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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE49DF it is the complementary color #31B620. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE49DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE49DF shade: #D349DA, #E45BED, #F56DFF, #FF7FFF and #FF91FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE49DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE49DF shade: #CE49DF, #BD37CC, #AC25B9, #9B13A6 and #8A0193

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE49DF shade: #CE49DF, #DF49C7, #DF499F, #DF4977 and #DF494E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE49DF shade: #CE49DF, #A549DF, #7D49DF, #5549DF and #4949DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE49DF shade matches the following richer shades: #CE49DF and #DB38F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE49DF shade: #CE49DF, #C05ACE, #B36CBC, #A67DAB and #988E9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE49DF shade: #7D49DF, #A549DF, #CD49DF, #DF49C8 and #DF49A0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE49DF shade: #A420B5, #C426D8, #CE49DF, #D76CE5 and #E18FEB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE49DF shade: #CE49DF, #DF5549 and #49DF91

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE49DF shade: #CE49DF, #DFCD49 and #49DFCD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE49DF shade: #CE49DF, #DF5549, #5ADF49 and #49D2DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE49DF shade: #CE49DF, #DF8249, #5ADF49 and #49A5DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 67 / 0 / 13

HEX #CE49DF

RGB 206 73 223

HSL 293.2, 0.7%, 0.58%

LAB 55.29, 70.97, -51.42

 

Complementary color

CMYK 73 / 0 / 82 / 29

HEX #31B620

RGB 49 182 32

HSL 113.2, 0.7%, 0.42%

LAB 65.13, -61.22, 59.73

 

CMYK 3 / 67 / 0 / 15

HEX #D349DA

RGB 211 73 218

HSL 297.1, 0.66%, 0.57%

LAB 55.76, 71.22, -47.8

 

CMYK 4 / 62 / 0 / 7

HEX #E45BED

RGB 228 91 237

HSL 296.3, 0.8%, 0.64%

LAB 61.73, 71.31, -48.85

 

CMYK 4 / 57 / 0 / 0

HEX #F56DFF

RGB 245 109 255

HSL 295.89, 1%, 0.71%

LAB 67.7, 70.91, -49.2

 

CMYK 0 / 50 / 0 / 0

HEX #FF7FFF

RGB 255 127 255

HSL 300, 1%, 0.75%

LAB 72, 65.41, -42.36

 

CMYK 0 / 43 / 0 / 0

HEX #FF91FF

RGB 255 145 255

HSL 300, 1%, 0.78%

LAB 75.28, 56.81, -37.25

 

CMYK 8 / 67 / 0 / 13

HEX #CE49DF

RGB 206 73 223

HSL 293.2, 0.7%, 0.58%

LAB 55.29, 70.97, -51.42

 

CMYK 7 / 73 / 0 / 20

HEX #BD37CC

RGB 189 55 204

HSL 293.96, 0.59%, 0.51%

LAB 49.39, 70.47, -50.16

 

CMYK 7 / 80 / 0 / 27

HEX #AC25B9

RGB 172 37 185

HSL 294.73, 0.67%, 0.44%

LAB 43.65, 69.26, -48.45

 

CMYK 7 / 89 / 0 / 35

HEX #9B13A6

RGB 155 19 166

HSL 295.51, 0.79%, 0.36%

LAB 38.18, 66.98, -46.1

 

CMYK 6 / 99 / 0 / 42

HEX #8A0193

RGB 138 1 147

HSL 296.3, 0.99%, 0.29%

LAB 32.99, 63.53, -43.06

 

CMYK 8 / 67 / 0 / 13

HEX #CE49DF

RGB 206 73 223

HSL 293.2, 0.7%, 0.58%

LAB 55.29, 70.97, -51.42

 

CMYK 0 / 67 / 11 / 13

HEX #DF49C7

RGB 223 73 199

HSL 309.6, 0.7%, 0.58%

LAB 56.66, 71.01, -35.44

 

