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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE3FD6 it is the complementary color #31C029. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE3FD6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE3FD6 shade: #D33FD1, #E451E4, #F563F7, #FF75FF and #FF87FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE3FD6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE3FD6 shade: #CE3FD6, #BD2DC3, #AC1BB0, #9B099D and #8A008A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE3FD6 shade: #CE3DD6, #D63DB5, #D63D8C, #D63D63 and #D63D3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE3FD6 shade: #CE3DD6, #A53DD6, #7C3DD6, #523DD6 and #3D3DD6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE3FD6 shade matches the following richer shades: #CE3DD6, #DF2AE9 and #F017FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE3FD6 shade: #CE3DD6, #BD50C3, #AC63B0, #9B769D and #8A898A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE3FD6 shade: #7A3DD6, #A33DD6, #CC3DD6, #D63DB7 and #D63D8F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE3FD6 shade: #98229F, #B929C1, #CE3DD6, #D75FDD and #DF82E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE3FD6 shade: #CE3FD6, #D6523D and #3DD68F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE3FD6 shade: #CE3FD6, #D6CC3D and #3DD6CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE3FD6 shade: #CE3FD6, #D6523D, #48D63D and #3DC2D6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE3FD6 shade: #CE3FD6, #D6803D, #48D63D and #3D94D6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 71 / 0 / 16

HEX #CE3FD6

RGB 206 63 214

HSL 296.82, 0.65%, 0.54%

LAB 53.53, 73.03, -49.13

 

Complementary color

CMYK 74 / 0 / 79 / 25

HEX #31C029

RGB 49 192 41

HSL 116.82, 0.65%, 0.46%

LAB 68.4, -63.84, 60.2

 

CMYK 0 / 70 / 1 / 17

HEX #D33FD1

RGB 211 63 209

HSL 300.81, 0.63%, 0.54%

LAB 54.03, 73.29, -45.42

 

CMYK 0 / 64 / 0 / 11

HEX #E451E4

RGB 228 81 228

HSL 300, 0.73%, 0.61%

LAB 59.87, 73.73, -46.77

 

CMYK 1 / 60 / 0 / 3

HEX #F563F7

RGB 245 99 247

HSL 299.19, 0.9%, 0.68%

LAB 65.79, 73.76, -47.83

 

CMYK 0 / 54 / 0 / 0

HEX #FF75FF

RGB 255 117 255

HSL 300, 1%, 0.73%

LAB 70.32, 69.92, -45

 

CMYK 0 / 47 / 0 / 0

HEX #FF87FF

RGB 255 135 255

HSL 300, 1%, 0.76%

LAB 73.42, 61.66, -40.15

 

CMYK 4 / 71 / 0 / 16

HEX #CE3FD6

RGB 206 63 214

HSL 296.82, 0.65%, 0.54%

LAB 53.53, 73.03, -49.13

 

CMYK 3 / 77 / 0 / 24

HEX #BD2DC3

RGB 189 45 195

HSL 297.6, 0.63%, 0.47%

LAB 47.8, 72.03, -47.49

 

CMYK 2 / 85 / 0 / 31

HEX #AC1BB0

RGB 172 27 176

HSL 298.39, 0.73%, 0.4%

LAB 42.29, 70.13, -45.31

 

CMYK 1 / 94 / 0 / 38

HEX #9B099D

RGB 155 9 157

HSL 299.19, 0.89%, 0.33%

LAB 37.11, 66.98, -42.38

 

CMYK 0 / 100 / 0 / 46

HEX #8A008A

RGB 138 0 138

HSL 300, 1%, 0.27%

LAB 32.34, 62.24, -38.54

 

CMYK 4 / 71 / 0 / 16

HEX #CE3DD6

RGB 206 61 214

HSL 296.86, 0.65%, 0.54%

LAB 53.29, 73.7, -49.5

 

CMYK 0 / 71 / 15 / 16

HEX #D63DB5

RGB 214 61 181

HSL 312.94, 0.65%, 0.54%

LAB 52.92, 70.45, -31

 

