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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE3FC1 it is the complementary color #31C03E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE3FC1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE3FC1 shade: #D33FBC, #E451CF, #F563E2, #FF75F5 and #FF87FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE3FC1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE3FC1 shade: #CE3FC1, #BD2DAE, #AC1B9B, #9B0988 and #8A0075

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE3FC1 shade: #CD40C1, #CD409A, #CD4074, #CD404E and #CD4040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE3FC1 shade: #CD40C1, #B440CD, #8E40CD, #6840CD and #4240CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE3FC1 shade matches the following richer shades: #CD40C1, #E12DD0 and #F419E0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE3FC1 shade: #CD40C1, #BA53B1, #A767A1, #937A91 and #808E81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE3FC1 shade: #8E40CD, #B340CD, #CD40C2, #CD409C and #CD4076

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE3FC1 shade: #95268B, #B62EA9, #CD40C1, #D661CB and #DE82D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE3FC1 shade: #CE3FC1, #CD6840 and #40CDA1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE3FC1 shade: #CE3FC1, #C2CD40 and #40C2CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE3FC1 shade: #CE3FC1, #CD6840, #40CD4C and #40A5CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE3FC1 shade: #CE3FC1, #CD9240, #40CD4C and #407BCD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 6 / 19

HEX #CE3FC1

RGB 206 63 193

HSL 305.45, 0.59%, 0.53%

LAB 52.43, 69.66, -38.82

 

Complementary color

CMYK 74 / 0 / 68 / 25

HEX #31C03E

RGB 49 192 62

HSL 125.45, 0.59%, 0.47%

LAB 68.53, -62.17, 52.82

 

CMYK 0 / 70 / 11 / 17

HEX #D33FBC

RGB 211 63 188

HSL 309.32, 0.63%, 0.54%

LAB 52.99, 70.07, -34.99

 

CMYK 0 / 64 / 9 / 11

HEX #E451CF

RGB 228 81 207

HSL 308.57, 0.73%, 0.61%

LAB 58.87, 70.43, -36.5

 

CMYK 0 / 60 / 8 / 4

HEX #F563E2

RGB 245 99 226

HSL 307.81, 0.88%, 0.67%

LAB 64.83, 70.4, -37.7

 

CMYK 0 / 54 / 4 / 0

HEX #FF75F5

RGB 255 117 245

HSL 304.35, 1%, 0.73%

LAB 69.88, 68.27, -40.22

 

CMYK 0 / 47 / 0 / 0

HEX #FF87FF

RGB 255 135 255

HSL 300, 1%, 0.76%

LAB 73.42, 61.66, -40.15

 

CMYK 0 / 69 / 6 / 19

HEX #CE3FC1

RGB 206 63 193

HSL 305.45, 0.59%, 0.53%

LAB 52.43, 69.66, -38.82

 

CMYK 0 / 76 / 8 / 26

HEX #BD2DAE

RGB 189 45 174

HSL 306.25, 0.62%, 0.46%

LAB 46.65, 68.75, -37.03

 

CMYK 0 / 84 / 10 / 33

HEX #AC1B9B

RGB 172 27 155

HSL 307.03, 0.73%, 0.39%

LAB 41.09, 66.94, -34.65

 

CMYK 0 / 94 / 12 / 39

HEX #9B0988

RGB 155 9 136

HSL 307.81, 0.89%, 0.32%

LAB 35.87, 63.86, -31.49

 

CMYK 0 / 100 / 15 / 46

HEX #8A0075

RGB 138 0 117

HSL 309.13, 1%, 0.27%

LAB 31.08, 59.16, -27.35

 

CMYK 0 / 69 / 6 / 20

HEX #CD40C1

RGB 205 64 193

HSL 305.11, 0.59%, 0.53%

LAB 52.39, 69.08, -38.89

 

CMYK 0 / 69 / 25 / 20

HEX #CD409A

RGB 205 64 154

HSL 321.7, 0.59%, 0.53%

LAB 50.66, 63.52, -18.73

 

