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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE00FA it is the complementary color #31FF05. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE00FA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE00FA shade: #D300F5, #E412FF, #F524FF, #FF36FF and #FF48FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE00FA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE00FA shade: #CE00FA, #BD00E7, #AC00D4, #9B00C1 and #8A00AE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE00FA shade: #CE00FA, #FA00E2, #FA009F, #FA005C and #FA0018

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE00FA shade: #CE00FA, #8B00FA, #4700FA, #0400FA and #0000FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE00FA shade matches the following richer shades: #CE00FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE00FA shade: #CE00FA, #C114E6, #B428D1, #A73DBD and #9A51A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE00FA shade: #4700FA, #8900FA, #CC00FA, #FA00E5 and #FA00A2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE00FA shade: #8A00A7, #AC00D1, #CE00FA, #D824FF and #E04DFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE00FA shade: #CE00FA, #FA0400 and #00FA68

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE00FA shade: #CE00FA, #FACC00 and #00FACC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE00FA shade: #CE00FA, #FA0400, #2EFA00 and #00F6FA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE00FA shade: #CE00FA, #FA4F00, #2EFA00 and #00ABFA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 100 / 0 / 2

HEX #CE00FA

RGB 206 0 250

HSL 289.44, 1%, 0.49%

LAB 51.86, 90.45, -72.11

 

Complementary color

CMYK 81 / 0 / 98 / 0

HEX #31FF05

RGB 49 255 5

HSL 109.44, 1%, 0.51%

LAB 88.06, -83.26, 83.19

 

CMYK 14 / 100 / 0 / 4

HEX #D300F5

RGB 211 0 245

HSL 291.67, 1%, 0.48%

LAB 52.33, 90.32, -68.51

 

CMYK 11 / 93 / 0 / 0

HEX #E412FF

RGB 228 18 255

HSL 293.16, 1%, 0.54%

LAB 56.23, 92.97, -67.65

 

CMYK 4 / 86 / 0 / 0

HEX #F524FF

RGB 245 36 255

HSL 297.26, 1%, 0.57%

LAB 59.79, 93.31, -61.78

 

CMYK 0 / 79 / 0 / 0

HEX #FF36FF

RGB 255 54 255

HSL 300, 1%, 0.61%

LAB 62.61, 91.54, -57.19

 

CMYK 0 / 72 / 0 / 0

HEX #FF48FF

RGB 255 72 255

HSL 300, 1%, 0.64%

LAB 64.25, 86.79, -54.57

 

CMYK 18 / 100 / 0 / 2

HEX #CE00FA

RGB 206 0 250

HSL 289.44, 1%, 0.49%

LAB 51.86, 90.45, -72.11

 

CMYK 18 / 100 / 0 / 9

HEX #BD00E7

RGB 189 0 231

HSL 289.09, 1%, 0.45%

LAB 47.74, 85.05, -68.25

 

CMYK 19 / 100 / 0 / 17

HEX #AC00D4

RGB 172 0 212

HSL 288.68, 1%, 0.42%

LAB 43.54, 79.56, -64.33

 

CMYK 20 / 100 / 0 / 24

HEX #9B00C1

RGB 155 0 193

HSL 288.19, 1%, 0.38%

LAB 39.27, 73.97, -60.35

 

CMYK 21 / 100 / 0 / 32

HEX #8A00AE

RGB 138 0 174

HSL 287.59, 1%, 0.34%

LAB 34.92, 68.29, -56.3

 

CMYK 18 / 100 / 0 / 2

HEX #CE00FA

RGB 206 0 250

HSL 289.44, 1%, 0.49%

LAB 51.86, 90.45, -72.11

 

CMYK 0 / 100 / 10 / 2

HEX #FA00E2

RGB 250 0 226

HSL 305.76, 1%, 0.49%

LAB 57.86, 93.57, -48.6

 

CMYK 0 / 100 / 36 / 2

HEX #FA009F

RGB 250 0 159

HSL 321.84, 1%, 0.49%

LAB 54.89, 86.08, -14.51

 

CMYK 0 / 100 / 63 / 2

HEX #FA005C

RGB 250 0 92

HSL 337.92, 1%, 0.49%

LAB 53.06, 81.23, 23.12

 

CMYK 0 / 100 / 90 / 2

HEX #FA0018

RGB 250 0 24

HSL 354.24, 1%, 0.49%

LAB 52.28, 79.12, 59.3

 

CMYK 18 / 100 / 0 / 2

HEX #CE00FA

RGB 206 0 250

HSL 289.44, 1%, 0.49%

LAB 51.86, 90.45, -72.11

 

CMYK 44 / 100 / 0 / 2

HEX #8B00FA

RGB 139 0 250

HSL 273.36, 1%, 0.49%

LAB 41.83, 83.04, -88.93

 

CMYK 72 / 100 / 0 / 2

HEX #4700FA

RGB 71 0 250

HSL 257.04, 1%, 0.49%

LAB 34.48, 79.08, -101.34

 

CMYK 98 / 100 / 0 / 2

HEX #0400FA

RGB 4 0 250

HSL 240.96, 1%, 0.49%

LAB 31.64, 78.04, -106.16

 

CMYK 100 / 100 / 0 / 2

HEX #0000FA

RGB 0 0 250

HSL 240, 1%, 0.49%

LAB 31.58, 78.02, -106.26

 

CMYK 18 / 100 / 0 / 2

HEX #CE00FA

RGB 206 0 250

HSL 289.44, 1%, 0.49%

LAB 51.86, 90.45, -72.11

 

