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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CDDCEE it is the complementary color #322311. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CDDCEE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CDDCEE shade: #D2DCE9, #E3EEFC and #F4FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CDDCEE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CDDCEE shade: #CDDCEE, #BCCADB, #ABB8C8, #9AA6B5 and #8994A2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CDDCEE shade: #CDDCEE, #CDD3EE, #D0CDEE, #D9CDEE and #E1CDEE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CDDCEE shade: #CDDCEE, #CDD3EE and #CDCDEE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CDDCEE shade matches the following richer shades: #CDDCEE, #C8DBF3, #C2DBF8 and #BDDAFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CDDCEE shade: #CDDCEE, #D2DCE8, #D8DDE3, #DDDDDE and #E3DED8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CDDCEE shade: #CDEEEE, #CDE5EE, #CDDCEE, #CDD4EE and #CFCDEE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CDDCEE shade: #90B1D9, #AEC6E3, #CDDCEE and #ECF1F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CDDCEE shade: #CDDCEE, #E5CDEE and #E9EECD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CDDCEE shade: #CDDCEE, #EECDDC and #DCEECD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CDDCEE shade: #CDDCEE, #E5CDEE, #EEDECD and #D6EECD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CDDCEE shade: #CDDCEE, #EECDED, #EEDECD and #CDEECE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 8 / 0 / 7

HEX #CDDCEE

RGB 205 220 238

HSL 212.73, 0.49%, 0.87%

LAB 87.16, -1.45, -10.51

 

Complementary color

CMYK 0 / 30 / 66 / 80

HEX #322311

RGB 50 35 17

HSL 32.73, 0.49%, 0.13%

LAB 15.07, 4.54, 14.61

 

CMYK 10 / 6 / 0 / 9

HEX #D2DCE9

RGB 210 220 233

HSL 213.91, 0.34%, 0.87%

LAB 87.37, -0.85, -7.52

 

CMYK 10 / 6 / 0 / 1

HEX #E3EEFC

RGB 227 238 252

HSL 213.6, 0.81%, 0.94%

LAB 93.67, -0.98, -8

 

CMYK 4 / 0 / 0 / 0

HEX #F4FFFF

RGB 244 255 255

HSL 180, 1%, 0.98%

LAB 99.21, -3.59, -1.26

 

CMYK 14 / 8 / 0 / 7

HEX #CDDCEE

RGB 205 220 238

HSL 212.73, 0.49%, 0.87%

LAB 87.16, -1.45, -10.51

 

CMYK 14 / 8 / 0 / 14

HEX #BCCADB

RGB 188 202 219

HSL 212.9, 0.3%, 0.8%

LAB 80.76, -1.33, -10.06

 

CMYK 15 / 8 / 0 / 22

HEX #ABB8C8

RGB 171 184 200

HSL 213.1, 0.21%, 0.73%

LAB 74.26, -1.21, -9.61

 

CMYK 15 / 8 / 0 / 29

HEX #9AA6B5

RGB 154 166 181

HSL 213.33, 0.15%, 0.66%

LAB 67.63, -1.08, -9.16

 

CMYK 15 / 9 / 0 / 36

HEX #8994A2

RGB 137 148 162

HSL 213.6, 0.12%, 0.59%

LAB 60.88, -0.95, -8.7

 

CMYK 14 / 8 / 0 / 7

HEX #CDDCEE

RGB 205 220 238

HSL 212.73, 0.49%, 0.87%

LAB 87.16, -1.45, -10.51

 

CMYK 14 / 11 / 0 / 7

HEX #CDD3EE

RGB 205 211 238

HSL 229.09, 0.49%, 0.87%

LAB 84.86, 3.27, -13.94

 

CMYK 13 / 14 / 0 / 7

HEX #D0CDEE

RGB 208 205 238

HSL 245.45, 0.49%, 0.87%

LAB 83.57, 7.4, -15.86

 

CMYK 9 / 14 / 0 / 7

HEX #D9CDEE

RGB 217 205 238

HSL 261.82, 0.49%, 0.87%

LAB 84.27, 10.29, -14.74

 

CMYK 5 / 14 / 0 / 7

HEX #E1CDEE

RGB 225 205 238

HSL 276.36, 0.49%, 0.87%

LAB 84.92, 12.9, -13.7

 

CMYK 14 / 8 / 0 / 7

HEX #CDDCEE

RGB 205 220 238

HSL 212.73, 0.49%, 0.87%

LAB 87.16, -1.45, -10.51

 

CMYK 14 / 11 / 0 / 7

HEX #CDD3EE

RGB 205 211 238

HSL 229.09, 0.49%, 0.87%

LAB 84.86, 3.27, -13.94

 

CMYK 14 / 14 / 0 / 7

HEX #CDCDEE

RGB 205 205 238

HSL 240, 0.49%, 0.87%

LAB 83.34, 6.45, -16.22

 

CMYK 14 / 8 / 0 / 7

HEX #CDDCEE

RGB 205 220 238

HSL 212.73, 0.49%, 0.87%

LAB 87.16, -1.45, -10.51

 

CMYK 18 / 10 / 0 / 5

HEX #C8DBF3

RGB 200 219 243

HSL 213.49, 0.64%, 0.87%

LAB 86.71, -1.45, -13.86

 

CMYK 22 / 12 / 0 / 3

HEX #C2DBF8

RGB 194 219 248

HSL 212.22, 0.79%, 0.87%

LAB 86.46, -2.2, -16.91

 

CMYK 26 / 14 / 0 / 0

HEX #BDDAFE

RGB 189 218 254

HSL 213.23, 0.97%, 0.87%

LAB 86.07, -1.81, -20.7

 

