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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CDD461 it is the complementary color #322B9E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CDD461. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CDD461 shade: #D2D45C, #E3E66F, #F4F882, #FFFF95 and #FFFFA8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CDD461. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CDD461 shade: #CDD461, #BCC24E, #ABB03B, #9A9E28 and #898C15

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CDD461 shade: #CDD463, #D4BD63, #D49E63, #D47F63 and #D46363

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CDD461 shade: #CDD463, #AFD463, #90D463, #72D463 and #63D473

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CDD461 shade matches the following richer shades: #CDD463, #DBE453 and #EAF443

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CDD461 shade: #CDD463, #BFC473, #B1B483, #A3A493 and #9594A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CDD461 shade: #D49D63, #D4BC63, #CFD463, #B0D463 and #92D463

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CDD461 shade: #ACB331, #C3CB42, #CDD463, #D8DD83 and #E2E6A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CDD461 shade: #CDD461, #63D47F and #AD63D4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CDD461 shade: #CDD461, #63CFD4 and #D463CF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CDD461 shade: #CDD461, #63D47F, #6963D4 and #D463B8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CDD461 shade: #CDD461, #63D4A1, #6963D4 and #D46396

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 54 / 17

HEX #CDD461

RGB 205 212 97

HSL 63.65, 0.57%, 0.61%

LAB 82.34, -17.91, 55.13

 

Complementary color

CMYK 68 / 73 / 0 / 38

HEX #322B9E

RGB 50 43 158

HSL 243.65, 0.57%, 0.39%

LAB 26.37, 39.63, -61.08

 

CMYK 1 / 0 / 57 / 17

HEX #D2D45C

RGB 210 212 92

HSL 61, 0.58%, 0.6%

LAB 82.68, -16.26, 57.86

 

CMYK 1 / 0 / 52 / 10

HEX #E3E66F

RGB 227 230 111

HSL 61.51, 0.7%, 0.67%

LAB 88.96, -16.81, 56.84

 

CMYK 2 / 0 / 48 / 3

HEX #F4F882

RGB 244 248 130

HSL 62.03, 0.89%, 0.74%

LAB 95.15, -17.26, 55.75

 

CMYK 0 / 0 / 42 / 0

HEX #FFFF95

RGB 255 255 149

HSL 60, 1%, 0.79%

LAB 98.01, -14.63, 50.51

 

CMYK 0 / 0 / 34 / 0

HEX #FFFFA8

RGB 255 255 168

HSL 60, 1%, 0.83%

LAB 98.28, -12.61, 41.64

 

CMYK 3 / 0 / 54 / 17

HEX #CDD461

RGB 205 212 97

HSL 63.65, 0.57%, 0.61%

LAB 82.34, -17.91, 55.13

 

CMYK 3 / 0 / 60 / 24

HEX #BCC24E

RGB 188 194 78

HSL 63.1, 0.49%, 0.53%

LAB 75.96, -17.35, 56.09

 

CMYK 3 / 0 / 66 / 31

HEX #ABB03B

RGB 171 176 59

HSL 62.56, 0.5%, 0.46%

LAB 69.49, -16.67, 56.8

 

CMYK 3 / 0 / 75 / 38

HEX #9A9E28

RGB 154 158 40

HSL 62.03, 0.6%, 0.39%

LAB 62.91, -15.81, 57.03

 

CMYK 2 / 0 / 85 / 45

HEX #898C15

RGB 137 140 21

HSL 61.51, 0.74%, 0.32%

LAB 56.22, -14.73, 56.29

 

CMYK 3 / 0 / 53 / 17

HEX #CDD463

RGB 205 212 99

HSL 63.72, 0.57%, 0.61%

LAB 82.36, -17.74, 54.24

 

CMYK 0 / 11 / 53 / 17

HEX #D4BD63

RGB 212 189 99

HSL 47.79, 0.57%, 0.61%

LAB 76.86, -3.18, 47.95

 

