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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE4366 it is the complementary color #31BC99. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE4366. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE4366 shade: #D34361, #E45574, #F56787, #FF799A and #FF8BAD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE4366. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE4366 shade: #CE4366, #BD3153, #AC1F40, #9B0D2D and #8A001A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE4366 shade: #CF4467 and #CF4444

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE4366 shade: #CF4467, #CF448D, #CF44B2, #C644CF and #A144CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE4366 shade matches the following richer shades: #CF4467, #E2325E and #F51F55

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE4366 shade: #CF4467, #BC5771, #A96A7A, #967D84 and #83908D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE4366 shade: #CF44B3, #CF448E, #CF4469, #CF4444 and #CF6944

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE4366 shade: #992844, #BA3053, #CF4467, #D76582 and #E0869D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE4366 shade: #CE4366, #CFC644 and #44A1CF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE4366 shade: #CE4366, #69CF44 and #4469CF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE4366 shade: #CE4366, #CFC644, #44CFAA and #444ECF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE4366 shade: #CE4366, #AFCF44, #44CFAA and #6544CF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 50 / 19

HEX #CE4366

RGB 206 67 102

HSL 344.89, 0.59%, 0.54%

LAB 49.61, 57.09, 11.02

 

Complementary color

CMYK 74 / 0 / 19 / 26

HEX #31BC99

RGB 49 188 153

HSL 164.89, 0.59%, 0.46%

LAB 68.69, -44.7, 7.3

 

CMYK 0 / 68 / 54 / 17

HEX #D34361

RGB 211 67 97

HSL 347.5, 0.62%, 0.55%

LAB 50.37, 58.22, 15.22

 

CMYK 0 / 63 / 49 / 11

HEX #E45574

RGB 228 85 116

HSL 346.99, 0.73%, 0.61%

LAB 56.34, 57.81, 12.61

 

CMYK 0 / 58 / 45 / 4

HEX #F56787

RGB 245 103 135

HSL 346.48, 0.88%, 0.68%

LAB 62.39, 57.16, 10.43

 

CMYK 0 / 53 / 40 / 0

HEX #FF799A

RGB 255 121 154

HSL 345.22, 1%, 0.74%

LAB 67.48, 54.07, 7.02

 

CMYK 0 / 45 / 32 / 0

HEX #FF8BAD

RGB 255 139 173

HSL 342.41, 1%, 0.77%

LAB 71.38, 47.5, 1.98

 

CMYK 0 / 67 / 50 / 19

HEX #CE4366

RGB 206 67 102

HSL 344.89, 0.59%, 0.54%

LAB 49.61, 57.09, 11.02

 

CMYK 0 / 74 / 56 / 26

HEX #BD3153

RGB 189 49 83

HSL 345.43, 0.59%, 0.47%

LAB 43.71, 57.09, 14.03

 

CMYK 0 / 82 / 63 / 33

HEX #AC1F40

RGB 172 31 64

HSL 345.96, 0.69%, 0.4%

LAB 38.06, 56.38, 17.81

 

CMYK 0 / 92 / 71 / 39

HEX #9B0D2D

RGB 155 13 45

HSL 346.48, 0.85%, 0.33%

LAB 32.8, 54.56, 22.58

 

CMYK 0 / 100 / 81 / 46

HEX #8A001A

RGB 138 0 26

HSL 348.7, 1%, 0.27%

LAB 28.05, 51.29, 28.31

 

CMYK 0 / 67 / 50 / 19

HEX #CF4467

RGB 207 68 103

HSL 344.89, 0.59%, 0.54%

LAB 49.95, 57.09, 10.91

 

CMYK 0 / 67 / 67 / 19

HEX #CF4444

RGB 207 68 68

HSL 0, 0.59%, 0.54%

LAB 49.27, 54.65, 30.97

 

CMYK 0 / 67 / 50 / 19

HEX #CF4467

RGB 207 68 103

HSL 344.89, 0.59%, 0.54%

LAB 49.95, 57.09, 10.91

 

CMYK 0 / 67 / 32 / 19

HEX #CF448D

RGB 207 68 141

HSL 328.49, 0.59%, 0.54%

LAB 51.06, 60.96, -10.35

 

CMYK 0 / 67 / 14 / 19

HEX #CF44B2

RGB 207 68 178

HSL 312.52, 0.59%, 0.54%

LAB 52.52, 65.85, -29.95

 

CMYK 4 / 67 / 0 / 19

HEX #C644CF

RGB 198 68 207

HSL 296.12, 0.59%, 0.54%

LAB 52.56, 68.31, -46.75

 

CMYK 22 / 67 / 0 / 19

HEX #A144CF

RGB 161 68 207

HSL 280.14, 0.59%, 0.54%

LAB 47.26, 60.14, -55.53

 

CMYK 0 / 67 / 50 / 19

HEX #CF4467

RGB 207 68 103

HSL 344.89, 0.59%, 0.54%

LAB 49.95, 57.09, 10.91

 

CMYK 0 / 78 / 58 / 11

HEX #E2325E

RGB 226 50 94

HSL 345, 0.75%, 0.54%

LAB 50.99, 68.01, 18.33

 

CMYK 0 / 87 / 65 / 4

HEX #F51F55

RGB 245 31 85

HSL 344.86, 0.91%, 0.54%

LAB 53, 76.6, 27.08

 

CMYK 0 / 67 / 50 / 19

HEX #CF4467

RGB 207 68 103

HSL 344.89, 0.59%, 0.54%

LAB 49.95, 57.09, 10.91

 

