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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CDD4D9 it is the complementary color #322B26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CDD4D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CDD4D9 shade: #D2D4D4, #E3E6E7, #F4F8FA and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CDD4D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CDD4D9 shade: #CDD4D9, #BCC2C6, #ABB0B3, #9A9EA0 and #898C8D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CDD4D9 shade: #CED5DA, #CED1DA, #CECEDA, #D0CEDA and #D4CEDA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CDD4D9 shade: #CED5DA, #CED1DA and #CECEDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CDD4D9 shade matches the following richer shades: #CED5DA, #C7D6E1, #C0D7E8, #B9D8EF and #B2D9F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CDD4D9 shade: #CED5DA, #D5D3D3, #DCD2CC, #E3D1C5 and #EAD0BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CDD4D9 shade: #CEDAD8, #CED8DA, #CED5DA, #CED1DA and #CECEDA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CDD4D9 shade: #9FACB6, #B6C1C8, #CED5DA, #E5E9EB and #FDFDFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CDD4D9 shade: #CDD4D9, #D5CEDA and #DADACE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CDD4D9 shade: #CDD4D9, #DACED5 and #D5DACE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CDD4D9 shade: #CDD4D9, #D5CEDA, #DAD3CE and #D2DACE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CDD4D9 shade: #CDD4D9, #D9CEDA, #DAD3CE and #CFDACE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 2 / 0 / 15

HEX #CDD4D9

RGB 205 212 217

HSL 205, 0.14%, 0.83%

LAB 84.52, -1.42, -3.3

 

Complementary color

CMYK 0 / 14 / 24 / 80

HEX #322B26

RGB 50 43 38

HSL 25, 0.14%, 0.17%

LAB 18.12, 2.18, 4.43

 

CMYK 1 / 0 / 0 / 17

HEX #D2D4D4

RGB 210 212 212

HSL 180, 0.02%, 0.83%

LAB 84.76, -0.68, -0.25

 

CMYK 2 / 0 / 0 / 9

HEX #E3E6E7

RGB 227 230 231

HSL 195, 0.08%, 0.9%

LAB 91.1, -0.82, -0.85

 

CMYK 2 / 1 / 0 / 2

HEX #F4F8FA

RGB 244 248 250

HSL 200, 0.37%, 0.97%

LAB 97.34, -0.96, -1.43

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 6 / 2 / 0 / 15

HEX #CDD4D9

RGB 205 212 217

HSL 205, 0.14%, 0.83%

LAB 84.52, -1.42, -3.3

 

CMYK 5 / 2 / 0 / 22

HEX #BCC2C6

RGB 188 194 198

HSL 204, 0.08%, 0.76%

LAB 78.08, -1.3, -2.73

 

CMYK 4 / 2 / 0 / 30

HEX #ABB0B3

RGB 171 176 179

HSL 202.5, 0.05%, 0.69%

LAB 71.53, -1.17, -2.15

 

CMYK 4 / 1 / 0 / 37

HEX #9A9EA0

RGB 154 158 160

HSL 200, 0.03%, 0.62%

LAB 64.85, -1.04, -1.55

 

CMYK 3 / 1 / 0 / 45

HEX #898C8D

RGB 137 140 141

HSL 195, 0.02%, 0.55%

LAB 58.03, -0.9, -0.92

 

CMYK 6 / 2 / 0 / 15

HEX #CED5DA

RGB 206 213 218

HSL 205, 0.14%, 0.83%

LAB 84.88, -1.42, -3.29

 

CMYK 6 / 4 / 0 / 15

HEX #CED1DA

RGB 206 209 218

HSL 225, 0.14%, 0.83%

LAB 83.85, 0.67, -4.81

 

CMYK 6 / 6 / 0 / 15

HEX #CECEDA

RGB 206 206 218

HSL 240, 0.14%, 0.83%

LAB 83.09, 2.25, -5.94

 

