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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE509C it is the complementary color #31AF63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE509C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE509C shade: #D35097, #E462AA, #F574BD, #FF86D0 and #FF98E3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE509C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE509C shade: #CE509C, #BD3E89, #AC2C76, #9B1A63 and #8A0850

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE509C shade: #CE509C, #CE507A, #CE5058 and #CE5050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE509C shade: #CE509C, #CE50BE, #BC50CE, #9A50CE and #7850CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE509C shade matches the following richer shades: #CE509C, #E03EA0 and #F22CA3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE509C shade: #CE509C, #BB6298, #A97494, #978691 and #85998D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE509C shade: #BB50CE, #CE50BF, #CE509D, #CE507C and #CE505A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE509C shade: #9E2D71, #BF3688, #CE509C, #D770AE and #E090C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE509C shade: #CE509C, #CE9950 and #50CECC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE509C shade: #CE509C, #9DCE50 and #509DCE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE509C shade: #CE509C, #CE9950, #50CE80 and #5084CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE509C shade: #CE509C, #CEBF50, #50CE80 and #505FCE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 24 / 19

HEX #CE509C

RGB 206 80 156

HSL 323.81, 0.56%, 0.56%

LAB 53.23, 57.64, -15.98

 

Complementary color

CMYK 72 / 0 / 43 / 31

HEX #31AF63

RGB 49 175 99

HSL 143.81, 0.56%, 0.44%

LAB 63.52, -51.18, 29.35

 

CMYK 0 / 62 / 28 / 17

HEX #D35097

RGB 211 80 151

HSL 327.48, 0.6%, 0.57%

LAB 53.84, 58.45, -12.05

 

CMYK 0 / 57 / 25 / 11

HEX #E462AA

RGB 228 98 170

HSL 326.77, 0.71%, 0.64%

LAB 60.01, 58.05, -13.57

 

CMYK 0 / 53 / 23 / 4

HEX #F574BD

RGB 245 116 189

HSL 326.05, 0.87%, 0.71%

LAB 66.2, 57.48, -14.83

 

CMYK 0 / 47 / 18 / 0

HEX #FF86D0

RGB 255 134 208

HSL 323.31, 1%, 0.76%

LAB 71.46, 54.65, -17.37

 

CMYK 0 / 40 / 11 / 0

HEX #FF98E3

RGB 255 152 227

HSL 316.31, 1%, 0.8%

LAB 75.61, 48.62, -21.52

 

CMYK 0 / 61 / 24 / 19

HEX #CE509C

RGB 206 80 156

HSL 323.81, 0.56%, 0.56%

LAB 53.23, 57.64, -15.98

 

CMYK 0 / 67 / 28 / 26

HEX #BD3E89

RGB 189 62 137

HSL 324.57, 0.51%, 0.49%

LAB 47.07, 57.75, -14.28

 

CMYK 0 / 74 / 31 / 33

HEX #AC2C76

RGB 172 44 118

HSL 325.31, 0.59%, 0.42%

LAB 41.02, 57.35, -12.09

 

CMYK 0 / 83 / 36 / 39

HEX #9B1A63

RGB 155 26 99

HSL 326.05, 0.71%, 0.35%

LAB 35.22, 56.1, -9.19

 

CMYK 0 / 94 / 42 / 46

HEX #8A0850

RGB 138 8 80

HSL 326.77, 0.89%, 0.29%

LAB 29.8, 53.52, -5.3

 

CMYK 0 / 61 / 24 / 19

HEX #CE509C

RGB 206 80 156

HSL 323.81, 0.56%, 0.56%

LAB 53.23, 57.64, -15.98

 

CMYK 0 / 61 / 41 / 19

HEX #CE507A

RGB 206 80 122

HSL 340, 0.56%, 0.56%

LAB 52.13, 53.55, 2.57

 

CMYK 0 / 61 / 57 / 19

HEX #CE5058

RGB 206 80 88

HSL 356.19, 0.56%, 0.56%

LAB 51.34, 50.49, 21.78

 

CMYK 0 / 61 / 61 / 19

HEX #CE5050

RGB 206 80 80

HSL 0, 0.56%, 0.56%

LAB 51.2, 49.92, 26.31

 

CMYK 0 / 61 / 24 / 19

HEX #CE509C

RGB 206 80 156

HSL 323.81, 0.56%, 0.56%

LAB 53.23, 57.64, -15.98

 

CMYK 0 / 61 / 8 / 19

HEX #CE50BE

RGB 206 80 190

HSL 307.62, 0.56%, 0.56%

LAB 54.63, 62.64, -33.63

 

CMYK 9 / 61 / 0 / 19

HEX #BC50CE

RGB 188 80 206

HSL 291.43, 0.56%, 0.56%

LAB 52.82, 60.87, -45.85

 

CMYK 25 / 61 / 0 / 19

HEX #9A50CE

RGB 154 80 206

HSL 275.24, 0.56%, 0.56%

LAB 48.34, 52.71, -53.26

 

CMYK 42 / 61 / 0 / 19

HEX #7850CE

RGB 120 80 206

HSL 259.05, 0.56%, 0.56%

LAB 44.5, 45.08, -59.64

 

CMYK 0 / 61 / 24 / 19

HEX #CE509C

RGB 206 80 156

HSL 323.81, 0.56%, 0.56%

LAB 53.23, 57.64, -15.98

 

CMYK 0 / 72 / 29 / 12

HEX #E03EA0

RGB 224 62 160

HSL 323.7, 0.72%, 0.56%

LAB 53.85, 69.87, -17.13

 

CMYK 0 / 82 / 33 / 5

HEX #F22CA3

RGB 242 44 163

HSL 323.94, 0.88%, 0.56%

LAB 55.4, 79.4, -16.24

 

