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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CDDB9D it is the complementary color #322462. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CDDB9D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CDDB9D shade: #D2DB98, #E3EDAB, #F4FFBE, #FFFFD1 and #FFFFE4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CDDB9D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CDDB9D shade: #CDDB9D, #BCC98A, #ABB777, #9AA564 and #899351

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CDDB9D shade: #CDDB9E, #DBD89E, #DBC89E, #DBB79E and #DBA79E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CDDB9D shade: #CDDB9E, #BCDB9E, #ACDB9E, #9EDBA0 and #9EDBB0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CDDB9D shade matches the following richer shades: #CDDB9E, #D3E593, #D9F088 and #DFFB7E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CDDB9D shade: #CDDB9E, #C7D0A8, #C1C5B3, #BBBBBE and #B5B0C9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CDDB9D shade: #DBC79E, #DBD89E, #CDDB9E, #BDDB9E and #ADDB9E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CDDB9D shade: #AEC461, #BDD080, #CDDB9E, #DCE6BC and #ECF1DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CDDB9D shade: #CDDB9D, #9EDBB7 and #D09EDB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CDDB9D shade: #CDDB9D, #9ECDDB and #DB9ECD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CDDB9D shade: #CDDB9D, #9EDBB7, #AB9EDB and #DB9EC1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CDDB9D shade: #CDDB9D, #9EDBC9, #AB9EDB and #DB9EAF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 28 / 14

HEX #CDDB9D

RGB 205 219 157

HSL 73.55, 0.46%, 0.74%

LAB 85.04, -14.85, 28.99

 

Complementary color

CMYK 49 / 63 / 0 / 62

HEX #322462

RGB 50 36 98

HSL 253.55, 0.46%, 0.26%

LAB 19.32, 23.86, -34.68

 

CMYK 4 / 0 / 31 / 14

HEX #D2DB98

RGB 210 219 152

HSL 68.06, 0.48%, 0.73%

LAB 85.32, -13.65, 32.01

 

CMYK 4 / 0 / 28 / 7

HEX #E3EDAB

RGB 227 237 171

HSL 69.09, 0.65%, 0.8%

LAB 91.61, -13.8, 30.95

 

CMYK 4 / 0 / 25 / 0

HEX #F4FFBE

RGB 244 255 190

HSL 70.15, 1%, 0.87%

LAB 97.82, -13.92, 29.93

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFD1

RGB 255 255 209

HSL 60, 1%, 0.91%

LAB 98.98, -7.34, 22.04

 

CMYK 0 / 0 / 11 / 0

HEX #FFFFE4

RGB 255 255 228

HSL 60, 1%, 0.95%

LAB 99.37, -4.48, 12.91

 

CMYK 6 / 0 / 28 / 14

HEX #CDDB9D

RGB 205 219 157

HSL 73.55, 0.46%, 0.74%

LAB 85.04, -14.85, 28.99

 

CMYK 6 / 0 / 31 / 21

HEX #BCC98A

RGB 188 201 138

HSL 72.38, 0.37%, 0.66%

LAB 78.64, -14.75, 30.07

 

CMYK 7 / 0 / 35 / 28

HEX #ABB777

RGB 171 183 119

HSL 71.25, 0.31%, 0.59%

LAB 72.13, -14.61, 31.2

 

CMYK 7 / 0 / 39 / 35

HEX #9AA564

RGB 154 165 100

HSL 70.15, 0.27%, 0.52%

LAB 65.51, -14.43, 32.38

 

CMYK 7 / 0 / 45 / 42

HEX #899351

RGB 137 147 81

HSL 69.09, 0.29%, 0.45%

LAB 58.77, -14.2, 33.61

 

CMYK 6 / 0 / 28 / 14

HEX #CDDB9E

RGB 205 219 158

HSL 73.77, 0.46%, 0.74%

LAB 85.05, -14.72, 28.5

 

CMYK 0 / 1 / 28 / 14

HEX #DBD89E

RGB 219 216 158

HSL 57.05, 0.46%, 0.74%

LAB 85.32, -7.96, 29.05

 

