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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE19D9 it is the complementary color #31E626. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE19D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE19D9 shade: #D319D4, #E42BE7, #F53DFA, #FF4FFF and #FF61FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE19D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE19D9 shade: #CE19D9, #BD07C6, #AC00B3, #9B00A0 and #8A008D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE19D9 shade: #CC19D7, #D719AE, #D7197B, #D71948 and #D71919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE19D9 shade: #CC19D7, #9919D7, #6619D7, #3219D7 and #1919D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE19D9 shade matches the following richer shades: #CC19D7 and #DD06EA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE19D9 shade: #CC19D7, #BB2DC3, #A940B0, #98539C and #876789

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE19D9 shade: #6519D7, #9719D7, #CA19D7, #D719B1 and #D7197E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE19D9 shade: #86118D, #A915B2, #CC19D7, #DD32E7 and #E357EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE19D9 shade: #CE19D9, #D73219 and #19D77E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE19D9 shade: #CE19D9, #D7CA19 and #19D7CA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE19D9 shade: #CE19D9, #D73219, #26D719 and #19BDD7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE19D9 shade: #CE19D9, #D76B19, #26D719 and #1984D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 88 / 0 / 15

HEX #CE19D9

RGB 206 25 217

HSL 296.56, 0.79%, 0.47%

LAB 50.48, 82.82, -55.7

 

Complementary color

CMYK 79 / 0 / 83 / 10

HEX #31E626

RGB 49 230 38

HSL 116.56, 0.79%, 0.53%

LAB 80.4, -75.4, 72.12

 

CMYK 0 / 88 / 0 / 17

HEX #D319D4

RGB 211 25 212

HSL 299.68, 0.79%, 0.46%

LAB 51.03, 82.91, -51.92

 

CMYK 1 / 81 / 0 / 9

HEX #E42BE7

RGB 228 43 231

HSL 299.04, 0.8%, 0.54%

LAB 56.08, 85.49, -54.48

 

CMYK 2 / 76 / 0 / 2

HEX #F53DFA

RGB 245 61 250

HSL 298.41, 0.95%, 0.61%

LAB 61.35, 87.19, -56.52

 

CMYK 0 / 69 / 0 / 0

HEX #FF4FFF

RGB 255 79 255

HSL 300, 1%, 0.65%

LAB 65.02, 84.61, -53.35

 

CMYK 0 / 62 / 0 / 0

HEX #FF61FF

RGB 255 97 255

HSL 300, 1%, 0.69%

LAB 67.3, 78.2, -49.75

 

CMYK 5 / 88 / 0 / 15

HEX #CE19D9

RGB 206 25 217

HSL 296.56, 0.79%, 0.47%

LAB 50.48, 82.82, -55.7

 

CMYK 5 / 96 / 0 / 22

HEX #BD07C6

RGB 189 7 198

HSL 297.17, 0.93%, 0.4%

LAB 45.7, 79.17, -52.6

 

CMYK 4 / 100 / 0 / 30

HEX #AC00B3

RGB 172 0 179

HSL 297.65, 1%, 0.35%

LAB 41.26, 74.2, -48.75

 

CMYK 3 / 100 / 0 / 37

HEX #9B00A0

RGB 155 0 160

HSL 298.13, 1%, 0.31%

LAB 36.94, 68.52, -44.47

 

CMYK 2 / 100 / 0 / 45

HEX #8A008D

RGB 138 0 141

HSL 298.72, 1%, 0.28%

LAB 32.54, 62.71, -40.09

 

CMYK 5 / 88 / 0 / 16

HEX #CC19D7

RGB 204 25 215

HSL 296.53, 0.79%, 0.47%

LAB 50.02, 82.18, -55.32

 

CMYK 0 / 88 / 19 / 16

HEX #D719AE

RGB 215 25 174

HSL 312.95, 0.79%, 0.47%

LAB 49.74, 78.46, -31.86

 

