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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE3E12 it is the complementary color #31C1ED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE3E12. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE3E12 shade: #D33E0D, #E45020, #F56233, #FF7446 and #FF8659

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE3E12. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE3E12 shade: #CE3E12, #BD2C00, #AC1A00, #9B0800 and #8A0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE3E12 shade: #CE3E12 and #CE1212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE3E12 shade: #CE3E12, #CE7112, #CEA412, #C6CE12 and #94CE12

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE3E12 shade matches the following richer shades: #CE3E12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE3E12 shade: #CE3E12, #BC4824, #AA5136, #985B48 and #86655B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE3E12 shade: #CE124B, #CE1218, #CE3E12, #CE7012 and #CEA212

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE3E12 shade: #83270B, #A8330F, #CE3E12, #EB4E1E and #EF6C44

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE3E12 shade: #CE3E12, #7DCE12 and #1231CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE3E12 shade: #CE3E12, #12CE3E and #3E12CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE3E12 shade: #CE3E12, #7DCE12, #12A2CE and #6412CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE3E12 shade: #CE3E12, #44CE12, #12A2CE and #9C12CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 91 / 19

HEX #CE3E12

RGB 206 62 18

HSL 14.04, 0.84%, 0.44%

LAB 47.77, 54.99, 54.33

 

Complementary color

CMYK 79 / 19 / 0 / 7

HEX #31C1ED

RGB 49 193 237

HSL 194.04, 0.84%, 0.56%

LAB 72.83, -22.4, -32.37

 

CMYK 0 / 71 / 94 / 17

HEX #D33E0D

RGB 211 62 13

HSL 14.85, 0.88%, 0.44%

LAB 48.66, 56.56, 56.9

 

CMYK 0 / 65 / 86 / 11

HEX #E45020

RGB 228 80 32

HSL 14.69, 0.78%, 0.51%

LAB 54.38, 55.44, 55.84

 

CMYK 0 / 60 / 79 / 4

HEX #F56233

RGB 245 98 51

HSL 14.54, 0.91%, 0.58%

LAB 60.24, 54.1, 53.82

 

CMYK 0 / 55 / 73 / 0

HEX #FF7446

RGB 255 116 70

HSL 14.92, 1%, 0.64%

LAB 65.12, 50.16, 50.12

 

CMYK 0 / 47 / 65 / 0

HEX #FF8659

RGB 255 134 89

HSL 16.27, 1%, 0.67%

LAB 68.77, 42.4, 44.58

 

CMYK 0 / 70 / 91 / 19

HEX #CE3E12

RGB 206 62 18

HSL 14.04, 0.84%, 0.44%

LAB 47.77, 54.99, 54.33

 

CMYK 0 / 77 / 100 / 26

HEX #BD2C00

RGB 189 44 0

HSL 13.97, 1%, 0.37%

LAB 42.19, 55.67, 54.82

 

CMYK 0 / 85 / 100 / 33

HEX #AC1A00

RGB 172 26 0

HSL 9.07, 1%, 0.34%

LAB 36.95, 55.59, 50.55

 

CMYK 0 / 95 / 100 / 39

HEX #9B0800

RGB 155 8 0

HSL 3.1, 1%, 0.3%

LAB 32.13, 54.1, 45.93

 

CMYK 0 / 100 / 100 / 46

HEX #8A0000

RGB 138 0 0

HSL 0, 1%, 0.27%

LAB 27.85, 50.74, 41.01

 

CMYK 0 / 70 / 91 / 19

HEX #CE3E12

RGB 206 62 18

HSL 14.04, 0.84%, 0.44%

LAB 47.77, 54.99, 54.33

 

CMYK 0 / 91 / 91 / 19

HEX #CE1212

RGB 206 18 18

HSL 0, 0.84%, 0.44%

LAB 43.65, 66.54, 51.54

 

CMYK 0 / 70 / 91 / 19

HEX #CE3E12

RGB 206 62 18

HSL 14.04, 0.84%, 0.44%

LAB 47.77, 54.99, 54.33

 

CMYK 0 / 45 / 91 / 19

HEX #CE7112

RGB 206 113 18

HSL 30.32, 0.84%, 0.44%

LAB 57.05, 31.02, 60.97

 

CMYK 0 / 20 / 91 / 19

HEX #CEA412

RGB 206 164 18

HSL 46.6, 0.84%, 0.44%

LAB 69.27, 3.5, 70.1

 

CMYK 4 / 0 / 91 / 19

HEX #C6CE12

RGB 198 206 18

HSL 62.55, 0.84%, 0.44%

LAB 79.72, -21.55, 77.85

 

CMYK 28 / 0 / 91 / 19

HEX #94CE12

RGB 148 206 18

HSL 78.51, 0.84%, 0.44%

LAB 76.36, -41.82, 73.76

 

CMYK 0 / 70 / 91 / 19

HEX #CE3E12

RGB 206 62 18

HSL 14.04, 0.84%, 0.44%

LAB 47.77, 54.99, 54.33

 

CMYK 0 / 70 / 91 / 19

HEX #CE3E12

RGB 206 62 18

HSL 14.04, 0.84%, 0.44%

LAB 47.77, 54.99, 54.33

 

CMYK 0 / 62 / 81 / 26

HEX #BC4824

RGB 188 72 36

HSL 14.21, 0.68%, 0.44%

LAB 46.25, 44.95, 44.22

 

