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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE4D06 it is the complementary color #31B2F9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE4D06. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE4D06 shade: #D34D01, #E45F14, #F57127, #FF833A and #FF954D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE4D06. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE4D06 shade: #CE4D06, #BD3B00, #AC2900, #9B1700 and #8A0500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE4D06 shade: #D04E06, #D01806 and #D00606

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE4D06 shade: #D04E06, #D08406, #D0BA06, #AFD006 and #78D006

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE4D06 shade matches the following richer shades: #D04E06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE4D06 shade: #D04E06, #BE5318, #AD5829, #9C5D3A and #8A624C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE4D06 shade: #D0062B, #D01706, #D04D06, #D08306 and #D0B806

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE4D06 shade: #803004, #A83F05, #D04E06, #F75D08 and #F97730

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE4D06 shade: #CE4D06, #61D006 and #0610D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE4D06 shade: #CE4D06, #06D04D and #4D06D0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE4D06 shade: #CE4D06, #61D006, #0689D0 and #7506D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE4D06 shade: #CE4D06, #25D006, #0689D0 and #B206D0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 97 / 19

HEX #CE4D06

RGB 206 77 6

HSL 21.3, 0.94%, 0.42%

LAB 50.03, 48.64, 58.97

 

Complementary color

CMYK 80 / 29 / 0 / 2

HEX #31B2F9

RGB 49 178 249

HSL 201.3, 0.94%, 0.58%

LAB 68.99, -10.42, -44.85

 

CMYK 0 / 64 / 100 / 17

HEX #D34D01

RGB 211 77 1

HSL 21.71, 0.99%, 0.42%

LAB 50.87, 50.38, 61.07

 

CMYK 0 / 58 / 91 / 11

HEX #E45F14

RGB 228 95 20

HSL 21.63, 0.84%, 0.49%

LAB 56.81, 48.64, 61.78

 

CMYK 0 / 54 / 84 / 4

HEX #F57127

RGB 245 113 39

HSL 21.55, 0.91%, 0.56%

LAB 62.82, 46.84, 61.26

 

CMYK 0 / 49 / 77 / 0

HEX #FF833A

RGB 255 131 58

HSL 22.23, 1%, 0.61%

LAB 67.87, 42.43, 58.61

 

CMYK 0 / 42 / 70 / 0

HEX #FF954D

RGB 255 149 77

HSL 24.27, 1%, 0.65%

LAB 71.75, 34.15, 53.92

 

CMYK 0 / 63 / 97 / 19

HEX #CE4D06

RGB 206 77 6

HSL 21.3, 0.94%, 0.42%

LAB 50.03, 48.64, 58.97

 

CMYK 0 / 69 / 100 / 26

HEX #BD3B00

RGB 189 59 0

HSL 18.73, 1%, 0.37%

LAB 44.16, 50.24, 55.74

 

CMYK 0 / 76 / 100 / 33

HEX #AC2900

RGB 172 41 0

HSL 14.3, 1%, 0.34%

LAB 38.47, 51.29, 51.21

 

CMYK 0 / 85 / 100 / 39

HEX #9B1700

RGB 155 23 0

HSL 8.9, 1%, 0.3%

LAB 33.1, 51.33, 46.55

 

CMYK 0 / 96 / 100 / 46

HEX #8A0500

RGB 138 5 0

HSL 2.17, 1%, 0.27%

LAB 28.15, 49.9, 41.25

 

CMYK 0 / 63 / 97 / 18

HEX #D04E06

RGB 208 78 6

HSL 21.39, 0.94%, 0.42%

LAB 50.54, 48.92, 59.44

 

CMYK 0 / 88 / 97 / 18

HEX #D01806

RGB 208 24 6

HSL 5.35, 0.94%, 0.42%

LAB 44.34, 66.02, 56.1

 

CMYK 0 / 97 / 97 / 18

HEX #D00606

RGB 208 6 6

HSL 0, 0.94%, 0.42%

LAB 43.59, 68.2, 55.74

 

CMYK 0 / 63 / 97 / 18

HEX #D04E06

RGB 208 78 6

HSL 21.39, 0.94%, 0.42%

LAB 50.54, 48.92, 59.44

 

CMYK 0 / 37 / 97 / 18

HEX #D08406

RGB 208 132 6

HSL 37.43, 0.94%, 0.42%

LAB 61.59, 21.53, 66.52

 

CMYK 0 / 11 / 97 / 18

HEX #D0BA06

RGB 208 186 6

HSL 53.47, 0.94%, 0.42%

LAB 75.16, -7.33, 76.14

 

CMYK 16 / 0 / 97 / 18

HEX #AFD006

RGB 175 208 6

HSL 69.8, 0.94%, 0.42%

LAB 78.6, -32.23, 77.56

 

CMYK 42 / 0 / 97 / 18

HEX #78D006

RGB 120 208 6

HSL 86.14, 0.94%, 0.42%

LAB 75.52, -52.81, 73.85

 

CMYK 0 / 63 / 97 / 18

HEX #D04E06

RGB 208 78 6

HSL 21.39, 0.94%, 0.42%

LAB 50.54, 48.92, 59.44

 

CMYK 0 / 63 / 97 / 18

HEX #D04E06

RGB 208 78 6

HSL 21.39, 0.94%, 0.42%

LAB 50.54, 48.92, 59.44

 

CMYK 0 / 56 / 87 / 25

HEX #BE5318

RGB 190 83 24

HSL 21.33, 0.78%, 0.42%

LAB 48.51, 40.12, 51.55

 

