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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE0D25 it is the complementary color #31F2DA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE0D25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE0D25 shade: #D30D20, #E41F33, #F53146, #FF4359 and #FF556C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE0D25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE0D25 shade: #CE0D25, #BD0012, #AC0000, #9B0000 and #8A0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE0D25 shade: #CE0D25 and #CE0D0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE0D25 shade: #CE0D25, #CE0D59, #CE0D8D, #CE0DC1 and #A70DCE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE0D25 shade matches the following richer shades: #CE0D25

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE0D25 shade: #CE0D25, #BC1F32, #AB3140, #99424D and #87545A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE0D25 shade: #CE0D8E, #CE0D5A, #CE0D27, #CE270D and #CE5A0D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE0D25 shade: #810817, #A70B1E, #CE0D25, #F01530 and #F33B52

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE0D25 shade: #CE0D25, #C1CE0D and #0D74CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE0D25 shade: #CE0D25, #27CE0D and #0D27CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE0D25 shade: #CE0D25, #C1CE0D, #0DCEB4 and #1A0DCE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE0D25 shade: #CE0D25, #87CE0D, #0DCEB4 and #540DCE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 94 / 82 / 19

HEX #CE0D25

RGB 206 13 37

HSL 352.54, 0.88%, 0.43%

LAB 43.57, 67.52, 42.32

 

Complementary color

CMYK 80 / 0 / 10 / 5

HEX #31F2DA

RGB 49 242 218

HSL 172.54, 0.88%, 0.57%

LAB 86.61, -50.66, -1.49

 

CMYK 0 / 94 / 85 / 17

HEX #D30D20

RGB 211 13 32

HSL 354.24, 0.88%, 0.44%

LAB 44.58, 68.66, 46.28

 

CMYK 0 / 86 / 78 / 11

HEX #E41F33

RGB 228 31 51

HSL 353.91, 0.78%, 0.51%

LAB 49.15, 70.91, 41.63

 

CMYK 0 / 80 / 71 / 4

HEX #F53146

RGB 245 49 70

HSL 353.57, 0.91%, 0.58%

LAB 54.08, 72.18, 37.24

 

CMYK 0 / 74 / 65 / 0

HEX #FF4359

RGB 255 67 89

HSL 352.98, 1%, 0.63%

LAB 58.03, 70.74, 31.5

 

CMYK 0 / 67 / 58 / 0

HEX #FF556C

RGB 255 85 108

HSL 351.88, 1%, 0.67%

LAB 60.64, 65.59, 23.88

 

CMYK 0 / 94 / 82 / 19

HEX #CE0D25

RGB 206 13 37

HSL 352.54, 0.88%, 0.43%

LAB 43.57, 67.52, 42.32

 

CMYK 0 / 100 / 90 / 26

HEX #BD0012

RGB 189 0 18

HSL 354.29, 1%, 0.37%

LAB 39.35, 64.16, 46.88

 

CMYK 0 / 100 / 100 / 33

HEX #AC0000

RGB 172 0 0

HSL 0, 1%, 0.34%

LAB 35.54, 59.64, 49.89

HEX #AC0000

CMYK 0 / 100 / 100 / 39

HEX #9B0000

RGB 155 0 0

HSL 0, 1%, 0.3%

LAB 31.74, 55.23, 45.67

HEX #9B0000

CMYK 0 / 100 / 100 / 46

HEX #8A0000

RGB 138 0 0

HSL 0, 1%, 0.27%

LAB 27.85, 50.74, 41.01

HEX #8A0000

CMYK 0 / 94 / 82 / 19

HEX #CE0D25

RGB 206 13 37

HSL 352.54, 0.88%, 0.43%

LAB 43.57, 67.52, 42.32

 

CMYK 0 / 94 / 94 / 19

HEX #CE0D0D

RGB 206 13 13

HSL 0, 0.88%, 0.43%

LAB 43.42, 67.09, 53.23

 

CMYK 0 / 94 / 82 / 19

HEX #CE0D25

RGB 206 13 37

HSL 352.54, 0.88%, 0.43%

LAB 43.57, 67.52, 42.32

 

CMYK 0 / 94 / 57 / 19

HEX #CE0D59

RGB 206 13 89

HSL 336.37, 0.88%, 0.43%

LAB 44.42, 69.87, 11.78

 

CMYK 0 / 94 / 32 / 19

HEX #CE0D8D

RGB 206 13 141

HSL 320.21, 0.88%, 0.43%

LAB 46.09, 74.34, -17.91

 

CMYK 0 / 94 / 6 / 19

HEX #CE0DC1

RGB 206 13 193

HSL 304.04, 0.88%, 0.43%

LAB 48.59, 80.75, -44.9

 

CMYK 19 / 94 / 0 / 19

HEX #A70DCE

RGB 167 13 206

HSL 287.88, 0.88%, 0.43%

LAB 42.7, 76.55, -62.26

 

CMYK 0 / 94 / 82 / 19

HEX #CE0D25

RGB 206 13 37

HSL 352.54, 0.88%, 0.43%

LAB 43.57, 67.52, 42.32

 

CMYK 0 / 94 / 82 / 19

HEX #CE0D25

RGB 206 13 37

HSL 352.54, 0.88%, 0.43%

LAB 43.57, 67.52, 42.32

 

CMYK 0 / 84 / 73 / 26

HEX #BC1F32

RGB 188 31 50

HSL 352.74, 0.72%, 0.43%

LAB 41.06, 60.14, 30.99

 

