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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CDDD99 it is the complementary color #322266. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CDDD99. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CDDD99 shade: #D2DD94, #E3EFA7, #F4FFBA, #FFFFCD and #FFFFE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CDDD99. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CDDD99 shade: #CDDD99, #BCCB86, #ABB973, #9AA760 and #89954D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CDDD99 shade: #CCDD98, #DDDA98, #DDC898, #DDB598 and #DDA398

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CDDD99 shade: #CCDD98, #BADD98, #A7DD98, #98DD9B and #98DDAD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CDDD99 shade matches the following richer shades: #CCDD98, #D2E88D, #D8F381 and #DEFE76

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CDDD99 shade: #CCDD98, #C6D1A3, #C1C6AE, #BBBBB9 and #B5B0C4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CDDD99 shade: #DDC898, #DDDA98, #CDDD98, #BADD98 and #A8DD98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CDDD99 shade: #AEC85A, #BDD279, #CCDD98, #DCE7B7 and #EBF1D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CDDD99 shade: #CDDD99, #98DDB6 and #D198DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CDDD99 shade: #CDDD99, #98CDDD and #DD98CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CDDD99 shade: #CDDD99, #98DDB6, #A898DD and #DD98BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CDDD99 shade: #CDDD99, #98DDCA, #A898DD and #DD98AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 31 / 13

HEX #CDDD99

RGB 205 221 153

HSL 74.12, 0.5%, 0.73%

LAB 85.5, -16.39, 31.67

 

Complementary color

CMYK 51 / 67 / 0 / 60

HEX #322266

RGB 50 34 102

HSL 254.12, 0.5%, 0.27%

LAB 19.15, 26.47, -37.58

 

CMYK 5 / 0 / 33 / 13

HEX #D2DD94

RGB 210 221 148

HSL 69.04, 0.52%, 0.72%

LAB 85.78, -15.16, 34.66

 

CMYK 5 / 0 / 30 / 6

HEX #E3EFA7

RGB 227 239 167

HSL 70, 0.69%, 0.8%

LAB 92.07, -15.31, 33.58

 

CMYK 4 / 0 / 27 / 0

HEX #F4FFBA

RGB 244 255 186

HSL 69.57, 1%, 0.86%

LAB 97.75, -14.46, 31.85

 

CMYK 0 / 0 / 20 / 0

HEX #FFFFCD

RGB 255 255 205

HSL 60, 1%, 0.9%

LAB 98.9, -7.91, 23.96

 

CMYK 0 / 0 / 12 / 0

HEX #FFFFE0

RGB 255 255 224

HSL 60, 1%, 0.94%

LAB 99.28, -5.1, 14.83

 

CMYK 7 / 0 / 31 / 13

HEX #CDDD99

RGB 205 221 153

HSL 74.12, 0.5%, 0.73%

LAB 85.5, -16.39, 31.67

 

CMYK 7 / 0 / 34 / 20

HEX #BCCB86

RGB 188 203 134

HSL 73.04, 0.4%, 0.66%

LAB 79.11, -16.28, 32.77

 

CMYK 8 / 0 / 38 / 27

HEX #ABB973

RGB 171 185 115

HSL 72, 0.33%, 0.59%

LAB 72.62, -16.13, 33.92

 

CMYK 8 / 0 / 43 / 35

HEX #9AA760

RGB 154 167 96

HSL 70.99, 0.29%, 0.52%

LAB 66.02, -15.95, 35.12

 

CMYK 8 / 0 / 48 / 42

HEX #89954D

RGB 137 149 77

HSL 70, 0.32%, 0.44%

LAB 59.3, -15.69, 36.34

 

CMYK 8 / 0 / 31 / 13

HEX #CCDD98

RGB 204 221 152

HSL 74.78, 0.5%, 0.73%

LAB 85.41, -16.89, 32.05

 

CMYK 0 / 1 / 31 / 13

HEX #DDDA98

RGB 221 218 152

HSL 57.39, 0.5%, 0.73%

LAB 85.9, -8.97, 32.93

 

