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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE4733CE it is the complementary color #31B8CCCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE4733CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE4733CE shade: #D3472ECE, #E45941CE, #F56B54CE, #FF7D67CE and #FF8F7ACE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE4733CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE4733CE shade: #CE4733CE, #BD3520CE, #AC230DCE, #9B1100CE and #8A0000CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE4733CE shade: #CD4632 and #CD3232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE4733CE shade: #CD4632, #CD7032, #CD9A32, #CDC432 and #ADCD32

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE4733CE shade matches the following richer shades: #CD4632, #E2361D and #F72708

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE4733CE shade: #CD4632, #B95546, #A4645B, #8F7470 and #7B8384

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE4733CE shade: #CD3273, #CD3249, #CD4432, #CD6D32 and #CD9732

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE4733CE shade: #8B2F22, #AC3A2A, #CD4632, #D56453 and #DD8274

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE4733CE shade: #CE4733, #9CCD32 and #325ECD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE4733CE shade: #CE4733, #32CD44 and #4432CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE4733CE shade: #CE4733, #9CCD32, #32BBCD and #6332CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE4733CE shade: #CE4733, #6DCD32, #32BBCD and #9232CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 61 / 16

HEX #CE4733CE

RGBA 206 71 51 0.81

HSLA 7.74, 0.61%, 0.5%, 0.81

LABA 49.33, 52.28, 40.6, 0.81

 

Complementary color

CMYK 62 / 8 / 0 / 16

HEX #31B8CCCE

RGBA 49 184 204 0.81

HSLA 187.74, 0.61%, 0.5%, 0.81

LABA 68.96, -28.43, -20.32, 0.81

 

CMYK 0 / 54 / 63 / 14

HEX #D3472ECE

RGBA 211 71 46 0.81

HSLA 9.09, 0.65%, 0.5%, 0.81

LABA 50.16, 53.78, 44.39, 0.81

 

CMYK 0 / 49 / 58 / 9

HEX #E45941CE

RGBA 228 89 65 0.81

HSLA 8.83, 0.75%, 0.57%, 0.81

LABA 56.11, 52.69, 41.57, 0.81

 

CMYK 0 / 46 / 53 / 3

HEX #F56B54CE

RGBA 245 107 84 0.81

HSLA 8.57, 0.89%, 0.65%, 0.81

LABA 62.14, 51.47, 38.99, 0.81

 

CMYK 0 / 41 / 48 / 0

HEX #FF7D67CE

RGBA 255 125 103 0.81

HSLA 8.68, 1%, 0.7%, 0.81

LABA 67.21, 47.71, 35.21, 0.81

 

CMYK 0 / 36 / 42 / 0

HEX #FF8F7ACE

RGBA 255 143 122 0.81

HSLA 9.47, 1%, 0.74%, 0.81

LABA 71.08, 40.22, 29.83, 0.81

 

CMYK 0 / 53 / 61 / 16

HEX #CE4733CE

RGBA 206 71 51 0.81

HSLA 7.74, 0.61%, 0.5%, 0.81

LABA 49.33, 52.28, 40.6, 0.81

 

CMYK 0 / 58 / 67 / 21

HEX #BD3520CE

RGBA 189 53 32 0.81

HSLA 8.03, 0.71%, 0.43%, 0.81

LABA 43.46, 53.09, 43.63, 0.81

 

CMYK 0 / 65 / 75 / 26

HEX #AC230DCE

RGBA 172 35 13 0.81

HSLA 8.3, 0.86%, 0.36%, 0.81

LABA 37.85, 53.36, 46.22, 0.81

 

CMYK 0 / 72 / 81 / 32

HEX #9B1100CE

RGBA 155 17 0 0.81

HSLA 6.58, 1%, 0.3%, 0.81

LABA 32.63, 52.65, 46.26, 0.81

 

CMYK 0 / 81 / 81 / 37

HEX #8A0000CE

RGBA 138 0 0 0.81

HSLA 0, 1%, 0.27%, 0.81

LABA 27.85, 50.74, 41.01, 0.81

 

