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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE3C8D it is the complementary color #31C372. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE3C8D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE3C8D shade: #D33C88, #E44E9B, #F560AE, #FF72C1 and #FF84D4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE3C8D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE3C8D shade: #CE3C8D, #BD2A7A, #AC1867, #9B0654 and #8A0041

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE3C8D shade: #CE3B8C, #CE3B65, #CE3B3D and #CE3B3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE3C8D shade: #CE3B8C, #CE3BB4, #C03BCE, #983BCE and #703BCE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE3C8D shade matches the following richer shades: #CE3B8C, #E1278E and #F51390

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE3C8D shade: #CE3B8C, #BA4E8A, #A66288, #927686 and #7E8A83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE3C8D shade: #BF3BCE, #CE3BB5, #CE3B8E, #CE3B67 and #CE3B40

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE3C8D shade: #922461, #B32C77, #CE3B8C, #D65C9F and #DE7DB3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE3C8D shade: #CE3C8D, #CE983B and #3BC9CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE3C8D shade: #CE3C8D, #8ECE3B and #3B8ECE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE3C8D shade: #CE3C8D, #CE983B, #3BCE7A and #3B71CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE3C8D shade: #CE3C8D, #CEC43B, #3BCE7A and #3B44CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 32 / 19

HEX #CE3C8D

RGB 206 60 141

HSL 326.71, 0.6%, 0.52%

LAB 49.83, 63.64, -12.22

 

Complementary color

CMYK 75 / 0 / 42 / 24

HEX #31C372

RGB 49 195 114

HSL 146.71, 0.6%, 0.48%

LAB 70.1, -55.91, 30.11

 

CMYK 0 / 72 / 36 / 17

HEX #D33C88

RGB 211 60 136

HSL 329.8, 0.63%, 0.53%

LAB 50.52, 64.42, -8.1

 

CMYK 0 / 66 / 32 / 11

HEX #E44E9B

RGB 228 78 155

HSL 329.2, 0.74%, 0.6%

LAB 56.4, 64.62, -10.28

 

CMYK 0 / 61 / 29 / 4

HEX #F560AE

RGB 245 96 174

HSL 328.59, 0.88%, 0.67%

LAB 62.37, 64.43, -12.06

 

CMYK 0 / 55 / 24 / 0

HEX #FF72C1

RGB 255 114 193

HSL 326.38, 1%, 0.72%

LAB 67.39, 61.94, -15.15

 

CMYK 0 / 48 / 17 / 0

HEX #FF84D4

RGB 255 132 212

HSL 320.98, 1%, 0.76%

LAB 71.23, 56.2, -19.94

 

CMYK 0 / 71 / 32 / 19

HEX #CE3C8D

RGB 206 60 141

HSL 326.71, 0.6%, 0.52%

LAB 49.83, 63.64, -12.22

 

CMYK 0 / 78 / 35 / 26

HEX #BD2A7A

RGB 189 42 122

HSL 327.35, 0.64%, 0.45%

LAB 44.06, 62.87, -9.67

 

CMYK 0 / 86 / 40 / 33

HEX #AC1867

RGB 172 24 103

HSL 327.97, 0.76%, 0.38%

LAB 38.56, 61.18, -6.39

 

CMYK 0 / 96 / 46 / 39

HEX #9B0654

RGB 155 6 84

HSL 328.59, 0.93%, 0.32%

LAB 33.43, 58.22, -2.15

 

CMYK 0 / 100 / 53 / 46

HEX #8A0041

RGB 138 0 65

HSL 331.74, 1%, 0.27%

LAB 28.86, 53.46, 3.35

 

CMYK 0 / 71 / 32 / 19

HEX #CE3B8C

RGB 206 59 140

HSL 326.94, 0.6%, 0.52%

LAB 49.67, 63.87, -11.87

 

CMYK 0 / 71 / 51 / 19

HEX #CE3B65

RGB 206 59 101

HSL 342.86, 0.6%, 0.52%

LAB 48.5, 60.01, 10.06

 