CMYK 0 / 52 / 68 / 33

HEX #AA5136

RGB 170 81 54

HSL 13.97, 0.52%, 0.44%

LAB 45.22, 34.45, 32.69

 

CMYK 0 / 40 / 53 / 40

HEX #985B48

RGB 152 91 72

HSL 14.25, 0.36%, 0.44%

LAB 45.12, 22.95, 21.56

 

CMYK 0 / 25 / 32 / 47

HEX #86655B

RGB 134 101 91

HSL 13.95, 0.19%, 0.44%

LAB 45.81, 11.77, 10.8

 

CMYK 0 / 91 / 64 / 19

HEX #CE124B

RGB 206 18 75

HSL 341.81, 0.84%, 0.44%

LAB 44.32, 68.43, 20.41

 

CMYK 0 / 91 / 88 / 19

HEX #CE1218

RGB 206 18 24

HSL 358.09, 0.84%, 0.44%

LAB 43.68, 66.63, 49

 

CMYK 0 / 70 / 91 / 19

HEX #CE3E12

RGB 206 62 18

HSL 14.04, 0.84%, 0.44%

LAB 47.77, 54.99, 54.33

 

CMYK 0 / 46 / 91 / 19

HEX #CE7012

RGB 206 112 18

HSL 30, 0.84%, 0.44%

LAB 56.83, 31.55, 60.81

 

CMYK 0 / 21 / 91 / 19

HEX #CEA212

RGB 206 162 18

HSL 45.96, 0.84%, 0.44%

LAB 68.76, 4.57, 69.72

 

CMYK 0 / 70 / 92 / 49

HEX #83270B

RGB 131 39 11

HSL 14, 0.85%, 0.28%

LAB 30.16, 38.23, 37.73

 

CMYK 0 / 70 / 91 / 34

HEX #A8330F

RGB 168 51 15

HSL 14.12, 0.84%, 0.36%

LAB 39.12, 46.43, 46

 

CMYK 0 / 70 / 91 / 19

HEX #CE3E12

RGB 206 62 18

HSL 14.04, 0.84%, 0.44%

LAB 47.77, 54.99, 54.33

 

CMYK 0 / 67 / 87 / 8

HEX #EB4E1E

RGB 235 78 30

HSL 14.05, 0.84%, 0.52%

LAB 55.28, 58.55, 57.86

 

CMYK 0 / 55 / 72 / 6

HEX #EF6C44

RGB 239 108 68

HSL 14.04, 0.84%, 0.6%

LAB 61.21, 48.02, 46.18

 

CMYK 0 / 70 / 91 / 19

HEX #CE3E12

RGB 206 62 18

HSL 14.04, 0.84%, 0.44%

LAB 47.77, 54.99, 54.33

 

CMYK 39 / 0 / 91 / 19

HEX #7DCE12

RGB 125 206 18

HSL 85.85, 0.84%, 0.44%

LAB 75.17, -50.14, 72.29

 

CMYK 91 / 76 / 0 / 19

HEX #1231CE

RGB 18 49 206

HSL 230.11, 0.84%, 0.44%

LAB 31.3, 50.29, -81.53

 

CMYK 0 / 70 / 91 / 19

HEX #CE3E12

RGB 206 62 18

HSL 14.04, 0.84%, 0.44%

LAB 47.77, 54.99, 54.33

 

CMYK 91 / 0 / 70 / 19

HEX #12CE3E

RGB 18 206 62

HSL 134.04, 0.84%, 0.44%

LAB 72.64, -69.64, 57.08

 

CMYK 70 / 91 / 0 / 19

HEX #3E12CE

RGB 62 18 206

HSL 254.04, 0.84%, 0.44%

LAB 29.19, 65.07, -84.98

 

CMYK 0 / 70 / 91 / 19

HEX #CE3E12

RGB 206 62 18

HSL 14.04, 0.84%, 0.44%

LAB 47.77, 54.99, 54.33

 

CMYK 39 / 0 / 91 / 19

HEX #7DCE12

RGB 125 206 18

HSL 85.85, 0.84%, 0.44%

LAB 75.17, -50.14, 72.29

 

CMYK 91 / 21 / 0 / 19

HEX #12A2CE

RGB 18 162 206

HSL 194.04, 0.84%, 0.44%

LAB 62.02, -18.91, -32.13

 

CMYK 51 / 91 / 0 / 19

HEX #6412CE

RGB 100 18 206

HSL 266.17, 0.84%, 0.44%

LAB 33.13, 67.78, -78.33

 

CMYK 0 / 70 / 91 / 19

HEX #CE3E12

RGB 206 62 18

HSL 14.04, 0.84%, 0.44%

LAB 47.77, 54.99, 54.33

 

CMYK 67 / 0 / 91 / 19

HEX #44CE12

RGB 68 206 18

HSL 104.04, 0.84%, 0.44%

LAB 73.16, -65.84, 69.81

 

CMYK 91 / 21 / 0 / 19

HEX #12A2CE

RGB 18 162 206

HSL 194.04, 0.84%, 0.44%

LAB 62.02, -18.91, -32.13

 

CMYK 24 / 91 / 0 / 19

HEX #9C12CE

RGB 156 18 206

HSL 284.04, 0.84%, 0.44%

LAB 41.15, 74.32, -64.87

 

Description

Color code: HEX #CE3E12 | qconv.com Color code: HEX #CE3E12 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 62 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 62 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 91 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 91% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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