61 / 19

HEX #CE5050

RGB 206 80 80

HSL 0, 0.56%, 0.56%

LAB 51.2, 49.92, 26.31

 

CMYK 0 / 61 / 39 / 19

HEX #CE507D

RGB 206 80 125

HSL 338.57, 0.56%, 0.56%

LAB 52.22, 53.87, 0.9

 

CMYK 0 / 61 / 23 / 19

HEX #CE509F

RGB 206 80 159

HSL 322.38, 0.56%, 0.56%

LAB 53.34, 58.05, -17.58

 

CMYK 0 / 61 / 6 / 19

HEX #CE50C1

RGB 206 80 193

HSL 306.19, 0.56%, 0.56%

LAB 54.77, 63.12, -35.14

 

CMYK 11 / 61 / 0 / 19

HEX #B850CE

RGB 184 80 206

HSL 289.52, 0.56%, 0.56%

LAB 52.27, 59.9, -46.76

 

CMYK 27 / 61 / 0 / 19

HEX #9750CE

RGB 151 80 206

HSL 273.81, 0.56%, 0.56%

LAB 47.97, 52.01, -53.87

 

CMYK 0 / 61 / 39 / 19

HEX #CE507D

RGB 206 80 125

HSL 338.57, 0.56%, 0.56%

LAB 52.22, 53.87, 0.9

 

CMYK 0 / 72 / 46 / 12

HEX #E03E78

RGB 224 62 120

HSL 338.52, 0.72%, 0.56%

LAB 52.56, 65.74, 4.78

 

CMYK 0 / 82 / 52 / 5

HEX #F22C73

RGB 242 44 115

HSL 338.48, 0.88%, 0.56%

LAB 53.94, 75.14, 10.19

 

CMYK 0 / 61 / 39 / 19

HEX #CE507D

RGB 206 80 125

HSL 338.57, 0.56%, 0.56%

LAB 52.22, 53.87, 0.9

 

CMYK 0 / 48 / 30 / 27

HEX #BB6282

RGB 187 98 130

HSL 338.43, 0.4%, 0.56%

LAB 52.85, 39.4, -1.48

 

CMYK 0 / 31 / 20 / 34

HEX #A97487

RGB 169 116 135

HSL 338.49, 0.24%, 0.56%

LAB 54.74, 23.71, -1.92

 

CMYK 0 / 11 / 7 / 41

HEX #97868C

RGB 151 134 140

HSL 338.82, 0.08%, 0.56%

LAB 57.58, 7.5, -0.87

 

CMYK 13 / 0 / 5 / 40

HEX #859992

RGB 133 153 146

HSL 159, 0.09%, 0.56%

LAB 61.52, -8.51, 1.28

 

CMYK 0 / 61 / 6 / 19

HEX #CE50C1

RGB 206 80 193

HSL 306.19, 0.56%, 0.56%

LAB 54.77, 63.12, -35.14

 

CMYK 0 / 61 / 22 / 19

HEX #CE50A0

RGB 206 80 160

HSL 321.9, 0.56%, 0.56%

LAB 53.38, 58.19, -18.11

 

CMYK 0 / 61 / 39 / 19

HEX #CE507E

RGB 206 80 126

HSL 338.1, 0.56%, 0.56%

LAB 52.25, 53.98, 0.35

 

CMYK 0 / 61 / 55 / 19

HEX #CE505D

RGB 206 80 93

HSL 353.81, 0.56%, 0.56%

LAB 51.44, 50.87, 18.94

 

CMYK 0 / 51 / 61 / 19

HEX #CE6550

RGB 206 101 80

HSL 10, 0.56%, 0.56%

LAB 55.08, 39.83, 31.23

 

CMYK 0 / 72 / 46 / 38

HEX #9E2D56

RGB 158 45 86

HSL 338.23, 0.56%, 0.4%

LAB 37.51, 49.49, 2.58

 

CMYK 0 / 72 / 46 / 25

HEX #BF3667

RGB 191 54 103

HSL 338.54, 0.56%, 0.48%

LAB 45.21, 57.59, 3.79

 

CMYK 0 / 61 / 39 / 19

HEX #CE507D

RGB 206 80 125

HSL 338.57, 0.56%, 0.56%

LAB 52.22, 53.87, 0.9

 

CMYK 0 / 48 / 31 / 16

HEX #D77095

RGB 215 112 149

HSL 338.45, 0.56%, 0.64%

LAB 60.07, 44.41, -1.55

 

CMYK 0 / 36 / 23 / 12

HEX #E090AD

RGB 224 144 173

HSL 338.25, 0.56%, 0.72%

LAB 68.61, 34.16, -2.52

 

CMYK 0 / 61 / 39 / 19

HEX #CE517E

RGB 206 81 126

HSL 338.4, 0.56%, 0.56%

LAB 52.41, 53.54, 0.59

 

CMYK 0 / 10 / 61 / 19

HEX #CEB950

RGB 206 185 80

HSL 50, 0.56%, 0.56%

LAB 75.08, -5.05, 54.66

 

CMYK 61 / 15 / 0 / 19

HEX #50B0CE

RGB 80 176 206

HSL 194.29, 0.56%, 0.56%

LAB 67.44, -19.3, -23.67

 

CMYK 0 / 61 / 39 / 19

HEX #CE517E

RGB 206 81 126

HSL 338.4, 0.56%, 0.56%

LAB 52.41, 53.54, 0.59

 

CMYK 39 / 0 / 61 / 19

HEX #7ECE50

RGB 126 206 80

HSL 98.1, 0.56%, 0.56%

LAB 75.55, -46.33, 53.67

 

CMYK 61 / 39 / 0 / 19

HEX #507ECE

RGB 80 126 206

HSL 218.1, 0.56%, 0.56%

LAB 53.04, 8.99, -46.12

 

CMYK 0 / 61 / 39 / 19

HEX #CE517E

RGB 206 81 126

HSL 338.4, 0.56%, 0.56%

LAB 52.41, 53.54, 0.59

 

CMYK 0 / 10 / 61 / 19

HEX #CEB950

RGB 206 185 80

HSL 50, 0.56%, 0.56%

LAB 75.08, -5.05, 54.66

 

CMYK 61 / 0 / 22 / 19

HEX #50CEA0

RGB 80 206 160

HSL 158.1, 0.56%, 0.56%

LAB 75.07, -45.7, 12.68

 

CMYK 61 / 51 / 0 / 19

HEX #5065CE

RGB 80 101 206

HSL 230, 0.56%, 0.56%

LAB 46.27, 24.47, -56.94

 

CMYK 0 / 61 / 39 / 19

HEX #CE517E

RGB 206 81 126

HSL 338.4, 0.56%, 0.56%

LAB 52.41, 53.54, 0.59

 

CMYK 8 / 0 / 61 / 19

HEX #BDCE50

RGB 189 206 80

HSL 68.1, 0.56%, 0.56%

LAB 79.35, -22.73, 58.94

 

CMYK 61 / 0 / 22 / 19

HEX #50CEA0

RGB 80 206 160

HSL 158.1, 0.56%, 0.56%

LAB 75.07, -45.7, 12.68

 

CMYK 53 / 61 / 0 / 19

HEX #6150CE

RGB 97 80 206

HSL 248.1, 0.56%, 0.56%

LAB 42.36, 40.48, -63.21

 

Description

Color code: HEX #CE517E | qconv.com Color code: HEX #CE517E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 81 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 81 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 39 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 39% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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