CMYK 0 / 71 / 70 / 19

HEX #CE3B3D

RGB 206 59 61

HSL 359.18, 0.6%, 0.52%

LAB 47.73, 57.42, 33.16

 

CMYK 0 / 71 / 71 / 19

HEX #CE3B3B

RGB 206 59 59

HSL 0, 0.6%, 0.52%

LAB 47.71, 57.32, 34.29

 

CMYK 0 / 71 / 32 / 19

HEX #CE3B8C

RGB 206 59 140

HSL 326.94, 0.6%, 0.52%

LAB 49.67, 63.87, -11.87

 

CMYK 0 / 71 / 13 / 19

HEX #CE3BB4

RGB 206 59 180

HSL 310.61, 0.6%, 0.52%

LAB 51.32, 69.09, -33.01

 

CMYK 7 / 71 / 0 / 19

HEX #C03BCE

RGB 192 59 206

HSL 294.29, 0.6%, 0.52%

LAB 50.44, 70.09, -49.6

 

CMYK 26 / 71 / 0 / 19

HEX #983BCE

RGB 152 59 206

HSL 277.96, 0.6%, 0.52%

LAB 44.6, 61.91, -59.29

 

CMYK 46 / 71 / 0 / 19

HEX #703BCE

RGB 112 59 206

HSL 261.63, 0.6%, 0.52%

LAB 39.63, 54.54, -67.6

 

CMYK 0 / 71 / 32 / 19

HEX #CE3B8C

RGB 206 59 140

HSL 326.94, 0.6%, 0.52%

LAB 49.67, 63.87, -11.87

 

CMYK 0 / 83 / 37 / 12

HEX #E1278E

RGB 225 39 142

HSL 326.77, 0.76%, 0.52%

LAB 51.17, 74.45, -10.47

 

CMYK 0 / 92 / 41 / 4

HEX #F51390

RGB 245 19 144

HSL 326.81, 0.92%, 0.52%

LAB 53.91, 82.26, -7.17

 

CMYK 0 / 71 / 32 / 19

HEX #CE3B8C

RGB 206 59 140

HSL 326.94, 0.6%, 0.52%

LAB 49.67, 63.87, -11.87

 

CMYK 0 / 58 / 26 / 27

HEX #BA4E8A

RGB 186 78 138

HSL 326.67, 0.44%, 0.52%

LAB 49.16, 50.09, -11.76

 

CMYK 0 / 41 / 18 / 35

HEX #A66288

RGB 166 98 136

HSL 326.47, 0.28%, 0.52%

LAB 50.24, 32.86, -9.22

 

CMYK 0 / 19 / 8 / 43

HEX #927686

RGB 146 118 134

HSL 325.71, 0.11%, 0.52%

LAB 52.72, 13.73, -4.6

 

CMYK 9 / 0 / 5 / 46

HEX #7E8A83

RGB 126 138 131

HSL 145, 0.05%, 0.52%

LAB 56.34, -5.79, 2.24

 

CMYK 7 / 71 / 0 / 19

HEX #BF3BCE

RGB 191 59 206

HSL 293.88, 0.6%, 0.52%

LAB 50.29, 69.87, -49.85

 

CMYK 0 / 71 / 12 / 19

HEX #CE3BB5

RGB 206 59 181

HSL 310.2, 0.6%, 0.52%

LAB 51.37, 69.23, -33.52

 

CMYK 0 / 71 / 31 / 19

HEX #CE3B8E

RGB 206 59 142

HSL 326.12, 0.6%, 0.52%

LAB 49.74, 64.11, -12.96

 

CMYK 0 / 71 / 50 / 19

HEX #CE3B67

RGB 206 59 103

HSL 342.04, 0.6%, 0.52%

LAB 48.55, 60.18, 8.91

 

CMYK 0 / 71 / 69 / 19

HEX #CE3B40

RGB 206 59 64

HSL 357.96, 0.6%, 0.52%

LAB 47.78, 57.56, 31.45

 