CMYK 0 / 71 / 35 / 16

HEX #D63D8C

RGB 214 61 140

HSL 329.02, 0.65%, 0.54%

LAB 51.3, 65.32, -9.28

 

CMYK 0 / 71 / 54 / 16

HEX #D63D63

RGB 214 61 99

HSL 345.1, 0.65%, 0.54%

LAB 50.14, 61.49, 13.78

 

CMYK 0 / 71 / 71 / 16

HEX #D63D3D

RGB 214 61 61

HSL 0, 0.65%, 0.54%

LAB 49.46, 59.19, 35.55

 

CMYK 4 / 71 / 0 / 16

HEX #CE3DD6

RGB 206 61 214

HSL 296.86, 0.65%, 0.54%

LAB 53.29, 73.7, -49.5

 

CMYK 23 / 71 / 0 / 16

HEX #A53DD6

RGB 165 61 214

HSL 280.78, 0.65%, 0.54%

LAB 47.23, 65.33, -59.56

 

CMYK 42 / 71 / 0 / 16

HEX #7C3DD6

RGB 124 61 214

HSL 264.71, 0.65%, 0.54%

LAB 41.97, 57.69, -68.34

 

CMYK 62 / 71 / 0 / 16

HEX #523DD6

RGB 82 61 214

HSL 248.24, 0.65%, 0.54%

LAB 37.82, 51.31, -75.3

 

CMYK 71 / 71 / 0 / 16

HEX #3D3DD6

RGB 61 61 214

HSL 240, 0.65%, 0.54%

LAB 36.34, 48.93, -77.79

 

CMYK 4 / 71 / 0 / 16

HEX #CE3DD6

RGB 206 61 214

HSL 296.86, 0.65%, 0.54%

LAB 53.29, 73.7, -49.5

 

CMYK 4 / 82 / 0 / 9

HEX #DF2AE9

RGB 223 42 233

HSL 296.86, 0.81%, 0.54%

LAB 55.31, 85.12, -56.89

 

CMYK 5 / 91 / 0 / 1

HEX #F017FC

RGB 240 23 252

HSL 296.86, 0.97%, 0.54%

LAB 58.19, 93.83, -62.72

 

CMYK 4 / 71 / 0 / 16

HEX #CE3DD6

RGB 206 61 214

HSL 296.86, 0.65%, 0.54%

LAB 53.29, 73.7, -49.5

 

CMYK 3 / 59 / 0 / 24

HEX #BD50C3

RGB 189 80 195

HSL 296.87, 0.49%, 0.54%

LAB 52.39, 59.11, -40.2

 

CMYK 2 / 44 / 0 / 31

HEX #AC63B0

RGB 172 99 176

HSL 296.88, 0.33%, 0.54%

LAB 52.76, 41.42, -28.8

 

CMYK 1 / 25 / 0 / 38

HEX #9B769D

RGB 155 118 157

HSL 296.92, 0.17%, 0.54%

LAB 54.41, 21.44, -15.4

 

CMYK 0 / 1 / 0 / 46

HEX #8A898A

RGB 138 137 138

HSL 300, 0%, 0.54%

LAB 57.2, 0.57, -0.41

 

CMYK 43 / 71 / 0 / 16

HEX #7A3DD6

RGB 122 61 214

HSL 263.92, 0.65%, 0.54%

LAB 41.74, 57.35, -68.73

 

CMYK 24 / 71 / 0 / 16

HEX #A33DD6

RGB 163 61 214

HSL 280, 0.65%, 0.54%

LAB 46.95, 64.94, -60.03

 

CMYK 5 / 71 / 0 / 16

HEX #CC3DD6

RGB 204 61 214

HSL 296.08, 0.65%, 0.54%

LAB 52.98, 73.28, -50.02

 

CMYK 0 / 71 / 14 / 16

HEX #D63DB7

RGB 214 61 183

HSL 312.16, 0.65%, 0.54%

LAB 53.01, 70.73, -32.03

 

