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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE28A5 it is the complementary color #31D75A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE28A5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE28A5 shade: #D328A0, #E43AB3, #F54CC6, #FF5ED9 and #FF70EC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE28A5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE28A5 shade: #CE28A5, #BD1692, #AC047F, #9B006C and #8A0059

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE28A5 shade: #CC28A4, #CC2878, #CC284B and #CC2828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE28A5 shade: #CC28A4, #C928CC, #9C28CC, #7028CC and #4428CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE28A5 shade matches the following richer shades: #CC28A4, #E015AE and #F401B8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE28A5 shade: #CC28A4, #B93C9A, #A55090, #916486 and #7D787C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE28A5 shade: #9B28CC, #C728CC, #CC28A6, #CC287A and #CC284F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE28A5 shade: #881B6D, #AA2288, #CC28A4, #DA44B5 and #E166C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE28A5 shade: #CE28A5, #CC6F28 and #28CCB1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE28A5 shade: #CE28A5, #A6CC28 and #28A6CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE28A5 shade: #CE28A5, #CC6F28, #28CC4F and #2885CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE28A5 shade: #CE28A5, #CCA128, #28CC4F and #2854CC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 20 / 19

HEX #CE28A5

RGB 206 40 165

HSL 314.82, 0.67%, 0.48%

LAB 48.71, 72.53, -28.26

 

Complementary color

CMYK 77 / 0 / 58 / 16

HEX #31D75A

RGB 49 215 90

HSL 134.82, 0.67%, 0.52%

LAB 76.06, -66.48, 49.22

 

CMYK 0 / 81 / 24 / 17

HEX #D328A0

RGB 211 40 160

HSL 317.89, 0.68%, 0.49%

LAB 49.38, 73.01, -24.18

 

CMYK 0 / 75 / 21 / 11

HEX #E43AB3

RGB 228 58 179

HSL 317.29, 0.76%, 0.56%

LAB 54.84, 74.42, -26.67

 

CMYK 0 / 69 / 19 / 4

HEX #F54CC6

RGB 245 76 198

HSL 316.69, 0.89%, 0.63%

LAB 60.48, 75.14, -28.67

 

CMYK 0 / 63 / 15 / 0

HEX #FF5ED9

RGB 255 94 217

HSL 314.16, 1%, 0.68%

LAB 65.18, 73.61, -32

 

CMYK 0 / 56 / 7 / 0

HEX #FF70EC

RGB 255 112 236

HSL 307.97, 1%, 0.72%

LAB 68.68, 69.03, -37.13

 

CMYK 0 / 81 / 20 / 19

HEX #CE28A5

RGB 206 40 165

HSL 314.82, 0.67%, 0.48%

LAB 48.71, 72.53, -28.26

 

CMYK 0 / 88 / 23 / 26

HEX #BD1692

RGB 189 22 146

HSL 315.45, 0.79%, 0.41%

LAB 43.46, 70.19, -25.27

 

CMYK 0 / 98 / 26 / 33

HEX #AC047F

RGB 172 4 127

HSL 316.07, 0.95%, 0.35%

LAB 38.53, 66.67, -21.5

 

CMYK 0 / 100 / 30 / 39

HEX #9B006C

RGB 155 0 108

HSL 318.19, 1%, 0.3%

LAB 34.09, 61.46, -16.67

 

CMYK 0 / 100 / 36 / 46

HEX #8A0059

RGB 138 0 89

HSL 321.3, 1%, 0.27%

LAB 29.72, 55.71, -11.36

 

CMYK 0 / 80 / 20 / 20

HEX #CC28A4

RGB 204 40 164

HSL 314.63, 0.67%, 0.48%

LAB 48.3, 71.97, -28.32

 

CMYK 0 / 80 / 41 / 20

HEX #CC2878

RGB 204 40 120

HSL 330.73, 0.67%, 0.48%

LAB 46.59, 67.01, -4.37

 

