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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE33AC it is the complementary color #31CC53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE33AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE33AC shade: #D333A7, #E445BA, #F557CD, #FF69E0 and #FF7BF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE33AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE33AC shade: #CE33AC, #BD2199, #AC0F86, #9B0073 and #8A0060

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE33AC shade: #CD32AB, #CD3281, #CD3257 and #CD3232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE33AC shade: #CD32AB, #C532CD, #9B32CD, #7232CD and #4832CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE33AC shade matches the following richer shades: #CD32AB, #E21DB7 and #F708C2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE33AC shade: #CD32AB, #B946A0, #A45B94, #8F7088 and #7B847D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE33AC shade: #9C32CD, #C532CD, #CD32AC, #CD3282 and #CD3259

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE33AC shade: #8B2274, #AC2A8F, #CD32AB, #D553B9 and #DD74C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE33AC shade: #CE33AC, #CD7332 and #32CDB1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE33AC shade: #CE33AC, #ACCD32 and #32ACCD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE33AC shade: #CE33AC, #CD7332, #32CD53 and #328CCD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE33AC shade: #CE33AC, #CDA132, #32CD53 and #325ECD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 17 / 19

HEX #CE33AC

RGB 206 51 172

HSL 313.16, 0.61%, 0.5%

LAB 50.06, 70.49, -30.29

 

Complementary color

CMYK 76 / 0 / 59 / 20

HEX #31CC53

RGB 49 204 83

HSL 133.16, 0.61%, 0.5%

LAB 72.54, -63.76, 48.27

 

CMYK 0 / 76 / 21 / 17

HEX #D333A7

RGB 211 51 167

HSL 316.5, 0.65%, 0.51%

LAB 50.69, 70.98, -26.29

 

CMYK 0 / 70 / 18 / 11

HEX #E445BA

RGB 228 69 186

HSL 315.85, 0.75%, 0.58%

LAB 56.38, 71.8, -28.34

 

CMYK 0 / 64 / 16 / 4

HEX #F557CD

RGB 245 87 205

HSL 315.19, 0.89%, 0.65%

LAB 62.2, 72.09, -29.98

 

CMYK 0 / 59 / 12 / 0

HEX #FF69E0

RGB 255 105 224

HSL 312.4, 1%, 0.71%

LAB 67.09, 70.19, -32.96

 

CMYK 0 / 52 / 5 / 0

HEX #FF7BF3

RGB 255 123 243

HSL 305.45, 1%, 0.74%

LAB 70.8, 65.25, -37.68

 

CMYK 0 / 75 / 17 / 19

HEX #CE33AC

RGB 206 51 172

HSL 313.16, 0.61%, 0.5%

LAB 50.06, 70.49, -30.29

 

CMYK 0 / 83 / 19 / 26

HEX #BD2199

RGB 189 33 153

HSL 313.85, 0.7%, 0.44%

LAB 44.53, 68.92, -27.84

 

CMYK 0 / 91 / 22 / 33

HEX #AC0F86

RGB 172 15 134

HSL 314.52, 0.84%, 0.37%

LAB 39.3, 66.23, -24.65

 

CMYK 0 / 100 / 26 / 39

HEX #9B0073

RGB 155 0 115

HSL 315.48, 1%, 0.3%

LAB 34.41, 62.27, -20.63

 

CMYK 0 / 100 / 30 / 46

HEX #8A0060

RGB 138 0 96

HSL 318.26, 1%, 0.27%

LAB 30.03, 56.49, -15.47

 

CMYK 0 / 76 / 17 / 20

HEX #CD32AB

RGB 205 50 171

HSL 313.16, 0.61%, 0.5%

LAB 49.74, 70.42, -30.21

 

CMYK 0 / 76 / 37 / 20

HEX #CD3281

RGB 205 50 129

HSL 329.42, 0.61%, 0.5%

LAB 48.06, 65.35, -7.65

 