CMYK 18 / 100 / 0 / 2

HEX #CE00FA

RGB 206 0 250

HSL 289.44, 1%, 0.49%

LAB 51.86, 90.45, -72.11

 

CMYK 16 / 91 / 0 / 10

HEX #C114E6

RGB 193 20 230

HSL 289.43, 0.84%, 0.49%

LAB 48.95, 83.57, -65.69

 

CMYK 14 / 81 / 0 / 18

HEX #B428D1

RGB 180 40 209

HSL 289.7, 0.68%, 0.49%

LAB 46.74, 74.06, -57.36

 

CMYK 12 / 68 / 0 / 26

HEX #A73DBD

RGB 167 61 189

HSL 289.69, 0.51%, 0.49%

LAB 45.94, 60.83, -47.16

 

CMYK 9 / 52 / 0 / 34

HEX #9A51A9

RGB 154 81 169

HSL 289.77, 0.35%, 0.49%

LAB 46.47, 44.24, -34.71

 

CMYK 72 / 100 / 0 / 2

HEX #4700FA

RGB 71 0 250

HSL 257.04, 1%, 0.49%

LAB 34.48, 79.08, -101.34

 

CMYK 45 / 100 / 0 / 2

HEX #8900FA

RGB 137 0 250

HSL 272.88, 1%, 0.49%

LAB 41.56, 82.87, -89.38

 

CMYK 18 / 100 / 0 / 2

HEX #CC00FA

RGB 204 0 250

HSL 288.96, 1%, 0.49%

LAB 51.54, 90.19, -72.65

 

CMYK 0 / 100 / 8 / 2

HEX #FA00E5

RGB 250 0 229

HSL 305.04, 1%, 0.49%

LAB 58.02, 93.96, -50.04

 

CMYK 0 / 100 / 35 / 2

HEX #FA00A2

RGB 250 0 162

HSL 321.12, 1%, 0.49%

LAB 55, 86.36, -16.12

 

CMYK 17 / 100 / 0 / 35

HEX #8A00A7

RGB 138 0 167

HSL 289.58, 1%, 0.33%

LAB 34.38, 67.05, -52.98

 

CMYK 18 / 100 / 0 / 18

HEX #AC00D1

RGB 172 0 209

HSL 289.38, 1%, 0.41%

LAB 43.32, 79.05, -62.96

 

CMYK 18 / 100 / 0 / 2

HEX #CE00FA

RGB 206 0 250

HSL 289.44, 1%, 0.49%

LAB 51.86, 90.45, -72.11

 

CMYK 15 / 86 / 0 / 0

HEX #D824FF

RGB 216 36 255

HSL 289.32, 1%, 0.57%

LAB 55.16, 88.68, -69.49

 

CMYK 12 / 70 / 0 / 0

HEX #E04DFF

RGB 224 77 255

HSL 289.55, 1%, 0.65%

LAB 60.23, 78.92, -61.26

 

CMYK 18 / 100 / 0 / 2

HEX #CE00FA

RGB 206 0 250

HSL 289.44, 1%, 0.49%

LAB 51.86, 90.45, -72.11

 

CMYK 0 / 98 / 100 / 2

HEX #FA0400

RGB 250 4 0

HSL 0.96, 1%, 0.49%

LAB 52.3, 78.63, 66.25

 

CMYK 100 / 0 / 58 / 2

HEX #00FA68

RGB 0 250 104

HSL 144.96, 1%, 0.49%

LAB 86.69, -78.58, 55.31

 

CMYK 18 / 100 / 0 / 2

HEX #CE00FA

RGB 206 0 250

HSL 289.44, 1%, 0.49%

LAB 51.86, 90.45, -72.11

 

CMYK 0 / 18 / 100 / 2

HEX #FACC00

RGB 250 204 0

HSL 48.96, 1%, 0.49%

LAB 83.71, 1.54, 84.65

 

CMYK 100 / 0 / 18 / 2

HEX #00FACC

RGB 0 250 204

HSL 168.96, 1%, 0.49%

LAB 88.32, -59.71, 8.25

 

CMYK 18 / 100 / 0 / 2

HEX #CE00FA

RGB 206 0 250

HSL 289.44, 1%, 0.49%

LAB 51.86, 90.45, -72.11

 

CMYK 0 / 98 / 100 / 2

HEX #FA0400

RGB 250 4 0

HSL 0.96, 1%, 0.49%

LAB 52.3, 78.63, 66.25

 

CMYK 82 / 0 / 100 / 2

HEX #2EFA00

RGB 46 250 0

HSL 108.96, 1%, 0.49%

LAB 86.48, -82.28, 82.29

 

CMYK 100 / 2 / 0 / 2

HEX #00F6FA

RGB 0 246 250

HSL 180.96, 1%, 0.49%

LAB 88.36, -45.63, -15.67

 

CMYK 18 / 100 / 0 / 2

HEX #CE00FA

RGB 206 0 250

HSL 289.44, 1%, 0.49%

LAB 51.86, 90.45, -72.11

 

CMYK 0 / 68 / 100 / 2

HEX #FA4F00

RGB 250 79 0

HSL 18.96, 1%, 0.49%

LAB 57.96, 62.72, 68.64

 

CMYK 82 / 0 / 100 / 2

HEX #2EFA00

RGB 46 250 0

HSL 108.96, 1%, 0.49%

LAB 86.48, -82.28, 82.29

 

CMYK 100 / 32 / 0 / 2

HEX #00ABFA

RGB 0 171 250

HSL 198.96, 1%, 0.49%

LAB 66.54, -8.61, -49.28

 

Description

Color code: HEX #CE00FA | qconv.com Color code: HEX #CE00FA | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, none green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 0 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 100 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 100% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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