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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE47F9 it is the complementary color #31B806. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE47F9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE47F9 shade: #D347F4, #E459FF, #F56BFF, #FF7DFF and #FF8FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE47F9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE47F9 shade: #CE47F9, #BD35E6, #AC23D3, #9B11C0 and #8A00AD

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE47F9 shade: #CF48F9, #F948F4, #F948C5, #F94895 and #F94865

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE47F9 shade: #CF48F9, #9F48F9, #6F48F9 and #4848F9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE47F9 shade matches the following richer shades: #CF48F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE47F9 shade: #CF48F9, #C757EA, #BF66DB, #B776CC and #AF85BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE47F9 shade: #6E48F9, #9E48F9, #CD48F9, #F948F6 and #F948C7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE47F9 shade: #B107E8, #C420F8, #CF48F9, #D970FB and #E498FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE47F9 shade: #CE47F9, #F94851 and #48F986

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE47F9 shade: #CE47F9, #F9CD48 and #48F9CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE47F9 shade: #CE47F9, #F94851, #74F948 and #48F9F0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE47F9 shade: #CE47F9, #F97448, #74F948 and #48CDF9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 71 / 0 / 2

HEX #CE47F9

RGB 206 71 249

HSL 285.51, 0.94%, 0.63%

LAB 56.55, 76.41, -63.97

 

Complementary color

CMYK 73 / 0 / 97 / 28

HEX #31B806

RGB 49 184 6

HSL 105.51, 0.94%, 0.37%

LAB 65.71, -62.73, 65

 

CMYK 14 / 71 / 0 / 4

HEX #D347F4

RGB 211 71 244

HSL 288.55, 0.89%, 0.62%

LAB 56.97, 76.48, -60.49

 

CMYK 11 / 65 / 0 / 0

HEX #E459FF

RGB 228 89 255

HSL 290.24, 1%, 0.67%

LAB 62.39, 75.25, -57.78

 

CMYK 4 / 58 / 0 / 0

HEX #F56BFF

RGB 245 107 255

HSL 295.95, 1%, 0.71%

LAB 67.39, 71.77, -49.7

 

CMYK 0 / 51 / 0 / 0

HEX #FF7DFF

RGB 255 125 255

HSL 300, 1%, 0.75%

LAB 71.65, 66.33, -42.9

 

CMYK 0 / 44 / 0 / 0

HEX #FF8FFF

RGB 255 143 255

HSL 300, 1%, 0.78%

LAB 74.9, 57.79, -37.84

 

CMYK 17 / 71 / 0 / 2

HEX #CE47F9

RGB 206 71 249

HSL 285.51, 0.94%, 0.63%

LAB 56.55, 76.41, -63.97

 

CMYK 18 / 77 / 0 / 10

HEX #BD35E6

RGB 189 53 230

HSL 286.1, 0.78%, 0.55%

LAB 50.78, 75.73, -62.76

 

CMYK 18 / 83 / 0 / 17

HEX #AC23D3

RGB 172 35 211

HSL 286.7, 0.72%, 0.48%

LAB 45.19, 74.3, -61.09

 

CMYK 19 / 91 / 0 / 25

HEX #9B11C0

RGB 155 17 192

HSL 287.31, 0.84%, 0.41%

LAB 39.87, 71.79, -58.79

 

CMYK 20 / 100 / 0 / 32

HEX #8A00AD

RGB 138 0 173

HSL 287.86, 1%, 0.34%

LAB 34.84, 68.11, -55.83

 

CMYK 17 / 71 / 0 / 2

HEX #CF48F9

RGB 207 72 249

HSL 285.76, 0.94%, 0.63%

LAB 56.82, 76.24, -63.54

 

CMYK 0 / 71 / 2 / 2

HEX #F948F4

RGB 249 72 244

HSL 301.69, 0.94%, 0.63%

LAB 62.77, 83.89, -50.91

 

CMYK 0 / 71 / 21 / 2

HEX #F948C5

RGB 249 72 197

HSL 317.63, 0.94%, 0.63%

LAB 60.61, 77.31, -27.84

 

CMYK 0 / 71 / 40 / 2

HEX #F94895

RGB 249 72 149

HSL 333.9, 0.94%, 0.63%

LAB 58.92, 71.91, -2.63

 

CMYK 0 / 71 / 59 / 2

HEX #F94865

RGB 249 72 101

HSL 350.17, 0.94%, 0.63%

LAB 57.76, 68.06, 23.96

 

CMYK 17 / 71 / 0 / 2

HEX #CF48F9

RGB 207 72 249

HSL 285.76, 0.94%, 0.63%

LAB 56.82, 76.24, -63.54

 

CMYK 36 / 71 / 0 / 2

HEX #9F48F9

RGB 159 72 249

HSL 269.49, 0.94%, 0.63%

LAB 50.51, 67.28, -74.06

 

CMYK 55 / 71 / 0 / 2

HEX #6F48F9

RGB 111 72 249

HSL 253.22, 0.94%, 0.63%

LAB 45.43, 59.66, -82.55

 

CMYK 71 / 71 / 0 / 2

HEX #4848F9

RGB 72 72 249

HSL 240, 0.94%, 0.63%

LAB 42.54, 55.08, -87.42

 

CMYK 17 / 71 / 0 / 2

HEX #CF48F9

RGB 207 72 249

HSL 285.76, 0.94%, 0.63%

LAB 56.82, 76.24, -63.54

 

CMYK 17 / 71 / 0 / 2

HEX #CF48F9

RGB 207 72 249

HSL 285.76, 0.94%, 0.63%

LAB 56.82, 76.24, -63.54

 