CMYK 0 / 76 / 58 / 20

HEX #CD3257

RGB 205 50 87

HSL 345.68, 0.61%, 0.5%

LAB 46.91, 61.69, 16.4

 

CMYK 0 / 76 / 76 / 20

HEX #CD3232

RGB 205 50 50

HSL 0, 0.61%, 0.5%

LAB 46.3, 59.72, 37.81

 

CMYK 0 / 76 / 17 / 20

HEX #CD32AB

RGB 205 50 171

HSL 313.16, 0.61%, 0.5%

LAB 49.74, 70.42, -30.21

 

CMYK 4 / 76 / 0 / 20

HEX #C532CD

RGB 197 50 205

HSL 296.9, 0.61%, 0.5%

LAB 50.17, 73.81, -49.42

 

CMYK 24 / 76 / 0 / 20

HEX #9B32CD

RGB 155 50 205

HSL 280.65, 0.61%, 0.5%

LAB 43.74, 65.74, -60.09

 

CMYK 44 / 76 / 0 / 20

HEX #7232CD

RGB 114 50 205

HSL 264.77, 0.61%, 0.5%

LAB 38.32, 58.74, -69.16

 

CMYK 65 / 76 / 0 / 20

HEX #4832CD

RGB 72 50 205

HSL 248.52, 0.61%, 0.5%

LAB 34.12, 53.15, -76.2

 

CMYK 0 / 76 / 17 / 20

HEX #CD32AB

RGB 205 50 171

HSL 313.16, 0.61%, 0.5%

LAB 49.74, 70.42, -30.21

 

CMYK 0 / 87 / 19 / 11

HEX #E21DB7

RGB 226 29 183

HSL 313.1, 0.77%, 0.5%

LAB 52.36, 81.13, -32.88

 

CMYK 0 / 97 / 21 / 3

HEX #F708C2

RGB 247 8 194

HSL 313.31, 0.94%, 0.5%

LAB 55.93, 88.63, -33.41

 

CMYK 0 / 76 / 17 / 20

HEX #CD32AB

RGB 205 50 171

HSL 313.16, 0.61%, 0.5%

LAB 49.74, 70.42, -30.21

 

CMYK 0 / 62 / 14 / 27

HEX #B946A0

RGB 185 70 160

HSL 313.04, 0.45%, 0.5%

LAB 48.55, 56.59, -25.81

 

CMYK 0 / 45 / 10 / 36

HEX #A45B94

RGB 164 91 148

HSL 313.15, 0.29%, 0.5%

LAB 48.9, 38.02, -18.41

 

CMYK 0 / 22 / 5 / 44

HEX #8F7088

RGB 143 112 136

HSL 313.55, 0.12%, 0.5%

LAB 50.93, 16.48, -8.47

 

CMYK 7 / 0 / 5 / 48

HEX #7B847D

RGB 123 132 125

HSL 133.33, 0.04%, 0.5%

LAB 54.23, -4.73, 2.63

 

CMYK 24 / 76 / 0 / 20

HEX #9C32CD

RGB 156 50 205

HSL 281.03, 0.61%, 0.5%

LAB 43.88, 65.92, -59.85

 

CMYK 4 / 76 / 0 / 20

HEX #C532CD

RGB 197 50 205

HSL 296.9, 0.61%, 0.5%

LAB 50.17, 73.81, -49.42

 

CMYK 0 / 76 / 16 / 20

HEX #CD32AC

RGB 205 50 172

HSL 312.77, 0.61%, 0.5%

LAB 49.78, 70.56, -30.73

 

CMYK 0 / 76 / 37 / 20

HEX #CD3282

RGB 205 50 130

HSL 329.03, 0.61%, 0.5%

LAB 48.1, 65.45, -8.21

 

CMYK 0 / 76 / 57 / 20

HEX #CD3259

RGB 205 50 89

HSL 344.9, 0.61%, 0.5%

LAB 46.95, 61.83, 15.24

 