CMYK 0 / 66 / 76 / 20

HEX #CD4632

RGB 205 70 50

HSL 7.74, 0.61%, 0.5%

LAB 48.99, 52.32, 40.73

 

CMYK 0 / 76 / 76 / 20

HEX #CD3232

RGB 205 50 50

HSL 0, 0.61%, 0.5%

LAB 46.3, 59.72, 37.81

 

CMYK 0 / 66 / 76 / 20

HEX #CD4632

RGB 205 70 50

HSL 7.74, 0.61%, 0.5%

LAB 48.99, 52.32, 40.73

 

CMYK 0 / 45 / 76 / 20

HEX #CD7032

RGB 205 112 50

HSL 24, 0.61%, 0.5%

LAB 56.88, 32.06, 48.95

 

CMYK 0 / 25 / 76 / 20

HEX #CD9A32

RGB 205 154 50

HSL 40.26, 0.61%, 0.5%

LAB 66.76, 9.35, 58.71

 

CMYK 0 / 4 / 76 / 20

HEX #CDC432

RGB 205 196 50

HSL 56.52, 0.61%, 0.5%

LAB 77.69, -12.73, 68.99

 

CMYK 16 / 0 / 76 / 20

HEX #ADCD32

RGB 173 205 50

HSL 72.39, 0.61%, 0.5%

LAB 77.74, -30.5, 68.15

 

CMYK 0 / 66 / 76 / 20

HEX #CD4632

RGB 205 70 50

HSL 7.74, 0.61%, 0.5%

LAB 48.99, 52.32, 40.73

 

CMYK 0 / 76 / 87 / 11

HEX #E2361D

RGB 226 54 29

HSL 7.61, 0.77%, 0.5%

LAB 50.57, 64.17, 53.86

 

CMYK 0 / 84 / 97 / 3

HEX #F72708

RGB 247 39 8

HSL 7.78, 0.94%, 0.5%

LAB 53.21, 73.61, 64.31

 

CMYK 0 / 66 / 76 / 20

HEX #CD4632

RGB 205 70 50

HSL 7.74, 0.61%, 0.5%

LAB 48.99, 52.32, 40.73

 

CMYK 0 / 54 / 62 / 27

HEX #B95546

RGB 185 85 70

HSL 7.83, 0.45%, 0.5%

LAB 48.58, 39.26, 28.13

 

CMYK 0 / 39 / 45 / 36

HEX #A4645B

RGB 164 100 91

HSL 7.4, 0.29%, 0.5%

LAB 49.21, 24.79, 16.06

 

CMYK 0 / 19 / 22 / 44

HEX #8F7470

RGB 143 116 112

HSL 7.74, 0.12%, 0.5%

LAB 51.27, 9.9, 6.19

 

CMYK 7 / 1 / 0 / 48

HEX #7B8384

RGB 123 131 132

HSL 186.67, 0.04%, 0.5%

LAB 54.14, -2.73, -1.56

 

CMYK 0 / 76 / 44 / 20

HEX #CD3273

RGB 205 50 115

HSL 334.84, 0.61%, 0.5%

LAB 47.62, 63.96, 0.22

 

CMYK 0 / 76 / 64 / 20

HEX #CD3249

RGB 205 50 73

HSL 351.1, 0.61%, 0.5%

LAB 46.63, 60.81, 24.6

 

CMYK 0 / 67 / 76 / 20

HEX #CD4432

RGB 205 68 50

HSL 6.97, 0.61%, 0.5%

LAB 48.69, 53.14, 40.4

 

CMYK 0 / 47 / 76 / 20

HEX #CD6D32

RGB 205 109 50

HSL 22.84, 0.61%, 0.5%

LAB 56.23, 33.64, 48.3

 

CMYK 0 / 26 / 76 / 20

HEX #CD9732

RGB 205 151 50

HSL 39.1, 0.61%, 0.5%

LAB 66.01, 10.98, 57.99

 