CMYK 5 / 6 / 0 / 15

HEX #D0CEDA

RGB 208 206 218

HSL 250, 0.14%, 0.83%

LAB 83.24, 2.92, -5.7

 

CMYK 3 / 6 / 0 / 15

HEX #D4CEDA

RGB 212 206 218

HSL 270, 0.14%, 0.83%

LAB 83.55, 4.26, -5.2

 

CMYK 6 / 2 / 0 / 15

HEX #CED5DA

RGB 206 213 218

HSL 205, 0.14%, 0.83%

LAB 84.88, -1.42, -3.29

 

CMYK 6 / 4 / 0 / 15

HEX #CED1DA

RGB 206 209 218

HSL 225, 0.14%, 0.83%

LAB 83.85, 0.67, -4.81

 

CMYK 6 / 6 / 0 / 15

HEX #CECEDA

RGB 206 206 218

HSL 240, 0.14%, 0.83%

LAB 83.09, 2.25, -5.94

 

CMYK 6 / 2 / 0 / 15

HEX #CED5DA

RGB 206 213 218

HSL 205, 0.14%, 0.83%

LAB 84.88, -1.42, -3.29

 

CMYK 12 / 5 / 0 / 12

HEX #C7D6E1

RGB 199 214 225

HSL 205.38, 0.3%, 0.83%

LAB 84.83, -2.87, -7.14

 

CMYK 17 / 7 / 0 / 9

HEX #C0D7E8

RGB 192 215 232

HSL 205.5, 0.47%, 0.83%

LAB 84.81, -4.17, -10.93

 

CMYK 23 / 10 / 0 / 6

HEX #B9D8EF

RGB 185 216 239

HSL 205.56, 0.63%, 0.83%

LAB 84.82, -5.32, -14.67

 

CMYK 28 / 12 / 0 / 4

HEX #B2D9F6

RGB 178 217 246

HSL 205.59, 0.79%, 0.83%

LAB 84.87, -6.31, -18.35

 

CMYK 6 / 2 / 0 / 15

HEX #CED5DA

RGB 206 213 218

HSL 205, 0.14%, 0.83%

LAB 84.88, -1.42, -3.29

 

CMYK 0 / 1 / 1 / 16

HEX #D5D3D3

RGB 213 211 211

HSL 0, 0.02%, 0.83%

LAB 84.71, 0.69, 0.23

 

CMYK 0 / 5 / 7 / 14

HEX #DCD2CC

RGB 220 210 204

HSL 22.5, 0.19%, 0.83%

LAB 84.83, 2.41, 4.19

 

CMYK 0 / 8 / 13 / 11

HEX #E3D1C5

RGB 227 209 197

HSL 24, 0.35%, 0.83%

LAB 84.98, 4.26, 8.19

 

CMYK 0 / 11 / 19 / 8

HEX #EAD0BE

RGB 234 208 190

HSL 24.55, 0.51%, 0.83%

LAB 85.16, 6.24, 12.24

 

CMYK 6 / 0 / 1 / 15

HEX #CEDAD8

RGB 206 218 216

HSL 170, 0.14%, 0.83%

LAB 86.12, -4.4, -0.42

 

CMYK 6 / 1 / 0 / 15

HEX #CED8DA

RGB 206 216 218

HSL 190, 0.14%, 0.83%

LAB 85.65, -2.98, -2.16

 

CMYK 6 / 2 / 0 / 15

HEX #CED5DA

RGB 206 213 218

HSL 205, 0.14%, 0.83%

LAB 84.88, -1.42, -3.29

 

CMYK 6 / 4 / 0 / 15

HEX #CED1DA

RGB 206 209 218

HSL 225, 0.14%, 0.83%

LAB 83.85, 0.67, -4.81

 

CMYK 6 / 6 / 0 / 15

HEX #CECEDA

RGB 206 206 218

HSL 240, 0.14%, 0.83%

LAB 83.09, 2.25, -5.94

 

