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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE3E7F it is the complementary color #31C180. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE3E7F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE3E7F shade: #D33E7A, #E4508D, #F562A0, #FF74B3 and #FF86C6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE3E7F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE3E7F shade: #CE3E7F, #BD2C6C, #AC1A59, #9B0846 and #8A0033

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE3E7F shade: #CF3F80, #CF3F59 and #CF3F3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE3E7F shade: #CF3F80, #CF3FA6, #CF3FCD, #A93FCF and #823FCF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE3E7F shade matches the following richer shades: #CF3F80, #E22B7E and #F5187C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE3E7F shade: #CF3F80, #BB5282, #A86683, #947985 and #818C87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE3E7F shade: #CF3FCF, #CF3FA8, #CF3F82, #CF3F5C and #CF483F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE3E7F shade: #962558, #B72D6B, #CF3F80, #D76095 and #DF81AB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE3E7F shade: #CE3E7F, #CFA83F and #3FBBCF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE3E7F shade: #CE3E7F, #82CF3F and #3F82CF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE3E7F shade: #CE3E7F, #CFA83F, #3FCF8B and #3F65CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE3E7F shade: #CE3E7F, #CACF3F, #3FCF8B and #443FCF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 38 / 19

HEX #CE3E7F

RGB 206 62 127

HSL 332.92, 0.6%, 0.53%

LAB 49.62, 61.37, -4.12

 

Complementary color

CMYK 75 / 0 / 34 / 24

HEX #31C180

RGB 49 193 128

HSL 152.92, 0.6%, 0.47%

LAB 69.72, -52.43, 22.24

 

CMYK 0 / 71 / 42 / 17

HEX #D33E7A

RGB 211 62 122

HSL 335.84, 0.63%, 0.54%

LAB 50.33, 62.28, 0.06

 

CMYK 0 / 65 / 38 / 11

HEX #E4508D

RGB 228 80 141

HSL 335.27, 0.73%, 0.6%

LAB 56.24, 62.28, -2.28

 

CMYK 0 / 60 / 35 / 4

HEX #F562A0

RGB 245 98 160

HSL 334.69, 0.88%, 0.67%

LAB 62.24, 61.94, -4.2

 

CMYK 0 / 55 / 30 / 0

HEX #FF74B3

RGB 255 116 179

HSL 332.81, 1%, 0.73%

LAB 67.28, 59.25, -7.41

 

CMYK 0 / 47 / 22 / 0

HEX #FF86C6

RGB 255 134 198

HSL 328.26, 1%, 0.76%

LAB 71.14, 53.23, -12.31

 

CMYK 0 / 70 / 38 / 19

HEX #CE3E7F

RGB 206 62 127

HSL 332.92, 0.6%, 0.53%

LAB 49.62, 61.37, -4.12

 

CMYK 0 / 77 / 43 / 26

HEX #BD2C6C

RGB 189 44 108

HSL 333.52, 0.62%, 0.46%

LAB 43.8, 60.84, -1.4

 

CMYK 0 / 85 / 48 / 33

HEX #AC1A59

RGB 172 26 89

HSL 334.11, 0.74%, 0.39%

LAB 38.25, 59.45, 2.07

 

CMYK 0 / 95 / 55 / 39

HEX #9B0846

RGB 155 8 70

HSL 334.69, 0.9%, 0.32%

LAB 33.1, 56.8, 6.56

 

CMYK 0 / 100 / 63 / 46

HEX #8A0033

RGB 138 0 51

HSL 337.83, 1%, 0.27%

LAB 28.49, 52.47, 12.3

 

CMYK 0 / 70 / 38 / 19

HEX #CF3F80

RGB 207 63 128

HSL 332.92, 0.6%, 0.53%

LAB 49.95, 61.39, -4.2

 

CMYK 0 / 70 / 57 / 19

HEX #CF3F59

RGB 207 63 89

HSL 349.17, 0.6%, 0.53%

LAB 48.94, 57.92, 17.99

 