CMYK 0 / 80 / 63 / 20

HEX #CC284B

RGB 204 40 75

HSL 347.2, 0.67%, 0.48%

LAB 45.45, 63.55, 21.81

 

CMYK 0 / 80 / 80 / 20

HEX #CC2828

RGB 204 40 40

HSL 0, 0.67%, 0.48%

LAB 44.95, 62.03, 41.89

 

CMYK 0 / 80 / 20 / 20

HEX #CC28A4

RGB 204 40 164

HSL 314.63, 0.67%, 0.48%

LAB 48.3, 71.97, -28.32

 

CMYK 1 / 80 / 0 / 20

HEX #C928CC

RGB 201 40 204

HSL 298.9, 0.67%, 0.48%

LAB 49.85, 77.06, -49.31

 

CMYK 24 / 80 / 0 / 20

HEX #9C28CC

RGB 156 40 204

HSL 282.44, 0.67%, 0.48%

LAB 42.68, 68.99, -61.22

 

CMYK 45 / 80 / 0 / 20

HEX #7028CC

RGB 112 40 204

HSL 266.34, 0.67%, 0.48%

LAB 36.6, 62.22, -71.4

 

CMYK 67 / 80 / 0 / 20

HEX #4428CC

RGB 68 40 204

HSL 250.24, 0.67%, 0.48%

LAB 32.05, 57.22, -79.06

 

CMYK 0 / 80 / 20 / 20

HEX #CC28A4

RGB 204 40 164

HSL 314.63, 0.67%, 0.48%

LAB 48.3, 71.97, -28.32

 

CMYK 0 / 91 / 22 / 12

HEX #E015AE

RGB 224 21 174

HSL 314.78, 0.83%, 0.48%

LAB 51.2, 80.78, -29.45

 

CMYK 0 / 100 / 25 / 4

HEX #F401B8

RGB 244 1 184

HSL 314.81, 0.99%, 0.48%

LAB 54.78, 87.4, -29.45

 

CMYK 0 / 80 / 20 / 20

HEX #CC28A4

RGB 204 40 164

HSL 314.63, 0.67%, 0.48%

LAB 48.3, 71.97, -28.32

 

CMYK 0 / 68 / 17 / 27

HEX #B93C9A

RGB 185 60 154

HSL 314.88, 0.51%, 0.48%

LAB 46.82, 59.77, -24.93

 

CMYK 0 / 52 / 13 / 35

HEX #A55090

RGB 165 80 144

HSL 314.82, 0.35%, 0.48%

LAB 46.65, 43.44, -19.46

 

CMYK 0 / 31 / 8 / 43

HEX #916486

RGB 145 100 134

HSL 314.67, 0.18%, 0.48%

LAB 48.08, 23.84, -11.54

 

CMYK 0 / 4 / 1 / 51

HEX #7D787C

RGB 125 120 124

HSL 312, 0.02%, 0.48%

LAB 50.98, 2.7, -1.51

 

CMYK 24 / 80 / 0 / 20

HEX #9B28CC

RGB 155 40 204

HSL 282.07, 0.67%, 0.48%

LAB 42.53, 68.82, -61.47

 

CMYK 2 / 80 / 0 / 20

HEX #C728CC

RGB 199 40 204

HSL 298.17, 0.67%, 0.48%

LAB 49.52, 76.69, -49.86

 

CMYK 0 / 80 / 19 / 20

HEX #CC28A6

RGB 204 40 166

HSL 313.9, 0.67%, 0.48%

LAB 48.4, 72.22, -29.37

 

CMYK 0 / 80 / 40 / 20

HEX #CC287A

RGB 204 40 122

HSL 330, 0.67%, 0.48%

LAB 46.66, 67.2, -5.5

 

CMYK 0 / 80 / 61 / 20

HEX #CC284F

RGB 204 40 79

HSL 345.73, 0.67%, 0.48%

LAB 45.52, 63.79, 19.44

 