CMYK 15 / 63 / 0 / 8

HEX #C757EA

RGB 199 87 234

HSL 285.71, 0.78%, 0.63%

LAB 56.98, 65.72, -54.98

 

CMYK 13 / 53 / 0 / 14

HEX #BF66DB

RGB 191 102 219

HSL 285.64, 0.62%, 0.63%

LAB 57.75, 53.75, -45.4

 

CMYK 10 / 42 / 0 / 20

HEX #B776CC

RGB 183 118 204

HSL 285.35, 0.46%, 0.63%

LAB 59.33, 40.08, -34.52

 

CMYK 7 / 29 / 0 / 26

HEX #AF85BC

RGB 175 133 188

HSL 285.82, 0.29%, 0.63%

LAB 61.24, 25.95, -22.58

 

CMYK 56 / 71 / 0 / 2

HEX #6E48F9

RGB 110 72 249

HSL 252.88, 0.94%, 0.63%

LAB 45.34, 59.52, -82.7

 

CMYK 37 / 71 / 0 / 2

HEX #9E48F9

RGB 158 72 249

HSL 269.15, 0.94%, 0.63%

LAB 50.39, 67.1, -74.26

 

CMYK 18 / 71 / 0 / 2

HEX #CD48F9

RGB 205 72 249

HSL 285.08, 0.94%, 0.63%

LAB 56.54, 75.85, -64

 

CMYK 0 / 71 / 1 / 2

HEX #F948F6

RGB 249 72 246

HSL 301.02, 0.94%, 0.63%

LAB 62.87, 84.2, -51.86

 

CMYK 0 / 71 / 20 / 2

HEX #F948C7

RGB 249 72 199

HSL 316.95, 0.94%, 0.63%

LAB 60.69, 77.57, -28.85

 

CMYK 24 / 97 / 0 / 9

HEX #B107E8

RGB 177 7 232

HSL 285.33, 0.94%, 0.47%

LAB 46.08, 83.04, -71.6

 

CMYK 21 / 87 / 0 / 3

HEX #C420F8

RGB 196 32 248

HSL 285.56, 0.94%, 0.55%

LAB 51.32, 85.22, -71.95

 

CMYK 17 / 71 / 0 / 2

HEX #CF48F9

RGB 207 72 249

HSL 285.76, 0.94%, 0.63%

LAB 56.82, 76.24, -63.54

 

CMYK 14 / 55 / 0 / 2

HEX #D970FB

RGB 217 112 251

HSL 285.32, 0.95%, 0.71%

LAB 64.41, 61.89, -52.45

 

CMYK 10 / 40 / 0 / 1

HEX #E498FC

RGB 228 152 252

HSL 285.6, 0.94%, 0.79%

LAB 73.53, 44.89, -38.58

 

CMYK 17 / 71 / 0 / 2

HEX #CE47F9

RGB 206 71 249

HSL 285.51, 0.94%, 0.63%

LAB 56.55, 76.41, -63.97

 

CMYK 0 / 71 / 67 / 2

HEX #F94851

RGB 249 72 81

HSL 356.95, 0.94%, 0.63%

LAB 57.43, 66.93, 35.12

 

CMYK 71 / 0 / 46 / 2

HEX #48F986

RGB 72 249 134

HSL 141.02, 0.94%, 0.63%

LAB 87.41, -68.41, 42.51

 

CMYK 17 / 71 / 0 / 2

HEX #CE47F9

RGB 206 71 249

HSL 285.51, 0.94%, 0.63%

LAB 56.55, 76.41, -63.97

 

CMYK 0 / 18 / 71 / 2

HEX #F9CD48

RGB 249 205 72

HSL 45.08, 0.94%, 0.63%

LAB 84.11, 2.3, 68.7

 

CMYK 71 / 0 / 18 / 2

HEX #48F9CD

RGB 72 249 205

HSL 165.08, 0.94%, 0.63%

LAB 88.7, -54.33, 8.37

 

CMYK 17 / 71 / 0 / 2

HEX #CE47F9

RGB 206 71 249

HSL 285.51, 0.94%, 0.63%

LAB 56.55, 76.41, -63.97

 

CMYK 0 / 71 / 67 / 2

HEX #F94851

RGB 249 72 81

HSL 356.95, 0.94%, 0.63%

LAB 57.43, 66.93, 35.12

 

CMYK 53 / 0 / 71 / 2

HEX #74F948

RGB 116 249 72

HSL 105.08, 0.94%, 0.63%

LAB 87.94, -66.41, 69.87

 

CMYK 71 / 0 / 4 / 2

HEX #48F9F0

RGB 72 249 240

HSL 176.95, 0.94%, 0.63%

LAB 89.59, -45.47, -8.55

 

CMYK 17 / 71 / 0 / 2

HEX #CE47F9

RGB 206 71 249

HSL 285.51, 0.94%, 0.63%

LAB 56.55, 76.41, -63.97

 

CMYK 0 / 53 / 71 / 2

HEX #F97448

RGB 249 116 72

HSL 14.92, 0.94%, 0.63%

LAB 64.24, 48.07, 47.9

 

CMYK 53 / 0 / 71 / 2

HEX #74F948

RGB 116 249 72

HSL 105.08, 0.94%, 0.63%

LAB 87.94, -66.41, 69.87

 

CMYK 71 / 18 / 0 / 2

HEX #48CDF9

RGB 72 205 249

HSL 194.92, 0.94%, 0.63%

LAB 77.21, -22.13, -32.03

 

Description

Color code: HEX #CE47F9 | qconv.com Color code: HEX #CE47F9 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 71 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 71 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 71 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 71% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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