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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE19CA it is the complementary color #31E635. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE19CA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE19CA shade: #D319C5, #E42BD8, #F53DEB, #FF4FFE and #FF61FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE19CA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE19CA shade: #CE19CA, #BD07B7, #AC00A4, #9B0091 and #8A007E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE19CA shade: #CC19C8, #CC1998, #CC1968, #CC1937 and #CC1919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE19CA shade: #CC19C8, #A019CC, #7019CC, #3F19CC and #1919CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE19CA shade matches the following richer shades: #CC19C8 and #DF07DA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE19CA shade: #CC19C8, #BA2CB7, #A73EA5, #955193 and #826481

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE19CA shade: #7019CC, #A019CC, #CC19C9, #CC199A and #CC196A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE19CA shade: #831080, #A815A4, #CC19C8, #E52AE1 and #E94FE6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE19CA shade: #CE19CA, #CC4019 and #19CC88

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE19CA shade: #CE19CA, #C9CC19 and #19C9CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE19CA shade: #CE19CA, #CC4019, #19CC1C and #19A5CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE19CA shade: #CE19CA, #CC7619, #19CC1C and #1970CC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 2 / 19

HEX #CE19CA

RGB 206 25 202

HSL 301.33, 0.78%, 0.45%

LAB 49.59, 80.57, -48.51

 

Complementary color

CMYK 79 / 0 / 77 / 10

HEX #31E635

RGB 49 230 53

HSL 121.33, 0.78%, 0.55%

LAB 80.46, -74.57, 68.15

 

CMYK 0 / 88 / 7 / 17

HEX #D319C5

RGB 211 25 197

HSL 304.52, 0.79%, 0.46%

LAB 50.19, 80.75, -44.63

 

CMYK 0 / 81 / 5 / 11

HEX #E42BD8

RGB 228 43 216

HSL 303.89, 0.77%, 0.53%

LAB 55.26, 83.29, -47.3

 

CMYK 0 / 75 / 4 / 4

HEX #F53DEB

RGB 245 61 235

HSL 303.26, 0.9%, 0.6%

LAB 60.56, 84.94, -49.43

 

CMYK 0 / 69 / 0 / 0

HEX #FF4FFE

RGB 255 79 254

HSL 300.34, 1%, 0.65%

LAB 64.97, 84.45, -52.88

 

CMYK 0 / 62 / 0 / 0

HEX #FF61FF

RGB 255 97 255

HSL 300, 1%, 0.69%

LAB 67.3, 78.2, -49.75

 

CMYK 0 / 88 / 2 / 19

HEX #CE19CA

RGB 206 25 202

HSL 301.33, 0.78%, 0.45%

LAB 49.59, 80.57, -48.51

 

CMYK 0 / 96 / 3 / 26

HEX #BD07B7

RGB 189 7 183

HSL 301.98, 0.93%, 0.38%

LAB 44.79, 76.94, -45.28

 

CMYK 0 / 100 / 5 / 33

HEX #AC00A4

RGB 172 0 164

HSL 302.79, 1%, 0.34%

LAB 40.33, 71.97, -41.28

 

CMYK 0 / 100 / 6 / 39

HEX #9B0091

RGB 155 0 145

HSL 303.87, 1%, 0.3%

LAB 36.01, 66.26, -36.82

 

CMYK 0 / 100 / 9 / 46

HEX #8A007E

RGB 138 0 126

HSL 305.22, 1%, 0.27%

LAB 31.6, 60.43, -32.23

 

CMYK 0 / 88 / 2 / 20

HEX #CC19C8

RGB 204 25 200

HSL 301.34, 0.78%, 0.45%

LAB 49.13, 79.92, -48.11

 

CMYK 0 / 88 / 25 / 20

HEX #CC1998

RGB 204 25 152

HSL 317.43, 0.78%, 0.45%

LAB 46.71, 73.56, -23.63

 