CMYK 0 / 25 / 53 / 17

HEX #D49E63

RGB 212 158 99

HSL 31.33, 0.57%, 0.61%

LAB 69.01, 13.32, 38.43

 

CMYK 0 / 40 / 53 / 17

HEX #D47F63

RGB 212 127 99

HSL 14.87, 0.57%, 0.61%

LAB 61.72, 30.06, 29.21

 

CMYK 0 / 53 / 53 / 17

HEX #D46363

RGB 212 99 99

HSL 0, 0.57%, 0.61%

LAB 55.91, 44.52, 21.57

 

CMYK 3 / 0 / 53 / 17

HEX #CDD463

RGB 205 212 99

HSL 63.72, 0.57%, 0.61%

LAB 82.36, -17.74, 54.24

 

CMYK 17 / 0 / 53 / 17

HEX #AFD463

RGB 175 212 99

HSL 79.65, 0.57%, 0.61%

LAB 80.24, -29.57, 51.23

 

CMYK 32 / 0 / 53 / 17

HEX #90D463

RGB 144 212 99

HSL 96.11, 0.57%, 0.61%

LAB 78.41, -40.9, 48.63

 

CMYK 46 / 0 / 53 / 17

HEX #72D463

RGB 114 212 99

HSL 112.04, 0.57%, 0.61%

LAB 77.02, -50.47, 46.63

 

CMYK 53 / 0 / 46 / 17

HEX #63D473

RGB 99 212 115

HSL 128.5, 0.57%, 0.61%

LAB 76.67, -52.37, 38.31

 

CMYK 3 / 0 / 53 / 17

HEX #CDD463

RGB 205 212 99

HSL 63.72, 0.57%, 0.61%

LAB 82.36, -17.74, 54.24

 

CMYK 4 / 0 / 64 / 11

HEX #DBE453

RGB 219 228 83

HSL 63.72, 0.73%, 0.61%

LAB 87.57, -21.06, 67.12

 

CMYK 4 / 0 / 73 / 4

HEX #EAF443

RGB 234 244 67

HSL 63.39, 0.89%, 0.61%

LAB 92.84, -23.49, 78.49

 

CMYK 3 / 0 / 53 / 17

HEX #CDD463

RGB 205 212 99

HSL 63.72, 0.57%, 0.61%

LAB 82.36, -17.74, 54.24

 

CMYK 3 / 0 / 41 / 23

HEX #BFC473

RGB 191 196 115

HSL 63.7, 0.41%, 0.61%

LAB 77.16, -13.82, 40

 

CMYK 2 / 0 / 27 / 29

HEX #B1B483

RGB 177 180 131

HSL 63.67, 0.25%, 0.61%

LAB 71.98, -9.11, 24.71

 

CMYK 1 / 0 / 10 / 36

HEX #A3A493

RGB 163 164 147

HSL 63.53, 0.09%, 0.61%

LAB 66.86, -3.45, 8.7

 

CMYK 9 / 9 / 0 / 36

HEX #9594A3

RGB 149 148 163

HSL 244, 0.08%, 0.61%

LAB 61.84, 3.38, -7.74

 

CMYK 0 / 26 / 53 / 17

HEX #D49D63

RGB 212 157 99

HSL 30.8, 0.57%, 0.61%

LAB 68.76, 13.86, 38.13

 

CMYK 0 / 11 / 53 / 17

HEX #D4BC63

RGB 212 188 99

HSL 47.26, 0.57%, 0.61%

LAB 76.6, -2.65, 47.64

 

CMYK 2 / 0 / 53 / 17

HEX #CFD463

RGB 207 212 99

HSL 62.65, 0.57%, 0.61%

LAB 82.51, -16.94, 54.46

 

CMYK 17 / 0 / 53 / 17

HEX #B0D463

RGB 176 212 99

HSL 79.12, 0.57%, 0.61%

LAB 80.3, -29.19, 51.32

 

CMYK 31 / 0 / 53 / 17

HEX #92D463

RGB 146 212 99

HSL 95.04, 0.57%, 0.61%

LAB 78.52, -40.2, 48.78

 

