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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE063F it is the complementary color #31F9C0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE063F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE063F shade: #D3063A, #E4184D, #F52A60, #FF3C73 and #FF4E86

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE063F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE063F shade: #CE063F, #BD002C, #AC0019, #9B0006 and #8A0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE063F shade: #D00640, #D0060A and #D00606

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE063F shade: #D00640, #D00676, #D006AC, #BD06D0 and #8706D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE063F shade matches the following richer shades: #D00640

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE063F shade: #D00640, #BE1847, #AD294F, #9C3A56 and #8A4C5E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE063F shade: #D006AE, #D00679, #D00643, #D0060D and #D03506

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE063F shade: #800427, #A80534, #D00640, #F7084C and #F93069

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE063F shade: #CE063F, #D0BC06 and #0693D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE063F shade: #CE063F, #43D006 and #0643D0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE063F shade: #CE063F, #D0BC06, #06D093 and #061BD0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE063F shade: #CE063F, #A8D006, #06D093 and #2F06D0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 97 / 69 / 19

HEX #CE063F

RGB 206 6 63

HSL 342.9, 0.94%, 0.42%

LAB 43.67, 69.1, 27.04

 

Complementary color

CMYK 80 / 0 / 23 / 2

HEX #31F9C0

RGB 49 249 192

HSL 162.9, 0.94%, 0.58%

LAB 88.07, -59.87, 14.15

 

CMYK 0 / 97 / 73 / 17

HEX #D3063A

RGB 211 6 58

HSL 344.78, 0.94%, 0.43%

LAB 44.64, 70.1, 31.52

 

CMYK 0 / 89 / 66 / 11

HEX #E4184D

RGB 228 24 77

HSL 344.41, 0.81%, 0.49%

LAB 49.11, 73.11, 26.25

 

CMYK 0 / 83 / 61 / 4

HEX #F52A60

RGB 245 42 96

HSL 344.04, 0.91%, 0.56%

LAB 53.93, 75.1, 21.7

 

CMYK 0 / 76 / 55 / 0

HEX #FF3C73

RGB 255 60 115

HSL 343.08, 1%, 0.62%

LAB 57.78, 74.41, 15.91

 

CMYK 0 / 69 / 47 / 0

HEX #FF4E86

RGB 255 78 134

HSL 341.02, 1%, 0.65%

LAB 60.28, 70.14, 8.23

 

CMYK 0 / 97 / 69 / 19

HEX #CE063F

RGB 206 6 63

HSL 342.9, 0.94%, 0.42%

LAB 43.67, 69.1, 27.04

 

CMYK 0 / 100 / 77 / 26

HEX #BD002C

RGB 189 0 44

HSL 346.03, 1%, 0.37%

LAB 39.58, 64.8, 33

 

CMYK 0 / 100 / 85 / 33

HEX #AC0019

RGB 172 0 25

HSL 351.28, 1%, 0.34%

LAB 35.68, 60.01, 38.91

 

CMYK 0 / 100 / 96 / 39

HEX #9B0006

RGB 155 0 6

HSL 357.68, 1%, 0.3%

LAB 31.77, 55.32, 43.24

 

CMYK 0 / 100 / 100 / 46

HEX #8A0000

RGB 138 0 0

HSL 0, 1%, 0.27%

LAB 27.85, 50.74, 41.01

 

CMYK 0 / 97 / 69 / 18

HEX #D00640

RGB 208 6 64

HSL 342.77, 0.94%, 0.42%

LAB 44.1, 69.63, 27.05

 

CMYK 0 / 97 / 95 / 18

HEX #D0060A

RGB 208 6 10

HSL 358.81, 0.94%, 0.42%

LAB 43.6, 68.24, 54.52

 

CMYK 0 / 97 / 97 / 18

HEX #D00606

RGB 208 6 6

HSL 0, 0.94%, 0.42%

LAB 43.59, 68.2, 55.74

 

CMYK 0 / 97 / 69 / 18

HEX #D00640

RGB 208 6 64

HSL 342.77, 0.94%, 0.42%

LAB 44.1, 69.63, 27.05

 

CMYK 0 / 97 / 43 / 18

HEX #D00676

RGB 208 6 118

HSL 326.73, 0.94%, 0.42%

LAB 45.43, 73.18, -4.78

 

CMYK 0 / 97 / 17 / 18

HEX #D006AC

RGB 208 6 172

HSL 310.69, 0.94%, 0.42%

LAB 47.65, 78.93, -34.04

 

CMYK 9 / 97 / 0 / 18

HEX #BD06D0

RGB 189 6 208

HSL 294.36, 0.94%, 0.42%

LAB 46.32, 80.81, -57.39

 

CMYK 35 / 97 / 0 / 18

HEX #8706D0

RGB 135 6 208

HSL 278.32, 0.94%, 0.42%

LAB 37.55, 73.58, -72.05

 

CMYK 0 / 97 / 69 / 18

HEX #D00640

RGB 208 6 64

HSL 342.77, 0.94%, 0.42%

LAB 44.1, 69.63, 27.05

 

CMYK 0 / 97 / 69 / 18

HEX #D00640

RGB 208 6 64

HSL 342.77, 0.94%, 0.42%

LAB 44.1, 69.63, 27.05

 

CMYK 0 / 87 / 63 / 25

HEX #BE1847

RGB 190 24 71

HSL 343.01, 0.78%, 0.42%

LAB 41.3, 63.21, 18.33

 

