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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE307A it is the complementary color #31CF85. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE307A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE307A shade: #D33075, #E44288, #F5549B, #FF66AE and #FF78C1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE307A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE307A shade: #CE307A, #BD1E67, #AC0C54, #9B0041 and #8A002E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE307A shade: #CE307A, #CE304F and #CE3030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE307A shade: #CE307A, #CE30A5, #CD30CE, #A230CE and #7830CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE307A shade matches the following richer shades: #CE307A, #E31B79 and #F70777

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE307A shade: #CE307A, #B9457B, #A5597D, #906E7E and #7C827F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE307A shade: #CB30CE, #CE30A7, #CE307C, #CE3052 and #CE3830

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE307A shade: #8B2052, #AD2866, #CE307A, #D6518F and #DE73A5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE307A shade: #CE307A, #CEA130 and #30BCCE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE307A shade: #CE307A, #7CCE30 and #307CCE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE307A shade: #CE307A, #CEA130, #30CE82 and #305DCE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE307A shade: #CE307A, #CBCE30, #30CE82 and #3330CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 41 / 19

HEX #CE307A

RGB 206 48 122

HSL 331.9, 0.62%, 0.5%

LAB 47.8, 65.5, -3.76

 

Complementary color

CMYK 76 / 0 / 36 / 19

HEX #31CF85

RGB 49 207 133

HSL 151.9, 0.62%, 0.5%

LAB 74.17, -56.72, 25.63

 

CMYK 0 / 77 / 45 / 17

HEX #D33075

RGB 211 48 117

HSL 334.6, 0.65%, 0.51%

LAB 48.57, 66.34, 0.52

 

CMYK 0 / 71 / 40 / 11

HEX #E44288

RGB 228 66 136

HSL 334.07, 0.75%, 0.58%

LAB 54.2, 66.98, -2.31

 

CMYK 0 / 66 / 37 / 4

HEX #F5549B

RGB 245 84 155

HSL 333.54, 0.89%, 0.65%

LAB 60, 67.09, -4.62

 

CMYK 0 / 60 / 32 / 0

HEX #FF66AE

RGB 255 102 174

HSL 331.76, 1%, 0.7%

LAB 64.82, 64.82, -8.24

 

CMYK 0 / 53 / 24 / 0

HEX #FF78C1

RGB 255 120 193

HSL 327.56, 1%, 0.74%

LAB 68.42, 59.2, -13.59

 

CMYK 0 / 77 / 41 / 19

HEX #CE307A

RGB 206 48 122

HSL 331.9, 0.62%, 0.5%

LAB 47.8, 65.5, -3.76

 

CMYK 0 / 84 / 46 / 26

HEX #BD1E67

RGB 189 30 103

HSL 332.45, 0.73%, 0.43%

LAB 42.35, 64.08, -0.41

 

CMYK 0 / 93 / 51 / 33

HEX #AC0C54

RGB 172 12 84

HSL 333, 0.87%, 0.36%

LAB 37.25, 61.51, 3.84

 

CMYK 0 / 100 / 58 / 39

HEX #9B0041

RGB 155 0 65

HSL 334.84, 1%, 0.3%

LAB 32.59, 57.55, 9.15

 

CMYK 0 / 100 / 67 / 46

HEX #8A002E

RGB 138 0 46

HSL 340, 1%, 0.27%

LAB 28.38, 52.17, 15.53

 

CMYK 0 / 77 / 41 / 19

HEX #CE307A

RGB 206 48 122

HSL 331.9, 0.62%, 0.5%

LAB 47.8, 65.5, -3.76

 

CMYK 0 / 77 / 62 / 19

HEX #CE304F

RGB 206 48 79

HSL 348.23, 0.62%, 0.5%

LAB 46.71, 62.08, 21.08

 

CMYK 0 / 77 / 77 / 19

HEX #CE3030

RGB 206 48 48

HSL 0, 0.62%, 0.5%

LAB 46.24, 60.57, 38.93

 

CMYK 0 / 77 / 41 / 19

HEX #CE307A

RGB 206 48 122

HSL 331.9, 0.62%, 0.5%

LAB 47.8, 65.5, -3.76

 

CMYK 0 / 77 / 20 / 19

HEX #CE30A5

RGB 206 48 165

HSL 315.57, 0.62%, 0.5%

LAB 49.44, 70.43, -27.13

 

CMYK 0 / 77 / 0 / 19

HEX #CD30CE

RGB 205 48 206

HSL 299.62, 0.62%, 0.5%

LAB 51.32, 76.12, -48.07

 

CMYK 21 / 77 / 0 / 19

HEX #A230CE

RGB 162 48 206

HSL 283.29, 0.62%, 0.5%

LAB 44.59, 67.91, -59.24

 

CMYK 42 / 77 / 0 / 19

HEX #7830CE

RGB 120 48 206

HSL 267.34, 0.62%, 0.5%

LAB 38.83, 60.76, -68.86

 

CMYK 0 / 77 / 41 / 19

HEX #CE307A

RGB 206 48 122

HSL 331.9, 0.62%, 0.5%

LAB 47.8, 65.5, -3.76

 

CMYK 0 / 88 / 47 / 11

HEX #E31B79

RGB 227 27 121

HSL 331.8, 0.79%, 0.5%

LAB 50.09, 75.28, 0.67

 

CMYK 0 / 97 / 52 / 3

HEX #F70777

RGB 247 7 119

HSL 332, 0.94%, 0.5%

LAB 53.23, 81.71, 6.91

 

CMYK 0 / 77 / 41 / 19

HEX #CE307A

RGB 206 48 122

HSL 331.9, 0.62%, 0.5%

LAB 47.8, 65.5, -3.76

 

