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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CDDDAE it is the complementary color #322251. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CDDDAE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CDDDAE shade: #D2DDA9, #E3EFBC, #F4FFCF, #FFFFE2 and #FFFFF5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CDDDAE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CDDDAE shade: #CDDDAE, #BCCB9B, #ABB988, #9AA775 and #899562

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CDDDAE shade: #CCDCAC, #D9DCAC, #DCD3AC, #DCC6AC and #DCB9AC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CDDDAE shade: #CCDCAC, #BFDCAC, #B2DCAC, #ACDCB3 and #ACDCC0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CDDDAE shade matches the following richer shades: #CCDCAC, #CFE6A3, #D2EF99 and #D5F990

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CDDDAE shade: #CCDCAC, #C9D3B6, #C6C9BF, #C3C0C9 and #C0B6D2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CDDDAE shade: #DCD3AC, #D9DCAC, #CCDCAC, #C0DCAC and #B3DCAC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CDDDAE shade: #A8C472, #BAD08F, #CCDCAC, #DEE9C9 and #F0F5E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CDDDAE shade: #CDDDAE, #ACDCC6 and #D9ACDC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CDDDAE shade: #CDDDAE, #ACCCDC and #DCACCC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CDDDAE shade: #CDDDAE, #ACDCC6, #BCACDC and #DCACC3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CDDDAE shade: #CDDDAE, #ACDCD4, #BCACDC and #DCACB4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 21 / 13

HEX #CDDDAE

RGB 205 221 174

HSL 80.43, 0.41%, 0.77%

LAB 85.88, -13.41, 21.33

 

Complementary color

CMYK 38 / 58 / 0 / 68

HEX #322251

RGB 50 34 81

HSL 260.43, 0.41%, 0.23%

LAB 17.54, 19.75, -26.2

 

CMYK 5 / 0 / 24 / 13

HEX #D2DDA9

RGB 210 221 169

HSL 72.69, 0.43%, 0.76%

LAB 86.15, -12.33, 24.35

 

CMYK 5 / 0 / 21 / 6

HEX #E3EFBC

RGB 227 239 188

HSL 74.12, 0.61%, 0.84%

LAB 92.44, -12.42, 23.39

 

CMYK 4 / 0 / 19 / 0

HEX #F4FFCF

RGB 244 255 207

HSL 73.75, 1%, 0.91%

LAB 98.14, -11.51, 21.76

 

CMYK 0 / 0 / 11 / 0

HEX #FFFFE2

RGB 255 255 226

HSL 60, 1%, 0.94%

LAB 99.33, -4.79, 13.87

 

CMYK 0 / 0 / 4 / 0

HEX #FFFFF5

RGB 255 255 245

HSL 60, 1%, 0.98%

LAB 99.76, -1.71, 4.76

 

CMYK 7 / 0 / 21 / 13

HEX #CDDDAE

RGB 205 221 174

HSL 80.43, 0.41%, 0.77%

LAB 85.88, -13.41, 21.33

 

CMYK 7 / 0 / 24 / 20

HEX #BCCB9B

RGB 188 203 155

HSL 78.75, 0.32%, 0.7%

LAB 79.48, -13.36, 22.29

 

CMYK 8 / 0 / 26 / 27

HEX #ABB988

RGB 171 185 136

HSL 77.14, 0.26%, 0.63%

LAB 72.98, -13.3, 23.31

 

CMYK 8 / 0 / 30 / 35

HEX #9AA775

RGB 154 167 117

HSL 75.6, 0.22%, 0.56%

LAB 66.36, -13.23, 24.4

 

CMYK 8 / 0 / 34 / 42

HEX #899562

RGB 137 149 98

HSL 74.12, 0.21%, 0.48%

LAB 59.61, -13.13, 25.55

 

CMYK 7 / 0 / 22 / 14

HEX #CCDCAC

RGB 204 220 172

HSL 80, 0.41%, 0.77%

LAB 85.51, -13.57, 21.84

 

CMYK 1 / 0 / 22 / 14

HEX #D9DCAC

RGB 217 220 172

HSL 63.75, 0.41%, 0.77%

LAB 86.46, -8.82, 23.31

 