CMYK 13 / 5 / 0 / 29

HEX #9FACB6

RGB 159 172 182

HSL 206.09, 0.14%, 0.67%

LAB 69.65, -2.48, -6.68

 

CMYK 9 / 4 / 0 / 22

HEX #B6C1C8

RGB 182 193 200

HSL 203.33, 0.14%, 0.75%

LAB 77.43, -2.39, -4.82

 

CMYK 6 / 2 / 0 / 15

HEX #CED5DA

RGB 206 213 218

HSL 205, 0.14%, 0.83%

LAB 84.88, -1.42, -3.29

 

CMYK 3 / 1 / 0 / 8

HEX #E5E9EB

RGB 229 233 235

HSL 200, 0.13%, 0.91%

LAB 92.1, -0.97, -1.45

 

CMYK 0 / 0 / 0 / 1

HEX #FDFDFD

RGB 253 253 253

HSL 0, 0%, 0.99%

LAB 99.31, 0.01, -0.01

 

CMYK 6 / 2 / 0 / 15

HEX #CDD4D9

RGB 205 212 217

HSL 205, 0.14%, 0.83%

LAB 84.52, -1.42, -3.3

 

CMYK 2 / 6 / 0 / 15

HEX #D5CEDA

RGB 213 206 218

HSL 275, 0.14%, 0.83%

LAB 83.63, 4.6, -5.08

 

CMYK 0 / 0 / 6 / 15

HEX #DADACE

RGB 218 218 206

HSL 60, 0.14%, 0.83%

LAB 86.75, -2.1, 5.89

 

CMYK 6 / 2 / 0 / 15

HEX #CDD4D9

RGB 205 212 217

HSL 205, 0.14%, 0.83%

LAB 84.52, -1.42, -3.3

 

CMYK 0 / 6 / 2 / 15

HEX #DACED5

RGB 218 206 213

HSL 325, 0.14%, 0.83%

LAB 83.89, 5.38, -1.98

 

CMYK 2 / 0 / 6 / 15

HEX #D5DACE

RGB 213 218 206

HSL 85, 0.14%, 0.83%

LAB 86.38, -3.83, 5.3

 

CMYK 6 / 2 / 0 / 15

HEX #CDD4D9

RGB 205 212 217

HSL 205, 0.14%, 0.83%

LAB 84.52, -1.42, -3.3

 

CMYK 2 / 6 / 0 / 15

HEX #D5CEDA

RGB 213 206 218

HSL 275, 0.14%, 0.83%

LAB 83.63, 4.6, -5.08

 

CMYK 0 / 3 / 6 / 15

HEX #DAD3CE

RGB 218 211 206

HSL 25, 0.14%, 0.83%

LAB 84.97, 1.53, 3.32

 

CMYK 4 / 0 / 6 / 15

HEX #D2DACE

RGB 210 218 206

HSL 100, 0.14%, 0.83%

LAB 86.16, -4.86, 4.95

 

CMYK 6 / 2 / 0 / 15

HEX #CDD4D9

RGB 205 212 217

HSL 205, 0.14%, 0.83%

LAB 84.52, -1.42, -3.3

 

CMYK 0 / 6 / 0 / 15

HEX #D9CEDA

RGB 217 206 218

HSL 295, 0.14%, 0.83%

LAB 83.94, 5.95, -4.58

 

CMYK 0 / 3 / 6 / 15

HEX #DAD3CE

RGB 218 211 206

HSL 25, 0.14%, 0.83%

LAB 84.97, 1.53, 3.32

 

CMYK 5 / 0 / 6 / 15

HEX #CFDACE

RGB 207 218 206

HSL 115, 0.14%, 0.83%

LAB 85.94, -5.89, 4.61

 

Description

Color code: HEX #CDD4D9 | qconv.com Color code: HEX #CDD4D9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 212 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 212 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 2 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 2% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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