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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE51243F it is the complementary color #31AEDB3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE51243F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE51243F shade: #D3511F3F, #E463323F, #F575453F, #FF87583F and #FF996B3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE51243F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE51243F shade: #CE51243F, #BD3F113F, #AC2D003F, #9B1B003F and #8A09003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE51243F shade: #CC5024 and #CC2424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE51243F shade: #CC5024, #CC7E24, #CCAB24, #BFCC24 and #92CC24

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE51243F shade matches the following richer shades: #CC5024 and #DF4711

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE51243F shade: #CC5024, #B85937, #A5634B, #926C5E and #7E7572

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE51243F shade: #CC2453, #CC2427, #CC4E24, #CC7B24 and #CCA724

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE51243F shade: #863518, #A9431E, #CC5024, #DD673C and #E3825F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE51243F shade: #CE5124, #80CC24 and #243DCC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE51243F shade: #CE5124, #24CC4E and #4E24CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE51243F shade: #CE5124, #80CC24, #24A2CC and #6F24CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE51243F shade: #CE5124, #4ECC24, #24A2CC and #A224CC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 21 / 5

HEX #CE51243F

RGBA 206 81 36 0.25

HSLA 15.88, 0.7%, 0.47%, 0.25

LABA 50.84, 47.38, 49.61, 0.25

 

Complementary color

CMYK 19 / 5 / 0 / 4

HEX #31AEDB3F

RGBA 49 174 219 0.25

HSLA 195.88, 0.7%, 0.53%, 0.25

LABA 66.55, -18.48, -32.27, 0.25

 

CMYK 0 / 15 / 21 / 4

HEX #D3511F3F

RGBA 211 81 31 0.25

HSLA 16.67, 0.74%, 0.47%, 0.25

LABA 51.65, 49.05, 52.8, 0.25

 

CMYK 0 / 14 / 20 / 3

HEX #E463323F

RGBA 228 99 50 0.25

HSLA 16.52, 0.77%, 0.55%, 0.25

LABA 57.7, 47.51, 50.89, 0.25

 

CMYK 0 / 13 / 18 / 1

HEX #F575453F

RGBA 245 117 69 0.25

HSLA 16.36, 0.9%, 0.62%, 0.25

LABA 63.81, 45.97, 48.77, 0.25

 

CMYK 0 / 12 / 16 / 0

HEX #FF87583F

RGBA 255 135 88 0.25

HSLA 16.89, 1%, 0.67%, 0.25

LABA 68.96, 41.84, 45.32, 0.25

 

CMYK 0 / 10 / 15 / 0

HEX #FF996B3F

RGBA 255 153 107 0.25

HSLA 18.65, 1%, 0.71%, 0.25

LABA 72.96, 33.93, 40.26, 0.25

 

CMYK 0 / 15 / 21 / 5

HEX #CE51243F

RGBA 206 81 36 0.25

HSLA 15.88, 0.7%, 0.47%, 0.25

LABA 50.84, 47.38, 49.61, 0.25

 

CMYK 0 / 17 / 23 / 6

HEX #BD3F113F

RGBA 189 63 17 0.25

HSLA 16.05, 0.83%, 0.4%, 0.25

LABA 44.82, 48.81, 51.17, 0.25

 

CMYK 0 / 18 / 25 / 8

HEX #AC2D003F

RGBA 172 45 0 0.25

HSLA 15.7, 1%, 0.34%, 0.25

LABA 38.98, 49.89, 51.44, 0.25

 

CMYK 0 / 21 / 25 / 10

HEX #9B1B003F

RGBA 155 27 0 0.25

HSLA 10.45, 1%, 0.3%, 0.25

LABA 33.46, 50.29, 46.78, 0.25

 

CMYK 0 / 23 / 25 / 11

HEX #8A09003F

RGBA 138 9 0 0.25

HSLA 3.91, 1%, 0.27%, 0.25

LABA 28.38, 49.23, 41.44, 0.25

 

CMYK 0 / 61 / 82 / 20

HEX #CC5024

RGB 204 80 36

HSL 15.71, 0.7%, 0.47%

LAB 50.34, 47.11, 49.02

 

CMYK 0 / 82 / 82 / 20

HEX #CC2424

RGB 204 36 36

HSL 0, 0.7%, 0.47%

LAB 44.56, 62.94, 43.65

 

CMYK 0 / 61 / 82 / 20

HEX #CC5024

RGB 204 80 36

HSL 15.71, 0.7%, 0.47%

LAB 50.34, 47.11, 49.02

 

CMYK 0 / 38 / 82 / 20

HEX #CC7E24

RGB 204 126 36

HSL 32.14, 0.7%, 0.47%

LAB 59.79, 23.62, 57.51

 

CMYK 0 / 16 / 82 / 20

HEX #CCAB24

RGB 204 171 36

HSL 48.21, 0.7%, 0.47%

LAB 70.93, -0.7, 67.19

 

CMYK 6 / 0 / 82 / 20

HEX #BFCC24

RGB 191 204 36

HSL 64.64, 0.7%, 0.47%

LAB 78.69, -23.12, 73.38

 

CMYK 28 / 0 / 82 / 20

HEX #92CC24

RGB 146 204 36

HSL 80.71, 0.7%, 0.47%

LAB 75.71, -41.2, 69.64

 

CMYK 0 / 61 / 82 / 20

HEX #CC5024

RGB 204 80 36

HSL 15.71, 0.7%, 0.47%

LAB 50.34, 47.11, 49.02

 

CMYK 0 / 68 / 92 / 13

HEX #DF4711

RGB 223 71 17

HSL 15.73, 0.86%, 0.47%

LAB 52.1, 57.12, 59.04

 