CMYK 0 / 54 / 40 / 26

HEX #BC5771

RGB 188 87 113

HSL 344.55, 0.43%, 0.54%

LAB 50.33, 43.28, 5.01

 

CMYK 0 / 37 / 28 / 34

HEX #A96A7A

RGB 169 106 122

HSL 344.76, 0.27%, 0.54%

LAB 52, 27.36, 1.73

 

CMYK 0 / 17 / 12 / 41

HEX #967D84

RGB 150 125 132

HSL 343.2, 0.11%, 0.54%

LAB 54.88, 10.83, -0.2

 

CMYK 9 / 0 / 2 / 44

HEX #83908D

RGB 131 144 141

HSL 166.15, 0.06%, 0.54%

LAB 58.69, -5.3, -0.02

 

CMYK 0 / 67 / 14 / 19

HEX #CF44B3

RGB 207 68 179

HSL 312.09, 0.59%, 0.54%

LAB 52.57, 65.99, -30.47

 

CMYK 0 / 67 / 31 / 19

HEX #CF448E

RGB 207 68 142

HSL 328.06, 0.59%, 0.54%

LAB 51.1, 61.08, -10.9

 

CMYK 0 / 67 / 49 / 19

HEX #CF4469

RGB 207 68 105

HSL 344.03, 0.59%, 0.54%

LAB 50, 57.26, 9.77

 

CMYK 0 / 67 / 67 / 19

HEX #CF4444

RGB 207 68 68

HSL 0, 0.59%, 0.54%

LAB 49.27, 54.65, 30.97

 

CMYK 0 / 49 / 67 / 19

HEX #CF6944

RGB 207 105 68

HSL 15.97, 0.59%, 0.54%

LAB 55.87, 37.41, 38.84

 

CMYK 0 / 74 / 56 / 40

HEX #992844

RGB 153 40 68

HSL 345.13, 0.59%, 0.38%

LAB 35.41, 48.22, 11.04

 

CMYK 0 / 74 / 55 / 27

HEX #BA3053

RGB 186 48 83

HSL 344.78, 0.59%, 0.46%

LAB 43.03, 56.54, 13

 

CMYK 0 / 67 / 50 / 19

HEX #CF4467

RGB 207 68 103

HSL 344.89, 0.59%, 0.54%

LAB 49.95, 57.09, 10.91

 

CMYK 0 / 53 / 40 / 16

HEX #D76582

RGB 215 101 130

HSL 344.74, 0.59%, 0.62%

LAB 57.43, 47.61, 5.66

 

CMYK 0 / 40 / 30 / 12

HEX #E0869D

RGB 224 134 157

HSL 344.67, 0.59%, 0.7%

LAB 66.01, 37.23, 2.68

 

CMYK 0 / 67 / 50 / 19

HEX #CE4366

RGB 206 67 102

HSL 344.89, 0.59%, 0.54%

LAB 49.61, 57.09, 11.02

 

CMYK 0 / 4 / 67 / 19

HEX #CFC644

RGB 207 198 68

HSL 56.12, 0.59%, 0.54%

LAB 78.5, -12.04, 63.38

 

CMYK 67 / 22 / 0 / 19

HEX #44A1CF

RGB 68 161 207

HSL 199.86, 0.59%, 0.54%

LAB 62.7, -13.01, -31.56

 

CMYK 0 / 67 / 50 / 19

HEX #CE4366

RGB 206 67 102

HSL 344.89, 0.59%, 0.54%

LAB 49.61, 57.09, 11.02

 

CMYK 49 / 0 / 67 / 19

HEX #69CF44

RGB 105 207 68

HSL 104.03, 0.59%, 0.54%

LAB 74.85, -54.3, 57.65

 

CMYK 67 / 49 / 0 / 19

HEX #4469CF

RGB 68 105 207

HSL 224.03, 0.59%, 0.54%

LAB 46.76, 20.28, -56.76

 

CMYK 0 / 67 / 50 / 19

HEX #CE4366

RGB 206 67 102

HSL 344.89, 0.59%, 0.54%

LAB 49.61, 57.09, 11.02

 

CMYK 0 / 4 / 67 / 19

HEX #CFC644

RGB 207 198 68

HSL 56.12, 0.59%, 0.54%

LAB 78.5, -12.04, 63.38

 

CMYK 67 / 0 / 18 / 19

HEX #44CFAA

RGB 68 207 170

HSL 164.03, 0.59%, 0.54%

LAB 75.3, -45.87, 7.61

 

CMYK 67 / 62 / 0 / 19

HEX #444ECF

RGB 68 78 207

HSL 235.68, 0.59%, 0.54%

LAB 39.89, 37.3, -67.91

 

CMYK 0 / 67 / 50 / 19

HEX #CE4366

RGB 206 67 102

HSL 344.89, 0.59%, 0.54%

LAB 49.61, 57.09, 11.02

 

CMYK 15 / 0 / 67 / 19

HEX #AFCF44

RGB 175 207 68

HSL 73.81, 0.59%, 0.54%

LAB 78.55, -29.66, 62.66

 

CMYK 67 / 0 / 18 / 19

HEX #44CFAA

RGB 68 207 170

HSL 164.03, 0.59%, 0.54%

LAB 75.3, -45.87, 7.61

 

CMYK 51 / 67 / 0 / 19

HEX #6544CF

RGB 101 68 207

HSL 254.24, 0.59%, 0.54%

LAB 40.26, 48.31, -67.2

 

Description

Color code: HEX #CE4366 | qconv.com Color code: HEX #CE4366 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 67 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 67 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 50 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 50% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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