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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE1463 it is the complementary color #31EB9C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE1463. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE1463 shade: #D3145E, #E42671, #F53884, #FF4A97 and #FF5CAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE1463. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE1463 shade: #CE1463, #BD0250, #AC003D, #9B002A and #8A0017

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE1463 shade: #CC1462, #CC1431 and #CC1414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE1463 shade: #CC1462, #CC1494, #CC14C6, #A114CC and #7014CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE1463 shade matches the following richer shades: #CC1462 and #DE0260

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE1463 shade: #CC1462, #BA2665, #A83968, #964B6B and #845D6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE1463 shade: #CC14C6, #CC1495, #CC1464, #CC1433 and #CC2714

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE1463 shade: #810D3E, #A71050, #CC1462, #E92176 and #ED468D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE1463 shade: #CE1463, #CCA114 and #14AECC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE1463 shade: #CE1463, #64CC14 and #1464CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE1463 shade: #CE1463, #CCA114, #14CC7C and #143FCC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE1463 shade: #CE1463, #C0CC14, #14CC7C and #2014CC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 52 / 19

HEX #CE1463

RGB 206 20 99

HSL 334.52, 0.82%, 0.44%

LAB 44.97, 69.7, 6.31

 

Complementary color

CMYK 79 / 0 / 34 / 8

HEX #31EB9C

RGB 49 235 156

HSL 154.52, 0.82%, 0.56%

LAB 83.16, -62.42, 25.89

 

CMYK 0 / 91 / 55 / 17

HEX #D3145E

RGB 211 20 94

HSL 336.75, 0.83%, 0.45%

LAB 45.85, 70.54, 10.8

 

CMYK 0 / 83 / 50 / 11

HEX #E42671

RGB 228 38 113

HSL 336.32, 0.78%, 0.52%

LAB 50.77, 72.84, 6.54

 

CMYK 0 / 77 / 46 / 4

HEX #F53884

RGB 245 56 132

HSL 335.87, 0.9%, 0.59%

LAB 55.99, 74.22, 3.04

 

CMYK 0 / 71 / 41 / 0

HEX #FF4A97

RGB 255 74 151

HSL 334.48, 1%, 0.65%

LAB 60.24, 73.04, -1.74

 

CMYK 0 / 64 / 33 / 0

HEX #FF5CAA

RGB 255 92 170

HSL 331.29, 1%, 0.68%

LAB 63.19, 68.44, -8.37

 

CMYK 0 / 90 / 52 / 19

HEX #CE1463

RGB 206 20 99

HSL 334.52, 0.82%, 0.44%

LAB 44.97, 69.7, 6.31

 

CMYK 0 / 99 / 58 / 26

HEX #BD0250

RGB 189 2 80

HSL 334.97, 0.98%, 0.37%

LAB 40.31, 66.37, 11.24

 

CMYK 0 / 100 / 65 / 33

HEX #AC003D

RGB 172 0 61

HSL 338.72, 1%, 0.34%

LAB 36.19, 61.4, 17.27

 

CMYK 0 / 100 / 73 / 39

HEX #9B002A

RGB 155 0 42

HSL 343.74, 1%, 0.3%

LAB 32.11, 56.26, 23.69

 

CMYK 0 / 100 / 83 / 46

HEX #8A0017

RGB 138 0 23

HSL 350, 1%, 0.27%

LAB 28.02, 51.2, 30.13

 

CMYK 0 / 90 / 52 / 20

HEX #CC1462

RGB 204 20 98

HSL 334.57, 0.82%, 0.44%

LAB 44.55, 69.15, 6.27

 

CMYK 0 / 90 / 76 / 20

HEX #CC1431

RGB 204 20 49

HSL 350.54, 0.82%, 0.44%

LAB 43.59, 66.48, 35.34

 

CMYK 0 / 90 / 90 / 20

HEX #CC1414

RGB 204 20 20

HSL 0, 0.82%, 0.44%

LAB 43.34, 65.76, 50.31

 

CMYK 0 / 90 / 52 / 20

HEX #CC1462

RGB 204 20 98

HSL 334.57, 0.82%, 0.44%

LAB 44.55, 69.15, 6.27

 

CMYK 0 / 90 / 27 / 20

HEX #CC1494

RGB 204 20 148

HSL 318.26, 0.82%, 0.44%

LAB 46.28, 73.86, -21.89

 

CMYK 0 / 90 / 3 / 20

HEX #CC14C6

RGB 204 20 198

HSL 301.96, 0.82%, 0.44%

LAB 48.78, 80.34, -47.52

 

CMYK 21 / 90 / 0 / 20

HEX #A114CC

RGB 161 20 204

HSL 285.98, 0.82%, 0.44%

LAB 41.9, 74.36, -62.45

 

CMYK 45 / 90 / 0 / 20

HEX #7014CC

RGB 112 20 204

HSL 270, 0.82%, 0.44%

LAB 34.61, 68.09, -74.67

 

CMYK 0 / 90 / 52 / 20

HEX #CC1462

RGB 204 20 98

HSL 334.57, 0.82%, 0.44%

LAB 44.55, 69.15, 6.27

 

CMYK 0 / 99 / 57 / 13

HEX #DE0260

RGB 222 2 96

HSL 334.36, 0.98%, 0.44%

LAB 47.52, 74.98, 12.22

 

CMYK 0 / 90 / 52 / 20

HEX #CC1462

RGB 204 20 98

HSL 334.57, 0.82%, 0.44%

LAB 44.55, 69.15, 6.27

 