CMYK 0 / 49 / 76 / 32

HEX #AD5829

RGB 173 88 41

HSL 21.36, 0.62%, 0.42%

LAB 47.01, 31.29, 41.72

 

CMYK 0 / 40 / 63 / 39

HEX #9C5D3A

RGB 156 93 58

HSL 21.43, 0.46%, 0.42%

LAB 45.91, 22.33, 30.77

 

CMYK 0 / 29 / 45 / 46

HEX #8A624C

RGB 138 98 76

HSL 21.29, 0.29%, 0.42%

LAB 45.17, 13.31, 18.93

 

CMYK 0 / 97 / 79 / 18

HEX #D0062B

RGB 208 6 43

HSL 349.01, 0.94%, 0.42%

LAB 43.82, 68.85, 39.33

 

CMYK 0 / 89 / 97 / 18

HEX #D01706

RGB 208 23 6

HSL 5.05, 0.94%, 0.42%

LAB 44.28, 66.19, 56.07

 

CMYK 0 / 63 / 97 / 18

HEX #D04D06

RGB 208 77 6

HSL 21.09, 0.94%, 0.42%

LAB 50.37, 49.36, 59.35

 

CMYK 0 / 37 / 97 / 18

HEX #D08306

RGB 208 131 6

HSL 37.13, 0.94%, 0.42%

LAB 61.36, 22.07, 66.36

 

CMYK 0 / 12 / 97 / 18

HEX #D0B806

RGB 208 184 6

HSL 52.87, 0.94%, 0.42%

LAB 74.64, -6.29, 75.76

 

CMYK 0 / 63 / 97 / 50

HEX #803004

RGB 128 48 4

HSL 21.29, 0.94%, 0.26%

LAB 31.14, 32.7, 41.04

 

CMYK 0 / 63 / 97 / 34

HEX #A83F05

RGB 168 63 5

HSL 21.35, 0.94%, 0.34%

LAB 41.04, 41.01, 50.48

 

CMYK 0 / 63 / 97 / 18

HEX #D04E06

RGB 208 78 6

HSL 21.39, 0.94%, 0.42%

LAB 50.54, 48.92, 59.44

 

CMYK 0 / 62 / 97 / 3

HEX #F75D08

RGB 247 93 8

HSL 21.34, 0.94%, 0.5%

LAB 59.54, 56.17, 67.7

 

CMYK 0 / 52 / 81 / 2

HEX #F97730

RGB 249 119 48

HSL 21.19, 0.94%, 0.58%

LAB 64.6, 45.7, 59.48

 

CMYK 0 / 63 / 97 / 19

HEX #CE4D06

RGB 206 77 6

HSL 21.3, 0.94%, 0.42%

LAB 50.03, 48.64, 58.97

 

CMYK 53 / 0 / 97 / 18

HEX #61D006

RGB 97 208 6

HSL 92.97, 0.94%, 0.42%

LAB 74.61, -59.8, 72.74

 

CMYK 97 / 92 / 0 / 18

HEX #0610D0

RGB 6 16 208

HSL 237.03, 0.94%, 0.42%

LAB 26.63, 64.59, -90.49

 

CMYK 0 / 63 / 97 / 19

HEX #CE4D06

RGB 206 77 6

HSL 21.3, 0.94%, 0.42%

LAB 50.03, 48.64, 58.97

 

CMYK 97 / 0 / 63 / 18

HEX #06D04D

RGB 6 208 77

HSL 141.09, 0.94%, 0.42%

LAB 73.34, -69.19, 51.73

 

CMYK 63 / 97 / 0 / 18

HEX #4D06D0

RGB 77 6 208

HSL 261.09, 0.94%, 0.42%

LAB 30.06, 68.68, -84.66

 

CMYK 0 / 63 / 97 / 19

HEX #CE4D06

RGB 206 77 6

HSL 21.3, 0.94%, 0.42%

LAB 50.03, 48.64, 58.97

 

CMYK 53 / 0 / 97 / 18

HEX #61D006

RGB 97 208 6

HSL 92.97, 0.94%, 0.42%

LAB 74.61, -59.8, 72.74

 

CMYK 97 / 34 / 0 / 18

HEX #0689D0

RGB 6 137 208

HSL 201.09, 0.94%, 0.42%

LAB 54.54, -4.64, -44.99

 

CMYK 44 / 97 / 0 / 18

HEX #7506D0

RGB 117 6 208

HSL 272.97, 0.94%, 0.42%

LAB 34.94, 71.7, -76.44

 

CMYK 0 / 63 / 97 / 19

HEX #CE4D06

RGB 206 77 6

HSL 21.3, 0.94%, 0.42%

LAB 50.03, 48.64, 58.97

 

CMYK 82 / 0 / 97 / 18

HEX #25D006

RGB 37 208 6

HSL 110.79, 0.94%, 0.42%

LAB 73.23, -71.46, 71.04

 

CMYK 97 / 34 / 0 / 18

HEX #0689D0

RGB 6 137 208

HSL 201.09, 0.94%, 0.42%

LAB 54.54, -4.64, -44.99

 

CMYK 14 / 97 / 0 / 18

HEX #B206D0

RGB 178 6 208

HSL 291.09, 0.94%, 0.42%

LAB 44.45, 79.17, -60.51

 

Description

Color code: HEX #CE4D06 | qconv.com Color code: HEX #CE4D06 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 77 green and 6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 77 6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 97 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 97% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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