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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE18C0 it is the complementary color #31E73F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE18C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE18C0 shade: #D318BB, #E42ACE, #F53CE1, #FF4EF4 and #FF60FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE18C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE18C0 shade: #CE18C0, #BD06AD, #AC009A, #9B0087 and #8A0074

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE18C0 shade: #CD18BF, #CD188E, #CD185D, #CD182C and #CD1818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE18C0 shade: #CD18BF, #AA18CD, #7918CD, #4818CD and #1818CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE18C0 shade matches the following richer shades: #CD18BF and #DF05CF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE18C0 shade: #CD18BF, #BA2AAF, #A83DA0, #954F90 and #836280

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE18C0 shade: #7818CD, #A918CD, #CD18C1, #CD1890 and #CD1860

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE18C0 shade: #830F7A, #A8139D, #CD18BF, #E528D7 and #EA4DDE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE18C0 shade: #CE18C0, #CD4818 and #18CD90

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE18C0 shade: #CE18C0, #C1CD18 and #18C1CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE18C0 shade: #CE18C0, #CD4818, #18CD24 and #189DCD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE18C0 shade: #CE18C0, #CD7E18, #18CD24 and #1866CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 7 / 19

HEX #CE18C0

RGB 206 24 192

HSL 304.62, 0.79%, 0.45%

LAB 48.98, 79.28, -43.69

 

Complementary color

CMYK 79 / 0 / 73 / 9

HEX #31E73F

RGB 49 231 63

HSL 124.62, 0.79%, 0.55%

LAB 80.83, -74.16, 65.26

 

CMYK 0 / 89 / 11 / 17

HEX #D318BB

RGB 211 24 187

HSL 307.7, 0.8%, 0.46%

LAB 49.61, 79.52, -39.73

 

CMYK 0 / 82 / 10 / 11

HEX #E42ACE

RGB 228 42 206

HSL 307.1, 0.78%, 0.53%

LAB 54.66, 82.09, -42.53

 

CMYK 0 / 76 / 8 / 4

HEX #F53CE1

RGB 245 60 225

HSL 306.49, 0.9%, 0.6%

LAB 59.96, 83.77, -44.77

 

CMYK 0 / 69 / 4 / 0

HEX #FF4EF4

RGB 255 78 244

HSL 303.73, 1%, 0.65%

LAB 64.36, 83.26, -48.33

 

CMYK 0 / 62 / 0 / 0

HEX #FF60FF

RGB 255 96 255

HSL 300, 1%, 0.69%

LAB 67.16, 78.59, -49.97

 

CMYK 0 / 88 / 7 / 19

HEX #CE18C0

RGB 206 24 192

HSL 304.62, 0.79%, 0.45%

LAB 48.98, 79.28, -43.69

 

CMYK 0 / 97 / 8 / 26

HEX #BD06AD

RGB 189 6 173

HSL 305.25, 0.94%, 0.38%

LAB 44.18, 75.61, -40.33

 

CMYK 0 / 100 / 10 / 33

HEX #AC009A

RGB 172 0 154

HSL 306.28, 1%, 0.34%

LAB 39.75, 70.56, -36.16

 

CMYK 0 / 100 / 13 / 39

HEX #9B0087

RGB 155 0 135

HSL 307.74, 1%, 0.3%

LAB 35.44, 64.85, -31.56

 

CMYK 0 / 100 / 16 / 46

HEX #8A0074

RGB 138 0 116

HSL 309.57, 1%, 0.27%

LAB 31.03, 59.02, -26.8

 

CMYK 0 / 88 / 7 / 20

HEX #CD18BF

RGB 205 24 191

HSL 304.64, 0.79%, 0.45%

LAB 48.75, 78.96, -43.48

 

CMYK 0 / 88 / 31 / 20

HEX #CD188E

RGB 205 24 142

HSL 320.88, 0.79%, 0.45%

LAB 46.43, 72.81, -18.02

 