CMYK 0 / 70 / 70 / 19

HEX #CF3F3F

RGB 207 63 63

HSL 0, 0.6%, 0.53%

LAB 48.49, 56.34, 32.93

 

CMYK 0 / 70 / 38 / 19

HEX #CF3F80

RGB 207 63 128

HSL 332.92, 0.6%, 0.53%

LAB 49.95, 61.39, -4.2

 

CMYK 0 / 70 / 20 / 19

HEX #CF3FA6

RGB 207 63 166

HSL 317.08, 0.6%, 0.53%

LAB 51.35, 65.99, -24.74

 

CMYK 0 / 70 / 1 / 19

HEX #CF3FCD

RGB 207 63 205

HSL 300.83, 0.6%, 0.53%

LAB 53.2, 71.78, -44.5

 

CMYK 18 / 70 / 0 / 19

HEX #A93FCF

RGB 169 63 207

HSL 284.17, 0.6%, 0.53%

LAB 47.62, 63.94, -54.89

 

CMYK 37 / 70 / 0 / 19

HEX #823FCF

RGB 130 63 207

HSL 267.92, 0.6%, 0.53%

LAB 42.47, 56.11, -63.46

 

CMYK 0 / 70 / 38 / 19

HEX #CF3F80

RGB 207 63 128

HSL 332.92, 0.6%, 0.53%

LAB 49.95, 61.39, -4.2

 

CMYK 0 / 81 / 44 / 11

HEX #E22B7E

RGB 226 43 126

HSL 332.79, 0.76%, 0.53%

LAB 51.16, 72.28, -0.83

 

CMYK 0 / 90 / 49 / 4

HEX #F5187C

RGB 245 24 124

HSL 332.85, 0.92%, 0.53%

LAB 53.52, 80.06, 4.25

 

CMYK 0 / 70 / 38 / 19

HEX #CF3F80

RGB 207 63 128

HSL 332.92, 0.6%, 0.53%

LAB 49.95, 61.39, -4.2

 

CMYK 0 / 56 / 30 / 27

HEX #BB5282

RGB 187 82 130

HSL 332.57, 0.44%, 0.53%

LAB 49.75, 47.45, -6.06

 

CMYK 0 / 39 / 22 / 34

HEX #A86683

RGB 168 102 131

HSL 333.64, 0.28%, 0.53%

LAB 51.23, 30.57, -4.76

 

CMYK 0 / 18 / 10 / 42

HEX #947985

RGB 148 121 133

HSL 333.33, 0.11%, 0.53%

LAB 53.67, 12.56, -2.59

 

CMYK 8 / 0 / 4 / 45

HEX #818C87

RGB 129 140 135

HSL 152.73, 0.05%, 0.53%

LAB 57.24, -5.01, 1.29

 

CMYK 0 / 70 / 0 / 19

HEX #CF3FCF

RGB 207 63 207

HSL 300, 0.6%, 0.53%

LAB 53.3, 72.1, -45.48

 

CMYK 0 / 70 / 19 / 19

HEX #CF3FA8

RGB 207 63 168

HSL 316.25, 0.6%, 0.53%

LAB 51.44, 66.26, -25.79

 

CMYK 0 / 70 / 37 / 19

HEX #CF3F82

RGB 207 63 130

HSL 332.08, 0.6%, 0.53%

LAB 50.02, 61.6, -5.32

 

CMYK 0 / 70 / 56 / 19

HEX #CF3F5C

RGB 207 63 92

HSL 347.92, 0.6%, 0.53%

LAB 49, 58.14, 16.26

 

CMYK 0 / 65 / 70 / 19

HEX #CF483F

RGB 207 72 63

HSL 3.75, 0.6%, 0.53%

LAB 49.81, 52.74, 34.5

 