CMYK 0 / 69 / 43 / 20

HEX #CD4074

RGB 205 64 116

HSL 337.87, 0.59%, 0.53%

LAB 49.38, 59.22, 2.18

 

CMYK 0 / 69 / 62 / 20

HEX #CD404E

RGB 205 64 78

HSL 354.04, 0.59%, 0.53%

LAB 48.51, 56.17, 24

 

CMYK 0 / 69 / 69 / 20

HEX #CD4040

RGB 205 64 64

HSL 0, 0.59%, 0.53%

LAB 48.28, 55.37, 32.02

 

CMYK 0 / 69 / 6 / 20

HEX #CD40C1

RGB 205 64 193

HSL 305.11, 0.59%, 0.53%

LAB 52.39, 69.08, -38.89

 

CMYK 12 / 69 / 0 / 20

HEX #B440CD

RGB 180 64 205

HSL 289.36, 0.59%, 0.53%

LAB 49.23, 65.51, -51.07

 

CMYK 31 / 69 / 0 / 20

HEX #8E40CD

RGB 142 64 205

HSL 273.19, 0.59%, 0.53%

LAB 43.98, 57.52, -59.78

 

CMYK 49 / 69 / 0 / 20

HEX #6840CD

RGB 104 64 205

HSL 257.02, 0.59%, 0.53%

LAB 39.61, 50.39, -67.09

 

CMYK 68 / 69 / 0 / 20

HEX #4240CD

RGB 66 64 205

HSL 240.85, 0.59%, 0.53%

LAB 36.43, 44.81, -72.42

 

CMYK 0 / 69 / 6 / 20

HEX #CD40C1

RGB 205 64 193

HSL 305.11, 0.59%, 0.53%

LAB 52.39, 69.08, -38.89

 

CMYK 0 / 80 / 8 / 12

HEX #E12DD0

RGB 225 45 208

HSL 305.67, 0.75%, 0.53%

LAB 54.49, 81.12, -43.99

 

CMYK 0 / 90 / 8 / 4

HEX #F419E0

RGB 244 25 224

HSL 305.48, 0.91%, 0.53%

LAB 57.38, 90.32, -48.3

 

CMYK 0 / 69 / 6 / 20

HEX #CD40C1

RGB 205 64 193

HSL 305.11, 0.59%, 0.53%

LAB 52.39, 69.08, -38.89

 

CMYK 0 / 55 / 5 / 27

HEX #BA53B1

RGB 186 83 177

HSL 305.24, 0.43%, 0.53%

LAB 51.61, 53.78, -31.03

 

CMYK 0 / 38 / 4 / 35

HEX #A767A1

RGB 167 103 161

HSL 305.63, 0.27%, 0.53%

LAB 52.39, 34.81, -20.69

 

CMYK 0 / 17 / 1 / 42

HEX #937A91

RGB 147 122 145

HSL 304.8, 0.1%, 0.53%

LAB 54.2, 13.88, -8.81

 

CMYK 10 / 0 / 9 / 44

HEX #808E81

RGB 128 142 129

HSL 124.29, 0.06%, 0.53%

LAB 57.58, -7.67, 5.2

 

CMYK 31 / 69 / 0 / 20

HEX #8E40CD

RGB 142 64 205

HSL 273.19, 0.59%, 0.53%

LAB 43.98, 57.52, -59.78

 

CMYK 13 / 69 / 0 / 20

HEX #B340CD

RGB 179 64 205

HSL 288.94, 0.59%, 0.53%

LAB 49.08, 65.29, -51.31

 

CMYK 0 / 69 / 5 / 20

HEX #CD40C2

RGB 205 64 194

HSL 304.68, 0.59%, 0.53%

LAB 52.44, 69.24, -39.39

 

CMYK 0 / 69 / 24 / 20

HEX #CD409C

RGB 205 64 156

HSL 320.85, 0.59%, 0.53%

LAB 50.74, 63.78, -19.8

 

CMYK 0 / 69 / 42 / 20

HEX #CD4076

RGB 205 64 118

HSL 337.02, 0.59%, 0.53%

LAB 49.44, 59.42, 1.05

 