CMYK 0 / 71 / 63 / 33

HEX #AB3140

RGB 171 49 64

HSL 352.62, 0.55%, 0.43%

LAB 39.96, 50.23, 20.26

 

CMYK 0 / 57 / 50 / 40

HEX #99424D

RGB 153 66 77

HSL 352.41, 0.4%, 0.43%

LAB 39.92, 37.45, 11.56

 

CMYK 0 / 38 / 33 / 47

HEX #87545A

RGB 135 84 90

HSL 352.94, 0.23%, 0.43%

LAB 41.58, 22.06, 5.45

 

CMYK 0 / 94 / 31 / 19

HEX #CE0D8E

RGB 206 13 142

HSL 319.9, 0.88%, 0.43%

LAB 46.13, 74.45, -18.46

 

CMYK 0 / 94 / 56 / 19

HEX #CE0D5A

RGB 206 13 90

HSL 336.06, 0.88%, 0.43%

LAB 44.44, 69.94, 11.19

 

CMYK 0 / 94 / 81 / 19

HEX #CE0D27

RGB 206 13 39

HSL 351.92, 0.88%, 0.43%

LAB 43.59, 67.57, 41.23

 

CMYK 0 / 81 / 94 / 19

HEX #CE270D

RGB 206 39 13

HSL 8.08, 0.88%, 0.43%

LAB 45.08, 62.33, 54.22

 

CMYK 0 / 56 / 94 / 19

HEX #CE5A0D

RGB 206 90 13

HSL 23.94, 0.88%, 0.43%

LAB 52.36, 42.67, 58.88

 

CMYK 0 / 94 / 82 / 49

HEX #810817

RGB 129 8 23

HSL 352.56, 0.88%, 0.27%

LAB 26.46, 47.36, 27.88

 

CMYK 0 / 93 / 82 / 35

HEX #A70B1E

RGB 167 11 30

HSL 352.69, 0.88%, 0.35%

LAB 35.1, 57.48, 35.16

 

CMYK 0 / 94 / 82 / 19

HEX #CE0D25

RGB 206 13 37

HSL 352.54, 0.88%, 0.43%

LAB 43.57, 67.52, 42.32

 

CMYK 0 / 91 / 80 / 6

HEX #F01530

RGB 240 21 48

HSL 352.6, 0.88%, 0.51%

LAB 51.01, 75.39, 45.97

 

CMYK 0 / 76 / 66 / 5

HEX #F33B52

RGB 243 59 82

HSL 352.5, 0.88%, 0.59%

LAB 54.86, 69.43, 31.12

 

CMYK 0 / 94 / 82 / 19

HEX #CE0D25

RGB 206 13 37

HSL 352.54, 0.88%, 0.43%

LAB 43.57, 67.52, 42.32

 

CMYK 6 / 0 / 94 / 19

HEX #C1CE0D

RGB 193 206 13

HSL 64.04, 0.88%, 0.43%

LAB 79.33, -23.73, 78

 

CMYK 94 / 44 / 0 / 19

HEX #0D74CE

RGB 13 116 206

HSL 207.98, 0.88%, 0.43%

LAB 48.3, 7.57, -53.79

 

CMYK 0 / 94 / 82 / 19

HEX #CE0D25

RGB 206 13 37

HSL 352.54, 0.88%, 0.43%

LAB 43.57, 67.52, 42.32

 

CMYK 81 / 0 / 94 / 19

HEX #27CE0D

RGB 39 206 13

HSL 111.92, 0.88%, 0.43%

LAB 72.63, -70.53, 69.82

 

CMYK 94 / 81 / 0 / 19

HEX #0D27CE

RGB 13 39 206

HSL 231.92, 0.88%, 0.43%

LAB 29.39, 55.39, -84.71

 

CMYK 0 / 94 / 82 / 19

HEX #CE0D25

RGB 206 13 37

HSL 352.54, 0.88%, 0.43%

LAB 43.57, 67.52, 42.32

 

CMYK 6 / 0 / 94 / 19

HEX #C1CE0D

RGB 193 206 13

HSL 64.04, 0.88%, 0.43%

LAB 79.33, -23.73, 78

 

CMYK 94 / 0 / 13 / 19

HEX #0DCEB4

RGB 13 206 180

HSL 171.92, 0.88%, 0.43%

LAB 74.52, -47.97, 1.01

 

CMYK 87 / 94 / 0 / 19

HEX #1A0DCE

RGB 26 13 206

HSL 244.04, 0.88%, 0.43%

LAB 26.63, 65.04, -89.3

 

CMYK 0 / 94 / 82 / 19

HEX #CE0D25

RGB 206 13 37

HSL 352.54, 0.88%, 0.43%

LAB 43.57, 67.52, 42.32

 

CMYK 34 / 0 / 94 / 19

HEX #87CE0D

RGB 135 206 13

HSL 82.07, 0.88%, 0.43%

LAB 75.65, -46.72, 73.54

 

CMYK 94 / 0 / 13 / 19

HEX #0DCEB4

RGB 13 206 180

HSL 171.92, 0.88%, 0.43%

LAB 74.52, -47.97, 1.01

 

CMYK 59 / 94 / 0 / 19

HEX #540DCE

RGB 84 13 206

HSL 262.07, 0.88%, 0.43%

LAB 30.95, 67.49, -82

 

Description

Color code: HEX #CE0D25 | qconv.com Color code: HEX #CE0D25 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 13 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 13 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 94 magenta, 82 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 94% 82% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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