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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE4AB7 it is the complementary color #31B548. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE4AB7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE4AB7 shade: #D34AB2, #E45CC5, #F56ED8, #FF80EB and #FF92FE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE4AB7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE4AB7 shade: #CE4AB7, #BD38A4, #AC2691, #9B147E and #8A026B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE4AB7 shade: #CD4AB6, #CD4A93, #CD4A70, #CD4A4D and #CD4A4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE4AB7 shade: #CD4AB6, #C14ACD, #9D4ACD, #7A4ACD and #574ACD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE4AB7 shade matches the following richer shades: #CD4AB6, #E038C2 and #F225CF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE4AB7 shade: #CD4AB6, #BB5DAA, #A86F9E, #958292 and #839586

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE4AB7 shade: #9D4ACD, #C04ACD, #CD4AB7, #CD4A94 and #CD4A72

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE4AB7 shade: #9B2A87, #BB33A4, #CD4AB6, #D66BC3 and #DF8BD0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE4AB7 shade: #CE4AB7, #CD7A4A and #4ACDAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE4AB7 shade: #CE4AB7, #B7CD4A and #4AB7CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE4AB7 shade: #CE4AB7, #CD7A4A, #4ACD60 and #4A9DCD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE4AB7 shade: #CE4AB7, #CDA24A, #4ACD60 and #4A76CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 11 / 19

HEX #CE4AB7

RGB 206 74 183

HSL 310.45, 0.57%, 0.55%

LAB 53.43, 64.01, -31.47

 

Complementary color

CMYK 73 / 0 / 60 / 29

HEX #31B548

RGB 49 181 72

HSL 130.45, 0.57%, 0.45%

LAB 65.1, -57.4, 44.66

 

CMYK 0 / 65 / 16 / 17

HEX #D34AB2

RGB 211 74 178

HSL 314.45, 0.61%, 0.56%

LAB 53.99, 64.56, -27.63

 

CMYK 0 / 60 / 14 / 11

HEX #E45CC5

RGB 228 92 197

HSL 313.68, 0.72%, 0.63%

LAB 60.05, 64.47, -28.97

 

CMYK 0 / 55 / 12 / 4

HEX #F56ED8

RGB 245 110 216

HSL 312.89, 0.87%, 0.7%

LAB 66.15, 64.12, -30.05

 

CMYK 0 / 50 / 8 / 0

HEX #FF80EB

RGB 255 128 235

HSL 309.45, 1%, 0.75%

LAB 71.35, 61.64, -32.44

 

CMYK 0 / 43 / 0 / 0

HEX #FF92FE

RGB 255 146 254

HSL 300.55, 1%, 0.79%

LAB 75.43, 56.14, -36.47

 

CMYK 0 / 64 / 11 / 19

HEX #CE4AB7

RGB 206 74 183

HSL 310.45, 0.57%, 0.55%

LAB 53.43, 64.01, -31.47

 

CMYK 0 / 70 / 13 / 26

HEX #BD38A4

RGB 189 56 164

HSL 311.28, 0.54%, 0.48%

LAB 47.4, 63.72, -29.92

 

CMYK 0 / 78 / 16 / 33

HEX #AC2691

RGB 172 38 145

HSL 312.09, 0.64%, 0.41%

LAB 41.53, 62.76, -27.9

 

CMYK 0 / 87 / 19 / 39

HEX #9B147E

RGB 155 20 126

HSL 312.89, 0.77%, 0.34%

LAB 35.94, 60.77, -25.17

 

CMYK 0 / 99 / 22 / 46

HEX #8A026B

RGB 138 2 107

HSL 313.68, 0.97%, 0.27%

LAB 30.66, 57.53, -21.62

 

CMYK 0 / 64 / 11 / 20

HEX #CD4AB6

RGB 205 74 182

HSL 310.53, 0.57%, 0.55%

LAB 53.23, 63.6, -31.21

 

CMYK 0 / 64 / 28 / 20

HEX #CD4A93

RGB 205 74 147

HSL 326.56, 0.57%, 0.55%

LAB 51.82, 58.72, -12.82

 

