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Color name
HEX #CDF317

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CDF317 it is the complementary color #320CE8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CDF317. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CDF317 shade: #D2F312, #E3FF25, #F4FF38, #FFFF4B and #FFFF5E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CDF317. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CDF317 shade: #CDF317, #BCE104, #ABCF00, #9ABD00 and #89AB00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CDF317 shade: #CDF316, #F3DD16, #F3A216, #F36716 and #F32B16

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CDF317 shade: #CDF316, #91F316, #56F316, #1AF316 and #16F34E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CDF317 shade matches the following richer shades: #CDF316

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CDF317 shade: #CDF316, #C0DF2A, #B3CB3E, #A6B752 and #99A466

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CDF317 shade: #F3A216, #F3DD16, #CEF316, #93F316 and #59F316

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CDF317 shade: #91AE09, #B2D50B, #CDF316, #D5F53E and #DEF765

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CDF317 shade: #CDF317, #16F367 and #BF16F3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CDF317 shade: #CDF317, #16CEF3 and #F316CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CDF317 shade: #CDF317, #16F367, #3B16F3 and #F316A2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CDF317 shade: #CDF317, #16F3A9, #3B16F3 and #F31660

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 91 / 5

HEX #CDF317

RGB 205 243 23

HSL 70.36, 0.9%, 0.52%

LAB 90.39, -35.98, 85.77

 

Complementary color

CMYK 78 / 95 / 0 / 9

HEX #320CE8

RGB 50 12 232

HSL 250.36, 0.9%, 0.48%

LAB 31.27, 72.39, -96.53

 

CMYK 14 / 0 / 93 / 5

HEX #D2F312

RGB 210 243 18

HSL 68.8, 0.9%, 0.51%

LAB 90.71, -34.07, 86.77

 

CMYK 11 / 0 / 85 / 0

HEX #E3FF25

RGB 227 255 37

HSL 67.71, 1%, 0.57%

LAB 95.15, -32.42, 87.98

 

CMYK 4 / 0 / 78 / 0

HEX #F4FF38

RGB 244 255 56

HSL 63.32, 1%, 0.61%

LAB 96.43, -25.07, 85.25

 

CMYK 0 / 0 / 71 / 0

HEX #FFFF4B

RGB 255 255 75

HSL 60, 1%, 0.65%

LAB 97.34, -19.9, 80.72

 

CMYK 0 / 0 / 63 / 0

HEX #FFFF5E

RGB 255 255 94

HSL 60, 1%, 0.68%

LAB 97.47, -18.93, 74

 

CMYK 16 / 0 / 91 / 5

HEX #CDF317

RGB 205 243 23

HSL 70.36, 0.9%, 0.52%

LAB 90.39, -35.98, 85.77

 

CMYK 16 / 0 / 98 / 12

HEX #BCE104

RGB 188 225 4

HSL 70.05, 0.97%, 0.45%

LAB 84.25, -34.82, 82.43

 

CMYK 17 / 0 / 100 / 19

HEX #ABCF00

RGB 171 207 0

HSL 70.43, 1%, 0.41%

LAB 78.04, -33.47, 77.6

 

CMYK 19 / 0 / 100 / 26

HEX #9ABD00

RGB 154 189 0

HSL 71.11, 1%, 0.37%

LAB 71.73, -32.06, 72.35

 

CMYK 20 / 0 / 100 / 33

HEX #89AB00

RGB 137 171 0

HSL 71.93, 1%, 0.34%

LAB 65.31, -30.65, 67

 

CMYK 16 / 0 / 91 / 5

HEX #CDF316

RGB 205 243 22

HSL 70.32, 0.9%, 0.52%

LAB 90.39, -35.99, 85.9

 

CMYK 0 / 9 / 91 / 5

HEX #F3DD16

RGB 243 221 22

HSL 54.03, 0.9%, 0.52%

LAB 87.4, -9.82, 84.82

 

CMYK 0 / 33 / 91 / 5

HEX #F3A216

RGB 243 162 22

HSL 38.01, 0.9%, 0.52%

LAB 72.86, 20.68, 73.86

 

CMYK 0 / 58 / 91 / 5

HEX #F36716

RGB 243 103 22

HSL 21.99, 0.9%, 0.52%

LAB 60.62, 50.47, 65.01

 

CMYK 0 / 82 / 91 / 5

HEX #F32B16

RGB 243 43 22

HSL 5.7, 0.9%, 0.52%

LAB 52.77, 71.81, 59.68

 

CMYK 16 / 0 / 91 / 5

HEX #CDF316

RGB 205 243 22

HSL 70.32, 0.9%, 0.52%

LAB 90.39, -35.99, 85.9

 

CMYK 40 / 0 / 91 / 5

HEX #91F316

RGB 145 243 22

HSL 86.61, 0.9%, 0.52%

LAB 87.08, -57.91, 81.86

 

CMYK 65 / 0 / 91 / 5

HEX #56F316

RGB 86 243 22

HSL 102.62, 0.9%, 0.52%

LAB 85.07, -73.76, 79.37

 

CMYK 89 / 0 / 91 / 5

HEX #1AF316

RGB 26 243 22

HSL 118.91, 0.9%, 0.52%

LAB 84.16, -81.66, 78.25

 

CMYK 91 / 0 / 68 / 5

HEX #16F34E

RGB 22 243 78

HSL 135.2, 0.9%, 0.52%

LAB 84.39, -78.64, 63.44

 

CMYK 16 / 0 / 91 / 5

HEX #CDF316

RGB 205 243 22

HSL 70.32, 0.9%, 0.52%

LAB 90.39, -35.99, 85.9

 

