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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE49F5 it is the complementary color #31B60A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE49F5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE49F5 shade: #D349F0, #E45BFF, #F56DFF, #FF7FFF and #FF91FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE49F5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE49F5 shade: #CE49F5, #BD37E2, #AC25CF, #9B13BC and #8A01A9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE49F5 shade: #CE47F5, #F547EE, #F547BF, #F54790 and #F54761

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE49F5 shade: #CE47F5, #9F47F5, #7047F5 and #4747F5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE49F5 shade matches the following richer shades: #CE47F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE49F5 shade: #CE47F5, #C557E6, #BD66D6, #B476C6 and #AB86B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE49F5 shade: #7047F5, #9E47F5, #CD47F5, #F547EF and #F547C1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE49F5 shade: #AE0CDE, #C320F3, #CE47F5, #D86EF7 and #E395F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE49F5 shade: #CE49F5, #F5474D and #47F587

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE49F5 shade: #CE49F5, #F5CD47 and #47F5CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE49F5 shade: #CE49F5, #F5474D, #70F547 and #47F5EF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE49F5 shade: #CE49F5, #F57547, #70F547 and #47C7F5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 70 / 0 / 4

HEX #CE49F5

RGB 206 73 245

HSL 286.4, 0.9%, 0.62%

LAB 56.56, 74.94, -61.73

 

Complementary color

CMYK 73 / 0 / 95 / 29

HEX #31B60A

RGB 49 182 10

HSL 106.4, 0.9%, 0.38%

LAB 65.07, -62.03, 63.99

 

CMYK 12 / 70 / 0 / 6

HEX #D349F0

RGB 211 73 240

HSL 289.58, 0.85%, 0.61%

LAB 56.98, 75.04, -58.23

 

CMYK 11 / 64 / 0 / 0

HEX #E45BFF

RGB 228 91 255

HSL 290.12, 1%, 0.68%

LAB 62.67, 74.46, -57.32

 

CMYK 4 / 57 / 0 / 0

HEX #F56DFF

RGB 245 109 255

HSL 295.89, 1%, 0.71%

LAB 67.7, 70.91, -49.2

 

CMYK 0 / 50 / 0 / 0

HEX #FF7FFF

RGB 255 127 255

HSL 300, 1%, 0.75%

LAB 72, 65.41, -42.36

 

CMYK 0 / 43 / 0 / 0

HEX #FF91FF

RGB 255 145 255

HSL 300, 1%, 0.78%

LAB 75.28, 56.81, -37.25

 

CMYK 16 / 70 / 0 / 4

HEX #CE49F5

RGB 206 73 245

HSL 286.4, 0.9%, 0.62%

LAB 56.56, 74.94, -61.73

 

CMYK 16 / 76 / 0 / 11

HEX #BD37E2

RGB 189 55 226

HSL 287.02, 0.75%, 0.55%

LAB 50.74, 74.37, -60.56

 

CMYK 17 / 82 / 0 / 19

HEX #AC25CF

RGB 172 37 207

HSL 287.65, 0.7%, 0.48%

LAB 45.08, 73.09, -58.95

 

CMYK 18 / 90 / 0 / 26

HEX #9B13BC

RGB 155 19 188

HSL 288.28, 0.82%, 0.41%

LAB 39.69, 70.75, -56.73

 

CMYK 18 / 99 / 0 / 34

HEX #8A01A9

RGB 138 1 169

HSL 288.93, 0.99%, 0.33%

LAB 34.58, 67.27, -53.86

 

CMYK 16 / 71 / 0 / 4

HEX #CE47F5

RGB 206 71 245

HSL 286.55, 0.9%, 0.62%

LAB 56.31, 75.67, -62.14

 

CMYK 0 / 71 / 3 / 4

HEX #F547EE

RGB 245 71 238

HSL 302.41, 0.9%, 0.62%

LAB 61.73, 82.46, -49.25

 

CMYK 0 / 71 / 22 / 4

HEX #F547BF

RGB 245 71 191

HSL 318.62, 0.9%, 0.62%

LAB 59.6, 75.91, -26.02

 

CMYK 0 / 71 / 41 / 4

HEX #F54790

RGB 245 71 144

HSL 334.83, 0.9%, 0.62%

LAB 57.97, 70.69, -1.17

 

CMYK 0 / 71 / 60 / 4

HEX #F54761

RGB 245 71 97

HSL 351.03, 0.9%, 0.62%

LAB 56.86, 66.98, 24.98

 

CMYK 16 / 71 / 0 / 4

HEX #CE47F5

RGB 206 71 245

HSL 286.55, 0.9%, 0.62%

LAB 56.31, 75.67, -62.14

 

CMYK 35 / 71 / 0 / 4

HEX #9F47F5

RGB 159 71 245

HSL 270.34, 0.9%, 0.62%

LAB 50.06, 66.79, -72.55

 

CMYK 54 / 71 / 0 / 4

HEX #7047F5

RGB 112 71 245

HSL 254.14, 0.9%, 0.62%

LAB 45, 59.19, -81.02

 

CMYK 71 / 71 / 0 / 4

HEX #4747F5

RGB 71 71 245

HSL 240, 0.9%, 0.62%

LAB 41.9, 54.27, -86.22

 

CMYK 16 / 71 / 0 / 4

HEX #CE47F5

RGB 206 71 245

HSL 286.55, 0.9%, 0.62%

LAB 56.31, 75.67, -62.14

 

CMYK 16 / 71 / 0 / 4

HEX #CE47F5

RGB 206 71 245

HSL 286.55, 0.9%, 0.62%

LAB 56.31, 75.67, -62.14

 

