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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE4ECE it is the complementary color #31B131. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE4ECE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE4ECE shade: #D34EC9, #E460DC, #F572EF, #FF84FF and #FF96FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE4ECE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE4ECE shade: #CE4ECE, #BD3CBB, #AC2AA8, #9B1895 and #8A0682

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE4ECE shade: #CF4FCF, #CF4FAC, #CF4F8A, #CF4F67 and #CF4F4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE4ECE shade: #CF4FCF, #AC4FCF, #8A4FCF, #674FCF and #4F4FCF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE4ECE shade matches the following richer shades: #CF4FCF, #E13DE1 and #F32BF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE4ECE shade: #CF4FCF, #BD61BD, #AA73AA, #988598 and #869786

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE4ECE shade: #8B4FCF, #AD4FCF, #CF4FCF, #CF4FAD and #CF4F8B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE4ECE shade: #9F2C9F, #C035C0, #CF4FCF, #D86FD8 and #E090E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE4ECE shade: #CE4ECE, #CF684F and #4FCF9C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE4ECE shade: #CE4ECE, #CFCF4F and #4FCFCF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE4ECE shade: #CE4ECE, #CF684F, #4FCF4F and #4FB5CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE4ECE shade: #CE4ECE, #CF8F4F, #4FCF4F and #4F8FCF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 0 / 19

HEX #CE4ECE

RGB 206 78 206

HSL 300, 0.57%, 0.56%

LAB 55.1, 66.09, -42.08

 

Complementary color

CMYK 72 / 0 / 72 / 31

HEX #31B131

RGB 49 177 49

HSL 120, 0.57%, 0.44%

LAB 63.61, -58.45, 52.73

 

CMYK 0 / 63 / 5 / 17

HEX #D34EC9

RGB 211 78 201

HSL 304.51, 0.6%, 0.57%

LAB 55.6, 66.49, -38.38

 

CMYK 0 / 58 / 4 / 11

HEX #E460DC

RGB 228 96 220

HSL 303.64, 0.71%, 0.64%

LAB 61.68, 66.36, -39.44

 

CMYK 0 / 53 / 2 / 4

HEX #F572EF

RGB 245 114 239

HSL 302.75, 0.87%, 0.7%

LAB 67.78, 66, -40.28

 

CMYK 0 / 48 / 0 / 0

HEX #FF84FF

RGB 255 132 255

HSL 300, 1%, 0.76%

LAB 72.88, 63.08, -40.99

 

CMYK 0 / 41 / 0 / 0

HEX #FF96FF

RGB 255 150 255

HSL 300, 1%, 0.79%

LAB 76.25, 54.33, -35.75

 

CMYK 0 / 62 / 0 / 19

HEX #CE4ECE

RGB 206 78 206

HSL 300, 0.57%, 0.56%

LAB 55.1, 66.09, -42.08

 

CMYK 0 / 68 / 1 / 26

HEX #BD3CBB

RGB 189 60 187

HSL 300.93, 0.52%, 0.49%

LAB 49.05, 65.87, -40.84

 

CMYK 0 / 76 / 2 / 33

HEX #AC2AA8

RGB 172 42 168

HSL 301.85, 0.61%, 0.42%

LAB 43.14, 65.04, -39.2

 

CMYK 0 / 85 / 4 / 39

HEX #9B1895

RGB 155 24 149

HSL 302.75, 0.73%, 0.35%

LAB 37.47, 63.27, -36.95

 

CMYK 0 / 96 / 6 / 46

HEX #8A0682

RGB 138 6 130

HSL 303.64, 0.92%, 0.28%

LAB 32.14, 60.15, -33.89

 

CMYK 0 / 62 / 0 / 19

HEX #CF4FCF

RGB 207 79 207

HSL 300, 0.57%, 0.56%

LAB 55.44, 66.09, -42.09

 

CMYK 0 / 62 / 17 / 19

HEX #CF4FAC

RGB 207 79 172

HSL 316.41, 0.57%, 0.56%

LAB 53.85, 60.59, -24.4

 