CMYK 14 / 8 / 0 / 7

HEX #CDDCEE

RGB 205 220 238

HSL 212.73, 0.49%, 0.87%

LAB 87.16, -1.45, -10.51

 

CMYK 9 / 5 / 0 / 9

HEX #D2DCE8

RGB 210 220 232

HSL 212.73, 0.32%, 0.87%

LAB 87.35, -1.05, -7.03

 

CMYK 5 / 3 / 0 / 11

HEX #D8DDE3

RGB 216 221 227

HSL 212.73, 0.16%, 0.87%

LAB 87.9, -0.57, -3.53

 

CMYK 0 / 0 / 0 / 13

HEX #DDDDDE

RGB 221 221 222

HSL 240, 0.01%, 0.87%

LAB 88.14, 0.18, -0.5

 

CMYK 0 / 2 / 5 / 11

HEX #E3DED8

RGB 227 222 216

HSL 32.73, 0.16%, 0.87%

LAB 88.7, 0.66, 3.53

 

CMYK 14 / 0 / 0 / 7

HEX #CDEEEE

RGB 205 238 238

HSL 180, 0.49%, 0.87%

LAB 91.82, -10.68, -3.62

 

CMYK 14 / 4 / 0 / 7

HEX #CDE5EE

RGB 205 229 238

HSL 196.36, 0.49%, 0.87%

LAB 89.48, -6.1, -7.06

 

CMYK 14 / 8 / 0 / 7

HEX #CDDCEE

RGB 205 220 238

HSL 212.73, 0.49%, 0.87%

LAB 87.16, -1.45, -10.51

 

CMYK 14 / 11 / 0 / 7

HEX #CDD4EE

RGB 205 212 238

HSL 227.27, 0.49%, 0.87%

LAB 85.12, 2.74, -13.56

 

CMYK 13 / 14 / 0 / 7

HEX #CFCDEE

RGB 207 205 238

HSL 243.64, 0.49%, 0.87%

LAB 83.5, 7.08, -15.98

 

CMYK 34 / 18 / 0 / 15

HEX #90B1D9

RGB 144 177 217

HSL 212.88, 0.49%, 0.71%

LAB 71.13, -1.67, -23.79

 

CMYK 23 / 13 / 0 / 11

HEX #AEC6E3

RGB 174 198 227

HSL 212.83, 0.49%, 0.79%

LAB 79, -1.83, -17.09

 

CMYK 14 / 8 / 0 / 7

HEX #CDDCEE

RGB 205 220 238

HSL 212.73, 0.49%, 0.87%

LAB 87.16, -1.45, -10.51

 

CMYK 5 / 3 / 0 / 3

HEX #ECF1F8

RGB 236 241 248

HSL 215, 0.46%, 0.95%

LAB 94.96, -0.37, -3.95

 

CMYK 14 / 8 / 0 / 7

HEX #CDDCEE

RGB 205 220 238

HSL 212.73, 0.49%, 0.87%

LAB 87.16, -1.45, -10.51

 

CMYK 4 / 14 / 0 / 7

HEX #E5CDEE

RGB 229 205 238

HSL 283.64, 0.49%, 0.87%

LAB 85.25, 14.21, -13.17

 

CMYK 2 / 0 / 14 / 7

HEX #E9EECD

RGB 233 238 205

HSL 69.09, 0.49%, 0.87%

LAB 92.96, -7.22, 15.42

 

CMYK 14 / 8 / 0 / 7

HEX #CDDCEE

RGB 205 220 238

HSL 212.73, 0.49%, 0.87%

LAB 87.16, -1.45, -10.51

 

CMYK 0 / 14 / 8 / 7

HEX #EECDDC

RGB 238 205 220

HSL 332.73, 0.49%, 0.87%

LAB 85.51, 14.02, -3.14

 

CMYK 8 / 0 / 14 / 7

HEX #DCEECD

RGB 220 238 205

HSL 92.73, 0.49%, 0.87%

LAB 92.03, -11.74, 13.97

 

CMYK 14 / 8 / 0 / 7

HEX #CDDCEE

RGB 205 220 238

HSL 212.73, 0.49%, 0.87%

LAB 87.16, -1.45, -10.51

 

CMYK 4 / 14 / 0 / 7

HEX #E5CDEE

RGB 229 205 238

HSL 283.64, 0.49%, 0.87%

LAB 85.25, 14.21, -13.17

 

CMYK 0 / 7 / 14 / 7

HEX #EEDECD

RGB 238 222 205

HSL 30.91, 0.49%, 0.87%

LAB 89.31, 2.71, 10.3

 

CMYK 10 / 0 / 14 / 7

HEX #D6EECD

RGB 214 238 205

HSL 103.64, 0.49%, 0.87%

LAB 91.62, -13.8, 13.33

 

CMYK 14 / 8 / 0 / 7

HEX #CDDCEE

RGB 205 220 238

HSL 212.73, 0.49%, 0.87%

LAB 87.16, -1.45, -10.51

 

CMYK 0 / 14 / 0 / 7

HEX #EECDED

RGB 238 205 237

HSL 301.82, 0.49%, 0.87%

LAB 85.98, 17, -11.46

 

CMYK 0 / 7 / 14 / 7

HEX #EEDECD

RGB 238 222 205

HSL 30.91, 0.49%, 0.87%

LAB 89.31, 2.71, 10.3

 

CMYK 14 / 0 / 13 / 7

HEX #CDEECE

RGB 205 238 206

HSL 121.82, 0.49%, 0.87%

LAB 91.05, -16.66, 11.92

 

Description

Color code: HEX #CDDCEE | qconv.com Color code: HEX #CDDCEE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 220 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 220 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 8 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 8% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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