CMYK 0 / 67 / 29 / 13

HEX #DF499F

RGB 223 73 159

HSL 325.6, 0.7%, 0.58%

LAB 55.03, 65.62, -14.77

 

CMYK 0 / 67 / 47 / 13

HEX #DF4977

RGB 223 73 119

HSL 341.6, 0.7%, 0.58%

LAB 53.8, 61.39, 7.12

 

CMYK 0 / 67 / 65 / 13

HEX #DF494E

RGB 223 73 78

HSL 358, 0.7%, 0.58%

LAB 52.95, 58.38, 30.3

 

CMYK 8 / 67 / 0 / 13

HEX #CE49DF

RGB 206 73 223

HSL 293.2, 0.7%, 0.58%

LAB 55.29, 70.97, -51.42

 

CMYK 26 / 67 / 0 / 13

HEX #A549DF

RGB 165 73 223

HSL 276.8, 0.7%, 0.58%

LAB 49.61, 62.19, -60.85

 

CMYK 44 / 67 / 0 / 13

HEX #7D49DF

RGB 125 73 223

HSL 260.8, 0.7%, 0.58%

LAB 44.88, 54.33, -68.74

 

CMYK 62 / 67 / 0 / 13

HEX #5549DF

RGB 85 73 223

HSL 244.8, 0.7%, 0.58%

LAB 41.25, 47.85, -74.81

 

CMYK 67 / 67 / 0 / 13

HEX #4949DF

RGB 73 73 223

HSL 240, 0.7%, 0.58%

LAB 40.43, 46.29, -76.2

 

CMYK 8 / 67 / 0 / 13

HEX #CE49DF

RGB 206 73 223

HSL 293.2, 0.7%, 0.58%

LAB 55.29, 70.97, -51.42

 

CMYK 9 / 77 / 0 / 6

HEX #DB38F0

RGB 219 56 240

HSL 293.15, 0.86%, 0.58%

LAB 56.27, 82.08, -59.31

 

CMYK 8 / 67 / 0 / 13

HEX #CE49DF

RGB 206 73 223

HSL 293.2, 0.7%, 0.58%

LAB 55.29, 70.97, -51.42

 

CMYK 7 / 56 / 0 / 19

HEX #C05ACE

RGB 192 90 206

HSL 292.76, 0.54%, 0.58%

LAB 55.05, 57.31, -42.29

 

CMYK 5 / 43 / 0 / 26

HEX #B36CBC

RGB 179 108 188

HSL 293.25, 0.37%, 0.58%

LAB 56.03, 41.07, -30.58

 

CMYK 3 / 27 / 0 / 33

HEX #A67DAB

RGB 166 125 171

HSL 293.48, 0.21%, 0.58%

LAB 57.77, 24.02, -18.28

 

CMYK 1 / 8 / 0 / 40

HEX #988E9A

RGB 152 142 154

HSL 290, 0.06%, 0.58%

LAB 60.21, 6, -5.02

 

CMYK 44 / 67 / 0 / 13

HEX #7D49DF

RGB 125 73 223

HSL 260.8, 0.7%, 0.58%

LAB 44.88, 54.33, -68.74

 

CMYK 26 / 67 / 0 / 13

HEX #A549DF

RGB 165 73 223

HSL 276.8, 0.7%, 0.58%

LAB 49.61, 62.19, -60.85

 

CMYK 8 / 67 / 0 / 13

HEX #CD49DF

RGB 205 73 223

HSL 292.8, 0.7%, 0.58%

LAB 55.15, 70.75, -51.67

 

CMYK 0 / 67 / 10 / 13

HEX #DF49C8

RGB 223 73 200

HSL 309.2, 0.7%, 0.58%

LAB 56.71, 71.16, -35.94

 

CMYK 0 / 67 / 28 / 13

HEX #DF49A0

RGB 223 73 160

HSL 325.2, 0.7%, 0.58%

LAB 55.06, 65.74, -15.3

 