CMYK 0 / 75 / 34 / 43

HEX #922461

RGB 146 36 97

HSL 326.73, 0.6%, 0.36%

LAB 34.47, 50.5, -9.21

 

CMYK 0 / 75 / 34 / 30

HEX #B32C77

RGB 179 44 119

HSL 326.67, 0.61%, 0.44%

LAB 42.33, 59.33, -10.6

 

CMYK 0 / 71 / 32 / 19

HEX #CE3B8C

RGB 206 59 140

HSL 326.94, 0.6%, 0.52%

LAB 49.67, 63.87, -11.87

 

CMYK 0 / 57 / 26 / 16

HEX #D65C9F

RGB 214 92 159

HSL 327.05, 0.6%, 0.6%

LAB 56.54, 55.08, -12.62

 

CMYK 0 / 44 / 19 / 13

HEX #DE7DB3

RGB 222 125 179

HSL 326.6, 0.6%, 0.68%

LAB 64.52, 44.32, -11.99

 

CMYK 0 / 71 / 32 / 19

HEX #CE3C8D

RGB 206 60 141

HSL 326.71, 0.6%, 0.52%

LAB 49.83, 63.64, -12.22

 

CMYK 0 / 26 / 71 / 19

HEX #CE983B

RGB 206 152 59

HSL 37.96, 0.6%, 0.52%

LAB 66.44, 11.29, 54.72

 

CMYK 71 / 2 / 0 / 19

HEX #3BC9CE

RGB 59 201 206

HSL 182.04, 0.6%, 0.52%

LAB 74.29, -34.84, -13.34

 

CMYK 0 / 71 / 32 / 19

HEX #CE3C8D

RGB 206 60 141

HSL 326.71, 0.6%, 0.52%

LAB 49.83, 63.64, -12.22

 

CMYK 31 / 0 / 71 / 19

HEX #8ECE3B

RGB 142 206 59

HSL 86.12, 0.6%, 0.52%

LAB 76.2, -42.41, 62.98

 

CMYK 71 / 31 / 0 / 19

HEX #3B8ECE

RGB 59 142 206

HSL 206.12, 0.6%, 0.52%

LAB 56.81, -4.01, -40.21

 

CMYK 0 / 71 / 32 / 19

HEX #CE3C8D

RGB 206 60 141

HSL 326.71, 0.6%, 0.52%

LAB 49.83, 63.64, -12.22

 

CMYK 0 / 26 / 71 / 19

HEX #CE983B

RGB 206 152 59

HSL 37.96, 0.6%, 0.52%

LAB 66.44, 11.29, 54.72

 

CMYK 71 / 0 / 41 / 19

HEX #3BCE7A

RGB 59 206 122

HSL 145.71, 0.6%, 0.52%

LAB 73.85, -57.05, 30.94

 

CMYK 71 / 45 / 0 / 19

HEX #3B71CE

RGB 59 113 206

HSL 217.96, 0.6%, 0.52%

LAB 48.51, 13.53, -53.4

 

CMYK 0 / 71 / 32 / 19

HEX #CE3C8D

RGB 206 60 141

HSL 326.71, 0.6%, 0.52%

LAB 49.83, 63.64, -12.22

 

CMYK 0 / 5 / 71 / 19

HEX #CEC43B

RGB 206 196 59

HSL 55.92, 0.6%, 0.52%

LAB 77.83, -11.91, 66.07

 

CMYK 71 / 0 / 41 / 19

HEX #3BCE7A

RGB 59 206 122

HSL 145.71, 0.6%, 0.52%

LAB 73.85, -57.05, 30.94

 

CMYK 71 / 67 / 0 / 19

HEX #3B44CE

RGB 59 68 206

HSL 236.33, 0.6%, 0.52%

LAB 36.97, 41.96, -72.13

 

Description

Color code: HEX #CE3C8D | qconv.com Color code: HEX #CE3C8D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 60 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 60 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 32 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 32% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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