CMYK 0 / 4 / 22 / 14

HEX #DCD3AC

RGB 220 211 172

HSL 48.75, 0.41%, 0.77%

LAB 84.37, -3.11, 20.46

 

CMYK 0 / 10 / 22 / 14

HEX #DCC6AC

RGB 220 198 172

HSL 32.5, 0.41%, 0.77%

LAB 81.06, 3.66, 15.85

 

CMYK 0 / 16 / 22 / 14

HEX #DCB9AC

RGB 220 185 172

HSL 16.25, 0.41%, 0.77%

LAB 77.81, 10.55, 11.26

 

CMYK 7 / 0 / 22 / 14

HEX #CCDCAC

RGB 204 220 172

HSL 80, 0.41%, 0.77%

LAB 85.51, -13.57, 21.84

 

CMYK 13 / 0 / 22 / 14

HEX #BFDCAC

RGB 191 220 172

HSL 96.25, 0.41%, 0.77%

LAB 84.61, -18.2, 20.46

 

CMYK 19 / 0 / 22 / 14

HEX #B2DCAC

RGB 178 220 172

HSL 112.5, 0.41%, 0.77%

LAB 83.77, -22.7, 19.17

 

CMYK 22 / 0 / 19 / 14

HEX #ACDCB3

RGB 172 220 179

HSL 128.75, 0.41%, 0.77%

LAB 83.55, -23.49, 15.14

 

CMYK 22 / 0 / 13 / 14

HEX #ACDCC0

RGB 172 220 192

HSL 145, 0.41%, 0.77%

LAB 83.84, -21.1, 8.69

 

CMYK 7 / 0 / 22 / 14

HEX #CCDCAC

RGB 204 220 172

HSL 80, 0.41%, 0.77%

LAB 85.51, -13.57, 21.84

 

CMYK 10 / 0 / 29 / 10

HEX #CFE6A3

RGB 207 230 163

HSL 80.6, 0.57%, 0.77%

LAB 88.21, -18.75, 30.2

 

CMYK 12 / 0 / 36 / 6

HEX #D2EF99

RGB 210 239 153

HSL 80.23, 0.73%, 0.77%

LAB 90.66, -23.34, 38.53

 

CMYK 14 / 0 / 42 / 2

HEX #D5F990

RGB 213 249 144

HSL 80.57, 0.9%, 0.77%

LAB 93.41, -28.06, 46.5

 

CMYK 7 / 0 / 22 / 14

HEX #CCDCAC

RGB 204 220 172

HSL 80, 0.41%, 0.77%

LAB 85.51, -13.57, 21.84

 

CMYK 5 / 0 / 14 / 17

HEX #C9D3B6

RGB 201 211 182

HSL 80.69, 0.25%, 0.77%

LAB 83.12, -8.5, 13.21

 

CMYK 1 / 0 / 5 / 21

HEX #C6C9BF

RGB 198 201 191

HSL 78, 0.08%, 0.77%

LAB 80.48, -2.84, 4.62

 

CMYK 3 / 4 / 0 / 21

HEX #C3C0C9

RGB 195 192 201

HSL 260, 0.08%, 0.77%

LAB 78.18, 2.72, -4.15

 

CMYK 9 / 13 / 0 / 18

HEX #C0B6D2

RGB 192 182 210

HSL 261.43, 0.24%, 0.77%

LAB 75.65, 8.86, -12.82

 

CMYK 0 / 4 / 22 / 14

HEX #DCD3AC

RGB 220 211 172

HSL 48.75, 0.41%, 0.77%

LAB 84.37, -3.11, 20.46

 

CMYK 1 / 0 / 22 / 14

HEX #D9DCAC

RGB 217 220 172

HSL 63.75, 0.41%, 0.77%

LAB 86.46, -8.82, 23.31

 

CMYK 7 / 0 / 22 / 14

HEX #CCDCAC

RGB 204 220 172

HSL 80, 0.41%, 0.77%

LAB 85.51, -13.57, 21.84

 

CMYK 13 / 0 / 22 / 14

HEX #C0DCAC

RGB 192 220 172

HSL 95, 0.41%, 0.77%

LAB 84.67, -17.85, 20.56

 