CMYK 0 / 66 / 76 / 45

HEX #8B2F22

RGB 139 47 34

HSL 7.43, 0.61%, 0.34%

LAB 33.22, 38.36, 29.11

 

CMYK 0 / 66 / 76 / 33

HEX #AC3A2A

RGB 172 58 42

HSL 7.38, 0.61%, 0.42%

LAB 41.16, 45.69, 34.95

 

CMYK 0 / 66 / 76 / 20

HEX #CD4632

RGB 205 70 50

HSL 7.74, 0.61%, 0.5%

LAB 48.99, 52.32, 40.73

 

CMYK 0 / 53 / 61 / 16

HEX #D56453

RGB 213 100 83

HSL 7.85, 0.61%, 0.58%

LAB 55.97, 43.17, 30.87

 

CMYK 0 / 41 / 48 / 13

HEX #DD8274

RGB 221 130 116

HSL 8, 0.61%, 0.66%

LAB 63.83, 33.54, 22.73

 

CMYK 0 / 66 / 75 / 19

HEX #CE4733

RGB 206 71 51

HSL 7.74, 0.61%, 0.5%

LAB 49.33, 52.28, 40.6

 

CMYK 24 / 0 / 76 / 20

HEX #9CCD32

RGB 156 205 50

HSL 78.97, 0.61%, 0.5%

LAB 76.66, -37.22, 66.74

 

CMYK 76 / 54 / 0 / 20

HEX #325ECD

RGB 50 94 205

HSL 222.97, 0.61%, 0.5%

LAB 42.9, 24.12, -61.89

 

CMYK 0 / 66 / 75 / 19

HEX #CE4733

RGB 206 71 51

HSL 7.74, 0.61%, 0.5%

LAB 49.33, 52.28, 40.6

 

CMYK 76 / 0 / 67 / 20

HEX #32CD44

RGB 50 205 68

HSL 126.97, 0.61%, 0.5%

LAB 72.73, -65.61, 54.93

 

CMYK 67 / 76 / 0 / 20

HEX #4432CD

RGB 68 50 205

HSL 246.97, 0.61%, 0.5%

LAB 33.81, 52.73, -76.73

 

CMYK 0 / 66 / 75 / 19

HEX #CE4733

RGB 206 71 51

HSL 7.74, 0.61%, 0.5%

LAB 49.33, 52.28, 40.6

 

CMYK 24 / 0 / 76 / 20

HEX #9CCD32

RGB 156 205 50

HSL 78.97, 0.61%, 0.5%

LAB 76.66, -37.22, 66.74

 

CMYK 76 / 9 / 0 / 20

HEX #32BBCD

RGB 50 187 205

HSL 186.97, 0.61%, 0.5%

LAB 69.91, -29.49, -19.42

 

CMYK 52 / 76 / 0 / 20

HEX #6332CD

RGB 99 50 205

HSL 258.97, 0.61%, 0.5%

LAB 36.63, 56.52, -71.98

 

CMYK 0 / 66 / 75 / 19

HEX #CE4733

RGB 206 71 51

HSL 7.74, 0.61%, 0.5%

LAB 49.33, 52.28, 40.6

 

CMYK 47 / 0 / 76 / 20

HEX #6DCD32

RGB 109 205 50

HSL 97.16, 0.61%, 0.5%

LAB 74.28, -53.65, 63.64

 

CMYK 76 / 9 / 0 / 20

HEX #32BBCD

RGB 50 187 205

HSL 186.97, 0.61%, 0.5%

LAB 69.91, -29.49, -19.42

 

CMYK 29 / 76 / 0 / 20

HEX #9232CD

RGB 146 50 205

HSL 277.16, 0.61%, 0.5%

LAB 42.46, 64.11, -62.22

 

Description

Color code: HEX #CE4733CE | qconv.com Color code: HEX #CE4733CE | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 71 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 71 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 61 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 61% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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