CMYK 14 / 62 / 0 / 10

HEX #C557E6

RGB 197 87 230

HSL 286.15, 0.74%, 0.62%

LAB 56.49, 64.48, -53.54

 

CMYK 12 / 52 / 0 / 16

HEX #BD66D6

RGB 189 102 214

HSL 286.61, 0.58%, 0.62%

LAB 57.25, 52.22, -43.38

 

CMYK 9 / 40 / 0 / 22

HEX #B476C6

RGB 180 118 198

HSL 286.5, 0.41%, 0.62%

LAB 58.73, 37.95, -32.08

 

CMYK 7 / 27 / 0 / 28

HEX #AB86B7

RGB 171 134 183

HSL 285.31, 0.25%, 0.62%

LAB 60.89, 23.03, -20.31

 

CMYK 54 / 71 / 0 / 4

HEX #7047F5

RGB 112 71 245

HSL 254.14, 0.9%, 0.62%

LAB 45, 59.19, -81.02

 

CMYK 36 / 71 / 0 / 4

HEX #9E47F5

RGB 158 71 245

HSL 270, 0.9%, 0.62%

LAB 49.94, 66.61, -72.75

 

CMYK 16 / 71 / 0 / 4

HEX #CD47F5

RGB 205 71 245

HSL 286.21, 0.9%, 0.62%

LAB 56.17, 75.47, -62.38

 

CMYK 0 / 71 / 2 / 4

HEX #F547EF

RGB 245 71 239

HSL 302.07, 0.9%, 0.62%

LAB 61.78, 82.61, -49.72

 

CMYK 0 / 71 / 21 / 4

HEX #F547C1

RGB 245 71 193

HSL 317.93, 0.9%, 0.62%

LAB 59.68, 76.17, -27.04

 

CMYK 22 / 95 / 0 / 13

HEX #AE0CDE

RGB 174 12 222

HSL 286.29, 0.9%, 0.46%

LAB 44.99, 80.43, -67.7

 

CMYK 20 / 87 / 0 / 5

HEX #C320F3

RGB 195 32 243

HSL 286.35, 0.9%, 0.54%

LAB 50.81, 84.2, -69.98

 

CMYK 16 / 71 / 0 / 4

HEX #CE47F5

RGB 206 71 245

HSL 286.55, 0.9%, 0.62%

LAB 56.31, 75.67, -62.14

 

CMYK 13 / 55 / 0 / 3

HEX #D86EF7

RGB 216 110 247

HSL 286.42, 0.9%, 0.7%

LAB 63.73, 61.81, -51.34

 

CMYK 9 / 40 / 0 / 2

HEX #E395F9

RGB 227 149 249

HSL 286.8, 0.89%, 0.78%

LAB 72.67, 45.58, -38.3

 

CMYK 16 / 70 / 0 / 4

HEX #CE49F5

RGB 206 73 245

HSL 286.4, 0.9%, 0.62%

LAB 56.56, 74.94, -61.73

 

CMYK 0 / 71 / 69 / 4

HEX #F5474D

RGB 245 71 77

HSL 357.93, 0.9%, 0.62%

LAB 56.54, 65.88, 36.15

 

CMYK 71 / 0 / 45 / 4

HEX #47F587

RGB 71 245 135

HSL 142.07, 0.9%, 0.62%

LAB 86.2, -67.01, 40.48

 

CMYK 16 / 70 / 0 / 4

HEX #CE49F5

RGB 206 73 245

HSL 286.4, 0.9%, 0.62%

LAB 56.56, 74.94, -61.73

 

CMYK 0 / 16 / 71 / 4

HEX #F5CD47

RGB 245 205 71

HSL 46.21, 0.9%, 0.62%

LAB 83.72, 0.57, 68.57

 

CMYK 71 / 0 / 16 / 4

HEX #47F5CD

RGB 71 245 205

HSL 166.21, 0.9%, 0.62%

LAB 87.51, -52.83, 6.65

 

CMYK 16 / 70 / 0 / 4

HEX #CE49F5

RGB 206 73 245

HSL 286.4, 0.9%, 0.62%

LAB 56.56, 74.94, -61.73

 

CMYK 0 / 71 / 69 / 4

HEX #F5474D

RGB 245 71 77

HSL 357.93, 0.9%, 0.62%

LAB 56.54, 65.88, 36.15

 

CMYK 54 / 0 / 71 / 4

HEX #70F547

RGB 112 245 71

HSL 105.86, 0.9%, 0.62%

LAB 86.61, -66.1, 68.82

 

CMYK 71 / 0 / 2 / 4

HEX #47F5EF

RGB 71 245 239

HSL 177.93, 0.9%, 0.62%

LAB 88.39, -44.1, -9.81

 

CMYK 16 / 70 / 0 / 4

HEX #CE49F5

RGB 206 73 245

HSL 286.4, 0.9%, 0.62%

LAB 56.56, 74.94, -61.73

 

CMYK 0 / 52 / 71 / 4

HEX #F57547

RGB 245 117 71

HSL 15.86, 0.9%, 0.62%

LAB 63.83, 46.06, 47.79

 

CMYK 54 / 0 / 71 / 4

HEX #70F547

RGB 112 245 71

HSL 105.86, 0.9%, 0.62%

LAB 86.61, -66.1, 68.82

 

CMYK 71 / 19 / 0 / 4

HEX #47C7F5

RGB 71 199 245

HSL 195.86, 0.9%, 0.62%

LAB 75.31, -20.46, -32.81

 

Description

Color code: HEX #CE49F5 | qconv.com Color code: HEX #CE49F5 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 73 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 73 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 70 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 70% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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