CMYK 0 / 88 / 55 / 20

HEX #CD185D

RGB 205 24 93

HSL 337.13, 0.79%, 0.45%

LAB 44.83, 68.41, 9.82

 

CMYK 0 / 88 / 79 / 20

HEX #CD182C

RGB 205 24 44

HSL 353.37, 0.79%, 0.45%

LAB 43.97, 65.93, 38.72

 

CMYK 0 / 88 / 88 / 20

HEX #CD1818

RGB 205 24 24

HSL 0, 0.79%, 0.45%

LAB 43.8, 65.44, 49

 

CMYK 0 / 88 / 7 / 20

HEX #CD18BF

RGB 205 24 191

HSL 304.64, 0.79%, 0.45%

LAB 48.75, 78.96, -43.48

 

CMYK 17 / 88 / 0 / 20

HEX #AA18CD

RGB 170 24 205

HSL 288.4, 0.79%, 0.45%

LAB 43.66, 75.22, -60.1

 

CMYK 41 / 88 / 0 / 20

HEX #7918CD

RGB 121 24 205

HSL 272.15, 0.79%, 0.45%

LAB 36.23, 68.42, -72.55

 

CMYK 65 / 88 / 0 / 20

HEX #4818CD

RGB 72 24 205

HSL 255.91, 0.79%, 0.45%

LAB 30.49, 63.77, -82.21

 

CMYK 88 / 88 / 0 / 20

HEX #1818CD

RGB 24 24 205

HSL 240, 0.79%, 0.45%

LAB 27.45, 61.6, -87.36

 

CMYK 0 / 88 / 7 / 20

HEX #CD18BF

RGB 205 24 191

HSL 304.64, 0.79%, 0.45%

LAB 48.75, 78.96, -43.48

 

CMYK 0 / 98 / 7 / 13

HEX #DF05CF

RGB 223 5 207

HSL 304.4, 0.96%, 0.45%

LAB 52.18, 86.21, -47.1

 

CMYK 0 / 88 / 7 / 20

HEX #CD18BF

RGB 205 24 191

HSL 304.64, 0.79%, 0.45%

LAB 48.75, 78.96, -43.48

 

CMYK 0 / 77 / 6 / 27

HEX #BA2AAF

RGB 186 42 175

HSL 304.58, 0.63%, 0.45%

LAB 45.89, 69.11, -38.84

 

CMYK 0 / 64 / 5 / 34

HEX #A83DA0

RGB 168 61 160

HSL 304.49, 0.47%, 0.45%

LAB 44.52, 55.88, -32.3

 

CMYK 0 / 47 / 3 / 42

HEX #954F90

RGB 149 79 144

HSL 304.29, 0.31%, 0.45%

LAB 44.23, 38.91, -23.38

 

CMYK 0 / 25 / 2 / 49

HEX #836280

RGB 131 98 128

HSL 305.45, 0.14%, 0.45%

LAB 45.8, 18.75, -11.54

 

CMYK 41 / 88 / 0 / 20

HEX #7818CD

RGB 120 24 205

HSL 271.82, 0.79%, 0.45%

LAB 36.09, 68.31, -72.78

 

CMYK 18 / 88 / 0 / 20

HEX #A918CD

RGB 169 24 205

HSL 288.07, 0.79%, 0.45%

LAB 43.5, 75.06, -60.37

 

CMYK 0 / 88 / 6 / 20

HEX #CD18C1

RGB 205 24 193

HSL 303.98, 0.79%, 0.45%

LAB 48.86, 79.24, -44.47

 

CMYK 0 / 88 / 30 / 20

HEX #CD1890

RGB 205 24 144

HSL 320.22, 0.79%, 0.45%

LAB 46.51, 73.03, -19.1

 

CMYK 0 / 88 / 53 / 20

HEX #CD1860

RGB 205 24 96

HSL 336.13, 0.79%, 0.45%

LAB 44.91, 68.62, 8.06

 