CMYK 0 / 64 / 45 / 20

HEX #CD4A70

RGB 205 74 112

HSL 342.6, 0.57%, 0.55%

LAB 50.74, 54.82, 6.55

 

CMYK 0 / 64 / 62 / 20

HEX #CD4A4D

RGB 205 74 77

HSL 358.63, 0.57%, 0.55%

LAB 49.99, 52.02, 26.5

 

CMYK 0 / 64 / 64 / 20

HEX #CD4A4A

RGB 205 74 74

HSL 0, 0.57%, 0.55%

LAB 49.94, 51.83, 28.21

 

CMYK 0 / 64 / 11 / 20

HEX #CD4AB6

RGB 205 74 182

HSL 310.53, 0.57%, 0.55%

LAB 53.23, 63.6, -31.21

 

CMYK 6 / 64 / 0 / 20

HEX #C14ACD

RGB 193 74 205

HSL 294.5, 0.57%, 0.55%

LAB 52.56, 64.45, -45.65

 

CMYK 23 / 64 / 0 / 20

HEX #9D4ACD

RGB 157 74 205

HSL 278.02, 0.57%, 0.55%

LAB 47.59, 56.1, -53.87

 

CMYK 40 / 64 / 0 / 20

HEX #7A4ACD

RGB 122 74 205

HSL 261.98, 0.57%, 0.55%

LAB 43.42, 48.49, -60.8

 

CMYK 58 / 64 / 0 / 20

HEX #574ACD

RGB 87 74 205

HSL 245.95, 0.57%, 0.55%

LAB 40.13, 41.94, -66.3

 

CMYK 0 / 64 / 11 / 20

HEX #CD4AB6

RGB 205 74 182

HSL 310.53, 0.57%, 0.55%

LAB 53.23, 63.6, -31.21

 

CMYK 0 / 75 / 13 / 12

HEX #E038C2

RGB 224 56 194

HSL 310.71, 0.73%, 0.55%

LAB 54.63, 76.08, -35.74

 

CMYK 0 / 85 / 14 / 5

HEX #F225CF

RGB 242 37 207

HSL 310.24, 0.89%, 0.55%

LAB 56.79, 85.93, -39.6

 

CMYK 0 / 64 / 11 / 20

HEX #CD4AB6

RGB 205 74 182

HSL 310.53, 0.57%, 0.55%

LAB 53.23, 63.6, -31.21

 

CMYK 0 / 50 / 9 / 27

HEX #BB5DAA

RGB 187 93 170

HSL 310.85, 0.41%, 0.55%

LAB 53.27, 48.03, -24.37

 

CMYK 0 / 34 / 6 / 34

HEX #A86F9E

RGB 168 111 158

HSL 310.53, 0.25%, 0.55%

LAB 54.2, 30.13, -16.17

 

CMYK 0 / 13 / 2 / 42

HEX #958292

RGB 149 130 146

HSL 309.47, 0.08%, 0.55%

LAB 56.52, 10.19, -5.92

 

CMYK 12 / 0 / 10 / 42

HEX #839586

RGB 131 149 134

HSL 130, 0.08%, 0.55%

LAB 59.93, -9.45, 5.75

 

CMYK 23 / 64 / 0 / 20

HEX #9D4ACD

RGB 157 74 205

HSL 278.02, 0.57%, 0.55%

LAB 47.59, 56.1, -53.87

 

CMYK 6 / 64 / 0 / 20

HEX #C04ACD

RGB 192 74 205

HSL 294.05, 0.57%, 0.55%

LAB 52.41, 64.21, -45.89

 

CMYK 0 / 64 / 11 / 20

HEX #CD4AB7

RGB 205 74 183

HSL 310.08, 0.57%, 0.55%

LAB 53.27, 63.76, -31.72

 

CMYK 0 / 64 / 28 / 20

HEX #CD4A94

RGB 205 74 148

HSL 326.11, 0.57%, 0.55%

LAB 51.85, 58.84, -13.36

 