CMYK 0 / 80 / 46 / 27

HEX #BA2665

RGB 186 38 101

HSL 334.46, 0.66%, 0.44%

LAB 42.41, 61.14, 0.85

 

CMYK 0 / 66 / 38 / 34

HEX #A83968

RGB 168 57 104

HSL 334.59, 0.49%, 0.44%

LAB 41.61, 49.61, -2.57

 

CMYK 0 / 50 / 29 / 41

HEX #964B6B

RGB 150 75 107

HSL 334.4, 0.33%, 0.44%

LAB 42.12, 35.27, -4

 

CMYK 0 / 30 / 17 / 48

HEX #845D6D

RGB 132 93 109

HSL 335.38, 0.17%, 0.44%

LAB 44, 18.55, -2.72

 

CMYK 0 / 90 / 3 / 20

HEX #CC14C6

RGB 204 20 198

HSL 301.96, 0.82%, 0.44%

LAB 48.78, 80.34, -47.52

 

CMYK 0 / 90 / 27 / 20

HEX #CC1495

RGB 204 20 149

HSL 317.93, 0.82%, 0.44%

LAB 46.32, 73.97, -22.42

 

CMYK 0 / 90 / 51 / 20

HEX #CC1464

RGB 204 20 100

HSL 333.91, 0.82%, 0.44%

LAB 44.6, 69.3, 5.1

 

CMYK 0 / 90 / 75 / 20

HEX #CC1433

RGB 204 20 51

HSL 349.89, 0.82%, 0.44%

LAB 43.62, 66.55, 34.18

 

CMYK 0 / 81 / 90 / 20

HEX #CC2714

RGB 204 39 20

HSL 6.2, 0.82%, 0.44%

LAB 44.72, 61.84, 51.28

 

CMYK 0 / 90 / 52 / 49

HEX #810D3E

RGB 129 13 62

HSL 334.66, 0.82%, 0.28%

LAB 27.58, 48.72, 3.28

 

CMYK 0 / 90 / 52 / 35

HEX #A71050

RGB 167 16 80

HSL 334.57, 0.83%, 0.36%

LAB 36.3, 59.39, 4.92

 

CMYK 0 / 90 / 52 / 20

HEX #CC1462

RGB 204 20 98

HSL 334.57, 0.82%, 0.44%

LAB 44.55, 69.15, 6.27

 

CMYK 0 / 86 / 49 / 9

HEX #E92176

RGB 233 33 118

HSL 334.5, 0.82%, 0.52%

LAB 51.52, 75.43, 4.7

 

CMYK 0 / 70 / 41 / 7

HEX #ED468D

RGB 237 70 141

HSL 334.49, 0.82%, 0.6%

LAB 56.39, 68.56, -1.88

 

CMYK 0 / 90 / 52 / 19

HEX #CE1463

RGB 206 20 99

HSL 334.52, 0.82%, 0.44%

LAB 44.97, 69.7, 6.31

 

CMYK 0 / 21 / 90 / 20

HEX #CCA114

RGB 204 161 20

HSL 45.98, 0.82%, 0.44%

LAB 68.3, 4.25, 68.9

 

CMYK 90 / 15 / 0 / 20

HEX #14AECC

RGB 20 174 204

HSL 189.78, 0.82%, 0.44%

LAB 65.58, -25.71, -25.52

 

CMYK 0 / 90 / 52 / 19

HEX #CE1463

RGB 206 20 99

HSL 334.52, 0.82%, 0.44%

LAB 44.97, 69.7, 6.31

 

CMYK 51 / 0 / 90 / 20

HEX #64CC14

RGB 100 204 20

HSL 93.91, 0.82%, 0.44%

LAB 73.51, -57.24, 70.18

 

CMYK 90 / 51 / 0 / 20

HEX #1464CC

RGB 20 100 204

HSL 213.91, 0.82%, 0.44%

LAB 43.69, 17.33, -60.08

 

CMYK 0 / 90 / 52 / 19

HEX #CE1463

RGB 206 20 99

HSL 334.52, 0.82%, 0.44%

LAB 44.97, 69.7, 6.31

 

CMYK 0 / 21 / 90 / 20

HEX #CCA114

RGB 204 161 20

HSL 45.98, 0.82%, 0.44%

LAB 68.3, 4.25, 68.9

 

CMYK 90 / 0 / 39 / 20

HEX #14CC7C

RGB 20 204 124

HSL 153.91, 0.82%, 0.44%

LAB 72.75, -59.99, 28.36

 

CMYK 90 / 69 / 0 / 20

HEX #143FCC

RGB 20 63 204

HSL 225.98, 0.82%, 0.44%

LAB 34.11, 41.37, -75.72

 

CMYK 0 / 90 / 52 / 19

HEX #CE1463

RGB 206 20 99

HSL 334.52, 0.82%, 0.44%

LAB 44.97, 69.7, 6.31

 

CMYK 6 / 0 / 90 / 20

HEX #C0CC14

RGB 192 204 20

HSL 63.91, 0.82%, 0.44%

LAB 78.72, -23.08, 76.58

 

CMYK 90 / 0 / 39 / 20

HEX #14CC7C

RGB 20 204 124

HSL 153.91, 0.82%, 0.44%

LAB 72.75, -59.99, 28.36

 

CMYK 84 / 90 / 0 / 20

HEX #2014CC

RGB 32 20 204

HSL 243.91, 0.82%, 0.44%

LAB 27.21, 62.81, -87.17

 

Description

Color code: HEX #CE1463 | qconv.com Color code: HEX #CE1463 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 20 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 20 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 52 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 52% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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