CMYK 0 / 61 / 82 / 20

HEX #CC5024

RGB 204 80 36

HSL 15.71, 0.7%, 0.47%

LAB 50.34, 47.11, 49.02

 

CMYK 0 / 52 / 70 / 28

HEX #B85937

RGB 184 89 55

HSL 15.81, 0.54%, 0.47%

LAB 49.02, 35.9, 37.08

 

CMYK 0 / 40 / 55 / 35

HEX #A5634B

RGB 165 99 75

HSL 16, 0.38%, 0.47%

LAB 48.8, 24.16, 24.92

 

CMYK 0 / 26 / 36 / 43

HEX #926C5E

RGB 146 108 94

HSL 16.15, 0.22%, 0.47%

LAB 49.06, 13.13, 13.74

 

CMYK 0 / 7 / 10 / 51

HEX #7E7572

RGB 126 117 114

HSL 15, 0.05%, 0.47%

LAB 49.95, 2.9, 2.89

 

CMYK 0 / 82 / 59 / 20

HEX #CC2453

RGB 204 36 83

HSL 343.21, 0.7%, 0.47%

LAB 45.25, 65.04, 16.6

 

CMYK 0 / 82 / 81 / 20

HEX #CC2427

RGB 204 36 39

HSL 358.93, 0.7%, 0.47%

LAB 44.58, 63.02, 42.07

 

CMYK 0 / 62 / 82 / 20

HEX #CC4E24

RGB 204 78 36

HSL 15, 0.7%, 0.47%

LAB 49.99, 48.02, 48.71

 

CMYK 0 / 40 / 82 / 20

HEX #CC7B24

RGB 204 123 36

HSL 31.07, 0.7%, 0.47%

LAB 59.1, 25.25, 56.9

 

CMYK 0 / 18 / 82 / 20

HEX #CCA724

RGB 204 167 36

HSL 46.79, 0.7%, 0.47%

LAB 69.9, 1.43, 66.3

 

CMYK 0 / 60 / 82 / 47

HEX #863518

RGB 134 53 24

HSL 15.82, 0.7%, 0.31%

LAB 33.31, 33.1, 34.52

 

CMYK 0 / 60 / 82 / 34

HEX #A9431E

RGB 169 67 30

HSL 15.97, 0.7%, 0.39%

LAB 42.07, 40.02, 42.02

HEX #A9431E

CMYK 0 / 61 / 82 / 20

HEX #CC5024

RGB 204 80 36

HSL 15.71, 0.7%, 0.47%

LAB 50.34, 47.11, 49.02

HEX #CC5024

CMYK 0 / 53 / 73 / 13

HEX #DD673C

RGB 221 103 60

HSL 16.02, 0.7%, 0.55%

LAB 57.46, 43.38, 45.38

HEX #DD673C

CMYK 0 / 43 / 58 / 11

HEX #E3825F

RGB 227 130 95

HSL 15.91, 0.7%, 0.63%

LAB 64.26, 34.06, 35.04

HEX #E3825F

CMYK 0 / 61 / 83 / 19

HEX #CE5124

RGB 206 81 36

HSL 15.88, 0.7%, 0.47%

LAB 50.84, 47.38, 49.61

 

CMYK 37 / 0 / 82 / 20

HEX #80CC24

RGB 128 204 36

HSL 87.14, 0.7%, 0.47%

LAB 74.76, -47.74, 68.44

 

CMYK 82 / 70 / 0 / 20

HEX #243DCC

RGB 36 61 204

HSL 231.07, 0.7%, 0.47%

LAB 34.13, 43.46, -75.68

 

CMYK 0 / 61 / 83 / 19

HEX #CE5124

RGB 206 81 36

HSL 15.88, 0.7%, 0.47%

LAB 50.84, 47.38, 49.61

 

CMYK 82 / 0 / 62 / 20

HEX #24CC4E

RGB 36 204 78

HSL 135, 0.7%, 0.47%

LAB 72.3, -65.93, 50.18

 

CMYK 62 / 82 / 0 / 20

HEX #4E24CC

RGB 78 36 204

HSL 255, 0.7%, 0.47%

LAB 32.35, 59.81, -78.53

 

CMYK 0 / 61 / 83 / 19

HEX #CE5124

RGB 206 81 36

HSL 15.88, 0.7%, 0.47%

LAB 50.84, 47.38, 49.61

 

CMYK 37 / 0 / 82 / 20

HEX #80CC24

RGB 128 204 36

HSL 87.14, 0.7%, 0.47%

LAB 74.76, -47.74, 68.44

 

CMYK 82 / 21 / 0 / 20

HEX #24A2CC

RGB 36 162 204

HSL 195, 0.7%, 0.47%

LAB 62.15, -18.43, -30.8

 

CMYK 46 / 82 / 0 / 20

HEX #6F24CC

RGB 111 36 204

HSL 266.79, 0.7%, 0.47%

LAB 35.99, 63.51, -72.41

 

CMYK 0 / 61 / 83 / 19

HEX #CE5124

RGB 206 81 36

HSL 15.88, 0.7%, 0.47%

LAB 50.84, 47.38, 49.61

 

CMYK 62 / 0 / 82 / 20

HEX #4ECC24

RGB 78 204 36

HSL 105, 0.7%, 0.47%

LAB 72.85, -62.38, 65.99

 

CMYK 82 / 21 / 0 / 20

HEX #24A2CC

RGB 36 162 204

HSL 195, 0.7%, 0.47%

LAB 62.15, -18.43, -30.8

 

CMYK 21 / 82 / 0 / 20

HEX #A224CC

RGB 162 36 204

HSL 285, 0.7%, 0.47%

LAB 43.22, 71.11, -60.31

 

Description

Color code: HEX #CE51243F | qconv.com Color code: HEX #CE51243F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 81 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 81 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 21 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 21% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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