CMYK 0 / 9 / 28 / 14

HEX #DBC89E

RGB 219 200 158

HSL 41.31, 0.46%, 0.74%

LAB 81.2, 0.29, 23.46

 

CMYK 0 / 16 / 28 / 14

HEX #DBB79E

RGB 219 183 158

HSL 24.59, 0.46%, 0.74%

LAB 76.92, 9.26, 17.55

 

CMYK 0 / 24 / 28 / 14

HEX #DBA79E

RGB 219 167 158

HSL 8.85, 0.46%, 0.74%

LAB 73, 17.85, 12.06

 

CMYK 6 / 0 / 28 / 14

HEX #CDDB9E

RGB 205 219 158

HSL 73.77, 0.46%, 0.74%

LAB 85.05, -14.72, 28.5

 

CMYK 14 / 0 / 28 / 14

HEX #BCDB9E

RGB 188 219 158

HSL 90.49, 0.46%, 0.74%

LAB 83.87, -20.92, 26.71

 

CMYK 21 / 0 / 28 / 14

HEX #ACDB9E

RGB 172 219 158

HSL 106.23, 0.46%, 0.74%

LAB 82.86, -26.53, 25.16

 

CMYK 28 / 0 / 27 / 14

HEX #9EDBA0

RGB 158 219 160

HSL 121.97, 0.46%, 0.74%

LAB 82.09, -30.89, 22.94

 

CMYK 28 / 0 / 20 / 14

HEX #9EDBB0

RGB 158 219 176

HSL 137.7, 0.46%, 0.74%

LAB 82.41, -28.06, 15

 

CMYK 6 / 0 / 28 / 14

HEX #CDDB9E

RGB 205 219 158

HSL 73.77, 0.46%, 0.74%

LAB 85.05, -14.72, 28.5

 

CMYK 8 / 0 / 36 / 10

HEX #D3E593

RGB 211 229 147

HSL 73.17, 0.61%, 0.74%

LAB 87.97, -18.85, 38.03

 

CMYK 10 / 0 / 43 / 6

HEX #D9F088

RGB 217 240 136

HSL 73.27, 0.78%, 0.74%

LAB 91.17, -23.18, 47.6

 

CMYK 11 / 0 / 50 / 2

HEX #DFFB7E

RGB 223 251 126

HSL 73.44, 0.94%, 0.74%

LAB 94.39, -27.12, 56.32

 

CMYK 6 / 0 / 28 / 14

HEX #CDDB9E

RGB 205 219 158

HSL 73.77, 0.46%, 0.74%

LAB 85.05, -14.72, 28.5

 

CMYK 4 / 0 / 19 / 18

HEX #C7D0A8

RGB 199 208 168

HSL 73.5, 0.3%, 0.74%

LAB 81.88, -9.91, 18.87

 

CMYK 2 / 0 / 9 / 23

HEX #C1C5B3

RGB 193 197 179

HSL 73.33, 0.13%, 0.74%

LAB 78.77, -4.59, 8.55

 

CMYK 2 / 2 / 0 / 25

HEX #BBBBBE

RGB 187 187 190

HSL 240, 0.02%, 0.74%

LAB 75.96, 0.56, -1.52

 

CMYK 10 / 12 / 0 / 21

HEX #B5B0C9

RGB 181 176 201

HSL 252, 0.19%, 0.74%

LAB 72.95, 6.64, -12.03

 

CMYK 0 / 9 / 28 / 14

HEX #DBC79E

RGB 219 199 158

HSL 40.33, 0.46%, 0.74%

LAB 80.95, 0.81, 23.11

 

CMYK 0 / 1 / 28 / 14

HEX #DBD89E

RGB 219 216 158

HSL 57.05, 0.46%, 0.74%

LAB 85.32, -7.96, 29.05

 

CMYK 6 / 0 / 28 / 14

HEX #CDDB9E

RGB 205 219 158

HSL 73.77, 0.46%, 0.74%

LAB 85.05, -14.72, 28.5

 

CMYK 14 / 0 / 28 / 14

HEX #BDDB9E

RGB 189 219 158

HSL 89.51, 0.46%, 0.74%

LAB 83.94, -20.56, 26.81

 