CMYK 0 / 71 / 33 / 16

HEX #D63D8F

RGB 214 61 143

HSL 327.84, 0.65%, 0.54%

LAB 51.4, 65.66, -10.92

 

CMYK 4 / 79 / 0 / 38

HEX #98229F

RGB 152 34 159

HSL 296.64, 0.65%, 0.38%

LAB 38.42, 61.75, -41.53

 

CMYK 4 / 79 / 0 / 24

HEX #B929C1

RGB 185 41 193

HSL 296.84, 0.65%, 0.46%

LAB 46.65, 72.01, -48.21

 

CMYK 4 / 71 / 0 / 16

HEX #CE3DD6

RGB 206 61 214

HSL 296.86, 0.65%, 0.54%

LAB 53.29, 73.7, -49.5

 

CMYK 3 / 57 / 0 / 13

HEX #D75FDD

RGB 215 95 221

HSL 297.14, 0.65%, 0.62%

LAB 59.75, 63.65, -43.15

 

CMYK 2 / 43 / 0 / 11

HEX #DF82E4

RGB 223 130 228

HSL 296.94, 0.64%, 0.7%

LAB 67.47, 50.26, -34.91

 

CMYK 4 / 71 / 0 / 16

HEX #CE3FD6

RGB 206 63 214

HSL 296.82, 0.65%, 0.54%

LAB 53.53, 73.03, -49.13

 

CMYK 0 / 62 / 71 / 16

HEX #D6523D

RGB 214 82 61

HSL 8.24, 0.65%, 0.54%

LAB 52.58, 50.73, 39.14

 

CMYK 71 / 0 / 33 / 16

HEX #3DD68F

RGB 61 214 143

HSL 152.16, 0.65%, 0.54%

LAB 76.72, -55.75, 23.89

 

CMYK 4 / 71 / 0 / 16

HEX #CE3FD6

RGB 206 63 214

HSL 296.82, 0.65%, 0.54%

LAB 53.53, 73.03, -49.13

 

CMYK 0 / 5 / 71 / 16

HEX #D6CC3D

RGB 214 204 61

HSL 56.08, 0.65%, 0.54%

LAB 80.64, -12.47, 68.31

 

CMYK 71 / 0 / 5 / 16

HEX #3DD6CC

RGB 61 214 204

HSL 176.08, 0.65%, 0.54%

LAB 78.14, -41.11, -6.53

 

CMYK 4 / 71 / 0 / 16

HEX #CE3FD6

RGB 206 63 214

HSL 296.82, 0.65%, 0.54%

LAB 53.53, 73.03, -49.13

 

CMYK 0 / 62 / 71 / 16

HEX #D6523D

RGB 214 82 61

HSL 8.24, 0.65%, 0.54%

LAB 52.58, 50.73, 39.14

 

CMYK 66 / 0 / 71 / 16

HEX #48D63D

RGB 72 214 61

HSL 115.69, 0.65%, 0.54%

LAB 75.95, -65.39, 61.14

 

CMYK 71 / 9 / 0 / 16

HEX #3DC2D6

RGB 61 194 214

HSL 187.84, 0.65%, 0.54%

LAB 72.52, -28.86, -20.36

 

CMYK 4 / 71 / 0 / 16

HEX #CE3FD6

RGB 206 63 214

HSL 296.82, 0.65%, 0.54%

LAB 53.53, 73.03, -49.13

 

CMYK 0 / 40 / 71 / 16

HEX #D6803D

RGB 214 128 61

HSL 26.27, 0.65%, 0.54%

LAB 61.72, 27.76, 49.17

 

CMYK 66 / 0 / 71 / 16

HEX #48D63D

RGB 72 214 61

HSL 115.69, 0.65%, 0.54%

LAB 75.95, -65.39, 61.14

 

CMYK 71 / 31 / 0 / 16

HEX #3D94D6

RGB 61 148 214

HSL 205.88, 0.65%, 0.54%

LAB 59, -4.41, -41.26

 

Description

Color code: HEX #CE3FD6 | qconv.com Color code: HEX #CE3FD6 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 63 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 63 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 71 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 71% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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