CMYK 19 / 0 / 22 / 14

HEX #B3DCAC

RGB 179 220 172

HSL 111.25, 0.41%, 0.77%

LAB 83.83, -22.36, 19.27

 

CMYK 14 / 0 / 42 / 23

HEX #A8C472

RGB 168 196 114

HSL 80.49, 0.41%, 0.61%

LAB 75.46, -22.93, 38.02

 

CMYK 11 / 0 / 31 / 18

HEX #BAD08F

RGB 186 208 143

HSL 80.31, 0.41%, 0.69%

LAB 80.48, -18.34, 29.9

 

CMYK 7 / 0 / 22 / 14

HEX #CCDCAC

RGB 204 220 172

HSL 80, 0.41%, 0.77%

LAB 85.51, -13.57, 21.84

 

CMYK 5 / 0 / 14 / 9

HEX #DEE9C9

RGB 222 233 201

HSL 80.63, 0.42%, 0.85%

LAB 90.79, -9.19, 14.32

 

CMYK 2 / 0 / 6 / 4

HEX #F0F5E6

RGB 240 245 230

HSL 80, 0.43%, 0.93%

LAB 95.81, -4.26, 6.63

 

CMYK 7 / 0 / 21 / 13

HEX #CDDDAE

RGB 205 221 174

HSL 80.43, 0.41%, 0.77%

LAB 85.88, -13.41, 21.33

 

CMYK 22 / 0 / 10 / 14

HEX #ACDCC6

RGB 172 220 198

HSL 152.5, 0.41%, 0.77%

LAB 83.98, -19.94, 5.73

 

CMYK 1 / 22 / 0 / 14

HEX #D9ACDC

RGB 217 172 220

HSL 296.25, 0.41%, 0.77%

LAB 75.71, 24.56, -17.94

 

CMYK 7 / 0 / 21 / 13

HEX #CDDDAE

RGB 205 221 174

HSL 80.43, 0.41%, 0.77%

LAB 85.88, -13.41, 21.33

 

CMYK 22 / 7 / 0 / 14

HEX #ACCCDC

RGB 172 204 220

HSL 200, 0.41%, 0.77%

LAB 80.25, -7.18, -11.48

 

CMYK 0 / 22 / 7 / 14

HEX #DCACCC

RGB 220 172 204

HSL 320, 0.41%, 0.77%

LAB 75.5, 22.68, -9.5

 

CMYK 7 / 0 / 21 / 13

HEX #CDDDAE

RGB 205 221 174

HSL 80.43, 0.41%, 0.77%

LAB 85.88, -13.41, 21.33

 

CMYK 22 / 0 / 10 / 14

HEX #ACDCC6

RGB 172 220 198

HSL 152.5, 0.41%, 0.77%

LAB 83.98, -19.94, 5.73

 

CMYK 15 / 22 / 0 / 14

HEX #BCACDC

RGB 188 172 220

HSL 260, 0.41%, 0.77%

LAB 73.13, 15.12, -22.1

 

CMYK 0 / 22 / 11 / 14

HEX #DCACC3

RGB 220 172 195

HSL 331.25, 0.41%, 0.77%

LAB 75.24, 21.14, -4.97

 

CMYK 7 / 0 / 21 / 13

HEX #CDDDAE

RGB 205 221 174

HSL 80.43, 0.41%, 0.77%

LAB 85.88, -13.41, 21.33

 

CMYK 22 / 0 / 4 / 14

HEX #ACDCD4

RGB 172 220 212

HSL 170, 0.41%, 0.77%

LAB 84.33, -17.11, -1.18

 

CMYK 15 / 22 / 0 / 14

HEX #BCACDC

RGB 188 172 220

HSL 260, 0.41%, 0.77%

LAB 73.13, 15.12, -22.1

 

CMYK 0 / 22 / 18 / 14

HEX #DCACB4

RGB 220 172 180

HSL 350, 0.41%, 0.77%

LAB 74.84, 18.73, 2.64

 

Description

Color code: HEX #CDDDAE | qconv.com Color code: HEX #CDDDAE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 221 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 221 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 21 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 21% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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