CMYK 0 / 80 / 20 / 47

HEX #881B6D

RGB 136 27 109

HSL 314.86, 0.67%, 0.32%

LAB 32.08, 52.36, -20.71

 

CMYK 0 / 80 / 20 / 33

HEX #AA2288

RGB 170 34 136

HSL 315, 0.67%, 0.4%

LAB 40.36, 62.17, -24.26

 

CMYK 0 / 80 / 20 / 20

HEX #CC28A4

RGB 204 40 164

HSL 314.63, 0.67%, 0.48%

LAB 48.3, 71.97, -28.32

 

CMYK 0 / 69 / 17 / 15

HEX #DA44B5

RGB 218 68 181

HSL 314.8, 0.67%, 0.56%

LAB 54.42, 69.01, -28.61

 

CMYK 0 / 55 / 13 / 12

HEX #E166C3

RGB 225 102 195

HSL 314.63, 0.67%, 0.64%

LAB 61.18, 58.91, -26.13

 

CMYK 0 / 81 / 20 / 19

HEX #CE28A5

RGB 206 40 165

HSL 314.82, 0.67%, 0.48%

LAB 48.71, 72.53, -28.26

 

CMYK 0 / 46 / 80 / 20

HEX #CC6F28

RGB 204 111 40

HSL 25.98, 0.67%, 0.48%

LAB 56.45, 31.79, 52.92

 

CMYK 80 / 0 / 13 / 20

HEX #28CCB1

RGB 40 204 177

HSL 170.12, 0.67%, 0.48%

LAB 74.07, -46.27, 2

 

CMYK 0 / 81 / 20 / 19

HEX #CE28A5

RGB 206 40 165

HSL 314.82, 0.67%, 0.48%

LAB 48.71, 72.53, -28.26

 

CMYK 19 / 0 / 80 / 20

HEX #A6CC28

RGB 166 204 40

HSL 73.9, 0.67%, 0.48%

LAB 76.95, -33.26, 70.17

 

CMYK 80 / 19 / 0 / 20

HEX #28A6CC

RGB 40 166 204

HSL 193.9, 0.67%, 0.48%

LAB 63.41, -20.19, -28.84

 

CMYK 0 / 81 / 20 / 19

HEX #CE28A5

RGB 206 40 165

HSL 314.82, 0.67%, 0.48%

LAB 48.71, 72.53, -28.26

 

CMYK 0 / 46 / 80 / 20

HEX #CC6F28

RGB 204 111 40

HSL 25.98, 0.67%, 0.48%

LAB 56.45, 31.79, 52.92

 

CMYK 80 / 0 / 61 / 20

HEX #28CC4F

RGB 40 204 79

HSL 134.27, 0.67%, 0.48%

LAB 72.36, -65.38, 49.82

 

CMYK 80 / 35 / 0 / 20

HEX #2885CC

RGB 40 133 204

HSL 205.98, 0.67%, 0.48%

LAB 53.58, -1.74, -44.2

 

CMYK 0 / 81 / 20 / 19

HEX #CE28A5

RGB 206 40 165

HSL 314.82, 0.67%, 0.48%

LAB 48.71, 72.53, -28.26

 

CMYK 0 / 21 / 80 / 20

HEX #CCA128

RGB 204 161 40

HSL 44.27, 0.67%, 0.48%

LAB 68.37, 4.76, 63.74

 

CMYK 80 / 0 / 61 / 20

HEX #28CC4F

RGB 40 204 79

HSL 134.27, 0.67%, 0.48%

LAB 72.36, -65.38, 49.82

 

CMYK 80 / 59 / 0 / 20

HEX #2854CC

RGB 40 84 204

HSL 223.9, 0.67%, 0.48%

LAB 39.83, 29.2, -66.32

 

Description

Color code: HEX #CE28A5 | qconv.com Color code: HEX #CE28A5 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 40 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 40 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 20 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 20% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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