CMYK 0 / 88 / 49 / 20

HEX #CC1968

RGB 204 25 104

HSL 333.52, 0.78%, 0.45%

LAB 44.99, 68.82, 3.16

 

CMYK 0 / 88 / 73 / 20

HEX #CC1937

RGB 204 25 55

HSL 349.94, 0.78%, 0.45%

LAB 43.96, 65.89, 32.17

 

CMYK 0 / 88 / 88 / 20

HEX #CC1919

RGB 204 25 25

HSL 0, 0.78%, 0.45%

LAB 43.66, 65.02, 48.34

 

CMYK 0 / 88 / 2 / 20

HEX #CC19C8

RGB 204 25 200

HSL 301.34, 0.78%, 0.45%

LAB 49.13, 79.92, -48.11

 

CMYK 22 / 88 / 0 / 20

HEX #A019CC

RGB 160 25 204

HSL 285.25, 0.78%, 0.45%

LAB 42.04, 73.32, -62.23

 

CMYK 45 / 88 / 0 / 20

HEX #7019CC

RGB 112 25 204

HSL 269.16, 0.78%, 0.45%

LAB 35, 66.91, -74.02

 

CMYK 69 / 88 / 0 / 20

HEX #3F19CC

RGB 63 25 204

HSL 252.74, 0.78%, 0.45%

LAB 29.69, 62.61, -82.98

 

CMYK 88 / 88 / 0 / 20

HEX #1919CC

RGB 25 25 204

HSL 240, 0.78%, 0.45%

LAB 27.47, 60.99, -86.74

 

CMYK 0 / 88 / 2 / 20

HEX #CC19C8

RGB 204 25 200

HSL 301.34, 0.78%, 0.45%

LAB 49.13, 79.92, -48.11

 

CMYK 0 / 97 / 2 / 13

HEX #DF07DA

RGB 223 7 218

HSL 301.39, 0.94%, 0.45%

LAB 52.84, 87.59, -52.34

 

CMYK 0 / 88 / 2 / 20

HEX #CC19C8

RGB 204 25 200

HSL 301.34, 0.78%, 0.45%

LAB 49.13, 79.92, -48.11

 

CMYK 0 / 76 / 2 / 27

HEX #BA2CB7

RGB 186 44 183

HSL 301.27, 0.62%, 0.45%

LAB 46.52, 69.78, -42.55

 

CMYK 0 / 63 / 1 / 35

HEX #A73EA5

RGB 167 62 165

HSL 301.14, 0.46%, 0.45%

LAB 44.77, 56.06, -34.9

 

CMYK 0 / 46 / 1 / 42

HEX #955193

RGB 149 81 147

HSL 301.76, 0.3%, 0.45%

LAB 44.77, 38.4, -24.33

 

CMYK 0 / 23 / 1 / 49

HEX #826481

RGB 130 100 129

HSL 302, 0.13%, 0.45%

LAB 46.24, 17.4, -11.49

 

CMYK 45 / 88 / 0 / 20

HEX #7019CC

RGB 112 25 204

HSL 269.16, 0.78%, 0.45%

LAB 35, 66.91, -74.02

 

CMYK 22 / 88 / 0 / 20

HEX #A019CC

RGB 160 25 204

HSL 285.25, 0.78%, 0.45%

LAB 42.04, 73.32, -62.23

 

CMYK 0 / 88 / 1 / 20

HEX #CC19C9

RGB 204 25 201

HSL 301.01, 0.78%, 0.45%

LAB 49.19, 80.07, -48.6

 

CMYK 0 / 88 / 25 / 20

HEX #CC199A

RGB 204 25 154

HSL 316.76, 0.78%, 0.45%

LAB 46.8, 73.8, -24.69

 

CMYK 0 / 88 / 48 / 20

HEX #CC196A

RGB 204 25 106

HSL 332.85, 0.78%, 0.45%

LAB 45.04, 68.98, 2

 