CMYK 0 / 10 / 31 / 13

HEX #DDC898

RGB 221 200 152

HSL 41.74, 0.5%, 0.73%

LAB 81.26, 0.28, 26.73

 

CMYK 0 / 18 / 31 / 13

HEX #DDB598

RGB 221 181 152

HSL 25.22, 0.5%, 0.73%

LAB 76.49, 10.31, 20.22

 

CMYK 0 / 26 / 31 / 13

HEX #DDA398

RGB 221 163 152

HSL 9.57, 0.5%, 0.73%

LAB 72.12, 19.96, 14.14

 

CMYK 8 / 0 / 31 / 13

HEX #CCDD98

RGB 204 221 152

HSL 74.78, 0.5%, 0.73%

LAB 85.41, -16.89, 32.05

 

CMYK 16 / 0 / 31 / 13

HEX #BADD98

RGB 186 221 152

HSL 90.43, 0.5%, 0.73%

LAB 84.18, -23.48, 30.2

 

CMYK 24 / 0 / 31 / 13

HEX #A7DD98

RGB 167 221 152

HSL 106.96, 0.5%, 0.73%

LAB 83.02, -30.12, 28.43

 

CMYK 31 / 0 / 30 / 13

HEX #98DD9B

RGB 152 221 155

HSL 122.61, 0.5%, 0.73%

LAB 82.25, -34.58, 25.7

 

CMYK 31 / 0 / 22 / 13

HEX #98DDAD

RGB 152 221 173

HSL 138.26, 0.5%, 0.73%

LAB 82.6, -31.43, 16.79

 

CMYK 8 / 0 / 31 / 13

HEX #CCDD98

RGB 204 221 152

HSL 74.78, 0.5%, 0.73%

LAB 85.41, -16.89, 32.05

 

CMYK 9 / 0 / 39 / 9

HEX #D2E88D

RGB 210 232 141

HSL 74.51, 0.66%, 0.73%

LAB 88.61, -21.4, 41.83

 

CMYK 11 / 0 / 47 / 5

HEX #D8F381

RGB 216 243 129

HSL 74.21, 0.83%, 0.73%

LAB 91.81, -25.71, 51.71

 

CMYK 13 / 0 / 54 / 0

HEX #DEFE76

RGB 222 254 118

HSL 74.12, 0.99%, 0.73%

LAB 95.04, -29.62, 60.67

 

CMYK 8 / 0 / 31 / 13

HEX #CCDD98

RGB 204 221 152

HSL 74.78, 0.5%, 0.73%

LAB 85.41, -16.89, 32.05

 

CMYK 5 / 0 / 22 / 18

HEX #C6D1A3

RGB 198 209 163

HSL 74.35, 0.33%, 0.73%

LAB 81.97, -11.54, 21.62

 

CMYK 3 / 0 / 12 / 22

HEX #C1C6AE

RGB 193 198 174

HSL 72.5, 0.17%, 0.73%

LAB 78.92, -5.96, 11.44

 

CMYK 0 / 0 / 1 / 27

HEX #BBBBB9

RGB 187 187 185

HSL 60, 0.01%, 0.73%

LAB 75.83, -0.37, 1

 

CMYK 8 / 10 / 0 / 23

HEX #B5B0C4

RGB 181 176 196

HSL 255, 0.14%, 0.73%

LAB 72.8, 5.62, -9.52

 

CMYK 0 / 10 / 31 / 13

HEX #DDC898

RGB 221 200 152

HSL 41.74, 0.5%, 0.73%

LAB 81.26, 0.28, 26.73

 

CMYK 0 / 1 / 31 / 13

HEX #DDDA98

RGB 221 218 152

HSL 57.39, 0.5%, 0.73%

LAB 85.9, -8.97, 32.93

 

CMYK 7 / 0 / 31 / 13

HEX #CDDD98

RGB 205 221 152

HSL 73.91, 0.5%, 0.73%

LAB 85.48, -16.52, 32.16

HEX #CDDD98

CMYK 16 / 0 / 31 / 13

HEX #BADD98

RGB 186 221 152

HSL 90.43, 0.5%, 0.73%

LAB 84.18, -23.48, 30.2

HEX #BADD98

CMYK 24 / 0 / 31 / 13

HEX #A8DD98

RGB 168 221 152

HSL 106.09, 0.5%, 0.73%

LAB 83.08, -29.78, 28.52

HEX #A8DD98

CMYK 13 / 0 / 55 / 22

HEX #AEC85A

RGB 174 200 90

HSL 74.18, 0.5%, 0.57%

LAB 76.71, -25.04, 51.27

 