CMYK 0 / 62 / 33 / 19

HEX #CF4F8A

RGB 207 79 138

HSL 332.34, 0.57%, 0.56%

LAB 52.61, 56.09, -6.25

 

CMYK 0 / 62 / 50 / 19

HEX #CF4F67

RGB 207 79 103

HSL 348.75, 0.57%, 0.56%

LAB 51.65, 52.48, 13.28

 

CMYK 0 / 62 / 62 / 19

HEX #CF4F4F

RGB 207 79 79

HSL 0, 0.57%, 0.56%

LAB 51.18, 50.65, 26.91

 

CMYK 0 / 62 / 0 / 19

HEX #CF4FCF

RGB 207 79 207

HSL 300, 0.57%, 0.56%

LAB 55.44, 66.09, -42.09

 

CMYK 17 / 62 / 0 / 19

HEX #AC4FCF

RGB 172 79 207

HSL 283.59, 0.57%, 0.56%

LAB 50.53, 57.66, -50.2

 

CMYK 33 / 62 / 0 / 19

HEX #8A4FCF

RGB 138 79 207

HSL 267.66, 0.57%, 0.56%

LAB 46.31, 49.8, -57.2

 

CMYK 50 / 62 / 0 / 19

HEX #674FCF

RGB 103 79 207

HSL 251.25, 0.57%, 0.56%

LAB 42.73, 42.5, -63.16

 

CMYK 62 / 62 / 0 / 19

HEX #4F4FCF

RGB 79 79 207

HSL 240, 0.57%, 0.56%

LAB 40.83, 38.31, -66.34

 

CMYK 0 / 62 / 0 / 19

HEX #CF4FCF

RGB 207 79 207

HSL 300, 0.57%, 0.56%

LAB 55.44, 66.09, -42.09

 

CMYK 0 / 73 / 0 / 12

HEX #E13DE1

RGB 225 61 225

HSL 300, 0.73%, 0.56%

LAB 56.86, 79.39, -49.88

 

CMYK 0 / 82 / 0 / 5

HEX #F32BF3

RGB 243 43 243

HSL 300, 0.89%, 0.56%

LAB 59.21, 89.95, -56.07

 

CMYK 0 / 62 / 0 / 19

HEX #CF4FCF

RGB 207 79 207

HSL 300, 0.57%, 0.56%

LAB 55.44, 66.09, -42.09

 

CMYK 0 / 49 / 0 / 26

HEX #BD61BD

RGB 189 97 189

HSL 300, 0.41%, 0.56%

LAB 55.12, 49.95, -32.48

 

CMYK 0 / 32 / 0 / 33

HEX #AA73AA

RGB 170 115 170

HSL 300, 0.24%, 0.56%

LAB 55.8, 30.83, -20.67

 

CMYK 0 / 13 / 0 / 40

HEX #988598

RGB 152 133 152

HSL 300, 0.08%, 0.56%

LAB 57.77, 10.73, -7.49

 

CMYK 11 / 0 / 11 / 41

HEX #869786

RGB 134 151 134

HSL 120, 0.08%, 0.56%

LAB 60.71, -9.44, 6.91

 

CMYK 33 / 62 / 0 / 19

HEX #8B4FCF

RGB 139 79 207

HSL 268.13, 0.57%, 0.56%

LAB 46.43, 50.02, -57.01

 

CMYK 16 / 62 / 0 / 19

HEX #AD4FCF

RGB 173 79 207

HSL 284.06, 0.57%, 0.56%

LAB 50.67, 57.9, -49.98

 

CMYK 0 / 62 / 0 / 19

HEX #CF4FCF

RGB 207 79 207

HSL 300, 0.57%, 0.56%

LAB 55.44, 66.09, -42.09

 

CMYK 0 / 62 / 16 / 19

HEX #CF4FAD

RGB 207 79 173

HSL 315.94, 0.57%, 0.56%

LAB 53.89, 60.74, -24.92

 