CMYK 0 / 76 / 17 / 45

HEX #8B2274

RGB 139 34 116

HSL 313.14, 0.61%, 0.34%

LAB 33.76, 51.89, -22.51

 

CMYK 0 / 76 / 17 / 33

HEX #AC2A8F

RGB 172 42 143

HSL 313.38, 0.61%, 0.42%

LAB 41.86, 61.27, -26.17

 

CMYK 0 / 76 / 17 / 20

HEX #CD32AB

RGB 205 50 171

HSL 313.16, 0.61%, 0.5%

LAB 49.74, 70.42, -30.21

 

CMYK 0 / 61 / 13 / 16

HEX #D553B9

RGB 213 83 185

HSL 312.92, 0.61%, 0.58%

LAB 55.92, 62.46, -28.66

 

CMYK 0 / 48 / 10 / 13

HEX #DD74C6

RGB 221 116 198

HSL 313.14, 0.61%, 0.66%

LAB 63.29, 51.51, -24.62

 

CMYK 0 / 75 / 17 / 19

HEX #CE33AC

RGB 206 51 172

HSL 313.16, 0.61%, 0.5%

LAB 50.06, 70.49, -30.29

 

CMYK 0 / 44 / 76 / 20

HEX #CD7332

RGB 205 115 50

HSL 25.16, 0.61%, 0.5%

LAB 57.53, 30.47, 49.61

 

CMYK 76 / 0 / 14 / 20

HEX #32CDB1

RGB 50 205 177

HSL 169.16, 0.61%, 0.5%

LAB 74.52, -45.69, 2.67

 

CMYK 0 / 75 / 17 / 19

HEX #CE33AC

RGB 206 51 172

HSL 313.16, 0.61%, 0.5%

LAB 50.06, 70.49, -30.29

 

CMYK 16 / 0 / 76 / 20

HEX #ACCD32

RGB 172 205 50

HSL 72.77, 0.61%, 0.5%

LAB 77.68, -30.9, 68.07

 

CMYK 76 / 16 / 0 / 20

HEX #32ACCD

RGB 50 172 205

HSL 192.77, 0.61%, 0.5%

LAB 65.43, -21.95, -26.27

 

CMYK 0 / 75 / 17 / 19

HEX #CE33AC

RGB 206 51 172

HSL 313.16, 0.61%, 0.5%

LAB 50.06, 70.49, -30.29

 

CMYK 0 / 44 / 76 / 20

HEX #CD7332

RGB 205 115 50

HSL 25.16, 0.61%, 0.5%

LAB 57.53, 30.47, 49.61

 

CMYK 76 / 0 / 60 / 20

HEX #32CD53

RGB 50 205 83

HSL 132.77, 0.61%, 0.5%

LAB 72.87, -63.95, 48.66

 

CMYK 76 / 32 / 0 / 20

HEX #328CCD

RGB 50 140 205

HSL 205.16, 0.61%, 0.5%

LAB 55.93, -4.39, -41.05

 

CMYK 0 / 75 / 17 / 19

HEX #CE33AC

RGB 206 51 172

HSL 313.16, 0.61%, 0.5%

LAB 50.06, 70.49, -30.29

 

CMYK 0 / 21 / 76 / 20

HEX #CDA132

RGB 205 161 50

HSL 42.97, 0.61%, 0.5%

LAB 68.53, 5.58, 60.41

 

CMYK 76 / 0 / 60 / 20

HEX #32CD53

RGB 50 205 83

HSL 132.77, 0.61%, 0.5%

LAB 72.87, -63.95, 48.66

 

CMYK 76 / 54 / 0 / 20

HEX #325ECD

RGB 50 94 205

HSL 222.97, 0.61%, 0.5%

LAB 42.9, 24.12, -61.89

 

Description

Color code: HEX #CE33AC | qconv.com Color code: HEX #CE33AC | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 51 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 51 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 17 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 17% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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