CMYK 21 / 0 / 28 / 14

HEX #ADDB9E

RGB 173 219 158

HSL 105.25, 0.46%, 0.74%

LAB 82.92, -26.19, 25.26

 

CMYK 11 / 0 / 51 / 23

HEX #AEC461

RGB 174 196 97

HSL 73.33, 0.46%, 0.57%

LAB 75.66, -22.44, 46.75

 

CMYK 9 / 0 / 38 / 18

HEX #BDD080

RGB 189 208 128

HSL 74.25, 0.46%, 0.66%

LAB 80.45, -19.14, 37.59

 

CMYK 6 / 0 / 28 / 14

HEX #CDDB9E

RGB 205 219 158

HSL 73.77, 0.46%, 0.74%

LAB 85.05, -14.72, 28.5

 

CMYK 4 / 0 / 18 / 10

HEX #DCE6BC

RGB 220 230 188

HSL 74.29, 0.46%, 0.82%

LAB 89.6, -10.42, 19.37

 

CMYK 2 / 0 / 10 / 5

HEX #ECF1DA

RGB 236 241 218

HSL 73.04, 0.45%, 0.9%

LAB 94.23, -5.61, 10.53

 

CMYK 6 / 0 / 28 / 14

HEX #CDDB9D

RGB 205 219 157

HSL 73.55, 0.46%, 0.74%

LAB 85.04, -14.85, 28.99

 

CMYK 28 / 0 / 16 / 14

HEX #9EDBB7

RGB 158 219 183

HSL 144.59, 0.46%, 0.74%

LAB 82.57, -26.74, 11.52

 

CMYK 5 / 28 / 0 / 14

HEX #D09EDB

RGB 208 158 219

HSL 289.18, 0.46%, 0.74%

LAB 71.54, 29.04, -23.81

 

CMYK 6 / 0 / 28 / 14

HEX #CDDB9D

RGB 205 219 157

HSL 73.55, 0.46%, 0.74%

LAB 85.04, -14.85, 28.99

 

CMYK 28 / 6 / 0 / 14

HEX #9ECDDB

RGB 158 205 219

HSL 193.77, 0.46%, 0.74%

LAB 79.64, -12.09, -11.94

 

CMYK 0 / 28 / 6 / 14

HEX #DB9ECD

RGB 219 158 205

HSL 313.77, 0.46%, 0.74%

LAB 72.18, 30.07, -15.04

 

CMYK 6 / 0 / 28 / 14

HEX #CDDB9D

RGB 205 219 157

HSL 73.55, 0.46%, 0.74%

LAB 85.04, -14.85, 28.99

 

CMYK 28 / 0 / 16 / 14

HEX #9EDBB7

RGB 158 219 183

HSL 144.59, 0.46%, 0.74%

LAB 82.57, -26.74, 11.52

 

CMYK 22 / 28 / 0 / 14

HEX #AB9EDB

RGB 171 158 219

HSL 252.79, 0.46%, 0.74%

LAB 68.19, 17.38, -29.25

 

CMYK 0 / 28 / 12 / 14

HEX #DB9EC1

RGB 219 158 193

HSL 325.57, 0.46%, 0.74%

LAB 71.8, 28.02, -8.98

 

CMYK 6 / 0 / 28 / 14

HEX #CDDB9D

RGB 205 219 157

HSL 73.55, 0.46%, 0.74%

LAB 85.04, -14.85, 28.99

 

CMYK 28 / 0 / 8 / 14

HEX #9EDBC9

RGB 158 219 201

HSL 162.3, 0.46%, 0.74%

LAB 82.99, -23.13, 2.6

 

CMYK 22 / 28 / 0 / 14

HEX #AB9EDB

RGB 171 158 219

HSL 252.79, 0.46%, 0.74%

LAB 68.19, 17.38, -29.25

 

CMYK 0 / 28 / 20 / 14

HEX #DB9EAF

RGB 219 158 175

HSL 343.28, 0.46%, 0.74%

LAB 71.29, 25.16, 0.22

 

Description

Color code: HEX #CDDB9D | qconv.com Color code: HEX #CDDB9D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 219 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 219 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 28 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 28% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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