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Color name
HEX #CE1925

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE1925 it is the complementary color #31E6DA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE1925. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE1925 shade: #D31920, #E42B33, #F53D46, #FF4F59 and #FF616C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE1925. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE1925 shade: #CE1925, #BD0712, #AC0000, #9B0000 and #8A0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE1925 shade: #CC1925 and #CC1919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE1925 shade: #CC1925, #CC1955, #CC1986, #CC19B6 and #B219CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE1925 shade matches the following richer shades: #CC1925 and #DF0715

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE1925 shade: #CC1925, #BA2C35, #A73E45, #955155 and #826466

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE1925 shade: #CC1985, #CC1955, #CC1925, #CC3D19 and #CC6D19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE1925 shade: #831018, #A8151E, #CC1925, #E52A36 and #E94F59

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE1925 shade: #CE1925, #B4CC19 and #196DCC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE1925 shade: #CE1925, #25CC19 and #1925CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE1925 shade: #CE1925, #B4CC19, #19CCC0 and #3119CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE1925 shade: #CE1925, #7FCC19, #19CCC0 and #6719CC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 82 / 19

HEX #CE1925

RGB 206 25 37

HSL 356.02, 0.78%, 0.45%

LAB 44.16, 65.82, 42.88

 

Complementary color

CMYK 79 / 0 / 5 / 10

HEX #31E6DA

RGB 49 230 218

HSL 176.02, 0.78%, 0.55%

LAB 83.08, -45.56, -6.69

 

CMYK 0 / 88 / 85 / 17

HEX #D31920

RGB 211 25 32

HSL 357.74, 0.79%, 0.46%

LAB 45.15, 67.02, 46.78

 

CMYK 0 / 81 / 78 / 11

HEX #E42B33

RGB 228 43 51

HSL 357.41, 0.77%, 0.53%

LAB 50.05, 68.33, 42.59

 

CMYK 0 / 75 / 71 / 4

HEX #F53D46

RGB 245 61 70

HSL 357.07, 0.9%, 0.6%

LAB 55.27, 68.84, 38.63

 

CMYK 0 / 69 / 65 / 0

HEX #FF4F59

RGB 255 79 89

HSL 356.59, 1%, 0.65%

LAB 59.5, 66.67, 33.34

 

CMYK 0 / 62 / 58 / 0

HEX #FF616C

RGB 255 97 108

HSL 355.82, 1%, 0.69%

LAB 62.42, 60.78, 26.24

 

CMYK 0 / 88 / 82 / 19

HEX #CE1925

RGB 206 25 37

HSL 356.02, 0.78%, 0.45%

LAB 44.16, 65.82, 42.88

 

CMYK 0 / 96 / 90 / 26

HEX #BD0712

RGB 189 7 18

HSL 356.37, 0.93%, 0.38%

LAB 39.6, 63.42, 47.06

 

CMYK 0 / 100 / 100 / 33

HEX #AC0000

RGB 172 0 0

HSL 0, 1%, 0.34%

LAB 35.54, 59.64, 49.89

HEX #AC0000

CMYK 0 / 100 / 100 / 39

HEX #9B0000

RGB 155 0 0

HSL 0, 1%, 0.3%

LAB 31.74, 55.23, 45.67

HEX #9B0000

CMYK 0 / 100 / 100 / 46

HEX #8A0000

RGB 138 0 0

HSL 0, 1%, 0.27%

LAB 27.85, 50.74, 41.01

HEX #8A0000

CMYK 0 / 88 / 82 / 20

HEX #CC1925

RGB 204 25 37

HSL 355.98, 0.78%, 0.45%

LAB 43.75, 65.29, 42.35

 

CMYK 0 / 88 / 88 / 20

HEX #CC1919

RGB 204 25 25

HSL 0, 0.78%, 0.45%

LAB 43.66, 65.02, 48.34

 

CMYK 0 / 88 / 82 / 20

HEX #CC1925

RGB 204 25 37

HSL 355.98, 0.78%, 0.45%

LAB 43.75, 65.29, 42.35

 

CMYK 0 / 88 / 58 / 20

HEX #CC1955

RGB 204 25 85

HSL 339.89, 0.78%, 0.45%

LAB 44.5, 67.45, 14.33

 

CMYK 0 / 88 / 34 / 20

HEX #CC1986

RGB 204 25 134

HSL 323.46, 0.78%, 0.45%

LAB 45.98, 71.58, -13.85

 

CMYK 0 / 88 / 11 / 20

HEX #CC19B6

RGB 204 25 182

HSL 307.37, 0.78%, 0.45%

LAB 48.15, 77.37, -39.19

 

CMYK 13 / 88 / 0 / 20

HEX #B219CC

RGB 178 25 204

HSL 291.28, 0.78%, 0.45%

LAB 44.97, 76.14, -57.35

 

CMYK 0 / 88 / 82 / 20

HEX #CC1925

RGB 204 25 37

HSL 355.98, 0.78%, 0.45%

LAB 43.75, 65.29, 42.35

 

CMYK 0 / 97 / 91 / 13

HEX #DF0715

RGB 223 7 21

HSL 356.11, 0.94%, 0.45%

LAB 46.84, 72.01, 54.18

 

CMYK 0 / 88 / 82 / 20

HEX #CC1925

RGB 204 25 37

HSL 355.98, 0.78%, 0.45%

LAB 43.75, 65.29, 42.35

 