CMYK 0 / 64 / 44 / 20

HEX #CD4A72

RGB 205 74 114

HSL 341.68, 0.57%, 0.55%

LAB 50.79, 55.02, 5.42

 

CMYK 0 / 73 / 13 / 39

HEX #9B2A87

RGB 155 42 135

HSL 310.62, 0.57%, 0.39%

LAB 38.51, 55.97, -26.73

 

CMYK 0 / 73 / 12 / 27

HEX #BB33A4

RGB 187 51 164

HSL 310.15, 0.57%, 0.47%

LAB 46.46, 64.95, -31.42

 

CMYK 0 / 64 / 11 / 20

HEX #CD4AB6

RGB 205 74 182

HSL 310.53, 0.57%, 0.55%

LAB 53.23, 63.6, -31.21

 

CMYK 0 / 50 / 9 / 16

HEX #D66BC3

RGB 214 107 195

HSL 310.65, 0.57%, 0.63%

LAB 60.56, 53.35, -27.2

 

CMYK 0 / 38 / 7 / 13

HEX #DF8BD0

RGB 223 139 208

HSL 310.71, 0.57%, 0.71%

LAB 68.54, 42.04, -22.17

 

CMYK 0 / 64 / 11 / 19

HEX #CE4AB7

RGB 206 74 183

HSL 310.45, 0.57%, 0.55%

LAB 53.43, 64.01, -31.47

 

CMYK 0 / 40 / 64 / 20

HEX #CD7A4A

RGB 205 122 74

HSL 21.98, 0.57%, 0.55%

LAB 59.34, 28.01, 39.63

 

CMYK 64 / 0 / 15 / 20

HEX #4ACDAF

RGB 74 205 175

HSL 166.26, 0.57%, 0.55%

LAB 74.96, -42.81, 4.45

 

CMYK 0 / 64 / 11 / 19

HEX #CE4AB7

RGB 206 74 183

HSL 310.45, 0.57%, 0.55%

LAB 53.43, 64.01, -31.47

 

CMYK 11 / 0 / 64 / 20

HEX #B7CD4A

RGB 183 205 74

HSL 70.08, 0.57%, 0.55%

LAB 78.59, -25.1, 60.49

 

CMYK 64 / 11 / 0 / 20

HEX #4AB7CD

RGB 74 183 205

HSL 190.08, 0.57%, 0.55%

LAB 69.28, -24.23, -20.33

 

CMYK 0 / 64 / 11 / 19

HEX #CE4AB7

RGB 206 74 183

HSL 310.45, 0.57%, 0.55%

LAB 53.43, 64.01, -31.47

 

CMYK 0 / 40 / 64 / 20

HEX #CD7A4A

RGB 205 122 74

HSL 21.98, 0.57%, 0.55%

LAB 59.34, 28.01, 39.63

 

CMYK 64 / 0 / 53 / 20

HEX #4ACD60

RGB 74 205 96

HSL 130.08, 0.57%, 0.55%

LAB 73.52, -58.13, 43.52

 

CMYK 64 / 23 / 0 / 20

HEX #4A9DCD

RGB 74 157 205

HSL 201.98, 0.57%, 0.55%

LAB 61.63, -10.47, -32.08

 

CMYK 0 / 64 / 11 / 19

HEX #CE4AB7

RGB 206 74 183

HSL 310.45, 0.57%, 0.55%

LAB 53.43, 64.01, -31.47

 

CMYK 0 / 21 / 64 / 20

HEX #CDA24A

RGB 205 162 74

HSL 40.31, 0.57%, 0.55%

LAB 68.98, 6.32, 50.64

 

CMYK 64 / 0 / 53 / 20

HEX #4ACD60

RGB 74 205 96

HSL 130.08, 0.57%, 0.55%

LAB 73.52, -58.13, 43.52

 

CMYK 64 / 42 / 0 / 20

HEX #4A76CD

RGB 74 118 205

HSL 219.85, 0.57%, 0.55%

LAB 50.48, 12.45, -49.64

 

Description

Color code: HEX #CE4AB7 | qconv.com Color code: HEX #CE4AB7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 74 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 74 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 11 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 11% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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