CMYK 0 / 89 / 7 / 49

HEX #830F7A

RGB 131 15 122

HSL 304.66, 0.79%, 0.29%

LAB 30.81, 56.13, -31.04

 

CMYK 0 / 89 / 7 / 34

HEX #A8139D

RGB 168 19 157

HSL 304.43, 0.8%, 0.37%

LAB 39.96, 67.96, -37.7

 

CMYK 0 / 88 / 7 / 20

HEX #CD18BF

RGB 205 24 191

HSL 304.64, 0.79%, 0.45%

LAB 48.75, 78.96, -43.48

 

CMYK 0 / 83 / 6 / 10

HEX #E528D7

RGB 229 40 215

HSL 304.44, 0.78%, 0.53%

LAB 55.16, 83.96, -46.88

 

CMYK 0 / 67 / 5 / 8

HEX #EA4DDE

RGB 234 77 222

HSL 304.59, 0.79%, 0.61%

LAB 59.96, 75.61, -43.21

 

CMYK 0 / 88 / 7 / 19

HEX #CE18C0

RGB 206 24 192

HSL 304.62, 0.79%, 0.45%

LAB 48.98, 79.28, -43.69

 

CMYK 0 / 65 / 88 / 20

HEX #CD4818

RGB 205 72 24

HSL 15.91, 0.79%, 0.45%

LAB 49.11, 50.71, 53.09

 

CMYK 88 / 0 / 30 / 20

HEX #18CD90

RGB 24 205 144

HSL 159.78, 0.79%, 0.45%

LAB 73.46, -55.95, 18.82

 

CMYK 0 / 88 / 7 / 19

HEX #CE18C0

RGB 206 24 192

HSL 304.62, 0.79%, 0.45%

LAB 48.98, 79.28, -43.69

 

CMYK 6 / 0 / 88 / 20

HEX #C1CD18

RGB 193 205 24

HSL 63.98, 0.79%, 0.45%

LAB 79.08, -23.07, 76.25

 

CMYK 88 / 6 / 0 / 20

HEX #18C1CD

RGB 24 193 205

HSL 183.98, 0.79%, 0.45%

LAB 71.38, -34.45, -17.23

 

CMYK 0 / 88 / 7 / 19

HEX #CE18C0

RGB 206 24 192

HSL 304.62, 0.79%, 0.45%

LAB 48.98, 79.28, -43.69

 

CMYK 0 / 65 / 88 / 20

HEX #CD4818

RGB 205 72 24

HSL 15.91, 0.79%, 0.45%

LAB 49.11, 50.71, 53.09

 

CMYK 88 / 0 / 82 / 20

HEX #18CD24

RGB 24 205 36

HSL 123.98, 0.79%, 0.45%

LAB 72.22, -70.83, 65.07

 

CMYK 88 / 23 / 0 / 20

HEX #189DCD

RGB 24 157 205

HSL 195.91, 0.79%, 0.45%

LAB 60.53, -16.26, -33.88

 

CMYK 0 / 88 / 7 / 19

HEX #CE18C0

RGB 206 24 192

HSL 304.62, 0.79%, 0.45%

LAB 48.98, 79.28, -43.69

 

CMYK 0 / 39 / 88 / 20

HEX #CD7E18

RGB 205 126 24

HSL 33.81, 0.79%, 0.45%

LAB 59.86, 23.74, 61.47

 

CMYK 88 / 0 / 82 / 20

HEX #18CD24

RGB 24 205 36

HSL 123.98, 0.79%, 0.45%

LAB 72.22, -70.83, 65.07

 

CMYK 88 / 50 / 0 / 20

HEX #1866CD

RGB 24 102 205

HSL 214.14, 0.79%, 0.45%

LAB 44.38, 16.65, -59.52

 

Description

Color code: HEX #CE18C0 | qconv.com Color code: HEX #CE18C0 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 24 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 24 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 7 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 7% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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