CMYK 0 / 75 / 41 / 41

HEX #962558

RGB 150 37 88

HSL 332.92, 0.6%, 0.37%

LAB 35.03, 50.26, -2.51

 

CMYK 0 / 75 / 42 / 28

HEX #B72D6B

RGB 183 45 107

HSL 333.04, 0.61%, 0.45%

LAB 42.77, 58.8, -2.42

 

CMYK 0 / 70 / 38 / 19

HEX #CF3F80

RGB 207 63 128

HSL 332.92, 0.6%, 0.53%

LAB 49.95, 61.39, -4.2

 

CMYK 0 / 55 / 31 / 16

HEX #D76095

RGB 215 96 149

HSL 333.28, 0.6%, 0.61%

LAB 57.06, 52.24, -5.99

 

CMYK 0 / 42 / 23 / 13

HEX #DF81AB

RGB 223 129 171

HSL 333.19, 0.59%, 0.69%

LAB 65.22, 41.42, -6.41

 

CMYK 0 / 70 / 38 / 19

HEX #CE3E7F

RGB 206 62 127

HSL 332.92, 0.6%, 0.53%

LAB 49.62, 61.37, -4.12

 

CMYK 0 / 19 / 70 / 19

HEX #CFA83F

RGB 207 168 63

HSL 43.75, 0.6%, 0.53%

LAB 70.61, 3.32, 57.34

 

CMYK 70 / 10 / 0 / 19

HEX #3FBBCF

RGB 63 187 207

HSL 188.33, 0.6%, 0.53%

LAB 70.25, -27.28, -19.98

 

CMYK 0 / 70 / 38 / 19

HEX #CE3E7F

RGB 206 62 127

HSL 332.92, 0.6%, 0.53%

LAB 49.62, 61.37, -4.12

 

CMYK 37 / 0 / 70 / 19

HEX #82CF3F

RGB 130 207 63

HSL 92.08, 0.6%, 0.53%

LAB 75.9, -46.8, 61.01

 

CMYK 70 / 37 / 0 / 19

HEX #3F82CF

RGB 63 130 207

HSL 212.08, 0.6%, 0.53%

LAB 53.52, 4.02, -45.96

 

CMYK 0 / 70 / 38 / 19

HEX #CE3E7F

RGB 206 62 127

HSL 332.92, 0.6%, 0.53%

LAB 49.62, 61.37, -4.12

 

CMYK 0 / 19 / 70 / 19

HEX #CFA83F

RGB 207 168 63

HSL 43.75, 0.6%, 0.53%

LAB 70.61, 3.32, 57.34

 

CMYK 70 / 0 / 33 / 19

HEX #3FCF8B

RGB 63 207 139

HSL 151.67, 0.6%, 0.53%

LAB 74.54, -53.55, 23.03

 

CMYK 70 / 51 / 0 / 19

HEX #3F65CF

RGB 63 101 207

HSL 224.17, 0.6%, 0.53%

LAB 45.45, 22.06, -58.88

 

CMYK 0 / 70 / 38 / 19

HEX #CE3E7F

RGB 206 62 127

HSL 332.92, 0.6%, 0.53%

LAB 49.62, 61.37, -4.12

 

CMYK 2 / 0 / 70 / 19

HEX #CACF3F

RGB 202 207 63

HSL 62.08, 0.6%, 0.53%

LAB 80.48, -18.9, 67.11

 

CMYK 70 / 0 / 33 / 19

HEX #3FCF8B

RGB 63 207 139

HSL 151.67, 0.6%, 0.53%

LAB 74.54, -53.55, 23.03

 

CMYK 67 / 70 / 0 / 19

HEX #443FCF

RGB 68 63 207

HSL 242.08, 0.6%, 0.53%

LAB 36.53, 46.28, -73.4

 

Description

Color code: HEX #CE3E7F | qconv.com Color code: HEX #CE3E7F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 62 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 62 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 38 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 38% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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