CMYK 0 / 76 / 72 / 27

HEX #BA2C35

RGB 186 44 53

HSL 356.2, 0.62%, 0.45%

LAB 42, 56.05, 30.18

 

CMYK 0 / 63 / 59 / 35

HEX #A73E45

RGB 167 62 69

HSL 356, 0.46%, 0.45%

LAB 41.36, 43.74, 18.86

 

CMYK 0 / 46 / 43 / 42

HEX #955155

RGB 149 81 85

HSL 356.47, 0.3%, 0.45%

LAB 42.66, 28.75, 10.32

 

CMYK 0 / 23 / 22 / 49

HEX #826466

RGB 130 100 102

HSL 356, 0.13%, 0.45%

LAB 45.39, 12.41, 3.52

 

CMYK 0 / 88 / 35 / 20

HEX #CC1985

RGB 204 25 133

HSL 323.8, 0.78%, 0.45%

LAB 45.94, 71.47, -13.3

 

CMYK 0 / 88 / 58 / 20

HEX #CC1955

RGB 204 25 85

HSL 339.89, 0.78%, 0.45%

LAB 44.5, 67.45, 14.33

 

CMYK 0 / 88 / 82 / 20

HEX #CC1925

RGB 204 25 37

HSL 355.98, 0.78%, 0.45%

LAB 43.75, 65.29, 42.35

 

CMYK 0 / 70 / 88 / 20

HEX #CC3D19

RGB 204 61 25

HSL 12.07, 0.78%, 0.45%

LAB 47.29, 54.83, 51.2

 

CMYK 0 / 47 / 88 / 20

HEX #CC6D19

RGB 204 109 25

HSL 28.16, 0.78%, 0.45%

LAB 55.93, 32.43, 58.02

 

CMYK 0 / 88 / 82 / 49

HEX #831018

RGB 131 16 24

HSL 355.83, 0.78%, 0.29%

LAB 27.47, 46.38, 28.45

 

CMYK 0 / 88 / 82 / 34

HEX #A8151E

RGB 168 21 30

HSL 356.33, 0.78%, 0.37%

LAB 35.9, 56.08, 36.02

 

CMYK 0 / 88 / 82 / 20

HEX #CC1925

RGB 204 25 37

HSL 355.98, 0.78%, 0.45%

LAB 43.75, 65.29, 42.35

 

CMYK 0 / 82 / 76 / 10

HEX #E52A36

RGB 229 42 54

HSL 356.15, 0.78%, 0.53%

LAB 50.19, 68.95, 41.13

 

CMYK 0 / 66 / 62 / 9

HEX #E94F59

RGB 233 79 89

HSL 356.1, 0.78%, 0.61%

LAB 55.72, 59.85, 27.77

 

CMYK 0 / 88 / 82 / 19

HEX #CE1925

RGB 206 25 37

HSL 356.02, 0.78%, 0.45%

LAB 44.16, 65.82, 42.88

 

CMYK 12 / 0 / 88 / 20

HEX #B4CC19

RGB 180 204 25

HSL 68.04, 0.78%, 0.45%

LAB 77.85, -28, 74.68

 

CMYK 88 / 47 / 0 / 20

HEX #196DCC

RGB 25 109 204

HSL 211.84, 0.78%, 0.45%

LAB 46.32, 11.82, -55.83

 

CMYK 0 / 88 / 82 / 19

HEX #CE1925

RGB 206 25 37

HSL 356.02, 0.78%, 0.45%

LAB 44.16, 65.82, 42.88

 

CMYK 82 / 0 / 88 / 20

HEX #25CC19

RGB 37 204 25

HSL 115.98, 0.78%, 0.45%

LAB 71.99, -69.84, 67.4

 

CMYK 88 / 82 / 0 / 20

HEX #1925CC

RGB 25 37 204

HSL 235.98, 0.78%, 0.45%

LAB 29.13, 56.03, -83.97

 

CMYK 0 / 88 / 82 / 19

HEX #CE1925

RGB 206 25 37

HSL 356.02, 0.78%, 0.45%

LAB 44.16, 65.82, 42.88

 

CMYK 12 / 0 / 88 / 20

HEX #B4CC19

RGB 180 204 25

HSL 68.04, 0.78%, 0.45%

LAB 77.85, -28, 74.68

 

CMYK 88 / 0 / 6 / 20

HEX #19CCC0

RGB 25 204 192

HSL 175.98, 0.78%, 0.45%

LAB 74.32, -43.25, -5.77

 

CMYK 76 / 88 / 0 / 20

HEX #3119CC

RGB 49 25 204

HSL 248.04, 0.78%, 0.45%

LAB 28.66, 61.85, -84.72

 

CMYK 0 / 88 / 82 / 19

HEX #CE1925

RGB 206 25 37

HSL 356.02, 0.78%, 0.45%

LAB 44.16, 65.82, 42.88

 

CMYK 38 / 0 / 88 / 20

HEX #7FCC19

RGB 127 204 25

HSL 85.81, 0.78%, 0.45%

LAB 74.68, -48.46, 70.76

 

CMYK 88 / 0 / 6 / 20

HEX #19CCC0

RGB 25 204 192

HSL 175.98, 0.78%, 0.45%

LAB 74.32, -43.25, -5.77

 

CMYK 50 / 88 / 0 / 20

HEX #6719CC

RGB 103 25 204

HSL 266.15, 0.78%, 0.45%

LAB 33.85, 65.94, -75.96

 

Description

Color code: HEX #CE1925 | qconv.com Color code: HEX #CE1925 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 25 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 25 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 82 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 82% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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