CMYK 0 / 61 / 24 / 19

HEX #CE509C

RGB 206 80 156

HSL 323.81, 0.56%, 0.56%

LAB 53.23, 57.64, -15.98

 

CMYK 0 / 48 / 19 / 27

HEX #BB6298

RGB 187 98 152

HSL 323.6, 0.4%, 0.56%

LAB 53.56, 42.57, -13.39

 

CMYK 0 / 31 / 12 / 34

HEX #A97494

RGB 169 116 148

HSL 323.77, 0.24%, 0.56%

LAB 55.14, 25.88, -8.91

 

CMYK 0 / 11 / 4 / 41

HEX #978691

RGB 151 134 145

HSL 321.18, 0.08%, 0.56%

LAB 57.73, 8.44, -3.54

 

CMYK 13 / 0 / 8 / 40

HEX #85998D

RGB 133 153 141

HSL 144, 0.09%, 0.56%

LAB 61.39, -9.53, 3.91

 

CMYK 9 / 61 / 0 / 19

HEX #BB50CE

RGB 187 80 206

HSL 290.95, 0.56%, 0.56%

LAB 52.68, 60.63, -46.08

 

CMYK 0 / 61 / 7 / 19

HEX #CE50BF

RGB 206 80 191

HSL 307.14, 0.56%, 0.56%

LAB 54.68, 62.8, -34.14

 

CMYK 0 / 61 / 24 / 19

HEX #CE509D

RGB 206 80 157

HSL 323.33, 0.56%, 0.56%

LAB 53.27, 57.78, -16.52

 

CMYK 0 / 61 / 40 / 19

HEX #CE507C

RGB 206 80 124

HSL 339.05, 0.56%, 0.56%

LAB 52.19, 53.77, 1.46

 

CMYK 0 / 61 / 56 / 19

HEX #CE505A

RGB 206 80 90

HSL 355.24, 0.56%, 0.56%

LAB 51.38, 50.64, 20.64

 

CMYK 0 / 72 / 28 / 38

HEX #9E2D71

RGB 158 45 113

HSL 323.89, 0.56%, 0.4%

LAB 38.44, 52.57, -13.12

 

CMYK 0 / 72 / 29 / 25

HEX #BF3688

RGB 191 54 136

HSL 324.09, 0.56%, 0.48%

LAB 46.3, 61.15, -14.8

 

CMYK 0 / 61 / 24 / 19

HEX #CE509C

RGB 206 80 156

HSL 323.81, 0.56%, 0.56%

LAB 53.23, 57.64, -15.98

 

CMYK 0 / 48 / 19 / 16

HEX #D770AE

RGB 215 112 174

HSL 323.88, 0.56%, 0.64%

LAB 60.86, 47.89, -14.75

 

CMYK 0 / 36 / 14 / 12

HEX #E090C0

RGB 224 144 192

HSL 324, 0.56%, 0.72%

LAB 69.18, 37.07, -12.28

 

CMYK 0 / 61 / 24 / 19

HEX #CE509C

RGB 206 80 156

HSL 323.81, 0.56%, 0.56%

LAB 53.23, 57.64, -15.98

 

CMYK 0 / 26 / 61 / 19

HEX #CE9950

RGB 206 153 80

HSL 34.76, 0.56%, 0.56%

LAB 66.89, 12.01, 45.41

 

CMYK 61 / 0 / 1 / 19

HEX #50CECC

RGB 80 206 204

HSL 179.05, 0.56%, 0.56%

LAB 76.2, -34.7, -9.36

 

CMYK 0 / 61 / 24 / 19

HEX #CE509C

RGB 206 80 156

HSL 323.81, 0.56%, 0.56%

LAB 53.23, 57.64, -15.98

 

CMYK 24 / 0 / 61 / 19

HEX #9DCE50

RGB 157 206 80

HSL 83.33, 0.56%, 0.56%

LAB 77.21, -35.32, 55.99

 

CMYK 61 / 24 / 0 / 19

HEX #509DCE

RGB 80 157 206

HSL 203.33, 0.56%, 0.56%

LAB 61.89, -9.07, -32.22

 

CMYK 0 / 61 / 24 / 19

HEX #CE509C

RGB 206 80 156

HSL 323.81, 0.56%, 0.56%

LAB 53.23, 57.64, -15.98

 

CMYK 0 / 26 / 61 / 19

HEX #CE9950

RGB 206 153 80

HSL 34.76, 0.56%, 0.56%

LAB 66.89, 12.01, 45.41

 

CMYK 61 / 0 / 38 / 19

HEX #50CE80

RGB 80 206 128

HSL 142.86, 0.56%, 0.56%

LAB 74.45, -52.2, 28.72

 

CMYK 61 / 36 / 0 / 19

HEX #5084CE

RGB 80 132 206

HSL 215.24, 0.56%, 0.56%

LAB 54.72, 5.37, -43.45

 

CMYK 0 / 61 / 24 / 19

HEX #CE509C

RGB 206 80 156

HSL 323.81, 0.56%, 0.56%

LAB 53.23, 57.64, -15.98

 

CMYK 0 / 7 / 61 / 19

HEX #CEBF50

RGB 206 191 80

HSL 52.86, 0.56%, 0.56%

LAB 76.66, -8.15, 56.4

 

CMYK 61 / 0 / 38 / 19

HEX #50CE80

RGB 80 206 128

HSL 142.86, 0.56%, 0.56%

LAB 74.45, -52.2, 28.72

 

CMYK 61 / 54 / 0 / 19

HEX #505FCE

RGB 80 95 206

HSL 232.86, 0.56%, 0.56%

LAB 44.73, 28.23, -59.44

 

Description

Color code: HEX #CE509C | qconv.com Color code: HEX #CE509C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 80 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 80 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 24 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 24% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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