CMYK 0 / 88 / 43 / 16

HEX #D7197B

RGB 215 25 123

HSL 329.05, 0.79%, 0.47%

LAB 47.72, 73, -4.31

 

CMYK 0 / 88 / 67 / 16

HEX #D71948

RGB 215 25 72

HSL 345.16, 0.79%, 0.47%

LAB 46.46, 69.47, 25.39

 

CMYK 0 / 88 / 88 / 16

HEX #D71919

RGB 215 25 25

HSL 0, 0.79%, 0.47%

LAB 45.92, 67.93, 51.07

 

CMYK 5 / 88 / 0 / 16

HEX #CC19D7

RGB 204 25 215

HSL 296.53, 0.79%, 0.47%

LAB 50.02, 82.18, -55.32

 

CMYK 29 / 88 / 0 / 16

HEX #9919D7

RGB 153 25 215

HSL 280.42, 0.79%, 0.47%

LAB 41.8, 74.38, -69.02

 

CMYK 53 / 88 / 0 / 16

HEX #6619D7

RGB 102 25 215

HSL 264.32, 0.79%, 0.47%

LAB 34.86, 68.42, -80.69

 

CMYK 77 / 88 / 0 / 16

HEX #3219D7

RGB 50 25 215

HSL 247.89, 0.79%, 0.47%

LAB 30.11, 64.87, -88.71

 

CMYK 88 / 88 / 0 / 16

HEX #1919D7

RGB 25 25 215

HSL 240, 0.79%, 0.47%

LAB 28.92, 64.07, -90.71

 

CMYK 5 / 88 / 0 / 16

HEX #CC19D7

RGB 204 25 215

HSL 296.53, 0.79%, 0.47%

LAB 50.02, 82.18, -55.32

 

CMYK 6 / 97 / 0 / 8

HEX #DD06EA

RGB 221 6 234

HSL 296.58, 0.95%, 0.47%

LAB 53.43, 89.66, -60.48

 

CMYK 5 / 88 / 0 / 16

HEX #CC19D7

RGB 204 25 215

HSL 296.53, 0.79%, 0.47%

LAB 50.02, 82.18, -55.32

 

CMYK 4 / 77 / 0 / 24

HEX #BB2DC3

RGB 187 45 195

HSL 296.8, 0.63%, 0.47%

LAB 47.47, 71.63, -48.03

 

CMYK 4 / 64 / 0 / 31

HEX #A940B0

RGB 169 64 176

HSL 296.25, 0.47%, 0.47%

LAB 45.96, 57.66, -39.51

 

CMYK 3 / 47 / 0 / 39

HEX #98539C

RGB 152 83 156

HSL 296.71, 0.31%, 0.47%

LAB 45.99, 39.99, -27.78

 

CMYK 1 / 25 / 0 / 46

HEX #876789

RGB 135 103 137

HSL 296.47, 0.14%, 0.47%

LAB 47.83, 19.06, -13.82

 

CMYK 53 / 88 / 0 / 16

HEX #6519D7

RGB 101 25 215

HSL 264, 0.79%, 0.47%

LAB 34.74, 68.33, -80.89

 

CMYK 30 / 88 / 0 / 16

HEX #9719D7

RGB 151 25 215

HSL 279.79, 0.79%, 0.47%

LAB 41.5, 74.1, -69.52

 

CMYK 6 / 88 / 0 / 16

HEX #CA19D7

RGB 202 25 215

HSL 295.89, 0.79%, 0.47%

LAB 49.69, 81.85, -55.88

 

CMYK 0 / 88 / 18 / 16

HEX #D719B1

RGB 215 25 177

HSL 312, 0.79%, 0.47%

LAB 49.88, 78.83, -33.4

 

CMYK 0 / 88 / 41 / 16

HEX #D7197E

RGB 215 25 126

HSL 328.11, 0.79%, 0.47%

LAB 47.81, 73.27, -6

 