CMYK 9 / 82 / 0 / 29

HEX #A420B5

RGB 164 32 181

HSL 293.15, 0.7%, 0.42%

LAB 41.63, 68.36, -49.4

 

CMYK 9 / 82 / 0 / 15

HEX #C426D8

RGB 196 38 216

HSL 293.26, 0.7%, 0.5%

LAB 49.59, 78.54, -56.65

 

CMYK 8 / 67 / 0 / 13

HEX #CE49DF

RGB 206 73 223

HSL 293.2, 0.7%, 0.58%

LAB 55.29, 70.97, -51.42

 

CMYK 6 / 53 / 0 / 10

HEX #D76CE5

RGB 215 108 229

HSL 293.06, 0.7%, 0.66%

LAB 62.36, 59.09, -43.52

 

CMYK 4 / 39 / 0 / 8

HEX #E18FEB

RGB 225 143 235

HSL 293.48, 0.7%, 0.74%

LAB 70.63, 45.44, -33.84

 

CMYK 8 / 67 / 0 / 13

HEX #CE49DF

RGB 206 73 223

HSL 293.2, 0.7%, 0.58%

LAB 55.29, 70.97, -51.42

 

CMYK 0 / 62 / 67 / 13

HEX #DF5549

RGB 223 85 73

HSL 4.8, 0.7%, 0.58%

LAB 54.73, 53.12, 35.34

 

CMYK 67 / 0 / 35 / 13

HEX #49DF91

RGB 73 223 145

HSL 148.8, 0.7%, 0.58%

LAB 79.75, -56.92, 26.99

 

CMYK 8 / 67 / 0 / 13

HEX #CE49DF

RGB 206 73 223

HSL 293.2, 0.7%, 0.58%

LAB 55.29, 70.97, -51.42

 

CMYK 0 / 8 / 67 / 13

HEX #DFCD49

RGB 223 205 73

HSL 52.8, 0.7%, 0.58%

LAB 81.75, -8.58, 65.16

 

CMYK 67 / 0 / 8 / 13

HEX #49DFCD

RGB 73 223 205

HSL 172.8, 0.7%, 0.58%

LAB 81.07, -43.23, -2.71

 

CMYK 8 / 67 / 0 / 13

HEX #CE49DF

RGB 206 73 223

HSL 293.2, 0.7%, 0.58%

LAB 55.29, 70.97, -51.42

 

CMYK 0 / 62 / 67 / 13

HEX #DF5549

RGB 223 85 73

HSL 4.8, 0.7%, 0.58%

LAB 54.73, 53.12, 35.34

 

CMYK 60 / 0 / 67 / 13

HEX #5ADF49

RGB 90 223 73

HSL 113.2, 0.7%, 0.58%

LAB 79.29, -63.59, 60.25

 

CMYK 67 / 6 / 0 / 13

HEX #49D2DF

RGB 73 210 223

HSL 185.2, 0.7%, 0.58%

LAB 77.78, -32.31, -17.23

 

CMYK 8 / 67 / 0 / 13

HEX #CE49DF

RGB 206 73 223

HSL 293.2, 0.7%, 0.58%

LAB 55.29, 70.97, -51.42

 

CMYK 0 / 42 / 67 / 13

HEX #DF8249

RGB 223 130 73

HSL 22.8, 0.7%, 0.58%

LAB 63.45, 31.02, 45.51

 

CMYK 60 / 0 / 67 / 13

HEX #5ADF49

RGB 90 223 73

HSL 113.2, 0.7%, 0.58%

LAB 79.29, -63.59, 60.25

 

CMYK 67 / 26 / 0 / 13

HEX #49A5DF

RGB 73 165 223

HSL 203.2, 0.7%, 0.58%

LAB 64.69, -9.18, -37.32

 

Description

Color code: HEX #CE49DF | qconv.com Color code: HEX #CE49DF | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 73 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 73 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 67 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 67% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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