CMYK 0 / 63 / 34 / 27

HEX #B9457B

RGB 185 69 123

HSL 332.07, 0.46%, 0.5%

LAB 46.98, 51.92, -6

 

CMYK 0 / 46 / 24 / 35

HEX #A5597D

RGB 165 89 125

HSL 331.58, 0.3%, 0.5%

LAB 47.78, 35.7, -6.33

 

CMYK 0 / 24 / 13 / 44

HEX #906E7E

RGB 144 110 126

HSL 331.76, 0.13%, 0.5%

LAB 50.2, 16.17, -3.62

 

CMYK 5 / 0 / 2 / 49

HEX #7C827F

RGB 124 130 127

HSL 150, 0.02%, 0.5%

LAB 53.8, -2.83, 0.84

 

CMYK 1 / 77 / 0 / 19

HEX #CB30CE

RGB 203 48 206

HSL 298.86, 0.62%, 0.5%

LAB 51, 75.73, -48.61

 

CMYK 0 / 77 / 19 / 19

HEX #CE30A7

RGB 206 48 167

HSL 314.81, 0.62%, 0.5%

LAB 49.53, 70.69, -28.17

 

CMYK 0 / 77 / 40 / 19

HEX #CE307C

RGB 206 48 124

HSL 331.14, 0.62%, 0.5%

LAB 47.87, 65.7, -4.89

 

CMYK 0 / 77 / 60 / 19

HEX #CE3052

RGB 206 48 82

HSL 347.09, 0.62%, 0.5%

LAB 46.77, 62.26, 19.32

 

CMYK 0 / 73 / 77 / 19

HEX #CE3830

RGB 206 56 48

HSL 3.04, 0.62%, 0.5%

LAB 47.19, 57.94, 39.94

 

CMYK 0 / 77 / 41 / 45

HEX #8B2052

RGB 139 32 82

HSL 331.96, 0.63%, 0.34%

LAB 32.1, 48.19, -3.17

 

CMYK 0 / 77 / 41 / 32

HEX #AD2866

RGB 173 40 102

HSL 332.03, 0.62%, 0.42%

LAB 40.18, 57.15, -3.33

 

CMYK 0 / 77 / 41 / 19

HEX #CE307A

RGB 206 48 122

HSL 331.9, 0.62%, 0.5%

LAB 47.8, 65.5, -3.76

 

CMYK 0 / 62 / 33 / 16

HEX #D6518F

RGB 214 81 143

HSL 332.03, 0.62%, 0.58%

LAB 54.2, 57.94, -6.73

 

CMYK 0 / 48 / 26 / 13

HEX #DE73A5

RGB 222 115 165

HSL 331.96, 0.62%, 0.66%

LAB 62.09, 47.38, -7.66

 

CMYK 0 / 77 / 41 / 19

HEX #CE307A

RGB 206 48 122

HSL 331.9, 0.62%, 0.5%

LAB 47.8, 65.5, -3.76

 

CMYK 0 / 22 / 77 / 19

HEX #CEA130

RGB 206 161 48

HSL 42.91, 0.62%, 0.5%

LAB 68.62, 5.93, 61.28

 

CMYK 77 / 9 / 0 / 19

HEX #30BCCE

RGB 48 188 206

HSL 186.84, 0.62%, 0.5%

LAB 70.21, -29.88, -19.52

 

CMYK 0 / 77 / 41 / 19

HEX #CE307A

RGB 206 48 122

HSL 331.9, 0.62%, 0.5%

LAB 47.8, 65.5, -3.76

 

CMYK 40 / 0 / 77 / 19

HEX #7CCE30

RGB 124 206 48

HSL 91.14, 0.62%, 0.5%

LAB 75.23, -49.36, 65.41

 

CMYK 77 / 40 / 0 / 19

HEX #307CCE

RGB 48 124 206

HSL 211.14, 0.62%, 0.5%

LAB 51.27, 5.29, -49.01

 

CMYK 0 / 77 / 41 / 19

HEX #CE307A

RGB 206 48 122

HSL 331.9, 0.62%, 0.5%

LAB 47.8, 65.5, -3.76

 

CMYK 0 / 22 / 77 / 19

HEX #CEA130

RGB 206 161 48

HSL 42.91, 0.62%, 0.5%

LAB 68.62, 5.93, 61.28

 

CMYK 77 / 0 / 37 / 19

HEX #30CE82

RGB 48 206 130

HSL 151.14, 0.62%, 0.5%

LAB 73.79, -57.06, 26.68

 

CMYK 77 / 55 / 0 / 19

HEX #305DCE

RGB 48 93 206

HSL 222.91, 0.62%, 0.5%

LAB 42.63, 24.92, -62.9

 

CMYK 0 / 77 / 41 / 19

HEX #CE307A

RGB 206 48 122

HSL 331.9, 0.62%, 0.5%

LAB 47.8, 65.5, -3.76

 

CMYK 1 / 0 / 77 / 19

HEX #CBCE30

RGB 203 206 48

HSL 61.14, 0.62%, 0.5%

LAB 80.21, -18.65, 71.84

 

CMYK 77 / 0 / 37 / 19

HEX #30CE82

RGB 48 206 130

HSL 151.14, 0.62%, 0.5%

LAB 73.79, -57.06, 26.68

 

CMYK 75 / 77 / 0 / 19

HEX #3330CE

RGB 51 48 206

HSL 241.14, 0.62%, 0.5%

LAB 32.42, 52.56, -79.64

 

Description

Color code: HEX #CE307A | qconv.com Color code: HEX #CE307A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 48 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 48 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 41 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 41% 19% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

79% - Lip Lover | Dewy Cou...
Link: http://www.liplover.ca

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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