CMYK 0 / 88 / 2 / 49

HEX #831080

RGB 131 16 128

HSL 301.57, 0.78%, 0.29%

LAB 31.24, 56.87, -34.14

 

CMYK 0 / 88 / 2 / 34

HEX #A815A4

RGB 168 21 164

HSL 301.63, 0.78%, 0.37%

LAB 40.48, 68.67, -41.09

 

CMYK 0 / 88 / 2 / 20

HEX #CC19C8

RGB 204 25 200

HSL 301.34, 0.78%, 0.45%

LAB 49.13, 79.92, -48.11

 

CMYK 0 / 82 / 2 / 10

HEX #E52AE1

RGB 229 42 225

HSL 301.28, 0.78%, 0.53%

LAB 55.84, 84.99, -51.47

 

CMYK 0 / 66 / 1 / 9

HEX #E94FE6

RGB 233 79 230

HSL 301.17, 0.78%, 0.61%

LAB 60.45, 75.92, -46.92

 

CMYK 0 / 88 / 2 / 19

HEX #CE19CA

RGB 206 25 202

HSL 301.33, 0.78%, 0.45%

LAB 49.59, 80.57, -48.51

 

CMYK 0 / 69 / 88 / 20

HEX #CC4019

RGB 204 64 25

HSL 13.07, 0.78%, 0.45%

LAB 47.72, 53.67, 51.54

 

CMYK 88 / 0 / 33 / 20

HEX #19CC88

RGB 25 204 136

HSL 157.21, 0.78%, 0.45%

LAB 73, -57.25, 22.43

 

CMYK 0 / 88 / 2 / 19

HEX #CE19CA

RGB 206 25 202

HSL 301.33, 0.78%, 0.45%

LAB 49.59, 80.57, -48.51

 

CMYK 1 / 0 / 88 / 20

HEX #C9CC19

RGB 201 204 25

HSL 61.01, 0.78%, 0.45%

LAB 79.43, -19.17, 76.61

 

CMYK 88 / 1 / 0 / 20

HEX #19C9CC

RGB 25 201 204

HSL 181.01, 0.78%, 0.45%

LAB 73.77, -38.41, -13.09

 

CMYK 0 / 88 / 2 / 19

HEX #CE19CA

RGB 206 25 202

HSL 301.33, 0.78%, 0.45%

LAB 49.59, 80.57, -48.51

 

CMYK 0 / 69 / 88 / 20

HEX #CC4019

RGB 204 64 25

HSL 13.07, 0.78%, 0.45%

LAB 47.72, 53.67, 51.54

 

CMYK 88 / 0 / 86 / 20

HEX #19CC1C

RGB 25 204 28

HSL 121.01, 0.78%, 0.45%

LAB 71.88, -70.84, 66.64

 

CMYK 88 / 19 / 0 / 20

HEX #19A5CC

RGB 25 165 204

HSL 193.07, 0.78%, 0.45%

LAB 62.91, -20.81, -29.63

 

CMYK 0 / 88 / 2 / 19

HEX #CE19CA

RGB 206 25 202

HSL 301.33, 0.78%, 0.45%

LAB 49.59, 80.57, -48.51

 

CMYK 0 / 42 / 88 / 20

HEX #CC7619

RGB 204 118 25

HSL 31.17, 0.78%, 0.45%

LAB 57.91, 27.65, 59.59

 

CMYK 88 / 0 / 86 / 20

HEX #19CC1C

RGB 25 204 28

HSL 121.01, 0.78%, 0.45%

LAB 71.88, -70.84, 66.64

 

CMYK 88 / 45 / 0 / 20

HEX #1970CC

RGB 25 112 204

HSL 210.84, 0.78%, 0.45%

LAB 47.18, 9.92, -54.44

 

Description

Color code: HEX #CE19CA | qconv.com Color code: HEX #CE19CA | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 25 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 25 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 2 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 2% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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