CMYK 0 / 76 / 54 / 32

HEX #AD294F

RGB 173 41 79

HSL 342.73, 0.62%, 0.42%

LAB 39.64, 54.76, 10.44

 

CMYK 0 / 63 / 45 / 39

HEX #9C3A56

RGB 156 58 86

HSL 342.86, 0.46%, 0.42%

LAB 39.18, 43.32, 4.93

 

CMYK 0 / 45 / 32 / 46

HEX #8A4C5E

RGB 138 76 94

HSL 342.58, 0.29%, 0.42%

LAB 40.21, 28.42, 1.05

 

CMYK 0 / 97 / 16 / 18

HEX #D006AE

RGB 208 6 174

HSL 310.1, 0.94%, 0.42%

LAB 47.75, 79.18, -35.07

 

CMYK 0 / 97 / 42 / 18

HEX #D00679

RGB 208 6 121

HSL 325.84, 0.94%, 0.42%

LAB 45.53, 73.45, -6.49

 

CMYK 0 / 97 / 68 / 18

HEX #D00643

RGB 208 6 67

HSL 341.88, 0.94%, 0.42%

LAB 44.15, 69.76, 25.25

 

CMYK 0 / 97 / 94 / 18

HEX #D0060D

RGB 208 6 13

HSL 357.92, 0.94%, 0.42%

LAB 43.61, 68.26, 53.57

 

CMYK 0 / 75 / 97 / 18

HEX #D03506

RGB 208 53 6

HSL 13.96, 0.94%, 0.42%

LAB 46.93, 58.7, 57.42

 

CMYK 0 / 97 / 70 / 50

HEX #800427

RGB 128 4 39

HSL 343.06, 0.94%, 0.26%

LAB 26.22, 48.5, 17.04

 

CMYK 0 / 97 / 69 / 34

HEX #A80534

RGB 168 5 52

HSL 342.7, 0.94%, 0.34%

LAB 35.36, 59.34, 21.86

 

CMYK 0 / 97 / 69 / 18

HEX #D00640

RGB 208 6 64

HSL 342.77, 0.94%, 0.42%

LAB 44.1, 69.63, 27.05

 

CMYK 0 / 97 / 69 / 3

HEX #F7084C

RGB 247 8 76

HSL 342.93, 0.94%, 0.5%

LAB 52.36, 79.24, 31.75

 

CMYK 0 / 81 / 58 / 2

HEX #F93069

RGB 249 48 105

HSL 342.99, 0.94%, 0.58%

LAB 55.35, 75.31, 18.35

 

CMYK 0 / 97 / 69 / 19

HEX #CE063F

RGB 206 6 63

HSL 342.9, 0.94%, 0.42%

LAB 43.67, 69.1, 27.04

 

CMYK 0 / 10 / 97 / 18

HEX #D0BC06

RGB 208 188 6

HSL 54.06, 0.94%, 0.42%

LAB 75.69, -8.36, 76.53

 

CMYK 97 / 29 / 0 / 18

HEX #0693D0

RGB 6 147 208

HSL 198.12, 0.94%, 0.42%

LAB 57.52, -10.4, -40.28

 

CMYK 0 / 97 / 69 / 19

HEX #CE063F

RGB 206 6 63

HSL 342.9, 0.94%, 0.42%

LAB 43.67, 69.1, 27.04

 

CMYK 68 / 0 / 97 / 18

HEX #43D006

RGB 67 208 6

HSL 101.88, 0.94%, 0.42%

LAB 73.75, -66.91, 71.68

 

CMYK 97 / 68 / 0 / 18

HEX #0643D0

RGB 6 67 208

HSL 221.88, 0.94%, 0.42%

LAB 35.22, 39.91, -76.23

 

CMYK 0 / 97 / 69 / 19

HEX #CE063F

RGB 206 6 63

HSL 342.9, 0.94%, 0.42%

LAB 43.67, 69.1, 27.04

 

CMYK 0 / 10 / 97 / 18

HEX #D0BC06

RGB 208 188 6

HSL 54.06, 0.94%, 0.42%

LAB 75.69, -8.36, 76.53

 

CMYK 97 / 0 / 29 / 18

HEX #06D093

RGB 6 208 147

HSL 161.88, 0.94%, 0.42%

LAB 74.35, -57.17, 18.45

 

CMYK 97 / 87 / 0 / 18

HEX #061BD0

RGB 6 27 208

HSL 233.76, 0.94%, 0.42%

LAB 27.78, 61.08, -88.56

 

CMYK 0 / 97 / 69 / 19

HEX #CE063F

RGB 206 6 63

HSL 342.9, 0.94%, 0.42%

LAB 43.67, 69.1, 27.04

 

CMYK 19 / 0 / 97 / 18

HEX #A8D006

RGB 168 208 6

HSL 71.88, 0.94%, 0.42%

LAB 78.14, -35.07, 77.01

 

CMYK 97 / 0 / 29 / 18

HEX #06D093

RGB 6 208 147

HSL 161.88, 0.94%, 0.42%

LAB 74.35, -57.17, 18.45

 

CMYK 77 / 97 / 0 / 18

HEX #2F06D0

RGB 47 6 208

HSL 252.18, 0.94%, 0.42%

LAB 27.54, 67.42, -88.92

 

Description

Color code: HEX #CE063F | qconv.com Color code: HEX #CE063F | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 6 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 6 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 97 magenta, 69 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 97% 69% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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