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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE2B9F it is the complementary color #31D460. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE2B9F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #CE2B9F: #D32B9A, #E43DAD, #F54FC0, #FF61D3 and #FF73E6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE2B9F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #CE2B9F: #CE2B9F, #BD198C, #AC0779, #9B0066 and #8A0053

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 23 / 19

HEX #CE2B9F

RGB 206 43 159

HSL 317.3, 0.65%, 0.49%

LAB 48.7, 71.02, -24.71

 

Complementary color

CMYK 77 / 0 / 55 / 17

HEX #31D460

RGB 49 212 96

HSL 137.3, 0.65%, 0.51%

LAB 75.19, -64.7, 45.42

 

CMYK 0 / 80 / 27 / 17

HEX #D32B9A

RGB 211 43 154

HSL 320.36, 0.66%, 0.5%

LAB 49.39, 71.56, -20.6

 

CMYK 0 / 73 / 24 / 11

HEX #E43DAD

RGB 228 61 173

HSL 319.76, 0.76%, 0.57%

LAB 54.92, 72.75, -23.06

 

CMYK 0 / 68 / 22 / 4

HEX #F54FC0

RGB 245 79 192

HSL 319.16, 0.89%, 0.64%

LAB 60.61, 73.31, -25.03

 

CMYK 0 / 62 / 17 / 0

HEX #FF61D3

RGB 255 97 211

HSL 316.71, 1%, 0.69%

LAB 65.37, 71.6, -28.35

 

CMYK 0 / 55 / 10 / 0

HEX #FF73E6

RGB 255 115 230

HSL 310.71, 1%, 0.73%

LAB 68.92, 66.78, -33.44

 

CMYK 0 / 79 / 23 / 19

HEX #CE2B9F

RGB 206 43 159

HSL 317.3, 0.65%, 0.49%

LAB 48.7, 71.02, -24.71

 

CMYK 0 / 87 / 26 / 26

HEX #BD198C

RGB 189 25 140

HSL 317.93, 0.77%, 0.42%

LAB 43.37, 68.95, -21.76

 

CMYK 0 / 96 / 30 / 33

HEX #AC0779

RGB 172 7 121

HSL 318.55, 0.92%, 0.35%

LAB 38.38, 65.65, -17.99

 

CMYK 0 / 100 / 34 / 39

HEX #9B0066

RGB 155 0 102

HSL 320.52, 1%, 0.3%

LAB 33.83, 60.8, -13.22

 

CMYK 0 / 100 / 40 / 46

HEX #8A0053

RGB 138 0 83

HSL 323.91, 1%, 0.27%

LAB 29.48, 55.08, -7.77

 

CMYK 0 / 79 / 23 / 19

HEX #CE2B9F

RGB 206 43 159

HSL 317.3, 0.65%, 0.49%

LAB 48.7, 71.02, -24.71

 

CMYK 0 / 79 / 35 / 19

HEX #CE2B85

RGB 206 43 133

HSL 326.87, 0.65%, 0.49%

LAB 47.68, 68.03, -10.64

 

CMYK 0 / 79 / 49 / 19

HEX #CE2B69

RGB 206 43 105

HSL 337.18, 0.65%, 0.49%

LAB 46.8, 65.39, 5.2

 

CMYK 0 / 79 / 62 / 19

HEX #CE2B4E

RGB 206 43 78

HSL 347.12, 0.65%, 0.49%

LAB 46.18, 63.47, 20.99

 

CMYK 0 / 79 / 75 / 19

HEX #CE2B33

RGB 206 43 51

HSL 357.06, 0.65%, 0.49%

LAB 45.76, 62.15, 36.69

 

CMYK 0 / 79 / 23 / 19

HEX #CE2B9F

RGB 206 43 159

HSL 317.3, 0.65%, 0.49%

LAB 48.7, 71.02, -24.71

 

CMYK 0 / 100 / 0 / 99

HEX #020002

RGB 2 0 2

HSL 300, 1%, 0%

LAB 0.16, 0.8, -0.57

 

CMYK 0 / 79 / 23 / 79

HEX #350B29

RGB 53 11 41

HSL 317.14, 0.66%, 0.13%

LAB 10.23, 24.7, -9.38

 

CMYK 0 / 79 / 23 / 59

HEX #681650

RGB 104 22 80

HSL 317.56, 0.65%, 0.25%

LAB 23.99, 41.57, -14.78

 

CMYK 0 / 79 / 23 / 39

HEX #9B2078

RGB 155 32 120

HSL 317.07, 0.66%, 0.37%

LAB 36.66, 57.04, -20.29

 

CMYK 0 / 79 / 23 / 19

HEX #CE2B9F

RGB 206 43 159

HSL 317.3, 0.65%, 0.49%

LAB 48.7, 71.02, -24.71

 

CMYK 0 / 41 / 79 / 19

HEX #CE7A2B

RGB 206 122 43

HSL 29.08, 0.65%, 0.49%

LAB 59.17, 26.86, 54.33

 

CMYK 79 / 0 / 9 / 19

HEX #2BCEBB

RGB 43 206 187

HSL 173.01, 0.65%, 0.49%

LAB 74.98, -44.18, -2.07

 

CMYK 0 / 79 / 23 / 19

HEX #CE2B9F

RGB 206 43 159

HSL 317.3, 0.65%, 0.49%

LAB 48.7, 71.02, -24.71

 

CMYK 22 / 0 / 79 / 19

HEX #A0CE2B

RGB 160 206 43

HSL 76.93, 0.65%, 0.49%

LAB 77.16, -36.43, 69.39

 

CMYK 79 / 22 / 0 / 19

HEX #2BA0CE

RGB 43 160 206

HSL 196.93, 0.65%, 0.49%

LAB 61.75, -16.02, -32.52

 

CMYK 0 / 79 / 23 / 19

HEX #CE2B9F

RGB 206 43 159

HSL 317.3, 0.65%, 0.49%

LAB 48.7, 71.02, -24.71

 

CMYK 0 / 41 / 79 / 19

HEX #CE7A2B

RGB 206 122 43

HSL 29.08, 0.65%, 0.49%

LAB 59.17, 26.86, 54.33

 

CMYK 79 / 0 / 57 / 19

HEX #2BCE59

RGB 43 206 89

HSL 136.93, 0.65%, 0.49%

LAB 73.14, -64.42, 46.21

 

CMYK 79 / 38 / 0 / 19

HEX #2B7FCE

RGB 43 127 206

HSL 209.08, 0.65%, 0.49%

LAB 52, 2.91, -47.84

 

CMYK 0 / 79 / 23 / 19

HEX #CE2B9F

RGB 206 43 159

HSL 317.3, 0.65%, 0.49%

LAB 48.7, 71.02, -24.71

 

CMYK 0 / 17 / 79 / 19

HEX #CEAA2B

RGB 206 170 43

HSL 46.75, 0.65%, 0.49%

LAB 70.9, 0.94, 65.1

 

CMYK 79 / 0 / 57 / 19

HEX #2BCE59

RGB 43 206 89

HSL 136.93, 0.65%, 0.49%

LAB 73.14, -64.42, 46.21

 

CMYK 79 / 62 / 0 / 19

HEX #2B4ECE

RGB 43 78 206

HSL 227.12, 0.65%, 0.49%

LAB 38.58, 34.09, -69.51

 

Description

Color code: HEX #CE2B9F | qconv.com Color code: HEX #CE2B9F | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 43 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 43 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 23 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 23% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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PANTONE® to HKS®

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NCS® to HKS®

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NCS® to PANTONE®

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