CMYK 0 / 62 / 33 / 19

HEX #CF4F8B

RGB 207 79 139

HSL 331.88, 0.57%, 0.56%

LAB 52.64, 56.21, -6.8

 

CMYK 0 / 72 / 0 / 38

HEX #9F2C9F

RGB 159 44 159

HSL 300, 0.57%, 0.4%

LAB 40.7, 60.07, -37.83

 

CMYK 0 / 72 / 0 / 25

HEX #C035C0

RGB 192 53 192

HSL 300, 0.57%, 0.48%

LAB 48.96, 69.75, -43.88

 

CMYK 0 / 62 / 0 / 19

HEX #CF4FCF

RGB 207 79 207

HSL 300, 0.57%, 0.56%

LAB 55.44, 66.09, -42.09

 

CMYK 0 / 49 / 0 / 15

HEX #D86FD8

RGB 216 111 216

HSL 300, 0.57%, 0.64%

LAB 62.44, 55.57, -36.11

 

CMYK 0 / 36 / 0 / 12

HEX #E090E0

RGB 224 144 224

HSL 300, 0.56%, 0.72%

LAB 70.3, 42.57, -28.32

 

CMYK 0 / 62 / 0 / 19

HEX #CE4ECE

RGB 206 78 206

HSL 300, 0.57%, 0.56%

LAB 55.1, 66.09, -42.08

 

CMYK 0 / 50 / 62 / 19

HEX #CF684F

RGB 207 104 79

HSL 11.72, 0.57%, 0.56%

LAB 55.82, 38.62, 32.73

 

CMYK 62 / 0 / 25 / 19

HEX #4FCF9C

RGB 79 207 156

HSL 156.09, 0.57%, 0.56%

LAB 75.26, -47.2, 15.08

 

CMYK 0 / 62 / 0 / 19

HEX #CE4ECE

RGB 206 78 206

HSL 300, 0.57%, 0.56%

LAB 55.1, 66.09, -42.08

 

CMYK 0 / 0 / 62 / 19

HEX #CFCF4F

RGB 207 207 79

HSL 60, 0.57%, 0.56%

LAB 80.99, -15.91, 61.53

 

CMYK 62 / 0 / 0 / 19

HEX #4FCFCF

RGB 79 207 207

HSL 180, 0.57%, 0.56%

LAB 76.55, -34.51, -10.45

 

CMYK 0 / 62 / 0 / 19

HEX #CE4ECE

RGB 206 78 206

HSL 300, 0.57%, 0.56%

LAB 55.1, 66.09, -42.08

 

CMYK 0 / 50 / 62 / 19

HEX #CF684F

RGB 207 104 79

HSL 11.72, 0.57%, 0.56%

LAB 55.82, 38.62, 32.73

 

CMYK 62 / 0 / 62 / 19

HEX #4FCF4F

RGB 79 207 79

HSL 120, 0.57%, 0.56%

LAB 74.1, -59.87, 52

 

CMYK 62 / 13 / 0 / 19

HEX #4FB5CF

RGB 79 181 207

HSL 192.19, 0.57%, 0.56%

LAB 68.91, -21.76, -21.98

 

CMYK 0 / 62 / 0 / 19

HEX #CE4ECE

RGB 206 78 206

HSL 300, 0.57%, 0.56%

LAB 55.1, 66.09, -42.08

 

CMYK 0 / 31 / 62 / 19

HEX #CF8F4F

RGB 207 143 79

HSL 30, 0.57%, 0.56%

LAB 64.54, 17.8, 43.22

 

CMYK 62 / 0 / 62 / 19

HEX #4FCF4F

RGB 79 207 79

HSL 120, 0.57%, 0.56%

LAB 74.1, -59.87, 52

 

CMYK 62 / 31 / 0 / 19

HEX #4F8FCF

RGB 79 143 207

HSL 210, 0.57%, 0.56%

LAB 57.86, -0.97, -39.08

 

Description

Color code: HEX #CE4ECE | qconv.com Color code: HEX #CE4ECE | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 78 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 78 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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