CMYK 10 / 0 / 42 / 18

HEX #BDD279

RGB 189 210 121

HSL 74.16, 0.5%, 0.65%

LAB 80.9, -20.94, 41.67

 

CMYK 8 / 0 / 31 / 13

HEX #CCDD98

RGB 204 221 152

HSL 74.78, 0.5%, 0.73%

LAB 85.41, -16.89, 32.05

 

CMYK 5 / 0 / 21 / 9

HEX #DCE7B7

RGB 220 231 183

HSL 73.75, 0.5%, 0.81%

LAB 89.76, -11.68, 22.18

 

CMYK 2 / 0 / 11 / 5

HEX #EBF1D6

RGB 235 241 214

HSL 73.33, 0.49%, 0.89%

LAB 94.07, -6.6, 12.36

 

CMYK 7 / 0 / 31 / 13

HEX #CDDD99

RGB 205 221 153

HSL 74.12, 0.5%, 0.73%

LAB 85.5, -16.39, 31.67

 

CMYK 31 / 0 / 18 / 13

HEX #98DDB6

RGB 152 221 182

HSL 146.09, 0.5%, 0.73%

LAB 82.79, -29.73, 12.32

 

CMYK 5 / 31 / 0 / 13

HEX #D198DD

RGB 209 152 221

HSL 289.57, 0.5%, 0.73%

LAB 70.34, 33.02, -26.74

 

CMYK 7 / 0 / 31 / 13

HEX #CDDD99

RGB 205 221 153

HSL 74.12, 0.5%, 0.73%

LAB 85.5, -16.39, 31.67

 

CMYK 31 / 7 / 0 / 13

HEX #98CDDD

RGB 152 205 221

HSL 193.91, 0.5%, 0.73%

LAB 79.36, -13.34, -13.47

 

CMYK 0 / 31 / 7 / 13

HEX #DD98CD

RGB 221 152 205

HSL 313.91, 0.5%, 0.73%

LAB 71.03, 33.97, -16.75

 

CMYK 7 / 0 / 31 / 13

HEX #CDDD99

RGB 205 221 153

HSL 74.12, 0.5%, 0.73%

LAB 85.5, -16.39, 31.67

 

CMYK 31 / 0 / 18 / 13

HEX #98DDB6

RGB 152 221 182

HSL 146.09, 0.5%, 0.73%

LAB 82.79, -29.73, 12.32

 

CMYK 24 / 31 / 0 / 13

HEX #A898DD

RGB 168 152 221

HSL 253.91, 0.5%, 0.73%

LAB 66.52, 20.33, -32.95

 

CMYK 0 / 31 / 14 / 13

HEX #DD98BF

RGB 221 152 191

HSL 326.09, 0.5%, 0.73%

LAB 70.59, 31.62, -9.66

 

CMYK 7 / 0 / 31 / 13

HEX #CDDD99

RGB 205 221 153

HSL 74.12, 0.5%, 0.73%

LAB 85.5, -16.39, 31.67

 

CMYK 31 / 0 / 9 / 13

HEX #98DDCA

RGB 152 221 202

HSL 163.48, 0.5%, 0.73%

LAB 83.26, -25.66, 2.42

 

CMYK 24 / 31 / 0 / 13

HEX #A898DD

RGB 168 152 221

HSL 253.91, 0.5%, 0.73%

LAB 66.52, 20.33, -32.95

 

CMYK 0 / 31 / 23 / 13

HEX #DD98AA

RGB 221 152 170

HSL 344.35, 0.5%, 0.73%

LAB 69.99, 28.37, 1.13

 

Description

Color code: HEX #CDDD99 | qconv.com Color code: HEX #CDDD99 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 221 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 221 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 31 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 31% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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