CMYK 0 / 74 / 7 / 42

HEX #95268B

RGB 149 38 139

HSL 305.41, 0.59%, 0.37%

LAB 37.19, 56.52, -31.34

 

CMYK 0 / 75 / 7 / 29

HEX #B62EA9

RGB 182 46 169

HSL 305.74, 0.6%, 0.45%

LAB 45.31, 66.16, -36.26

 

CMYK 0 / 69 / 6 / 20

HEX #CD40C1

RGB 205 64 193

HSL 305.11, 0.59%, 0.53%

LAB 52.39, 69.08, -38.89

 

CMYK 0 / 55 / 5 / 16

HEX #D661CB

RGB 214 97 203

HSL 305.64, 0.59%, 0.61%

LAB 59.12, 59.41, -33.98

 

CMYK 0 / 41 / 4 / 13

HEX #DE82D6

RGB 222 130 214

HSL 305.22, 0.58%, 0.69%

LAB 66.79, 47.45, -28.21

 

CMYK 0 / 69 / 6 / 19

HEX #CE3FC1

RGB 206 63 193

HSL 305.45, 0.59%, 0.53%

LAB 52.43, 69.66, -38.82

 

CMYK 0 / 49 / 69 / 20

HEX #CD6840

RGB 205 104 64

HSL 17.02, 0.59%, 0.53%

LAB 55.33, 36.92, 40.27

 

CMYK 69 / 0 / 21 / 20

HEX #40CDA1

RGB 64 205 161

HSL 161.28, 0.59%, 0.53%

LAB 74.4, -47.79, 11.14

 

CMYK 0 / 69 / 6 / 19

HEX #CE3FC1

RGB 206 63 193

HSL 305.45, 0.59%, 0.53%

LAB 52.43, 69.66, -38.82

 

CMYK 5 / 0 / 69 / 20

HEX #C2CD40

RGB 194 205 64

HSL 64.68, 0.59%, 0.53%

LAB 79.33, -21.19, 65.4

 

CMYK 69 / 5 / 0 / 20

HEX #40C2CD

RGB 64 194 205

HSL 184.68, 0.59%, 0.53%

LAB 72.28, -31.16, -15.81

 

CMYK 0 / 69 / 6 / 19

HEX #CE3FC1

RGB 206 63 193

HSL 305.45, 0.59%, 0.53%

LAB 52.43, 69.66, -38.82

 

CMYK 0 / 49 / 69 / 20

HEX #CD6840

RGB 205 104 64

HSL 17.02, 0.59%, 0.53%

LAB 55.33, 36.92, 40.27

 

CMYK 69 / 0 / 63 / 20

HEX #40CD4C

RGB 64 205 76

HSL 125.11, 0.59%, 0.53%

LAB 73.07, -62.51, 52.04

 

CMYK 69 / 20 / 0 / 20

HEX #40A5CD

RGB 64 165 205

HSL 197.02, 0.59%, 0.53%

LAB 63.68, -16.44, -28.94

 

CMYK 0 / 69 / 6 / 19

HEX #CE3FC1

RGB 206 63 193

HSL 305.45, 0.59%, 0.53%

LAB 52.43, 69.66, -38.82

 

CMYK 0 / 29 / 69 / 20

HEX #CD9240

RGB 205 146 64

HSL 34.89, 0.59%, 0.53%

LAB 64.89, 14.38, 50.83

 

CMYK 69 / 0 / 63 / 20

HEX #40CD4C

RGB 64 205 76

HSL 125.11, 0.59%, 0.53%

LAB 73.07, -62.51, 52.04

 

CMYK 69 / 40 / 0 / 20

HEX #407BCD

RGB 64 123 205

HSL 214.89, 0.59%, 0.53%

LAB 51.45, 7.71, -48.11

 

Description

Color code: HEX #CE3FC1 | qconv.com Color code: HEX #CE3FC1 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 63 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 63 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 6 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 6% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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