CMYK 16 / 0 / 91 / 5

HEX #CDF316

RGB 205 243 22

HSL 70.32, 0.9%, 0.52%

LAB 90.39, -35.99, 85.9

 

CMYK 14 / 0 / 81 / 13

HEX #C0DF2A

RGB 192 223 42

HSL 70.28, 0.74%, 0.52%

LAB 84.04, -31.55, 76.56

 

CMYK 12 / 0 / 69 / 20

HEX #B3CB3E

RGB 179 203 62

HSL 70.21, 0.58%, 0.52%

LAB 77.66, -26.5, 64.11

 

CMYK 9 / 0 / 55 / 28

HEX #A6B752

RGB 166 183 82

HSL 70.1, 0.41%, 0.52%

LAB 71.27, -20.6, 48.57

 

CMYK 7 / 0 / 38 / 36

HEX #99A466

RGB 153 164 102

HSL 70.65, 0.25%, 0.52%

LAB 65.19, -14.07, 30.89

 

CMYK 0 / 33 / 91 / 5

HEX #F3A216

RGB 243 162 22

HSL 38.01, 0.9%, 0.52%

LAB 72.86, 20.68, 73.86

 

CMYK 0 / 9 / 91 / 5

HEX #F3DD16

RGB 243 221 22

HSL 54.03, 0.9%, 0.52%

LAB 87.4, -9.82, 84.82

 

CMYK 15 / 0 / 91 / 5

HEX #CEF316

RGB 206 243 22

HSL 70.05, 0.9%, 0.52%

LAB 90.45, -35.6, 85.98

 

CMYK 40 / 0 / 91 / 5

HEX #93F316

RGB 147 243 22

HSL 86.06, 0.9%, 0.52%

LAB 87.17, -57.26, 81.97

 

CMYK 63 / 0 / 91 / 5

HEX #59F316

RGB 89 243 22

HSL 101.81, 0.9%, 0.52%

LAB 85.14, -73.13, 79.46

 

CMYK 17 / 0 / 95 / 32

HEX #91AE09

RGB 145 174 9

HSL 70.55, 0.9%, 0.36%

LAB 66.76, -28.59, 67.21

 

CMYK 16 / 0 / 95 / 16

HEX #B2D50B

RGB 178 213 11

HSL 70.4, 0.9%, 0.44%

LAB 80.22, -33.27, 78.43

 

CMYK 16 / 0 / 91 / 5

HEX #CDF316

RGB 205 243 22

HSL 70.32, 0.9%, 0.52%

LAB 90.39, -35.99, 85.9

 

CMYK 13 / 0 / 75 / 4

HEX #D5F53E

RGB 213 245 62

HSL 70.49, 0.9%, 0.6%

LAB 91.59, -32.57, 78.35

 

CMYK 10 / 0 / 59 / 3

HEX #DEF765

RGB 222 247 101

HSL 70.27, 0.9%, 0.68%

LAB 93.01, -27.7, 65.7

 

CMYK 16 / 0 / 91 / 5

HEX #CDF317

RGB 205 243 23

HSL 70.36, 0.9%, 0.52%

LAB 90.39, -35.98, 85.77

 

CMYK 91 / 0 / 58 / 5

HEX #16F367

RGB 22 243 103

HSL 141.99, 0.9%, 0.52%

LAB 84.61, -75.88, 53.35

 

CMYK 21 / 91 / 0 / 5

HEX #BF16F3

RGB 191 22 243

HSL 285.88, 0.9%, 0.52%

LAB 49.64, 85.24, -71.91

 

CMYK 16 / 0 / 91 / 5

HEX #CDF317

RGB 205 243 23

HSL 70.36, 0.9%, 0.52%

LAB 90.39, -35.98, 85.77

 

CMYK 91 / 15 / 0 / 5

HEX #16CEF3

RGB 22 206 243

HSL 190.05, 0.9%, 0.52%

LAB 76.55, -28.71, -29.9

 

CMYK 0 / 91 / 15 / 5

HEX #F316CE

RGB 243 22 206

HSL 310.05, 0.9%, 0.52%

LAB 56.17, 88.16, -39.98

 

CMYK 16 / 0 / 91 / 5

HEX #CDF317

RGB 205 243 23

HSL 70.36, 0.9%, 0.52%

LAB 90.39, -35.98, 85.77

 

CMYK 91 / 0 / 58 / 5

HEX #16F367

RGB 22 243 103

HSL 141.99, 0.9%, 0.52%

LAB 84.61, -75.88, 53.35

 

CMYK 76 / 91 / 0 / 5

HEX #3B16F3

RGB 59 22 243

HSL 250.05, 0.9%, 0.52%

LAB 33.93, 73.33, -98.34

 

CMYK 0 / 91 / 33 / 5

HEX #F316A2

RGB 243 22 162

HSL 321.99, 0.9%, 0.52%

LAB 54.28, 83.2, -17.34

 

CMYK 16 / 0 / 91 / 5

HEX #CDF317

RGB 205 243 23

HSL 70.36, 0.9%, 0.52%

LAB 90.39, -35.98, 85.77

 

CMYK 91 / 0 / 30 / 5

HEX #16F3A9

RGB 22 243 169

HSL 159.91, 0.9%, 0.52%

LAB 85.57, -64.55, 22.48

 

CMYK 76 / 91 / 0 / 5

HEX #3B16F3

RGB 59 22 243

HSL 250.05, 0.9%, 0.52%

LAB 33.93, 73.33, -98.34

 

CMYK 0 / 91 / 60 / 5

HEX #F31660

RGB 243 22 96

HSL 339.91, 0.9%, 0.52%

LAB 52.37, 78, 19.54

 

Description

Color code: HEX #CDF317 | qconv.com Color code: HEX #CDF317 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 243 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 243 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 91 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 91% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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