CMYK 5 / 88 / 0 / 45

HEX #86118D

RGB 134 17 141

HSL 296.61, 0.78%, 0.31%

LAB 32.68, 59.39, -39.89

 

CMYK 5 / 88 / 0 / 30

HEX #A915B2

RGB 169 21 178

HSL 296.56, 0.79%, 0.39%

LAB 41.51, 71.04, -47.77

 

CMYK 5 / 88 / 0 / 16

HEX #CC19D7

RGB 204 25 215

HSL 296.53, 0.79%, 0.47%

LAB 50.02, 82.18, -55.32

 

CMYK 4 / 78 / 0 / 9

HEX #DD32E7

RGB 221 50 231

HSL 296.69, 0.79%, 0.55%

LAB 55.51, 82.59, -55.46

 

CMYK 3 / 63 / 0 / 8

HEX #E357EB

RGB 227 87 235

HSL 296.76, 0.79%, 0.63%

LAB 60.91, 72.34, -49.05

 

CMYK 5 / 88 / 0 / 15

HEX #CE19D9

RGB 206 25 217

HSL 296.56, 0.79%, 0.47%

LAB 50.48, 82.82, -55.7

 

CMYK 0 / 77 / 88 / 16

HEX #D73219

RGB 215 50 25

HSL 7.89, 0.79%, 0.47%

LAB 48.01, 62.03, 52.65

 

CMYK 88 / 0 / 41 / 16

HEX #19D77E

RGB 25 215 126

HSL 151.89, 0.79%, 0.47%

LAB 76.26, -63.15, 31.96

 

CMYK 5 / 88 / 0 / 15

HEX #CE19D9

RGB 206 25 217

HSL 296.56, 0.79%, 0.47%

LAB 50.48, 82.82, -55.7

 

CMYK 0 / 6 / 88 / 16

HEX #D7CA19

RGB 215 202 25

HSL 55.89, 0.79%, 0.47%

LAB 80.04, -12.19, 77.59

 

CMYK 88 / 0 / 6 / 16

HEX #19D7CA

RGB 25 215 202

HSL 175.89, 0.79%, 0.47%

LAB 77.92, -45.2, -5.83

 

CMYK 5 / 88 / 0 / 15

HEX #CE19D9

RGB 206 25 217

HSL 296.56, 0.79%, 0.47%

LAB 50.48, 82.82, -55.7

 

CMYK 0 / 77 / 88 / 16

HEX #D73219

RGB 215 50 25

HSL 7.89, 0.79%, 0.47%

LAB 48.01, 62.03, 52.65

 

CMYK 82 / 0 / 88 / 16

HEX #26D719

RGB 38 215 25

HSL 115.89, 0.79%, 0.47%

LAB 75.5, -72.88, 70.44

 

CMYK 88 / 12 / 0 / 16

HEX #19BDD7

RGB 25 189 215

HSL 188.21, 0.79%, 0.47%

LAB 70.53, -29.31, -23.98

 

CMYK 5 / 88 / 0 / 15

HEX #CE19D9

RGB 206 25 217

HSL 296.56, 0.79%, 0.47%

LAB 50.48, 82.82, -55.7

 

CMYK 0 / 50 / 88 / 16

HEX #D76B19

RGB 215 107 25

HSL 25.89, 0.79%, 0.47%

LAB 57.11, 37.92, 59.63

 

CMYK 82 / 0 / 88 / 16

HEX #26D719

RGB 38 215 25

HSL 115.89, 0.79%, 0.47%

LAB 75.5, -72.88, 70.44

 

CMYK 88 / 39 / 0 / 16

HEX #1984D7

RGB 25 132 215

HSL 206.21, 0.79%, 0.47%

LAB 53.62, 1.81, -50.39

 

Description

Color code: HEX #CE19D9 | qconv.com Color code: HEX #CE19D9 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 25 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 25 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 88 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 88% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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