CMYK 4 / 0 / 73 / 30

HEX #ACB331

RGB 172 179 49

HSL 63.23, 0.57%, 0.45%

LAB 70.34, -18.3, 61.45

 

CMYK 4 / 0 / 67 / 20

HEX #C3CB42

RGB 195 203 66

HSL 63.5, 0.57%, 0.53%

LAB 78.87, -19.68, 64.21

 

CMYK 3 / 0 / 53 / 17

HEX #CDD463

RGB 205 212 99

HSL 63.72, 0.57%, 0.61%

LAB 82.36, -17.74, 54.24

 

CMYK 2 / 0 / 41 / 13

HEX #D8DD83

RGB 216 221 131

HSL 63.33, 0.57%, 0.69%

LAB 85.98, -14.82, 43.53

 

CMYK 2 / 0 / 29 / 10

HEX #E2E6A4

RGB 226 230 164

HSL 63.64, 0.57%, 0.77%

LAB 89.6, -11.6, 31.8

 

CMYK 3 / 0 / 54 / 17

HEX #CDD461

RGB 205 212 97

HSL 63.65, 0.57%, 0.61%

LAB 82.34, -17.91, 55.13

 

CMYK 53 / 0 / 40 / 17

HEX #63D47F

RGB 99 212 127

HSL 134.87, 0.57%, 0.61%

LAB 76.84, -50.48, 32.5

 

CMYK 18 / 53 / 0 / 17

HEX #AD63D4

RGB 173 99 212

HSL 279.29, 0.57%, 0.61%

LAB 54.62, 49.08, -46.54

 

CMYK 3 / 0 / 54 / 17

HEX #CDD461

RGB 205 212 97

HSL 63.65, 0.57%, 0.61%

LAB 82.34, -17.91, 55.13

 

CMYK 53 / 2 / 0 / 17

HEX #63CFD4

RGB 99 207 212

HSL 182.65, 0.57%, 0.61%

LAB 77.3, -29.53, -11.96

 

CMYK 0 / 53 / 2 / 17

HEX #D463CF

RGB 212 99 207

HSL 302.65, 0.57%, 0.61%

LAB 59.37, 58.61, -35.89

 

CMYK 3 / 0 / 54 / 17

HEX #CDD461

RGB 205 212 97

HSL 63.65, 0.57%, 0.61%

LAB 82.34, -17.91, 55.13

 

CMYK 53 / 0 / 40 / 17

HEX #63D47F

RGB 99 212 127

HSL 134.87, 0.57%, 0.61%

LAB 76.84, -50.48, 32.5

 

CMYK 50 / 53 / 0 / 17

HEX #6963D4

RGB 105 99 212

HSL 243.19, 0.57%, 0.61%

LAB 47.85, 32.55, -57.73

 

CMYK 0 / 53 / 13 / 17

HEX #D463B8

RGB 212 99 184

HSL 314.87, 0.57%, 0.61%

LAB 58.4, 54.84, -24.28

 

CMYK 3 / 0 / 54 / 17

HEX #CDD461

RGB 205 212 97

HSL 63.65, 0.57%, 0.61%

LAB 82.34, -17.91, 55.13

 

CMYK 53 / 0 / 24 / 17

HEX #63D4A1

RGB 99 212 161

HSL 152.92, 0.57%, 0.61%

LAB 77.47, -44.08, 15.6

 

CMYK 50 / 53 / 0 / 17

HEX #6963D4

RGB 105 99 212

HSL 243.19, 0.57%, 0.61%

LAB 47.85, 32.55, -57.73

 

CMYK 0 / 53 / 29 / 17

HEX #D46396

RGB 212 99 150

HSL 332.92, 0.57%, 0.61%

LAB 57.19, 49.98, -6.42

 

Description

Color code: HEX #CDD461 | qconv.com Color code: HEX #CDD461 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 212 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 212 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 54 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 54% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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